calaccitra: jurnal film dan televisi
Jurnal Calaccitra adalah media publikasi ilmiah di bidang kajian/perancangan serta kajian budaya terhadap media, produksi film, televisi, dan animasi. Jurnal Calaccitra diterbitkan oleh LP2MPP Institut Seni Indonesia Denpasar dan dikelola oleh Program Studi Produksi Film dan Televisi Fakultas Seni Rupa & Desain Institut Seni Indonesia Denpasar, dengan e-ISSN: 2798-4370 dan p-ISSN: 2798-6152 . Jurnal Calaccitra memiliki periode penerbitan dua kali dalam setahun, yaitu pada bulan Juni dan Agustus. Ruang lingkup artikel dalam Jurnal Calaccitra meliputi: (1) produksi film, (2) media, (3) televisi, (4) animasi, (5) videografi, (6) sinematografi, (7) teknologi terapan terbaru di bidang produksi film, televisi, dan animasi, (8) metode pendidikan dalam pengajaran film, media, televisi, dan animasi, (9) budaya dalam ranah media, film, televisi, dan animasi. Ruang lingkup artikel dalam Jurnal Calaccitra meliputi kajian/perancangan serta kajian budaya di bidang media, film, televisi, dan animasi. Ruang lingkup tersebut diantaranya tentang: Produksi film Media Televisi Animasi Videografi Sinematografi Teknologi terapan terbaru di bidang produksi film, televisi, dan animasi Metode pendidikan dalam pengajaran film, media, televisi, dan animasi Budaya dalam ranah media, film, televisi, dan animasi
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132 Documents
<![CDATA[KATEGORISASI FILM BERDASARKAN DIALOG DALAM CERITA FIKSI NARASI ]]>
<![CDATA[Sigit Kusumanugraha]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2247
<![CDATA[Categorization for films are generally dividing the genres into two categories, silent film and film with dialogues. However, due to recent development, there are many variations of how a story was told, either it’s a silent film or using sounds. In this journal, the writer will classify more detailed other ways to present dialogues inside a story of a film based on sound, language, and the content which are to be conveyed to the audience. The source validation are from the movies which has already shown in the theatre, or streaming. With this classification, both the filmmaker and audience’s knowledge can be broaden, and also more creative to create films which is aware of the elements inside.]]>
<![CDATA[PESAN PENDERITA KANKER DALAM FILM CLOUDS: PRESPEKTIF SEMIOTIKA PEIRCE ]]>
<![CDATA[Sendi Rahman Hakim]]>;
<![CDATA[Dylan Abyaksa]]>;
<![CDATA[Eva Dwi Kurniawan]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2248
<![CDATA[The film Clouds tells the story of the struggle of a 17-year-old teenager against bone cancer or Osteosarcoma, which he has suffered since he was 14 years old. Many messages are given by this film. These messages need to be disclosed and explained in more depth so that they can provide wider benefits, especially to people with cancer in particular, and society in general. The purpose of this study is to explore the messages conveyed by cancer patients shown in film scenes. The formulation of the problem in this study is how are the messages that can be extracted related to the story of cancer patients contained in the film Clouds? This research method uses Charles Sanders Peirce's semiotic approach. The technique used is by analyzing several scenes in the film that are related to the formulation of the problem. The findings obtained show that the message of a cancer patient in the film Cloud includes not expecting compassion; showing a happy smile; value time; keep working; and never give up.]]>
<![CDATA[PENYUTRADARAAN FILM FIKSI KARSA MELALUI PENDEKATAN REALISME SEBAGAI PENGUATAN KARAKTER TOKOH ]]>
<![CDATA[Dimas Fikri Aliyana]]>;
<![CDATA[Citra Dewi Utami]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2249
<![CDATA[Death is a sure thing to happen. Death became an idea to take advantage of the rest of life by planning, striving, and trying. The purpose of this creation is to how Karsa's film is directed by applying an approach to realism as a reinforcement of the character's character. The realism approach in this film is an attempt to present a story that is as simple and close to reality as possible. The character in the film has a very important role because the character is one of the points that an audience pays attention to. A strong character will make a good impression on a movie. The result of this film is how the realism approach with long take and deep focus shooting techniques can strengthen the character's character through the process of reading, rehearsal, dialogue, and small discussions between the director and the performer. The message to be conveyed to the audience is that death is always close to us and death needs to be prepared. The conclusion of strengthening the Raka character is that it consists of the character of his independence and laziness. Meanwhile, the strengthening of Sarah's character consists of a character who is full of effort, emotion, and illness.]]>
<![CDATA[PEMBUATAN IKLAN ANIMASI UNTUK DOMPET SOSIAL MADANI ]]>
<![CDATA[Rifqi Muhammad Nabil]]>;
<![CDATA[Sri Supriyatini]]>;
<![CDATA[Desak Putu Yogi Antari Tirta Yasa]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2250
<![CDATA[So many become unemployed due to not meeting the criteria desired by the company. Educational degree, amount of experience, and high ability, as well as the number of skills are the basic considerations for a company to accept prospective workers. Therefore, the government has formed a policy that can equip students before facing the realities of the world of work, namely the Independent Campus Program. This program is designed and created to provide students with the opportunity to experience the world of work first-hand in order to hone their soft skills and hard skills according to their respective interests and expertise. On this occasion, the author again partnered with Dompet Sosial Madani (DSM) to solve the cases encountered. Making animated advertisements is the method that the author chooses to solve the cases encountered. This thesis will thoroughly discuss the author's process in creating and designing animated advertisements from scratch. Making this animated commercial is the author's debut in making animation. The author's reason for choosing animated advertisements is to attract attention and build connections in the minds of the audience regarding the DSM program and who DSM is. The purpose of making this animated advertisement is to assist DSM in promoting its programs with more interesting content than most other social institutions and to hone the abilities and creativity of writers. By making this animated advertisement, the author hopes to increase the existence of DSM in society so that it can help more people in need with DSM programs in the future. The author can say that there are many opportunities to promote goods or services, but not everyone has the knowledge and skills to design or develop visual media, especially animation. The creation of DSM animated commercials is the author's good intention to assist DSM in carrying out its humanitarian programs. As the saying goes, good knowledge is knowledge that benefits many people. Through the MBKM Independent Study/Project Program, the author hopes to gain knowledge that will be useful for many people and later in society.]]>
<![CDATA[PENATAAN KAMERA DALAM PEMILIHAN KOMPOSISI GAMBAR FILM DOKUMENTER TARI BARIS MEMEDI PADA PROGRAM BALI SANTHI INEWS BALI ]]>
<![CDATA[Ni Nyoman Trisna Dewi Cahyani]]>;
<![CDATA[Ni Kadek Dwiyani]]>;
<![CDATA[Gede Pasek Putra Adnyana Yasa]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2251
<![CDATA[Television stations present various types of interesting and varied programs every day. Bali Santhi iNews Bali is a program that investigates the theme of Balinese culture. The Bali Santhi program displays the process of Balinese traditional ceremonies from the beginning to the end of the event by presenting many Balinese ceremonies that are in accordance with facts that have high attractiveness. Baris Memedi dance is one of the Balinese dance arts that is included in the group of sacred ceremonial dances that are performed at the atiwa-tiwa, or mass recitation, in Jatiluwih Penebel Traditional Village, Tabanan. The Baris Memedi documentary film was created with the intention of becoming a medium for public information about the many Balinese cultures that exist but are not widely known by the wider community, including, of course, the Balinese people. Shooting composition is an important aspect of the beauty of a film. The creation of the Tari Baris Memedi documentary film requires several stages that require a long process, starting from pre-production, production, and post-production. The results of the creation show that the arrangement of the images in the Tari Baris Memedi Documentary is divided into several parts, namely the camera angle, shot size, and also the composition, each of which has a message and meaning implied in it. This work is expected to be able to provide information to the Balinese people about Balinese culture in Bali and convey messages through the arrangement of images created by the author.]]>
<![CDATA[TATA CARA PENULISAN NASKAH JURNAL CALACCITRA INSTITUT SENI INDONESIA DENPASAR ]]>
<![CDATA[I Wayan Diana Putra]]>;
<![CDATA[Desak Putu Yogi Antari Tirta Yasa]]>;
<![CDATA[Gede Basuyoga Prabhawita]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2252
<![CDATA[Kampus Merdeka is part of the independent learning policy by the Ministry of Education. Mahatma Pictures is one of the Production Houses that focuses on creative content such as Company Profile, Advertisement, Short Movie and also documentary. The purpose of making work writing is to fulfill the final project, the MBKM program. In writing, the writer uses theoretical foundations from various sources to make a benchmark in making Feud films so as not to deviate from established rules such as Bowen and Thomson which explain the theory of dynamic cameras, Joseph V. Mascelli explained the cinematographer's theory, and Himawan pratista who explained the composition of framing, lighting, and mise en scene. In the application of dynamic camera movements, the writer uses the hand held technique to create a natural shake effect. By utilizing natural light for key light with the aim of getting the concept of natural lighting. the movement of the camera only uses hands to get a natural shake. Due to the wide movement of the camera. The application of camera movements in feud films is useful to deliver viewers to enter the atmosphere of action films]]>
<![CDATA[PENERAPAN PERGERAKAN KAMERA DINAMIS PADA FILM PENDEK BUKAN SALAHKU DI CV LUAR KOTAK AUDIO VISUAL ]]>
<![CDATA[I Putu Kevin Andika Prananda]]>;
<![CDATA[I Kadek Puriartha]]>;
<![CDATA[Made Rai Budaya Bumiarta]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2253
<![CDATA[The film is a medium that uses moving images and sound to tell a story or convey a message to the audience. Films can be made in various genres, such as drama, comedy, action, horror, and so on, and can be watched in theaters or on platforms that provide streaming services. In addition, films can also be made in various formats, such as feature films or short films. Dynamic camera movement allows the camera to move during shooting to provide a more dynamic and interesting visual effect. This technique can be used for various purposes, such as following the action that is happening, providing a different perspective, or creating a certain atmosphere. Dynamic camera movements can help enhance the visual impression of a film and help create an atmosphere that fits the story being shown. However, too much camera movement or out-of-context can cause confusion or distraction for the viewer, which needs to be considered carefully in filmmaking. It is hoped that the dynamic camera movements applied in the film "Bukan Salahku" will be well received by the audience, both from the medium and also the media presented. So that the work that is presented becomes a good work, so that it can be exhibited to a wide audience later. Students are expected to be able to further develop in the future in thinking creatively and seeing interesting aspects and having artistic aesthetics to make into works in the future. And also self-development for these students in the future.]]>
<![CDATA[PEMANFAATAN INSTRUMEN GAMELAN BALI PADA SCORING FILM PERSETERUAN ]]>
<![CDATA[I Gede Diki Arinata]]>;
<![CDATA[I Kadek Puriartha]]>;
<![CDATA[Made Denny Chrisna]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2254
<![CDATA[Musical scoring in action films can be one of the media in strengthening narratives in action films. In addition, scoring music in action scenes can influence the mood and emotions that the director wants to manifest in each scene. The musical score is an important factor in shaping the emotion of each scene. Therefore, it is important for a sound engineer to design musical scoring in every action scene. In this report, the author as a sound engineer discusses how to use Balinese gamelan instruments in scoring music and the process of designing scoring music in action scenes in film with tittle Perseteruan or Enmity. Starting from the script breakdown part, tone design, instrument selection, sound effect selection until mixing and mastering process. The author also describes the use of Balinese gamelan instruments in the Perseteruan film. Balinese musical instruments have their own charm for the audience. The use of Balinese gamelan in the film score for the Perseteruan to support the background story in Bali. Exotic pentatonic tones make this Balinese gamelan instrument beuatifully elegant when it's played. The tones in Balinese gamelan are very identical to the atmosphere in Bali. Perseteruan film is an action film that depicts the enmity between two friends. Wayan and Bayu used to be best friends. But now that has changed after Wayan left prison and Bayu became one of the land mafia groups who wanted to sell Wayan's land. Wayan didn't agree because he wanted to build his own business on that land. In the end, Bayu tried any ways to get the land. From there, Wayan and Bayu's feud began.]]>
<![CDATA[MANAJEMEN PRODUKSI PADA PEMBUATAN OMNIBUS MUSIC VIDEO BIN IDRIS DI EPI PRODUCTION ]]>
<![CDATA[Anak Agung Ngurah Narendra Prema P]]>;
<![CDATA[Nyoman Lia Susanthi]]>;
<![CDATA[Ida Bagus Hari Kayana Putra]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2255
<![CDATA[The music video is a type of audio-visual work that is created in the form of a collection of videos that can represent the lyrics of a song. It Made to tell the audience how the song is visualized and can be enjoyed by the eyes of the audience. The producer is a very important role and must be present in an audio-visual production. The producer's job is to manage the production so that it can be well prepared, runs smoothly, and finishes on time starting from the pre-production to the post-production stage to carry out the promotion and distribution of works. The production of an omnibus music video work at EPI Production is a final project work produced with a musician named Bin Idris. Bin Idris is the name chosen by Haikal Azizi to carry out his solo project as an independent musician since 2016. The production management was applied to the creation of Bin Idris' omnibus music video at EPI Production. This activity was implemented to implement the concepts, stages, and authenticity of this omnibus music video production management. Besides that, it can compile seven draft management concepts for Bin Idris' music video production. Using the themes of mind, body-soul, and spirit in its planning, it produces three music video works with an omnibus concept that correlates with one music video and another. The application of production management in this omnibus work is applied based on the shooting location. As for the several locations used, you can shoot twice for different music videos. This is done in an effort to increase efficiency and prevent production costs from being incurred again. Through the omnibus concept which is usually produced with the concept of short or feature films, the writer and the entire production team apply this work to the music video concept so that it is hoped that it can create a new authenticity in the work that has been produced.]]>
<![CDATA[PENERAPAN EDITING CUT TO CUT DALAM FILM PERSETERUAN ]]>
<![CDATA[I Kadek Galang Chandra Deva]]>;
<![CDATA[I Dewa Made Darmawan]]>;
<![CDATA[I Nyoman Payuyasa]]>
<![CDATA[ CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 ]]>
Publisher : <![CDATA[UPT Pusat Penerbitan LP2MPP ISI Denpasar ]]>
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DOI: 10.59997/cc.v3i1.2256
<![CDATA[Feud, is a short film in the action drama genre that tells the story of an older brother who tries to save his younger sibling from criminals who are after their parents' land certificate. The author has a duty as an editor or image arranger. In its application, the writer tries to use standard cutting techniques (cut to cut) in presenting storytelling in the film Feud. Cut to cut itself is a simple cutting technique and is most used by other editors. By using the cut to cut technique, the mood development in the film becomes more interesting and gives a meaningful feel to the story. In writing, the author uses several theories from various sources such as Rosenberg which explains the cut theory, Thomson and Bowen which explains the responsibilities of an editor. And J.M Peters who explained about editing theory. In the application of the cut to cut editing technique, the author first conducts a preview of each shot which will later be included in the editing application, and when all the shots are deemed perfect, the author as the editor then arranges each of these shots so that they become an arrangement of images that tell a story.]]>
