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Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 7 No 1 (2024)" : 6 Documents clear
Kearifan Lokal Sebagai Budaya Dan Inspirasi Penciptaan Tari karang Tumandang Dara Adelia; Vito Widyatama
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.25965

Abstract

As one of the objectives to know and understand the creative process in the creation of a dance that becomes the identity of a region and as an effort to conserve the values of local wisdom. The author aims to examine the process of creating dance originating from an area, namely Karanganyar Regency, and what meaning it contains. In today's era, there are many young people who are indifferent to the cultures around them, but the effort to create the Tumandang Coral Dance is aimed at children until this teenager has succeeded in maintaining the existing history as a forum for cultural preservation. This dance is introduced in one way, namely the disdikbud held a Tumandag Coral Dance competition through a festival, at the annual event commemorating the anniversary of Karanganyar Regency, with this art makes children to teenagers understand the history contained in the region, and also enthusiastic to get to know more about the arts and culture in the region.
Peran Pemanasan Menggunakan Teknik Scale Mayor dan Minor Terhadap Pembelajaran Instrumen Piano Bagi Anak-Anak Fian Priatna, Sekar Aurellia Septi Priatna
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.26256

Abstract

The development of the times has made many changes in society. If in the past music was considered contrary to the surrounding culture, the situation is different now. At this time the existence of music is very important, because it can provide stimulation for children to be creative through the art of music. The use of music will make children more free in expressing or expressing their feelings. Schools are also starting to provide music learning materials, although in practice this is not free from the challenges they face. Whether it's from teachers who don't have a music background, or the process of digesting children or students who are different. Therefore, to start piano learning activities, a warm-up is carried out using major and minor scale techniques. The aim is for each child to practice their piano playing, while also flexing their fingers; wrist; elbow; as well as shoulders. Qualitative methods were used to study this problem. So we came to the conclusion that the role of warming up using major and minor scale techniques is to support their learning process when studying music
Regenerasi Kelompok Kesenian karawitan Laras Budaya untuk Pemuda di Desa Bligo, Magelang Estu Ari Nugroho; Alvina Yusarianti; Nur Arif Anandhita
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.26353

Abstract

This article aims to identify the regeneration process undertaken by the Laras Budaya Karawitan Art Group in Bligo Village, Ngluwar, Magelang Regency, Central Java. Traditional arts such as karawitan should ideally be utilised to preserve this musical heritage. Karawitan is a traditional music performance involving the use of gamelan instruments. The Laras Budaya Karawitan Art Group, established in 1976 and led by Temu Riyadi, represents this musical tradition in Bligo Village. The regeneration of members within this art group has significantly contributed to preserving karawitan in Bligo Village. Data collection was focused on research needs and employed qualitative techniques. A qualitative methodology was used to explain the phenomena under study comprehensively. Based on observations and research conducted, it was found that the regeneration process by the Laras Budaya Karawitan Art Group has been successful. This is evidenced by the forming a karawitan group of youth from Bligo Village aged 18 to 25. The regeneration was carried out through training sessions directly supervised by Indonesian Institute of the Arts (ISI) Yogyakarta students. The training method employed in this regeneration process was the demonstration method, enabling the youth to grasp the material effectively.
TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI Berutu, Kristin Advent J; Kartini R.M Manalu
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.27945

Abstract

This study discusses the interpretation and presentation techniques of Nevicata Op. 29 Pastorale by Benvenuto Terzi. The techniques used are interpretation techniques based on musical elements such as dynamics, tempo, and playing techniques in the form of barre, vibrato, arpeggio, harmonics, trills, glissando, slur, nano izi quardo solo, tone color, apoyando, tirando, sul tasto, and sul ponticello techniques. This study also explains the difficulties experienced by the author when presenting nevicata in a recital and how to overcome them during the practice process. The very basic level of complexity in this nevicata is the use of larghissimo (slow) and piano (soft) tempos. In the last section, the author explains the presentation of nevicata op. 29 when performing a recital.
The Integration of Selober Traditional Music Within the song “Hakikat Sebuah Cinta” by Dr. Azam Dungun Lalu Ahmad Alfian Bakti; Mohd Azam Sulong; Affendi Ramli
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.27961

Abstract

This study aims to explore the integration of traditional Lombok music, particularly the "Selober," into modern music through a unique composition titled *Lagu Hakikat Cinta* by Prof. Madya Azam Sulong. Employing a practical-based research design supported by document analysis, this project is structured into two main phases to achieve a coherent blend of traditional and contemporary elements. In the initial phase, the distinctive sounds of the Selober instrument were recorded and inputted into the digital audio workstation software *Sample One* to preserve its authentic timbre. Following this, in the second phase, the Selober sound was transformed and layered into four distinct tracks: Track Selober Transpose-12, Track Selober Delay, Track Selober Reverse, and Track Selober Snare. Each track reflects a different aspect of musical adaptation, allowing the traditional tones to harmonize with modern music elements. This method enabled the creation of a dynamic fusion, merging Selober’s traditional tones with digital sound effects, resulting in a distinctive piece that embodies cultural heritage within a modern musical framework. The final output, available in mp3 format, highlights the potential of digital technology in revitalizing traditional music and underscores its adaptability within contemporary musical landscapes.
Bentuk Pertunjukan Tari Tradisional Penginang Penampi di Kabupaten Lombok Tengah Nusa Tenggara Barat -, Baiq Larre Ginggit Sekar Wangi; Rapi Renda; I Wayan Kusuma Di Biagi
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.28000

Abstract

This study aims to explain and analyze the form of the Penginang Penampi dance performance in the process of inheriting traditional dances of the Central Lombok Regency, West Nusa Tenggara. This study uses a qualitative descriptive method with an interdisciplinary approach. Research data with three data collection techniques, namely observation, interviews, and documentation. Data validation is carried out by means of reflection, peer opinion, and rational analysis. The data analysis technique uses data triangulation techniques. The flow of data analysis techniques used is the interactive model analysis flow starting from data collection, data reduction, data presentation and data verification. The results of the study show the following findings: the form of the Penginang Penampi dance performance in Central Lombok Regency, West Nusa Tenggara is the Penginang Penampi dance movement, the main movement is the initial movement, the core movement and the closing movement. The theme of the Penginang Penampi dance includes non-dramatic dance (traditional dance). the accompanying music uses gamelan gendang beleq, the costume uses the Sasak tribe's clothing, namely the "Lambung" shirt, the make-up uses local make-up, the stage design uses a proscenium stage, the lighting uses the main light and the sound system uses a sound system. The conclusion of the research that has been done, the form of the Penginang Penampi dance performance has a distinctive characteristic form, especially in the form of its movements. Therefore, the Penginang Penampi dance needs to be preserved.

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