cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Hendra Santosa
Contact Email
hendrasnts@gmail.com
Phone
+6281239885333
Journal Mail Official
ghurnita@isi-dps.ac.id
Editorial Address
Program Studi Seni Karawitan Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Denpasar Jalan Nusa Indah Denpasar Bali, 80235. Telp. (0361) 227316 Fax.(0361) 236100.
Location
Kota denpasar,
Bali
INDONESIA
Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
 5   6   7   8   9 
Megat Asih: A New Music Composition | Megat Asih: Sebuah Komposisi Musik Baru Gusti Putu Ngurah Prakrti Mahendra; I Ketut Garwa; Ni Wayan Masyuni Sujayanthi
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The composition  of the creative percussion entitled Megat Asih is a percussion that has been created with the convenience of the stylist when composing a song, the creation of this creative percussion composition using the literacy of Pande Made Sukerta, makes a creative percussion composition so that with the stages of exploration, improvisation, and forming. Love can come from anywhere, but great love is found in parents, where parents really love their children and give what they want with a positive purpose. A ceremony where a series of religious events exist and are thick with the customs of each region. In this case there is the Ngerorasin ceremony which is a ceremony related to Pitra Yadnya, in the ngeroras ceremony there is a mepegat ceremony, the body of a person who has died/died can no longer be seen by his relatives, making an idea and concept in the composition of Megat asih. Keywords: parents, affection, ceremony, percussion creations.
Introduction to the Musical Composition “Windu Sara” | Pengantar Karya Komposisi Karawitan “Windu Sara” I Putu Restu Krisna Arimbawa; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This musical work with the theme Windu sara is unique in terms of the red color which is quite strong. The red color on this stone has the meaning of unification to society and can cause happiness.
Musical Composition “Segehan Wong” | Komposisi Karawitan “Segehan Wong” I Gusti Ngurah Wisnu Dharma Gung Wisnu; I Nyoman Sudiana
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Segehan Wong is an ceremony or offering where the offering is a symbol as a form of resistance for Hindus in Bali against the Covid-19 Virus, which is expressed in the form of innovative musical works presented with Balinese gamelan. Where has parts where in the first part it is the head of the segehan which is white which means that the negative thought can be overcome by holiness is continued to the second part which is in the segehan contained in the body colored brumbun has meaning so that all feelings are present and radiate from the deepest heart and also include the two hands where the left hand is yellow which means glory and the right hand is red which means courage and in the third part covers the feet of segehan which is black which means black. has the meaning of daring to step through the darkness of the present world.
Musical Composition Sandyaning Rang-Rang | Komposisi Musik Sandyaning Rang-Rang I Putu Eka Julyana Putra
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tabuh kreasi Pepanggulan Sandyaning Rang-Rang this work is created from the amalgamation of the Sounth Balinese style and the North Balinese style. The uniqueness found in this work such as the techniques, spirit or disposition, as well as the characters contained in the two regions. Purpose of creation tabuh kreasi pepanggulan Sandyaning Rang-Rang this is to unify styles of South Balinese with North Balinese styles into the concept of the work tabuh kreasi pepanggulan by using the medium of expressing Balinese musical music. The method of creating this work uses the creation method of Alma M. Hawkins which consists of the assessment stage, the experimental stage, and the formation stage. From ths method, the stylist is creative by forming a work tabuh kreasi pepanggulan Sandyaning Rang-Rang. The result of the work process tabuh kreasi pepanggulan Sandyaning Rang-Rang this stylist is able to unite the South Balinese style and the North Balinese style into a single form tabuh kreasi pepanggulan Sandyaning Rang-Rang. Essentially tabuh kreasi pepanggulan Sandyaning Rang-Rang this is a medium to prove to the listeners that the South Balinese style and North Balinese style in the context of Balinese musical art can be united through concepts that have been designed and presented through dissemination.
Music Composition Ngiyang | Komposisi Musik Ngiyang I Gede Mekel Ekalawaya; I Nyoman Kariasa; I Wayan Diana
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ngiyang is a combination of two words that become one, namely ngibur and drifting. The purpose of this work is to explore further the composition of the new creation of gong kebyar percussion that has been designed by the stylist and how the stylist can grow something new in the form of this work as an experiment that the stylist does. This Ngiyang musical art work is created through a method that is carried out with a creative process that is always related to time, place, situation and condition of course balanced with the experience of the stylist in the world of Karawitan Art so as to achieve success in creating a work of art. The stage of creating Ngiyang's work was carried out with 36 musicians, using the medium of expressing gong kebyar. The results of this work are uploaded or broadcast on social media using the Youtube application with 14 minutes 41 seconds duration of the video.
Music Composition “Entik” | Komposisi Musik “Entik” I Wayan Arya Bisma; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Root growth always develops to form new branches so that it forms a very unique physique with irregular links that make the physical form of the root look complicated. This phenomenon stimulates the author's mind to transfer it into the form of a musical composition art form entitled Entik. This phenomenon is interpreted by processing the range of tones, interweaving patterns and interweaving between instruments, developing instrument functions, rhythms, tempos and dynamics that are processed in a minimalist manner, which are presented using the medium of the gamelan semarandhana. The creation of this work was realized using the creation method Panca Sthiti Ngawi Sani, which consists of five stages of creation, namely: Ngawirasa, Ngawack, Ngarancana, Ngewangun and Ngebah.   Keywords: root, entik, karawitan  
Jenar: A New Music Creation | Jenar: Sebuah Musik Kreasi Baru I Wayan Aditya Febriana; I Kt. Suteja
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tagetes flower is one among the flowers whose existences are preserved, particularly on Bali Island. It functions as an ornamental plant and Hinduism ceremonies and ritual items. The yellow color of Tagetes flowers represents the God Mahadewa, the ruler of the west, especially for Hindu people to prepare the offering. There are several meanings contained about the yellow color from Tagetes flower, both etymologically and philosophically. In old Javanese (Kawi), the yellow color is well-known as Jenar. Departing from the meaning of yellow color in Tagetes flower, a new percussion creation was created, entitled Jenar. The idea of this work was inspired by the importance of yellow color in Tagetes flower, implemented into a percussion creation by using Gamelan Gong Kebyar. This percussion creation uses a method proposed by Alma M. Hawkins, namely the exploration, the improvisation, and the forming. This creation of work concept guided by a Balinese concept of Tri Angga: kawitan, pengawak, pengecet, combined with conservative patterns that well-developed both through the song’s structure and the playing technique, with an arrangement of musical elements such as tone, rhythm, dynamics, melody, tempo, and harmony. This percussion creation occurs 10 minutes duration within 29 supports including the composer. Jenar percussion creation was perfomed at Natya Mandala stage, Institut Seni Indonesia (ISI) Denpasar.
Musical Creation: Aku dan Kamu Bukan Kita | Kreasi musik: Aku dan Kamu Bukan Kita I Agus Agus Junaedi; Saptono -; Ni Made Ruastiti
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The new karawitan artwork entitled "I and You are Not Us" means that the appointment of me (the stylist), the audience (you), and us (not us) is a difference in interpretation, appreciation, and understanding of each individual who enjoys this work. This means that in this life, we must be aware of differences in principles, perceptions, perspectives, and treatments in life. Differences are beautiful and do not have to be uniform. We must accept and respect each other's differences, because differences are enrichment that can be used to complement each other and fill each other's shortcomings. The creation of this work aims to display a new color in Balinese karawitan art, which has always been played in groups with each person playing one instrument. This is different from this new work, which in its presentation uses one instrument, played by one player. This soloist music presentation was developed from the tingklik instrument by adopting the playing techniques of various traditional Balinese percussion instruments. The creation of a new musical art work, "I and You are Not Us", is done using the creation method proposed by Wayan Senen, namely through the initial stimulation process, followed by the process of implementing ideas using the creation process proposed by Halma Hawkins, through the exploration stage, improvisation, and shaping. The innovation of this new karawitan art that is played as a soloist develops the technique of playing the instrument, which is adopted from various percussion instruments in Bali.
Marma: A New Musical Experimental | Marma: Sebuah Karya Baru Musik Eksperimental I Dewa Gede Bayu Agastya; I Ketut Sudhana
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The sensitivity of each human being in capturing cosmic vibrations through the subconscious mind of each is different. Some catch it with full awareness and some with half awareness. The combination of the two is what in Balinese is called "Marma". A person's condition while in a marma situation will allow his five senses to pick up vibrations outside of himself in a different state from reality. The creation of a musical composition is often faced with the abstract and can take ideas from the story of life, nature, objects and so on. The creation of this musical composition takes the idea of Balinese social life in carrying out religious obligations. This work is realized on the basis of the creator who has a passion for a challenge that is able to process the mind, and dares to try to make something a little different through unconventional work. This is what then encourages the creator to make it into the form of experimental musical works, by searching and experimenting with various elements that can be arranged so as to form the originality of an aesthetic work. The creation of this work is as a personal expression to express the thoughts of the creator which is realized through the medium of expressing gamelan.
Tamiang Kolem a New Innovative Karawitan Composition | Tamiang Kolem Sebuah Komposisi Karawitan Inovatif Dewa Gde Aris Wahyudiatmika
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tamiang Kolem composition is a musical composition referring to the representation of one object that describes a form of reringgitan and jejaitan that leads to the elements of yadnya. In music, Tamiang Kolem is likened to a word that describes the dynamic and diatonic movement of musical sentences. Tamiang Kolem was created based on the continuity of the Gamelan character Semar Pagulingan as a medium of expression. Tamiang Kolem was created with the aim of increasing the knowledge and expertise of stylists to build the ability to create innovative compositions based on simple thoughts on the relevance of the characteristics of ideas to the characteristics of Semar Pagulingan. In realizing the composition of Tamiang Kolem, the stylist uses the Rogger Session creation method which consists of three stages, namely, the inspiration stage, the conception stage and the execution stage. The composition of Tamiang Kolem is presented as an innovative composition with a structural part consisting of three parts on the object and shape on the tamiang and kolem. Innovative composition is a compositional work that tends to explore ideas or ideas which are basically still visible from traditional material. Keywords : Tamiang Kolem, Composition, Semar Pagulingan Gamelan, Innovative

Page 7 of 33 | Total Record : 323

 5   6   7   8   9 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol 5 No 1 (2025): Ghurnita: Jurnal Seni Karawitan Vol 4 No 4 (2024) Vol 4 No 3 (2024) Vol 4 No 2 (2024): Juni Vol 4 No 1 (2024): Maret Vol 3 No 4 (2023): Desember Vol 3 No 3 (2023): September Vol 3 No 2 (2023): Juni Vol 3 No 1 (2023): Maret Vol 2 No 4 (2022): Desember Vol 2 No 3 (2022): September Vol 2 No 2 (2022): Juni Vol 2 No 1 (2022): Maret Vol 1 No 4 (2021): Desember Vol 1 No 3 (2021): September Vol 1 No 2 (2021): Juni Vol 1 No 1 (2021): Maret More Issue