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Wannofri Samry
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Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Universitas Andalas, Gedung Rektorat Lantai 2, Universitas Andalas, Kota Padang, Sumatera Barat, Indonesia
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Andalas International Journal of Socio-Humanities (AIJOSH)
Published by Universitas Andalas
ISSN : -     EISSN : 2715601X     DOI : https://doi.org/10.25077/aijosh.v3i2.20
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Andalas International Journal of Socio-Humanities (AIJOSH) is a peer-reviewed, open-access journal published by Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Universitas Andalas, Padang, West Sumatra, Indonesia. It invites original articles on various issues within marginal life in socio-humanities perspectives, which include but are not limited to the disciplines of philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, the arts, and library and information science focusing on Indonesian studies and research. AIJOSH seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published online. AIJOSH invites original articles on various issues within marginal life in socio-humanities perspective, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, and arts, such as: (1) Marginal movements and minority struggles; (2) Endanger languages; (3) Minority languages and culture; (4) Education in minorities and marginalized communities and groups; (5) Isolated communities and groups; (6) Social and political repression; (7) Race, gender, and discrimination; (8) Political exclusion.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 123 Documents
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Faith, Apostasy, and Inner Conflict of Kakure Kirishitan in Martin Scorsese's Silence (2017): A Literary-Historical Analysis Fauziyyah, Hanna; Devi, Rima
Andalas International Journal of Socio-Humanities Vol. 7 No. 2 (2025)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v7i2.91

Abstract

This study examines the representation of faith conflict experienced by Kakure Kirishitan as depicted in Martin Scorsese's film Silence (2017), which portrays the persecution of Catholic Christians in seventeenth-century Japan during the Tokugawa period. Employing a descriptive qualitative method, this research applies intrinsic literary analysis—particularly literary psychology—to explore the inner conflicts of three Catholic priests: Cristóvão Ferreira, Sebastião Rodrigues, and Francisco Garupe. An analysis of mise-en-scène complements the study to evaluate how cinematographic elements such as lighting, costume, and acting construct a historical atmosphere of religious oppression. The findings reveal distinct responses to faith conflict among the three priests. Ferreira and Rodrigues experience profound moral dilemmas between preserving doctrinal integrity and saving the lives of persecuted converts, ultimately choosing apostasy while maintaining their faith secretly as Kakure Kirishitan. In contrast, Garupe remains steadfast in his beliefs and decides to martyr himself. His analysis demonstrates that inner conflict is central to the narrative, shaped by guilt, the silence of God, and ethical responsibility toward others. Furthermore, cinematographic techniques effectively reinforce psychological tension and historical realism, strengthening the film's role as a medium of historical memory. This study contributes to literary-historical and film studies by illustrating how cinematic adaptations of historical narratives function as critical reflections on faith, power, and resistance under religious persecution.
Implementing CEDAW to Address Violence against Women and Children in Australia (2023–2024) Yusrifa, Azzahirah Iffat; Trisnaningtyas, Januari Pratama Nurratri
Andalas International Journal of Socio-Humanities Vol. 7 No. 2 (2025)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v7i2.92

Abstract

Violence against women and children remains a serious social problem in many countries, including Australia. Despite Australia’s formal commitment to the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW), gender-based violence continues to occur at alarming rates. This study aims to analyze Australia’s efforts in addressing violence against women and children through the implementation of CEDAW during the period 2023–2024. This research employs a qualitative method using document analysis. The data are obtained from official government reports, policy documents, international conventions, and relevant academic literature related to CEDAW and gender-based violence. The analysis focuses on Australia’s National Plan to End Violence against Women and Children 2022–2032 and its First Action Plan 2023–2027. The findings indicate that Australia demonstrates normative and procedural compliance with CEDAW through policy alignment, institutional mechanisms, and intergovernmental coordination. However, most programs and action plans remain in the implementation or development stage, indicating that substantive outcomes are still limited. Challenges such as cultural norms, data gaps, and coordination between federal and state governments continue to hinder effective implementation. This study concludes that while Australia shows strong commitment to CEDAW principles, sustained implementation and outcome-oriented evaluation are required to effectively reduce violence against women and children.
An Anthropolinguistic Analysis of Cultural Values and Social Structure in the Traditional Songs Kampuang Nan Jauah di Mato and Furusato Lestari, Imelda Indah; Putri, Darni Enzimar; Rumbardi, Rumbardi
Andalas International Journal of Socio-Humanities Vol. 7 No. 2 (2025)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v7i2.93

Abstract

This study examines the cultural values, worldview, and social structure embedded in the lyrics of two traditional songs: the Minangkabau song "Kampuang Nan Jauah di Mato" and the Japanese song "Furusato." Drawing on anthropolinguistic theory (Duranti, Foley, and Kramsch) and Newmark's (1988) classification of cultural lexical items, the research analyzes how language functions as a symbolic representation of cultural identity, collective memory, and social relations. Using a comparative qualitative approach with the comparison-matching (CM) and comparison-differentiating (CD) techniques, the study identifies similarities and differences in ecological, social, and ideational cultural elements reflected in the song lyrics. The findings suggest that both songs convey a profound emotional connection to the homeland as a source of identity and memory. However, Kampuang Nan Jauah di Mato emphasizes Minangkabau values of collectivism, family solidarity, and communal cooperation rooted in matrilineal and migratory (merantau) traditions. In contrast, Furusato highlights Japanese cultural values such as harmony (wa), emotional sensitivity (mono no aware), and strong social bonds (kizuna) formed through family and childhood relationships within rural communities. Ecological imagery, including mountains, rivers, and village landscapes, functions as a shared symbolic resource that reflects each culture's relationship with nature. This study concludes that traditional songs serve as living cultural texts, preserving social memory and articulating culturally specific views of life through language.

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