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ricky Irawan
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 159 Documents
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STRATEGI PENGELOLAAN PADUAN SUARA PERGURUAN TINGGI: STUDI KASUS PADUAN SUARA MAHASISWA UNIVERSITAS PALANGKARAYA Puspawatie, Susiana
Journal of Music Science, Technology, and Industry Vol 2 No 2 (2019)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (728.423 KB) | DOI: 10.31091/jomsti.v2i2.868

Abstract

Universitas Palangkaraya Student Choir, Central Kalimantan, has won various achievements at some championships held locally and internationally. This student activity unit (unit kegiatan mahasiswa, UKM) has been established since 1996 and has changed its management department every year. The purpose of this study was to determine the management strategy of the choir that is managed in the student activity unit at the university. For this reason, the formulation of the problem proposed in this study is how to apply management strategies in the Universitas Palangkaraya Choir Student Activity Unit? The results showed that there were 14 important principles applied by the choir at Universitas Palangkaraya to maintain its sustainability and existence. Based on the SWOT analysis, UKM Choir of Palangkaraya University has strengths in the spirit of togetherness, fairness and honesty, as well as order and discipline.
ISU PERUBAHAN AGRARIA DALAM LIRIK LAGU POPULER INDONESIA 1950-1980 Abdulgani, Fuad
Journal of Music Science, Technology, and Industry Vol 2 No 2 (2019)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (666.595 KB) | DOI: 10.31091/jomsti.v2i2.869

Abstract

Indonesia is an agricultural country where the majority of the population lives from cultivating land, both in rather sophisticated and simple ways, and making a living from the produce of the earth. The picture can be said to be correct for, at least, until the last decade before entering the millennium era. If you look at Indonesia's macroeconomic statistics from 1961 to 2011, it will be seen a decrease in the presentation of the population working in the agricultural sector. Along with that, the number of people working in the industrial (manufacturing) sector is increasing. Significant improvement is most clearly seen in the service sector. So that in 2011 the number beat the population of Indonesia who worked in the agricultural sector. If the change in agrarian society is seen as a popular change for Indonesians - in the sense that the change is experienced by many people, occurs in a broad spatial scope and with a significant impact - the question is, how will the change in an agrarian society be captured and interpreted in the mind by artists and especially musicians who, I think, have a role as recorders of the age? To answer that question, the writer selected a number of popular Indonesian songs from the 1950s to the 1980s with poems containing pieces of agrarian change.
ROLES AND RESPONSIBILITIES OF MUSIC DIRECTOR: A CASE STUDY OF RADIO GERONIMO AND SWARAGAMA FM, YOGYAKARTA Prasetyo, Guntur Eko
Journal of Music Science, Technology, and Industry Vol 2 No 2 (2019)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (558.257 KB) | DOI: 10.31091/jomsti.v2i2.870

Abstract

Artikel ini memfokuskan peran dan tanggungjawab seorang music director  pada stasiun radio untuk memahami bagaimana peran, tanggungjawab serta cara kerja mereka di dalam industri radio. Radio Geronimo dan Swaragama FM di Yogyakarta, Indonesia, dipilih sebagai lokasi penelitian. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Temuan dalam penelitian ini adalah music director  mempunyai hak penuh dalam menentukan musik yang akan mengudara di radio. Music director mengawasi berjalannya jenis-jenis dan macam musik yang diputar saat siaran berlangsung agar tidak keluar dari ketentuan dan visi misi yang telah dibuatnya. Yang paling penting dari itu adalah, pada dasarnya seorang music director  dan radio ikut berperan dalam membentuk selera musik yang berkembang di masyarakat. 
MEYER’S APPROACH ON MUSICAL ANALYSIS AND ITS RELEVANCE TO INDONESIAN ANALYTICAL STUDY OF WESTERN MUSIC Indrawan, Andre
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.632 KB)

Abstract

This critical review of Leonard Bunce Meyer's musical analysis theory is aimed at obtaining a basic understanding of an approach that seems uncommon in Indonesian studies of Western music. This study uses a speculative method with descriptive as well as critical approaches, where Meyer's analysis theory is depicted critically by conforming it toward Nicolas Cook's critical review which was based on the Shenkerian concept. The relevance application of this analysis model in the studies of musical form in Indonesia then is discussed. This study concluded that the psychological music analysis of Meyer was carried out by the foreground expectations of the tonal music linear and rhythmical analysis. Compared to the Shenkerian approach which gives greater attention to the harmonic reduction that focused on the harmonic background of tonal music, Meyer?s approach would be less practical in observing at large-scale musical structures. Meyer?s analysis would be valuable to the performers as well as music analysts if they also take into account their musical style concepts which mostly regarded as the area of aesthetic rather than technical analysis. For Indonesia, this method is appropriate for Master and Doctorate studies in Western Music.
ANALYSIS OF BESAMAN MUSIC RHYTHM PATTERNS Ay, Hardiansyah
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (825.018 KB)

Abstract

Besaman (bersaman) is a daily mention of the Gayo people for art activities which are currently only known as saman dance. saman is a traditional Gayo art which includes music, dance and literature. Within the elements of music, dance and literature have an equally important portion, in which each type of art takes place in mutualism, such as the motion of creating music, music (melodic form of song and poetic structure) is considered in creating the rhythm of motion. In the perspective of dance music, saman is a dance that uses a form of music presentation internally, internally what is meant is music that arises or is produced by the dancer itself (without accompaniment of music). Music in besaman is produced by clapping hands, chest, thighs, finger flicks and vocals. Clapping hands, chest, thighs and flick fingers form a choreography in the dance. The forms of song melodies and literary structures adjust and are also adjusted in creating a form of musical rhythm as well as dance moves. Therefore, the Gayo community calls this form of art activity with the plait not just dancing saman, because the three types of music, dance and literature take an equally important role in doing this art.
TERMINOLOGI GAMBUS DALAM SPEKTRUM MUSIK DI INDONESIA Irawan, Ricky
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (140.466 KB)

Abstract

This Article aims to review the expansion of the meaning of gambus in three categories. It is, firstly, the gambus as a musical instrument; secondly, gambus as a music performance format; and thirdly, stringed as a musical style. This categorization helps to understand the context in which the term gambus is used. Thus, the discussion about gambus can be understood more clearly. It was found that, initially, the term gambus is used to refer to a stringed musical instrument from the Middle East that came together with trading activities and the spread of Islam in Southeast Asia. But in its development, gambus is also used to refer to a format of musical performances such as orkes gambus, gambus Melayu, gambus tunggal and others. Later, gambus was used also to refer to musical styles associated with Islamic musical arts such as gambus dzikir, gambus sholawat, gambus qasidah. Seeing the various uses, it is difficult to interpret it only as the name of a musical instrument, but must also accommodate the expansion of its meaning at this time.  
HIBRIDITAS MULTIDIMENSIONAL: STUDI KASUS KARYA MUSIK KOMUNITAS BADAN GILA Sudirga, Komang
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

This paper wants to show that the Komunitas Bada Gila (or Crazy Body Community) is an art community in Telepud Village, Tegalalang District, Gianyar Regency. This research is directed to answer questions related to the existence, aesthetic foundation, and creative processes that are behind the show. To answer these qualitative questions, this study applies various techniques and procedures for collecting data in the form of interviews and observations. I find that this community was founded in 2008 by 16 artists who have a commitment to devote their lives in the ecosystem of the art world. The idea to build this art community began with the Final Project of Artwork by Wayan Sutapa, which was inspired by genjek, the song that was played while drinking wine. Initially Sutapa aims to change the perception of traditional art which is considered as the 'art of the drunk' by placing it in a new context. However, instead of changing these negative perceptions, the works of the community have opened the possibility of expanding the creativity of kecak and genjek art into a more attractive form with the body as the medium. The creative works of the community reaffirm that Balinese society is open and a necessity for local-global struggle and association in Bali.
IDENTITY OF KECAK TOURISTIC PERFORMANCE IN ULUWATU TEMPLE Putra Kencana, I Putu Adis; Mudana, I Gede; Ardini, Ni Wayan
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (551.917 KB)

Abstract

Touristic performances at Uluwatu Temple have some differences in other tourist attractions, so this research was conducted aimed at providing information or an overview of identity in tourist performances at Uluwatu Temple itself. This study uses qualitative methods that prioritize objectivity and honesty in gathering data so that the results obtained will be truly based on research. The results obtained from this study are the performing arts tour in Uluwatu Temple has an identity and characteristics on the presentation. The presentation is good in terms of a strategic place with views of cliffs, the sea, and sunsets, a unique presentation mode spiced with jokes that gives an interesting impression on the presentation. Likewise with the attractions that are served, such as Hanoman dancers who rise above the temple and the scene when burned. All of that has its own charm in this show at Uluwatu. This show is very different from ones in other places.
MERLOT: BELAJAR MUSIK DI ERA DIGITAL Hidayatullah, Riyan
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

This article is a literature review on MERLOT (Multimedia Education Resources for Online Learning and Teaching), an open-source multimedia-based learning resource for asynchronous music learning needs. Conventional music learning methods that deal with practical activities and theory classes. This activity is usually done in a classical or private class. In addition to general problems in music pedagogy and psychology, access to music materials in the form of music theory, music forms, and music literature is a problem that is specifically for music teachers in Indonesia. Access and publishing of music books are still minimal. These kinds of stuff carry out music teachers with non-music educational backgrounds to arrange music materials systematically, find out credible music learning resources, the latest issues about music learning and digital tools that can be used for online music courses. Various pieces of literature show that MERLOT is contributing to information literacy, digital, and supporting the learning of music nowadays.
FAKTOR PENUNJANG PERTUNJUKAN MUSIK: INPUT, PROSES, DAN OUTPUT Jatmika, Ovan Bagus
Journal of Music Science, Technology, and Industry Vol 3 No 1 (2020)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (377.727 KB)

Abstract

This research examines the supporting factors in improving the quality of musical performances. The method used is qualitative and the research data are found through library research. The author concludes that a performance is considered to have ideal conditions if it involves three elements that support each other in the process towards the end of the musical execution on the stage, namely input, process, and output. These three elements (input, process, and output) are expected to improve the quality of the performance. The intended form of quality improvement is the formation of two-way communication or dialogue between the player and the audience. The player conveys the musical content of their interpretation of the work being played, while the audience responds to the standard measure of musical, visual and gestural norms that they have / believe in. Keywords: musical stimuli, musical emotions, learning motivation, exercise effectiveness, musical memory.

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