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Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
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Postmodern Aesthetics in Karawitan's Work "Menteng" | Estetika Postmodern dalam Karya Karawitan “Menteng” Putu Budiartawan, Pande
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4339

Abstract

"Menteng" is a work of musical art, the Final Project of the ISI Denpasar Musical Arts Study Program. This work is inspired by the process of making Selonding gamelan blades, which is called menteng (forging). The phrasing medium used in this work is the Selonding gamelan. This article aims to describe the stages of creation and form of the musical work "Menteng" and the postmodern aesthetic values contained therein. This research proposes the descriptive qualitative method. Through this approach, it is hoped that we can describe a comprehensive picture of the stages of creation, the structure of the work, and the elements of postmodern aesthetics contained in the musical work "Menteng." The results of this research show that the musical work "Menteng" uses the Panca Sthiti Nawi Sani creation stages, which consist of five stages: ngawirasa, ngawacak, ngaplan, ngawangun, and ngebah. This work has a three-part structure consisting of part 1, part 2, and part 3. In addition, the musical work "Menteng" contains postmodern aesthetic values such as pastiche, camp, and schizophrenia.
Aktivasi Subang sebagai Habitat Ekosistem Angklung Ragam Laras: Studi Kasus pada Sanggar Toléater | Activation of Subang as an Ecosystem Habitat for Angklung Ragam Laras: A Case Study of Sanggar Toléater Irawan, Endah; Ridwan, Indra; sentosa, Gempur; Sudrajat, Mustika Iman Zakaria; Karwati, Uus; Sutanto, Toni Setiawan
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4522

Abstract

After the establishment of Angklung as a world cultural heritage by UNESCO, there are consequences for Indonesia to protect, develop, utilize, and foster the life of Angklung. One of the efforts to face these consequences is to activate the angklung ecosystem in Subang Regency as a development effort so that angklung as a world heritage can maintain its existence. This research uses an experimental approach by providing training to Sanggar Toleater through a process of socialization, data collection, and work training in an art governance workshop, which ends with an evaluation; it is hoped that with this approach, this research and experimentation can protect the life of angklung that lives sustainably.
Genderan Ada-Ada Ngobong Dupa Sumiyati Style | Genderan Ada-Ada Ngobong Dupa Gaya Sumiyati Pembayun, Wahyu Thoyyib
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4538

Abstract

This research is entitled "Genderan Ada-ada Ngobong Dupa Sumiyati Style". This research was motivated by researchers' admiration for the virtuosity and uniqueness of Sumiyati's style gender. The problem that will be elaborated in this study is how the techniques, patterns and dynamics used by Sumiyati in presenting genderan ada-ada Ngobong Dupa. The research method used is descriptive analysis. The analysis is carried out with several stages, namely: perceptive listening, participatory observation, transcription, identification of techniques, patterns, dynamics and drawing conclusions. Based on the analysis conducted, this research has obtained several findings regarding the technical elements, patterns, dynamics, and rhythms used by Sumiyati in presenting the ada-ada Ngobong Dupa. The technical elements that have been identified include cepengan, tutupan, and ukelan. The cepengan technique consists of the methit and sendhon techniques. The tutupan technique consists of balung, samparan, sarukan, lumpatan, umbaran, and pethetan. The ukelan technique consists of the two-tone and three-tone ukelan. The pattern elements that have been identified include kawitan, rambatan, seleh, oloran, and tutupan. The dynamic elements that have been identified include keras, sedheng, and lirih. The rhythmic elements that have been identified include seseg, sedheng, and tamban.

Page 33 of 33 | Total Record : 323

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