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Warisan: Journal of History and Cultural Heritage
Published by Mahesa Research Center
ISSN : -     EISSN : 27463265     DOI : 10.34007
Core Subject : Social,
Social Sciences
Warisan: Journal of History and Cultural Heritage is Published by Mahesa Research Center since February 16, 2020. This Journal publishes articles on local and national, academic, and general topics related to history and cultural heritage. THis Journal Publishes Three times a year April, August and December
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 5 Documents
 1 
Search results for , issue "Vol 4, No 1 (2023)" : 5 Documents clear
Membuka Pintu Hiburan di Era Kolonial: Sejarah Perkembangan Bioskop di Batavia, 1900-1942 Agustin, Nurmalia; Ismawati, Deby Ayu; Fauziah, Mustasyifa
Warisan: Journal of History and Cultural Heritage Vol 4, No 1 (2023)
Publisher : Mahesa Research Center (PT. Mahesa Global Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/warisan.v4i1.1816

Abstract

This research aims to discuss the history of cinema in Batavia from entertainment before the existence of cinemas, the background of the beginning of cinemas to Chinese involvement in the cinema industry. Of course, in the past, watching in theaters already existed during the Dutch colonial period. Movie theaters have existed in Batavia since 1900. The culture of watching this movie began to enter in the early 20th century where the indigenous people at that time called the moving image "Ideop Picture". The method used in this research is the historical method in which there are heuristics, internal and external criticism, interpretation, and historiography. From the results of this study, it is hoped that it can provide insight to the public about the history of cinema, not only exist to be enjoyed at this time but also can be remembered and remembered how the history of cinema in Batavia opened the gateway to entertainment in Indonesia.
Menangkap Realitas Rakyat dan Kritik terhadap Kolonialisme dalam Lukisan: Sejarah Persagi, 1938-1942 Yuliana, Alda; Arifin, Faizal
Warisan: Journal of History and Cultural Heritage Vol 4, No 1 (2023)
Publisher : Mahesa Research Center (PT. Mahesa Global Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/warisan.v4i1.1836

Abstract

This research examines the history of establishing Indonesia's first modern art organization, namely the Indonesian Painters Association (Persagi). Persagi is an art organization that influenced the identity of Indonesian art at the end of the Dutch colonial era. of Indonesian art at the end of the Dutch colonial era. This study uses the historical method, which stages: heuristics, verification, interpretation, and historiography. This research utilizes primary historical sources such as Bataviasche Kunstkring, Oriëntatie; Cultureel Maandblad, and Provinciale Zeeuwse Courant. These digital archives include articles, newspapers, and magazines from the Dutch colonial period. The study results show that Persagi tries to find authentic Indonesian styles in painting. Persagi provides a platform for artists to express the reality of indigenous people's lives through their art as a critique of colonialism and the ideological values of "Mooi Indie" (Beautiful Indies) centered on the Netherlands. This research shows that criticism of colonialism is not only limited to organizational and political elites through the study of social history. Exploring this artist community reveals the relationship between art and criticism of social reality, which needs further study.
Demokrasi Oligarkis dan Resesi Demokrasi di Indonesia Pasca-Suharto: Sebuah Tinjauan Sejarah Politik Ahmad Muhajir; Febriyantika Wulandari
Warisan: Journal of History and Cultural Heritage Vol 4, No 1 (2023)
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/warisan.v4i1.1876

Abstract

Artikel ini menyajikan tinjauan sistematis atas literatur tentang oligarki di Indonesia, yang menawarkan interpretasi khas tentang perubahan politik di Indonesia. Artikel ini merupakan hasil penelitian kepustakaan dengan pendekatan sejarah. Artikel ini berargumen bahwa literatur ini memiliki tiga poin penting. Pertama, literatur ini mengajak kita untuk terus merenungkan cara-cara jatuhnya rezim otoriter. Jatuhnya rezim otoriter sering digambarkan sebagai kemenangan mobilitas masyarakat sipil yang pro-demokrasi. Sementara banyak ahli Indonesia menerima pandangan utama ini dalam menjelaskan kejatuhan rezim Suharto, literatur oligarki menunjukkan bahwa kejatuhan tersebut disebabkan bukan begitu banyak oleh bangkitnya kekuatan masyarakat sipil, melainkan oleh ketegangan antara Suharto dan para oligarki, di mana Suharto ditinggalkan oleh mereka. Kedua, oligarki juga mendorong kita untuk mengkaji kembali sifat demokrasi baru di Indonesia. Berbeda dengan pandangan utama tentang demokratisasi yang berpendapat bahwa negara ini sedang mengalami tahap 'konsolidasi' menuju demokrasi liberal, literatur oligarki melihat transisi politik di Indonesia sebagai perjalanan menuju jenis demokrasi yang kurang liberal, yaitu demokrasi oligarkis. Ketiga, Indonesia mengalami transisi dari sistem politik otoriter menjadi demokratis, yang pada awalnya menunjukkan perkembangan menuju konsolidasi demokrasi. Namun, dalam perjalanan proses tersebut, terjadi resesi demokratisasi yang membentuk demokrasi oligarkis.
Strategi Adaptasi Orang Laut Masa Pandemi Covid-19 di Kabupaten Lingga, Kepulauan Riau Arman, Dedi; Swastiwi, Anastasia Wiwik
Warisan: Journal of History and Cultural Heritage Vol 4, No 1 (2023)
Publisher : Mahesa Research Center (PT. Mahesa Global Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/warisan.v4i1.1817

Abstract

This paper examines the adaptation strategies used by Orang Laut in Lingga Regency, Riau Archipelago Province during the Covid 19 pandemic. The research uses historical research methods. From research, it is known, data from the the Kajang Lingga Foundation, that at the peak of the 2020-2021 pandemic, no Orang Laut were found to have contracted Covid 19. Orang Laut had adaptation strategies during the Covid 19 pandemic. Social restrictions were very effective because the Orang Laut villages were separated from the community. other. The sea people do not understand the disease outbreak that is happening but what they do know is that they are not allowed to leave their village. The nature that is still maintained and the diversity of food, make marine people more prepared to face a pandemic in the long term. Staple foods in the form of sago and fish help them remain independent during the pandemic. In medicine, the Orang Laut rely on traditional medicine to cure certain diseases. Medicines come from plants and animals which during treatment are usually accompanied by a spell by a bomoh (dukun). The ability to recognize plant and animal species, as well as the spells used, is passed down from generation to generation through oral speech from parents
Masjid Raya Datuk Badiuzzaman Surbakti: Sejarah dan Arsitekturnya Khoiriyah, Fitri; Naldo, Jufri; Azhar, Anang Anas
Warisan: Journal of History and Cultural Heritage Vol 4, No 1 (2023)
Publisher : Mahesa Research Center (PT. Mahesa Global Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/warisan.v4i1.1890

Abstract

This article aims to reveal the history and architecture of Masjid Agung Datuk Badiuzzaman Surbakti. This research adopts a qualitative research design with a descriptive approach and employs historical methods in the data collection and analysis process. There are four stages conducted in this research, namely heuristic, verification, interpretation, and historiography. Data were obtained through interviews, observations, and documentation. The research findings indicate that Masjid Agung Datuk Badiuzzaman was established in 1885 AD by Datuk Badiuzzaman Surbakti, the eighth king of the Sunggal Kingdom, also known as the King of Serbanyaman. Furthermore, the study also demonstrates that until the present day, the mosque stands firmly as a symbol of history and the community's beliefs. The architecture of this mosque reflects the beauty of past architectural art, which combines traditional and spiritual values within its structure. This research provides a significant contribution in understanding the role of Masjid Agung Datuk Badiuzzaman Surbakti in the context of local history and architecture, enriching insights into the cultural and religious heritage of this region.

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