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Ezra Tari
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Tambur : Journal of Music Creation, Study and Performance
Published by Institut Agama Kristen Negeri Kupang
ISSN : 27981576     EISSN : 2798155X     DOI : https://doi.org/10.52960/jt.v1i2
Core Subject : Religion, Humanities, Education, Art,
Religion Arts Humanities Education
Hakikat tambur selaras dengan ritme musikal orang Indonesia. Alat musik tabuh ini tersebar di seluruh  nusantara, tentunya dengan keberagaman organology masing-masing daerah.  Gerakan ritme tabur mencerminkan ritme nusantara, ritme yang sangat cepat hingga lambat . Kekhasan ini teramati sebagai sebuah fenomena di bumi FLOBAMORA. Kearifan musikal terlihat dalam penggunaan tambur di hampir semua etnik, tentunya dengan ragam yang berbeda. Teknik permainan tabur juga beragam bisa menggunakan bilah tongkat atau diapit dan dimainkan dengan tangan. Hasil cipta ritmis yang baik pula, dapat dipadupadankan dengan berbagai alat musik. Keragama fenomena inilah yang dipilih menjadi penamaan ‘TAMBUR’ jurnal  ilmiah penciptaan, pengkajian dan penyajian musik.
Arjuna Subject : Umum - Umum
Articles 19 Documents
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WADITRA JUNGGA PADA MASYARAKAT KAMBERA, KABUPATEN SUMBA TIMUR, NUSA TENGGARA TIMUR Jefri Kabnani; Triati Salau; Iswanto; Luisa Lakapu
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 1 (2022): June
Publisher : Institut Agama Kristen Negeri Kupang

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Abstract

Penelitian ini mengkaji waditra Jungga pada masyarakat Kambera, kabupaten Sumba Timur, Nusa Tenggara, Timur. Etnomusikologi menjadi dasar teoritis dalam penelitian ini. Hasil penelitian menunjukkan bahwa Jungga merupakan alat musik tradisional asal Sumba Timur yang dimainkan dengan cara dipetik. Jungga di Sumba ada beberapa macam yaitu jungga dua dawai, empat dawai dan enam dawai. Pada jungga enam senar berpola double string ‘setiap dawai rangkap’. Alat musik jungga Sumba Timur pertama kali masuk di daerah Kecamatan Kambera. Jungga merupakan alat musik yang melekat pada budaya Sumba yaitu marapu, sehingga jungga dikultuskan baik dari pembuatannya hingga cara, waktu dan tempat memainkannya. Representasi budaya masyarakat Sumba juga tergambar dalam syair lagu yang diiringi dengan jungga. Salah satu contoh lagu kerja panen Anda Mara ‘jalan yang benar’ menggambarkan budaya asli merapu dalam lagu dan iringan waditra jungga. Komunitas adat pada suku bangsa Sumba yang terdapat di Pulau Sumba yang dikenal dengan kepercayaan Marapu ini tersebar diseluruh wilayah Pulau Sumba.
PERAN UNIT PEMBANTU PELAYANAN MUSIK GEREJA DALAM MEMBANGUN IBADAH JEMAAT GMIT ANUGERAH ATAMBUA Yefta Bako; Patce Orianus Snae; Cici Nullik; Frengki Metkono
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 1 (2022): June
Publisher : Institut Agama Kristen Negeri Kupang

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Abstract

Church Musik Service Assistant Unit (UPP) is a collection of assemblies that have been confirmed/legitimated to manage music services in every worship service. The purpose of this study was to find out how the church music UPP played it’s role in building sunday worship at the GMIT Anugerah Atambua Congregation by using qualitative methods and observing participation an informational role, decision maker and resource allocator to build sunday worship with 4 stages of management functions consisting of planning, coordinating, directing and supervising stages.
ANALISIS FUNGSI DAN MAKNA NYANYIAN OKE’ DI MASYARAKAT SEMAU Yefri Balsomang
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 1 (2022): June
Publisher : Institut Agama Kristen Negeri Kupang

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Abstract

The song oke 'is a traditional song from the Semau people, during the ritual of grief, welcoming guests, and praying. In this paper, the writer uses a qualitative approach that is used to generate information from sources. The author uses the semiotic theory to analyze the okay song text ', the weighted scale theory to analyze the melody of okay songs', and the Alan P. Merriam theory to analyze the okay singing function'. This study aims to discuss the function, meaning, and musical form of singing oke '. The function of singing okay 'in the Semau community is in accordance with several functions of music put forward by Alan P. Merriam, namely: (1) entertainment function, (2) communication function, (3) function related to social norms, (4) cultural sustainability function , (4) community integration function, (5) education function. The meaning of okay singing is based on the semiotic theory put forward by Ferdinand De Saussure, namely: (1) as a call of respect, (2) as a sign of request, (3) as a symbol of togetherness, (4) as a figure of speech.
ARANSEMEN LAGU ELE MOTO MEDLEY DENGAN DO DAE MATA B’ALE DALAM FORMAT COMBO BAND ADDITIONAL ALAT MUSIK TRADISIONAL Ruth Regina Djuka
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 1 (2022): June
Publisher : Institut Agama Kristen Negeri Kupang

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Abstract

The research objective of arranging the songs of Ele Moto and Do Dae Mata Bale is to compose and describe the arrangement of the songs of ele moto medley with the song do dae mata bale in a combo band format so that the song can be an inspiration for the younger generation to continue to develop regional traditions through traditional music that there is. The research method used in this research is to use descriptive qualitative analysis techniques, namely searching, analyzing, describing data and compiling data systematically form interviews, field notes and documentation, by organizing data into categories such as: data reduction, data presentation, verification or data deduction to obtain correct data. The results of this study indicate the presentation of the music arranged in a combo band format, the song Ele Moto and Do Dae Mata B’ale into a pop music genre presentation. Instruments used in the combo band format arrangement are : Piano, flute, trumpet, trombone, bass, gong and drum.
MANAJEMEN PELAYANAN MUSIK GEREJA STUDI DESKRIPTIF GEREJA SIDANG JEMAAT ALLAH (GSJA) SUNSET KUPANG DALAM MASA PANDEMI CORONA Jeny Tamonob
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 1 (2022): June
Publisher : Institut Agama Kristen Negeri Kupang

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Abstract

This study aims to describe and examine church music services during the Covid-19 pandemic and to find out how the church music service management was used by the worship team of GSJA Sunset Church Kupang during the Covid- 19 pandemic. The research method used is descriptive qualitative research. Data collection techniques were carried out using interview methods, direct observation and document recording in the research area. Qualitative data analysis techniques, namely data reduction, data presentation and verification using general management function theory and church music ministry management theory to analyze the data in the study. Given that because there was during the Covid-19 pandemic, the church music ministry carried out its ministry role only on Sunday services which were conducted online. Team Worship at GSJA Sunset Church Kupang has managed to carry out its management function well, but there are still some obstacles that make the church music service less than optimal, including: it takes longer to get good music and vocals, mistakes occur when taking music and vocals, lack of adequate facilities to carry out the recording process and the occurrence of differences of opinion between fellow serving teams. After explaining the management functions that occurred in the worship team during the pandemic, namely the function of planning, organizing, directing, coordinating and monitoring, according to the writer of the worship team at GSJA Sunset Church Kupang, it has been successfully implemented even though GSJA Sunset Church Kupang did not learn about management science in theory. In line with the results of the above research, the writer can suggest that it would be better if every worship team should be able to train their ability in music and be able to build cooperation between fellow service teams and can learn from other churches in terms of music management or human resource management. exist in the church with the aim of improving the quality of the church.
MAKNA DAN NILAI PEDAGOGIS-TEOLOGIS DARI LAGU “DOA AKHIR TAHUN” KARYA DAUD SALEH LUJI Daud Saleh Luji
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 2 (2022): December
Publisher : Institut Agama Kristen Negeri Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52960/jt.v2i2.171

Abstract

The purpose of this research is to find out the pedagogical-theological value of the song "End of Year Prayer" by Daud Saleh Luji which was composed and published in 2005. The research method used in this research is to use an analytical technique that is descriptive qualitative with a literature review approach. namely searching, analyzing, describing the pedagogical-theological value of the song and discussing it with a number of references. The results of the study show that the song "End of year prayer" has the following pedagogical-theological values ??1) Recognizing God as the possessor of power, 2) Always admit mistakes and apologize, 3) Ask God for forgiveness, 4) Entering the new year with new life , 5) Always believe that God is able to take care of every season of life
TRAINING OF PERFORMING ARTS MANAGEMENT SKILLS IN THE ART CULTURE COMMUNITY: TRAINING OF PERFORMING ARTS MANAGEMENT SKILLS IN THE ART CULTURE COMMUNITY Jimy O. Andin; Elvira
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 2 (2022): December
Publisher : Institut Agama Kristen Negeri Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52960/jt.v2i2.138

Abstract

Art management related to coordination, in a performance planning, publication, promotion, audience and financial/funding and other general matters is very important for an organization/community/art culture studio. All non-artistic work is under the responsibility of Production, including training schedules and staging dates. The purpose of this training is to provide training to every cultural arts community in the city of Palangkaraya and the Watershed Cultural Community (Daerah Aliran Sungai). Participants who received field practice training, both training on stage managers (production teams) for performances and management in arts and culture community organizations so that an orderliness of personal affairs was achieved on every problem in the cultural community concerned. The method used in this training is carried out online because the Covid-19 pandemic is still ongoing and still increasing, following the rules of the Covid-19 handling/prevention officer unit at the local government level and the University of Palangkaraya, this activity was decided to be an online activity using the Zoom Meeting application which attended by 180 participants from various circles, both students, art lecturers and art activists.
KAJIAN ETNOMUSIKOLOGI NYANYIAN DESA YO DAY NENGO SEBAGAI PENGIRING TARIAN LEGO-LEGO PADA MASYARAKAT DESA KAMAIFUI, KECAMATAN MATARU, SUKU ABUI, KABUPATEN ALOR Relin Yosi Huka; Imanuel Letma; Novi Marliyani Nafi
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 2 (2022): December
Publisher : Institut Agama Kristen Negeri Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52960/jt.v2i2.172

Abstract

This study aims to describe and analyze the singing accompaniment to the Lego-lego dance entitled Yo Day Nengo Village, in the people of Kamaifui village, Mataru sub-district, Alor district, the authors obtained the results, namely. The method used is a qualitative method with an ethnographic approach, especially ethnomusic. The results showed (a) Lego-lego is a traditional dance belonging to the Kamaifui people; (b) the traditions that are still maintained by the people of Kamaiifui village to this day are the cakalele dance, war dance, gong and moko as traditional musical instruments and women's belis tools, and the Lego-lego dance. (c) The function of Yo Day Nengo Village singing is as a means of communication, a function of aesthetic appreciation, a function related to social norms, a function of entertainment, a function as a symbolic representation. (c) Yo Day Nengo Village Song is an accompaniment song that is general in nature and easy to be sung by all levels of society. (d) The text of the Yo Day Nengo Village song contains syllabic and melismatic. (e) The scale of the singing of Yo Day Nengo Village consists of five notes.
THE ETHNOMUSICOLOGY OF THE ILLE LE SONGS, MELOLO COMMUNITY, EAST SUMBA DISTRICT, EAST NUSA TENGGARA Iswanto
Tambur : Journal of Music Creation, Study and Performance Vol. 2 No. 2 (2022): December
Publisher : Institut Agama Kristen Negeri Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52960/jt.v2i2.173

Abstract

Ethnomusicology is concerned with music and society. This research was conducted in Melolo, Umalulu District, East Sumba Regency. The problem in this study is how the ethnomusicology of the singing of Ille Le Melolo, East Sumba Regency, East Nusa Tenggara. The results of the research, the song Ille Le or the sleep songs for boys 'umbu', has unique characteristics in terms of musical form, poetry, and cultural meaning. Musically, this song consists of four notes, namely B, D#, E, and F. The intervals used are dominated by P1, M2, M3, P4, m2, M7, P5. An interval scheme like this will result in static movement and stepping with occasional interval jumps. The meter used is 68. When combined with the existing intervals, it will form a story song. The two lyrics of the song are very distinctive, this is related to the word 'umbu'. The word umbu is always in the lower notation in the musical structure of Ille Le's Song which is 185 Hz (F#3) and 240 Hz (B3). In addition, this song expresses the cultural meaning of the patriarchal system in East Sumba society. Musical structure cannot be separated from poetry. Ille le's ethnomusicological studies link the analysis of musical forms and poetry. Ethnomusicology includes musical characteristics such as the use of pentatonic scales, rhythm, motive, phrase, period and text interpretation.

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