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Hendra Santosa
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Program Studi Seni Karawitan Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Denpasar Jalan Nusa Indah Denpasar Bali, 80235. Telp. (0361) 227316 Fax.(0361) 236100.
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INDONESIA
Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
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The Influence of Danu Suci Gus Teja's Instrumental Music on Hypertension in the Elderly in Pucaksari Village | Pengaruh Musik Instrumental Danu Suci Gus Teja Terhadap Hipertensi Pada Lansia Di Desa Pucaksari Ni Made Intan Dwani Anantara; I Wayan Artana; Si Putu Agung Ayu Pertiwi Dewi
GHURNITA: Jurnal Seni Karawitan Vol 3 No 3 (2023): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i3.2216

Abstract

Hypertension can have bad effects if handled improperly. These impacts include stroke, heart disease, epilepsy, and glaucoma, so this disease needs proper treatment. Hypertension treatment can be done with pharmacological and non-pharmacological treatment. One of the non-pharmacological treatments is listening to instrumental music. This study aimed to determine Gus Teja's Danu Suci instrumental music influence on hypertension in the elderly in Pucaksari Village, Busungbiu, Buleleng. This study used the experimental method with Pretest-Posttest with 40 elderlies as a sample and was selected by purposive sampling. The data collection method used an observation sheet, and the blood pressure measurement device used a digital Sphygmomanometer, then analyzed using the Wilcoxon statistical test. The study's results showed that the average systolic blood pressure before and after listening to instrumental music was 11.78, while the average difference in diastolic blood pressure was 7.75. Gus Teja's Danu Suci instrumental music can significantly reduce systolic blood pressure in older adults in Pucaksari Village (p-value <0.05) and diastolic with a p-value <0.05. Older adults in Pucaksari Village should listen to Gus Teja's Danu Suci instrumental music to reduce their systolic and diastolic blood pressure apart from using the medicine.
Developing Singakerta Village Through the Establishment Sekaa Gong | Membangun Desa Singakerta Melalui Pembentukan Sekaa Gong I Komang Werdi Darmawan; Hendra Santosa
GHURNITA: Jurnal Seni Karawitan Vol 4 No 1 (2024): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i1.2396

Abstract

The Thematic Community Service Program Developing Village was conducted in Singakerta Village, focusing on Banjar Tunon. The first activity was to observe the track record of the Karawitan in Singakerta Village. From the case study, a generation-related problem was found. The non-developing potential of the Childern’s Traditional Music Group was formed in 2013, so researchers intend to rebuild the Childern’s Traditional Music Group to become a work program in the Thematic Community Service Program Developing Village. The name of Childern’s Traditional Music Group is Jenggala Kauripan. The research method applied is a qualitative method with the process of collecting data through observation and interviews. The rehearsal at Jenggala Kauripan Childern’s Traditional Music Group is held four times a week by applying the Balinese Karawitan teaching method, namely the Catur Maguru method such as maguru lima, maguru panggul, maguru kuping, and maguru rasa and also accompanied by additional procedures, such as the drill method and the questioning method. Through this training, the results have been staged two times so that the contribution of this training can be achieved.
Construction of Tabuh Gilak Ravana among Sekaa Gong children of Singakerta Village | Pembinaan Tabuh Gilak Rahwana Di Kalangan Sekaa Gong Anak-Anak Desa Singakerta I Ngurah Edy Upadana
GHURNITA: Jurnal Seni Karawitan Vol 4 No 1 (2024): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i1.2455

Abstract

Singakerta Village has two sekaa gongs, namely Sekaa Gong Kerta Yowana and Sekaa Gong Children of Singakerta Village. Sekaa Gong Kerta Yowana was formed around late 2014. Sekaa Gong Kerta Yowana was formed around the end of 2014, but its activities stopped around the end of late 2019. To form a new generation called Sekaa Gong Children of Singakerta Village in early 2023. Thematic Real Work Lecture (KKNT) activities exist for students to conduct coaching on Sekaa Gong for Singakerta Village Children with Gilak Ravana Tabuh Material. The method used in fostering tabuh gilak ravana, namely the Training Method, means the determination of the delivery method used during the training, and the author also uses several methods in fostering Sekaa Gong for Singakerta Village Children, such as meguru kuping, meguru panggul, meguru dingdong, and meguru rasa. Tabuh Gilak Ravana was created by Mr. I Wayan Bratha. Tabuh Gilak Ravana depicts the character of Ravana, an antagonist who embodies wrath and human sins. Tabuh Gilak Ravana is implemented using Gong Kebyar gamelan barungan. Tabuh Gilak Ravana uses 32 (thirty-two) beats in one melody, and in its presentation, there are basic punch techniques in playing gamelan, such as the kekenyongan technique. In addition to fostering, they also participate in coral cadet activities, namely helping community service activities such as mutual cooperation, ngayah, etc.
Improving Artistic Creativity Through Fostering Karawitan Art For Youth Gong Groups In Ulian Village | Meningkatkan Kreativitas Seni Melalui Pembinaan Seni Karawitan Terhadap Sekaa Gong Remaja Di Desa Ulian Aghastya Radha
GHURNITA: Jurnal Seni Karawitan Vol 3 No 3 (2023): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i3.2490

Abstract

Ulian Village, Kintamani District, Bangli Regency is one of the villages that is lagging behind in the field of musical arts. This backwardness is due to the absence of artistic figures who have become pioneers in both musical and other arts. The participation of Ulian Village in various performances held throughout the Kintamani District was also very minimal, Ulian Village had only participated in the event once. So from this the author chose Ulian Village as a Thematic Real Work Lecture (KKNT) partner. In Ulian Village, there are no artists who know about the Semarpegulingan gamelan, that the Semarpegulingan gamelan actually has a patet system and this gamelan is not like gong kebyar, so it sounds strange to the public's ears. The results of observations that the author observed in Ulian Village from an artistic perspective, namely karawitan art, mostly in this Ulian Village the percussion or gending that is played is percussion telu lembang, and there is gamelan semarpegulungan which is rarely used or played. The solution that we offer in this Thematic Real Work Lecture (KKNT), namely, training on gamelan semarpegulungan for youth sekha gong which will be initiated by the author. in this case students can contribute in providing reinforcement, training, and knowledge.
Development Of Sekaa Selonding Manik Selukat Banjar Tunjuk Kelod | Pembinaan Sekaa Selonding Manik Selukat Banjar Tunjuk Kelod I Wayan Yoko Mahase Putra
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2495

Abstract

Selonding is a traditional Balinese musical instrument older than other gamelans, which is now widespread in art and traditional and religious ceremonies. The word Selonding is thought to have come from the words "salon" and "ning," which mean a holy place because, judging from its function, it is a gamelan that is sacred or purified. Another opinion also states that Selonding comes from the words "saron" and "ding," which means the gamelan blades with the lowest tone, namely the ding tone. The formulation of the problem that the author designed included increasing youth interest in playing Selonding, what techniques and methods were used, and what benefits were obtained. In coaching Gending Selonding, which is the main work program of the author himself, the author presents the Gilak Ngundang Ujan, Sekar Gadung, and Rejang Lente buildings. In practice, the author invites teenagers from several Banjars within the scope of Tunjuk Village. From the coaching of Gamelan Selonding percussion in Tunjuk Village, it is hoped that it can contribute and be of good use to the Village and the youth participating in these activities. Apart from that, after coaching on beating the Selonding Gamelan, it can be helpful if there is a religious ceremony around or outside the Village.
Learning Karawitan Art Practice in Sidakarya Village | Pembelajaran Praktek Seni Karawitan di Desa Sidakarya I Nyoman Diouf Saputra
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2497

Abstract

The Thematic Real Work Lecture (KKNT) activities are held in Sidakarya Village; this activity lasts for 1 (one) semester or around 4 (four) months. The movement began with a thank you at Mutering Jagat Dalem Sidakarya Temple with all KKNT members. Then, the formation of the regeneration of Sidakarya Village, which children from grade 3 elementary school attended to grade 1 junior high school, totalling 32 (thirty-two) people from various hamlets in Sidakarya Village, was carried out at Mutering Jagat Dalem Temple Sidakarya with the material provided was Gending Petopeng is a basic gending that refers to the tabuh gilak in performing arts such as masks. The Implementation Method used in implementing the KKNT activities consists of Implementation Stages, Types of Activities, Implementation Patterns, and Outcomes. This implementation method is carried out through collecting field observation data, interviews, and documentation. The results obtained from this activity are that it is hoped that the drummers will be able to play the gamelan well and master the material that has been given as well as an external form for preparing for the Ngusaba Nini, Ngusaba Desa and Nangkluk Merana ceremonies in Sidakarya Village and the creation of Tabuh Gilak works as an outward form of a sense of devotion village writer.
Balaganjur Training to Foster Young Generation Spirit in Ulian Village | Pelatihan Balaganjur untuk Menumbuhkan Semangat Generasi Muda Di Desa Ulian I Nengah Wirya Adnyana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2502

Abstract

Ulian Village is located in the northern corner of the city of Bangli, to be precise, in the Kintamani District. The Kintamani region has its characteristics, where most people work as farmers. Likewise, most of the people in Uian Village also work as farmers. There is a lack of artistic movement figures in Ulian Village, which may make Ulian Village still sparse/less visible in the arts, especially in karawitan art. So from this, the authors implemented the KKNT Program in Ulian Village, which aims to provide more insight into the Ulian village community and to foster the enthusiasm of the younger generation through Balaganjur training in Ulian Village. So that from the problems that arise, the author provides general knowledge about the art of karawitan to the village community, especially in practicing appropriate techniques directly, providing percussion training, both adult seka gong and youth seka gong and the author will provide one percussion work the author is Tabuh Balaganjur Melasti. Through this KKNT Program, the authors can implement their knowledge and will positively impact the Ulian village community, increasing artistic creativity, especially in musical arts.
Tabuh Sinom Ladrang Training at Seka Gong Children Jaya Kumara Banjar Busana, Abiansemal | Pelatihan Tabuh Sinom Ladrang Pada Seka Gong Anak-Anak Jaya Kumara Banjar Busana, Abiansemal I Putu Dony Suryawan; Ni Putu Hartini
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2507

Abstract

KKNT activities include the preparation stage, teaching practice, and implementation. The results achieved from the performance of the individual program are to provide changes in the learning process, especially in the field of expertise of the active and exciting karawitan study program, as well as train students' process skills in drumming,  especially the practice of tabuh gending as an example of Sinom Ladrang gending. Individual programs can run well and benefit the personal progress of constituents, students, lecturers, and institutions in supporting the process of practicum activities in the field for now and in the future. Apart from being a vehicle for student training and learning, the KKNT program is also an effort by the Indonesian Institute of Arts Denpasar to contribute to transforming educational values in society. The hope is not only as an additional insight provided by the village area where they contribute but also as a transfer of value. It is hoped that the students of the Thematic Real Work Lecture of the Indonesian  Institute of the Arts Denpasar 2023 will be able to make changes to advance Indonesian education in the arts.
Reconstruction of Mascot Dance Gending Sekar Tunjung | Rekontruksi Gending Tari Maskot Sekar Tunjung I putu Restu Andika; Ni Putu Hartini
GHURNITA: Jurnal Seni Karawitan Vol 4 No 1 (2024): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i1.2532

Abstract

Blahkiuh Traditional Village is the capital city of Abiansemal District, Badung Regency, Bali Province which has famous artistic assets in Bali such as the Kecak Dance, Parwa, Arja Basur, Joged Bumbung, and carving art. The mascot dance that has sunk long ago with the aim of being rebuilt. Various attempts have been made by the author, such as exploring holding hearings with several related officials and several existing art activists, in order to obtain information and activities8that can be superior. After obtaining the information, the author tries to assist in this reconstruction process so that this reconstruction process can run smoothly and quickly. Blahkiuh village has very good potential, especially in performing arts and has a performing art that is used as a village icon in the form of the Sekar Tunjung mascot dance. Sekar Tunjung consists of 2 syllables, namely sekar and tunjung, sekar which means flower, and tunjung which means purity. In Bali, the lotus is believed to emerge from the navel of Lord Vishnu, with Brahma sitting in the center of the flower. Some believe that the Lord's hands and feet are like lotuses and his eyes are shaped like lotus petals, his gaze and touch are said to be as 6gentle as lotus buds. 9Hinduism also teaches that in every person there is a lotus spirit. 7The lotus plant is one of the plants used to describe human life. The meaning of this lotus plant is much related to personal strength,9 a reminder that human life is only temporary and also about human life that should be regardless of the environment. Based on the statement above, the author chose Blahkiuh village as a partner in implementing the MBKM Thematic Work Lecture program. With the aim of helping in the Mascot Dance reconstruction program and accommodates the potential to develop it and has 1an important role in all activities of the Blahkiuh village community.
Improving the Skills of the Children of Central Singapadu Village through Balaganjur and Gong Kebyar Training | Meningkatkan Keterampilan Anak-Anak Desa Singapadu Tengah Melalui Pelatihan Balaganjur dan Gong Kebyar I Wayan Ardinatha Yasa
GHURNITA: Jurnal Seni Karawitan Vol 3 No 4 (2023): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i4.2591

Abstract

Thematic Real Work Lecture (KKNT) is one of the programs from MBKM (Merdeka Belajar Kampus Merdeka). This KKNT activity is part of the campus extracurricular, which applies the principles of the Tri Dharma of higher education. In this case, KKNT is a bridge in practice that the author carries out in Singapadu Tengah Village, Gianyar Regency, as a partner to add experience to honing community skills and provide motivation and innovation in society in the field of arts, especially in the field of musical arts for generations of young people by forming, fostering crazy percussion on Gong Kebyar and Balaganjur. Balaganjur comes from the words "Bala" and "Ganjur". Bala means troops or ranks, and Ganjur means walking. So, Balaganjur, which later became Balaganjur, means an army or marching line accompanied by barungan gamelan music. Balaganjur is a musical ensemble that is a development of Gamelan Bonang or Bebonangan—both in terms of instruments and the composition of the songs. Gamelan Gong Kebyar is a traditional Balinese musical art in its history written in babad Bali; Gong Kebyar is thought to have appeared in Singaraja in 1915. The village mentioned as the origin of the appearance of Gong Kebyar is Jagaraga (Buleleng), which also started the Kebyar Dance tradition.

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