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Hendra Santosa
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Program Studi Seni Karawitan Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Denpasar Jalan Nusa Indah Denpasar Bali, 80235. Telp. (0361) 227316 Fax.(0361) 236100.
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Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
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Pelatihan Tabuh Sekatian Di Desa Banjarangkan Kabupaten Klungkung | Tabuh Sekatian Training in Banjarangkan Village, Klungkung Regency Agus, Komang Agus Arya Chandra
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.3998

Abstract

Tabuh Sekatian training is a program created by the author to provide character education by fostering interest and improving the skills of children and youth in Banjarangkan village. This program relates to assignments in the sixth semester, namely Thematic KKN activities. Through the Thematic KKN program, the author tries to strengthen the arts through percussion training activities and improve problems, especially musical art, in Banjarangkan Village. The methods used by the author in organizing this program are observation, practice, literature study, interviews, and discography to support this activity's plan. In holding this activity, several findings became problems, such as a lack of understanding of the basic techniques of playing gamelan and a decline in children's interest in playing gamelan. Therefore, the author plans to carry out KKNT activities to revive art and strengthen traditional traditions, which are still part of social life in Bali. By choosing percussion Sekatian as a learning reference, it is hoped that this training activity will not only add material but also introduce other regional arts to the people of Banjarangkan Village.
Gamelan Gong Suling for the Millennial Generation with Meguru Kuping Technique | Pembelajaran Gamelan Gong Suling Pada Generasi Milenial dengan Teknik Meguru Kuping Putra, I Putu Agus Adi
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4013

Abstract

Institut Seni Indonesia Denpasar has committed to implementing the Real Work Lecture program to foster empathy and concern for various societal issues while enhancing the community's quality of life and well-being. This initiative is designed to address current societal challenges, cultivate a deeper cultural understanding, and strengthen the character of the millennial generation. By doing so, ISI Denpasar aims to empower them to preserve and pass on cultural heritage amidst the rapid changes brought about by the digital era. Through these efforts, a concept emerged to develop community service projects organized by ISI Denpasar, with a primary focus on nurturing and refining the musical sensibilities of the millennial generation. One proposed strategy involves utilizing the traditional gamelan Gong Suling as a medium to engage and inspire young individuals to appreciate and continue cultural traditions. This approach enriches their cultural experiences and equips them with valuable skills and perspectives needed to navigate and contribute meaningfully to contemporary society. ISI Denpasar believes that by fostering a strong sense of cultural identity and responsibility among millennials through programs like the Real Work Lecture and community service initiatives, they can effectively bridge the gap between tradition and modernity, ensuring the enduring relevance and vitality of Indonesia's rich cultural heritage.
Increasing The Creativity Of Teenagers In Rendang Village Through The Creation Of The Balaganjur "Jajar Wali" Composition | Meningkatkan Kreativitas Remaja Di Desa Rendang Melalui Penciptaan Komposisi Balaganjur “Jajar Wali” Bayu Apriana, I Komang
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4041

Abstract

Adolescence is a transition period from childhood to adulthood, including mental, emotional, social, and physical maturity. In a cultural context, especially in Bali, teenagers certainly have a vital role because they will carry on the cultural heritage of their predecessors in the area where they live. In Rendang Village, a custom has become part of the culture, namely matetegen. Matetegen is a culture where people from different banjars in Rendang village exchange their living environments with the aim that later, if there are people from one of the banjars holding a Yadnya ceremony, people from other banjars can come together to help with the ceremony. From this culture, the author was inspired to create a work entitled "Jajar Wali," which will focus on teenagers in Rendang Village. In Balaganjur's "Jajar Wali" work, the artist relies on local arts and cultures in Rendang village by pouring them into the medium of Balaganjur Semarandana gamelan to create a harmonious atmosphere and give a majestic impression.
Postmodern Aesthetics in Karawitan's Work "Menteng" | Estetika Postmodern dalam Karya Karawitan “Menteng” Putu Budiartawan, Pande
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4339

Abstract

"Menteng" is a work of musical art, the Final Project of the ISI Denpasar Musical Arts Study Program. This work is inspired by the process of making Selonding gamelan blades, which is called menteng (forging). The phrasing medium used in this work is the Selonding gamelan. This article aims to describe the stages of creation and form of the musical work "Menteng" and the postmodern aesthetic values contained therein. This research proposes the descriptive qualitative method. Through this approach, it is hoped that we can describe a comprehensive picture of the stages of creation, the structure of the work, and the elements of postmodern aesthetics contained in the musical work "Menteng." The results of this research show that the musical work "Menteng" uses the Panca Sthiti Nawi Sani creation stages, which consist of five stages: ngawirasa, ngawacak, ngaplan, ngawangun, and ngebah. This work has a three-part structure consisting of part 1, part 2, and part 3. In addition, the musical work "Menteng" contains postmodern aesthetic values such as pastiche, camp, and schizophrenia.
Aktivasi Subang sebagai Habitat Ekosistem Angklung Ragam Laras: Studi Kasus pada Sanggar Toléater | Activation of Subang as an Ecosystem Habitat for Angklung Ragam Laras: A Case Study of Sanggar Toléater Irawan, Endah; Ridwan, Indra; sentosa, Gempur; Sudrajat, Mustika Iman Zakaria; Karwati, Uus; Sutanto, Toni Setiawan
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4522

Abstract

After the establishment of Angklung as a world cultural heritage by UNESCO, there are consequences for Indonesia to protect, develop, utilize, and foster the life of Angklung. One of the efforts to face these consequences is to activate the angklung ecosystem in Subang Regency as a development effort so that angklung as a world heritage can maintain its existence. This research uses an experimental approach by providing training to Sanggar Toleater through a process of socialization, data collection, and work training in an art governance workshop, which ends with an evaluation; it is hoped that with this approach, this research and experimentation can protect the life of angklung that lives sustainably.
Genderan Ada-Ada Ngobong Dupa Sumiyati Style | Genderan Ada-Ada Ngobong Dupa Gaya Sumiyati Pembayun, Wahyu Thoyyib
GHURNITA: Jurnal Seni Karawitan Vol 4 No 4 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i4.4538

Abstract

This research is entitled "Genderan Ada-ada Ngobong Dupa Sumiyati Style". This research was motivated by researchers' admiration for the virtuosity and uniqueness of Sumiyati's style gender. The problem that will be elaborated in this study is how the techniques, patterns and dynamics used by Sumiyati in presenting genderan ada-ada Ngobong Dupa. The research method used is descriptive analysis. The analysis is carried out with several stages, namely: perceptive listening, participatory observation, transcription, identification of techniques, patterns, dynamics and drawing conclusions. Based on the analysis conducted, this research has obtained several findings regarding the technical elements, patterns, dynamics, and rhythms used by Sumiyati in presenting the ada-ada Ngobong Dupa. The technical elements that have been identified include cepengan, tutupan, and ukelan. The cepengan technique consists of the methit and sendhon techniques. The tutupan technique consists of balung, samparan, sarukan, lumpatan, umbaran, and pethetan. The ukelan technique consists of the two-tone and three-tone ukelan. The pattern elements that have been identified include kawitan, rambatan, seleh, oloran, and tutupan. The dynamic elements that have been identified include keras, sedheng, and lirih. The rhythmic elements that have been identified include seseg, sedheng, and tamban.
Karya Karawitan Kontemporer “Evolusi” Wirata, I Nyoman Arya Wiranbawa
GHURNITA: Jurnal Seni Karawitan Vol 5 No 1 (2025): Ghurnita: Jurnal Seni Karawitan
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v5i1.3837

Abstract

Modern music is an umbrella term that encompasses a wide range of musical genres that developed from the mid-20th century to the present day. The term is often used to refer to innovative and experimental musical works that differ from traditional classical music. Contemporary music reflects technological developments, social changes, and cultural convergence of the modern world. Contemporary music is not limited to a specific style or form, but it encompasses a variety of creative approaches that challenge and expand musical boundaries. Contemporary composers and musicians often explore new techniques such as the use of electronic instruments, sampling, and digital manipulation. Starting from this, there was a desire to create a contemporary music work based on Balinese gamelan entitled Evolution. The method of creating works applies the method of creating Panca Sthiti Ngawi Sani which consists of the inspiration stage (ngawirasa), the exploration stage (ngawacak), the conception stage (ngaplanning), the execution stage (ngawangun) and the production stage (ngebah). The media revealed that the karawitan music works used were 2 Tungguh Rindik Saih Pitu, 2 Tungguh Pegulingan Pegulingan pemade and non-gamelan instruments, namely 2 coconut shells.
Karya Musik Eksperimental "Wind Chimes" Mahayasa, I Pande Komang Bintang; Garwa, I Ketut; Hartini, Ni Putu
GHURNITA: Jurnal Seni Karawitan Vol 5 No 1 (2025): Ghurnita: Jurnal Seni Karawitan
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v5i1.5097

Abstract

Wind chimes in the form of tubes hung on the veranda, made of tubes or rods with diameters, and when they collide with each other can produce sound. In general, all types of wind chimes are musical instruments that produce beautiful sounds due to the vibrations of the tubes that are hit when the wind blows. Each bell or rod produces different tones based on the diameter, length, and thickness of the material. Based on this uniqueness, the strong desire to make wind chimes a medium of expression. Wind chimes that are developed with a larger scale than the size of wind chimes in general and have five tones that each instrument contains two octaves. "Wind Chimes" is an experimental musical art work in fulfilling the requirements for Independent Study/Project (MBKM) as the Final Assignment of the ISI Denpasar Karawitan Art Study Program. The purpose of writing this journal is to describe the stages of creation and form of the experimental musical work "Wind Chimes". The creation method used in the experimental musical work "Wind Chimes" is the Panca Sthiti Ngawi Sani method, which includes five stages: ngawirasa, ngewacak, ngarencana, ngawangun, and ngebah. This work is composed using three parts as the structure of this work. In addition, the experimental musical gamelan work "Wind Chimes" has an aesthetic value that contains postmodern aesthetics such as pastiche, camps and schizophrenia.
Model Integrasi Teknologi Digital dalam Pengembangan Karawitan PO Haryanto untuk Meningkatkan Minat Generasi Muda di Era Digital Wijayanto, Wasis; Widyatma, Yollanda Vannesicha; Asmara, Fantasi Fana Sari; Fajri, Wahid Nur
GHURNITA: Jurnal Seni Karawitan Vol 5 No 1 (2025): Ghurnita: Jurnal Seni Karawitan
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v5i1.5105

Abstract

This study discusses how karawitan laras PO Haryanto can play an active role in the scope of performing arts as a means of entertainment as well as an effective learning medium to increase the interest of the younger generation in traditional arts. The method used is qualitative through a case study approach. The data collection technique is carried out by means of observation, interviews, and documentation carried out at the PO Haryanto Kudus bus garage. This study explores the adaptation of karawitan learning activities in the art studio to digital media, namely streaming platforms, social media, and interactive content, as a form of cultural preservation and increasing the interest of the generation in developing the arts. The results of the study show that the collaboration between aspects of tradition and digital innovation is able to attract the attention of the next generation, and make karawitan relevant to entertainment tastes without eliminating the essence of local culture. This finding provides a new perspective on how karawitan art can maintain its existence in the digital era while also becoming a means of education for generations and conservation of traditional culture.
Komposisi Karawitan Tabuh Petegak Kreasi “Sarwa Luwih ” Biagi, Gede Nikolas Candra; Sudirga, I Komang; Yulianti, Ni Ketut Dewi
GHURNITA: Jurnal Seni Karawitan Vol 5 No 1 (2025): Ghurnita: Jurnal Seni Karawitan
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v5i1.5186

Abstract

Joged Bumbung art, particularly in Buleleng Regency, faces challenges in maintaining its appeal among the community. This is due to the dominance of the classic style, which is considered less attractive to the younger generation, who are more interested in a contemporary version of Joged Bumbung. In this context, this article discusses the creation of a percussion composition, the petegak pejogedan, by Sarwa Luwih through the MBKM Independent Study/Project Program. This work is an innovative effort to revive the classic Joged Bumbung art. The petegak pejogedan, a composition played before the Joged Bumbung performance begins, generally still uses the traditional style from the 1970s. However, there is a trend of decreasing interest in this style, despite its significant historical value in classical Joged Bumbung performances. Through this work, the author aims to create a new composition that combines traditional elements with innovation, such as incorporating the Karinding and Bumbung Genggong musical instruments, which have not previously been found in Joged Bumbung percussion.

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