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Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
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Creative Art Work Atisundara | Tabuh Kreasi Atisundara Kadek Krisna Dwipa Diartama; Ni Made Arshiniwati; Ni Ketut Suryatini
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1156

Abstract

In the process of forming this work, we get a touch of idea when we see a bird of paradise that is very beautiful and beautiful to look at, the beauty of its feathers and the combination of colors that produce a very beautiful harmonization when viewed. Then from there I got the idea to create a work of art based on a bird of paradise, and after looking for references to books and I got one word for the title of the work I will create, namely "ATISUNDARA". Atisundara means daat ayu, or listuayu which in Indonesian means beautiful, graceful and others that contain the word beautiful. And the beauty in question is the beauty of the bird of paradise which is very beautiful both from the feathers, tail and color. Then the idea is transformed into a work of Tabuh Kreasi by playing intertwined melodic patterns and added with flute playing patterns to produce harmony, besides that there are also melodic patterns both at the time of the singer or later, in the gendered section and others. This work uses four parts, namely the first part gineman, gegenderan, bapang, and also pengcet. And the medium of expression used is gamelan Gong Kebyar.
Music Composition Saka Luang | Komposisi Musik Saka Luang I Putu Agus Dodik Budimahendra; Kadek Suartaya
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1159

Abstract

The composition of the final project “Saka Luang” is a work that is formed and is classified as an innovative karawitan composition. The formation of the title “Saka Luang” was inspired by the stylist’s inspiration from the building palinggih menjang saluang which can be interpreted, Saka which means pillar or adegan (warna, 1988:252). And Luang means eka or single (Ariana, 2016:49). So “Saka Luang” the stylist interprets as a pillar to focus the mind so that it becomes Luang. This work from the technique departs to Leluangan, the interpretation of ideas and the Leluangan technique is poured into the media sai Gamelan Semar Pagulingan Saih Pitu in order to be able to play patet according to the atmosphere and nuances to be achieved. The creative process used in the creation stage of this work uses the method written by I Wayan Diana Putra mentioned by Senen from the creation stage of I Wayan Beratha who adheres to three processes, namely, Nguping (imitation), Menahin (improvement), and Ngelesin (refining). Keywords: Semar Pagulingan, Leluangan, Saka Luang.
Komposisi Karawitan Tabuh Petegak Kreasi “Gacor" I Kadek Putra Mahardika
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1228

Abstract

Birds are one type of living creature that has a uniqueness that is widely respected by people. The uniqueness of the attractive shape, birds also have their own characteristics in addition to having physical beauty, birds are also able to make beautiful sounds. The beauty of the bird is like the sound of the bird, which has a very beautiful chirp so that it can attract people's attention to enjoy it. The characteristics of these types of birds, such as a melodious voice, a shrill voice and the chatter of the bird or what is often called “Gacor”. “Gacor” in addition to often sounding from the original sound can also vary the sound issued, which may imitate the sound of a bird that sounds like a bird. so that it adds to the attractiveness or beauty of the bird. Likewise in the musical work entitled “Gacor” as a form of clever rhythmic strains with various dynamics of the beauty of each note. By highlighting the agility of the kotekan played with bamboo gamelan, it is the hallmark of the work entitled “Gacor” so that the audience itself can feel the beauty, from the melodic strains, dynamics and rhythm of this work, which can cool a dynamically full heart.
Being Bizzare: A New Composition Music | Being Bizzare: Sebuah Komposisi Musik Baru I Nyoman Wiradarma Yoga; Hendra Santosa
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1286

Abstract

The purpose of creating the musical composition Being Bizzare is to raise a physiological phenomenon about schizophrenia, namely an acute stress condition.. Like the story of John in the film "A Beautiful Mind" which tells the life journey of a John who suffers from schizophrenia. The life mechanism of a John was later appointed as a new musical composition with the title Being Bizzare with the regenerative nature of Gamelan Semarandana as the medium. Regenerative means to regenerate, focused on the melody element only, namely the melody part one is made up of a long melody which is a derivative of the melody part two, the melody part three is the opposite of the melody part one, the melody part four is derived from the melody part three. The creation method used was adopted from the book by Pande Made Sukerta, among others; organize content ideas, determine work ideas, and determine work. The application of this method resulted in four parts of a new musical composition, namely part one, part two, part three, and part four. As a new music, Being Bizzare is a work with the theme of psychology that aims to contextually inform schizophrenia disorders through musical works.
Musical Composition "Kebyar Pitu" | Komposisi Musik "Kebyar Pitu" I Gede Putu Bagus Yogi Waisnawa; I Ketut Muryana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1366

Abstract

The creation of a work of art, of course, has an idea that becomes the initial stimulus in the work, as well as in the musical art work "Kebyar Pitu" which starts from the stylist's personal experience of seeing a phenomenon so as to be able to make the stylist stimulated to use the phenomenon as an initial idea in creation. In this work, the idea that the stylist got from this phenomenon was to make a kekebyan percussion using the medium of expressing gamelan semarandana and having a structure in the form of Gineman, Gegenderan, Bapang and Pengcet. These four parts are the basis or framework in the musical art work "Kebyar Pitu". Besides that, there are also methods that help the stylist to realize the idea into a work, there are three methods that Alma M. Hawkins uses in the creation of this work, namely exploration, improvisation and forming. These three methods the stylist uses as a forum to describe creativity, effort and ideas that are able to create a new work such as the musical work "Kebyar Pitu".
Karawitan Composition Gending Tresna | Komposisi Karawitan Gending Tresna Dewa Gede Rahma Adi Putra; I Nyoman Sudiana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1369

Abstract

The creation of this musical is intended to express feelings of love for someone. Feeling is defined as a state that is felt is happening within a person. You experience feelings of anger, because you feel something stir within you. With this explanation, the author is very interested in raising the feeling that will be used as an innovative percussion composition. This composition will be titled “Gending Tresna” which is interpreted as a love song that tells the feelings of love for a pair of lovers. The creation method used is idea exploration, technique exploration, conception exploration, and the formation stage. The medium to express musical feelings is the Selonding gamelan plus several other instruments that can be poured into an innovative composition entitled Gending Tresna. The composition of this music is in the form of an innovative percussion by still using traditional patterns and considering the melody line in accordance with the atmosphere of the idea and concept of wholeness, balance, and prominence from the first part to part 3 in a structured, interrelated manner.  
Experimental Music Patri | Musik Eksperimental Patri Ida Bagus Putu Da’a Mahadita; Ni Wayan Masyuni Sujayanthi
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1182

Abstract

Patri musical work raises the idea of creation that was born from the author's empirical experience in playing the reong instrument since studying at SMP Negeri 1 Tampaksiring. This work highlights the processing of the richness of sound color that can be produced by the reong instrument and the writer's creative power as well as the interpretation of contemporary music. The aim is to inspire the public that a single reong instrument can produce a variety of sound colors. The method used in the process of creating a work of patri music is the method of Alma M. Hawkins, which consists of the stages of exploration, improvisation, and forming of the three methods used in the process of creating this work. experimental musical works that use media reveal five types of reong  instruments and three types of percussion instruments (panggul) which have different characters. Patri's work uses a tri-angga structure, namely kawitan/prefix (part I), crew/content (part II), pusher/cover (part III), which in each part I and II have three different motifs, while in part III have the same motif with a long meter bar. The creation of this stained music is expected to provide motivation for the younger generation to create works that are not only able to cultivate traditional patterns but who are able develop traditional pattrens
Karawitan composition “Balengku” | Komposisi Karawitan Inovatif “Balengku” I Komang Widiartha; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1194

Abstract

Balengku is an innovative musical composition by developing two different cultures. This material was created and inspired by the acculturation process in Lombok. Balengku's work was incorporated into the gamelan klentang media as the main instrument and added several gamelan instruments found in the gamelan gong kebyar barungan. The two instruments are combined to realize the concept of acculturation as a source of ideas in this work. This composition is realized using the Tri Angga structure and also gives a touch to the gending structure in Lombok. This Balengku material was made using qualitative methods through a process of observation, interviews, and also a literature study, then in the process of pouring ideas it was carried out using the exploration stage, improvisation stage and formation stage.
Music Composition “Tresna Sih Rupaka” | Komposisi Musik “Tresna Sih Rupaka” Putu Diky Wahyu Arjaya; I Made Dwi Andika Putra
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1214

Abstract

Tresna means love or affection, Sih which means more meaning, and Rupaka which means both parents. Tresna Sih Rupaka is a concept depiction of the sincere affection of parents towards their children. Giving endless love, giving guidance to his son to provide provisions to be a supportive child. The concept is implemented into a work of Tabuh Kreasi by using gamelan Semar Pegulingan as Saih Pitu, the reason for using gamelan semar pagulingan saih pitu in order to play patet in accordance with the atmosphere and nuances to be achieved. The process of creativity used at this stage of creation uses methods written by I Wayan Diana Putra mentioned by Senen from the creation stage I Wayan Beratha who adheres to three processes namely, Nguping (imitation), Menahin (repair), and Ngelesin (smoothing). In its production this work no longer uses a tri-angga structure but uses sections, which in each section describe the affection of parents.
“Muara” A Musical Composition | ”Muara” Sebuah Komposisi Karawitan Harys Arya Wibawa; I Wayan Rai S
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1231

Abstract

Abstract An estuary is a place where river and sea water meet. One example of an estuary that inspires creators is the estuary at Ketewel Beach, Sukawati, Gianyar, Bali. Based on the inspiration from the estuary of Ketewel Beach, the creator made an innovative musical work entitled "Estuary". In realizing this new work the creator uses the Panca Sthiti Ngawi Sani method which consists of the stages of Inspiration (Ngawirasa), Exploration (Ngawacak), Conception (Planning), Execution (Ngawangun), and Production (Ngebah). After going through cultivation with the above concept, an innovative musical work was created, entitled "Estuary". To realize this work, the creator used the expression media in the form of four gender puppets with slendro barrels, two Krumungan drums, a flute, one Ceng-Ceng Ricik, a Kajar and a pair of Gong Lanang and Wadon. This innovative musical work consists of three parts, namely: the first part describes the atmosphere of a spring from the mountains, the second part describes the atmosphere of a river flow with winding contours, then in the third part describes the meeting between river water and sea water in Ketewel’s estuary. Keywords: Estuary, Method, Works.

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