Cinematology Journal Anthology of Film and Television Studies
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
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<![CDATA[Semiotic Analysis and Mise En Scene Concept of Ancient Javanese Rituals in the Film BITING (2021) ]]>
<![CDATA[Nisrina Firdaus]]>;
<![CDATA[Pandu Watu Alam]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.53946
<![CDATA[This article describes the semiotic analysis and the concept of mise en scene of ancient Javanese rituals in the film Biting (lidi). This film is interesting to study because the concept of ancient Javanese rituals is presented as a spectacle that can educate the public about the myths prevailing in ancient Javanese ritual culture. In addition, the concept of the existence of images presented adequately represents the essence of ancient Javanese culture through costumes, make-up, dialogue, settings. Location, artistic, camera position and lighting. This is the aim of research on reading signs and markers as well as the concept of mise en scene. A qualitative method with a semiotic approach and the concept of mise en scene is used in analyzing this film. This study found that all elements of semiotics starting from the meaning of denotation, connotation and myth are clearly visible in every scene. The concept of mise en scene can also be seen clearly depicting the appropriateness of the ancient Javanese rituals in each scene. The implications of this research can be a reference for researchers in analyzing ancient Javanese rituals in particular and other cultural structures in a film.]]>
<![CDATA[Malena: Representation of Sexual Harassment against Women in Film ]]>
<![CDATA[Naila Inas Zhafirah]]>;
<![CDATA[Irwan Sarbeni]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55349
<![CDATA[The rise of sexual harassment against women has become a social issue that is constantly being discussed. This creates a statement that women are visual objects where women are always seen and cared for by the social environment both from their appearance and behavior. Sometimes, sexual harassment against women instead of making women victims, on the contrary, women are used as objects and are often blamed for the clothes they wear. It can be seen that the appearance of a woman can be a public assessment. This social issue is contained in the neat film Malena, a film that tells about a beautiful widow who is seduced by all the men in Sicily. In this film, the male point of view shows that harassing beautiful women is a pleasure and getting beautiful women is a trophy for them. In essence, the journal entitled "Malena: Representation of Sexual Harassment of Women in Film" aims to prove that so far women have always been used as visual objects.]]>
<![CDATA[Intra-Extramusical Resonance of Western Pop Songs on Indonesians in a Communication Perspective ]]>
<![CDATA[Pandu Watu Alam]]>;
<![CDATA[Riyan Hidayatullah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55185
<![CDATA[The song is music with lyrics, one of the aesthetic communication media that can convey one's ideas or thoughts. The message conveyed by a song does not only rely on intramusical factors but also extramusical factors that influence listeners in understanding a piece of work, especially with lyrics in foreign (Western) languages. This research aims to find out how the transmission of Western songs in Indonesia is from a communication perspective? What intra and extra-musical factors do Indonesians absorb in Western songs? What is the form of musical communication of Western songs in the context of Indonesian society? Qualitative methods are used in this study so that the results obtained can be described in the form of narration and illustrative chart images. From the results of the study, listeners to western pop songs in Indonesia initially tended to think that songs in foreign languages (English) were superior and even had a special place in the listeners' hearts. However, along with technological developments and all the conveniences they have, the intra-extramusical resonance of western pop songs is increasingly varied, no longer just following the trend of becoming fans of western pop songs, many Indonesian people also become creators and combine it with Indonesian traditional music or with other cultures. another (fusion). The intra-extramusical factor which is an element of musical communication that occurs in western pop songs in Indonesia seems to have been the reason for how effectively musical communication is used to convey messages, whether it is used in the world of basic education, health therapy, or intercultural communication (west and east). as a place for cultural acculturation. The progress of the times and the role of the media are inseparable from the massive resonance of the spread of western pop songs through digital platforms such as spotify, youtube, and others. So now connoisseurs of we]]>
<![CDATA[Analysis The Dept of visual Aesthetic Value furniture ]]>
<![CDATA[Gebby Miranda]]>;
<![CDATA[Salsa Nafsika]]>;
<![CDATA[Nala Nandana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55353
<![CDATA[Aesthetics is a philosophical science that talks about everything that is called beautiful, the beauty contained in a work of art which is a form of creativity of an artist. Our goal is to analyze the depth of the aesthetic value of the good day coffee advertisement, seeing the lack of public knowledge about art in advertisements, they only see that the advertisement is beautiful without seeing the depth of aesthetic value and form in the work. It is said that the existence of art (advertising) is only controlled by art academics, curators, connoisseurs and art observers. The method is by looking at a work and then analyzing it and connecting it with aesthetic values and forms from various sources, then, it is processed using interpretive and descriptive methods so that readers can understand or re-explain properly and correctly. In analyzing this advertisement, the focus of the study is, what is the general description and the depth of aesthetic value and form in the work. The results of the study show that, not only visual products and music, but also property is needed so that the audience can enjoy it. ]]>
<![CDATA[Body Percussion Video: Rhythmic Learning for Elementary School Students ]]>
<![CDATA[Mastri Dihita Sagala]]>;
<![CDATA[Zakarias Aria Widyatama Putra]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55252
<![CDATA[Research discusses the benefits of learning rhythm for elementary school students through videos. During the Covid-19 pandemic, teachers are required to be creative in providing online learning. Teachers are required to be able to use various kinds of internet technology which must be used effectively and usefully for the implementation of the learning process properly. During the COVID-19 pandemic, online learning is mandatory for all schools in Indonesia. The purpose of this research is to examine in depth the benefits of video-based learning given to elementary school students. The research method used is qualitative with a description approach through literature studies. All data collected is then processed and analyzed by presenting, verifying and concluding data. The results of this study indicate that music learning can be done through videos. Rhythmic as one of the elements of music can have a positive impact on children. Rhythmic learning through body percussion does not limit students to improve their motor skills and musicality. They can easily do body percussion learning through videos because students don't have to bother looking for musical instruments because their own bodies are used as sound sources. The addition of musical accent symbols to body percussion games also has a positive influence on students' sensitivity and motor skills. Another benefit is that learning through video can be done flexibly for students, as well as increasing independence and self-confidence for students.]]>
<![CDATA[The Impact of the Pandemic on the Elimination of Indie Music Performers ]]>
<![CDATA[Mulyadi Cahyoraharjo]]>;
<![CDATA[rubby Sanjaya]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.46489
<![CDATA[The COVID-19 pandemi has had a devastating impact on every sector of the economy, especially on indie musik players. Indie musik players feel the many rights that have been changed when covid-19 emerged in Indonesia. The most noticeable influence on indie musik players is their income because, during the pandemi, many things limit movement. Meanwhile, indie musikians earn income from playing from stage to stage which requires a large audience. The Indonesian government during the pandemi in the last 1 year has continued to aggressively limit indoor and outdoor gatherings, while indie musikians need this crowd to establish relationships with connoisseurs or fellow indie musikians. In collecting data, this study used an online survey by filling out a questionnaire. The results of the study tested how far the pandemi has impacted the income of indie music players.]]>
<![CDATA[PRAWIRA WATANG DANCE: A DEPICTION OF THE MOVEMENT BOLDNESS AND PROWESS OF A WARRIOR ]]>
<![CDATA[Mega Cantik putri Aditya]]>;
<![CDATA[Aline Rizky Oktaviari Satrianingsih]]>;
<![CDATA[winda Istiandini]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55257
<![CDATA[AbstractPrawira Watang Dance is one of subjects on dance learning of Surakarta’s Gagah dance in Institut Seni Indonesia Surakarta (Indonesia Institute of Arts Surakarta). The dance is included in the warriorship dance genre that depicts the boldness and the prowess of the warriors’ movement. This dance owns the interesting attributes, in addition to the dance movement that mostly adopted from the Silat, the dance also uses the Watang property (long bamboo) that made the dance has its own difficulty level for its dancer. The dancers are demanded to possess the capability to organize the watang property. This research aims to comprehensively study the performance form of Prawira Watang Dance. This research uses a qualitative method with collection data technique including observation, interview, literature review, and documentation. This research found that Prawira Watang Dance is composed in some sections including maju beksan, beksan, and mundur beksan. Maju beksan is the initial movement of the dance. There are various arts of beksan or the main part of the dance. Meanwhile, mundur beksan contains some closing movements that marks the ending of the dance. ]]>
<![CDATA[The Semantic Analysis of Polysemy Concepts in Avengers End Game (2019) ]]>
<![CDATA[Agustri Agustri]]>;
<![CDATA[Aztri Dera Nalurytha]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.52741
<![CDATA[This study uses a descriptive qualitative method with data processing techniques, a direct viewing mode of the film, and the available English subtitles. The main objective of this study is to analyze what words contain equivalence (Polysemy) in the dialogue utterances in the Avengers: End Game movie. Moreover, after a lengthy analysis, it was found that at least eleven polysemies have different denotative meanings, connotations, uses, and functions. What makes this research very important and different from others is that it can provide a broader view for us to understand word variations that have many meanings, functions, and uses more than the word order itself.]]>
<![CDATA[DRAMATURGY: SCRIPT AND THEATER STAGE PERFORMED BY AMATEUR “ACTORS DIRECTED” AB ASMARANDANAPRAWIRA ]]>
<![CDATA[Asep Wasta]]>;
<![CDATA[Arni Apriani]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.55289
<![CDATA[Performing art is the realization of working ideas as outlined by the creator in an art presentation that contains artistic aesthetics that can be enjoyed by the audiences.. Theatrical art is essentially from several art dimensions, including: dance (movement), fine arts, literary arts and music. This article examines the work of the theatrical play "Aktor Amaitr" by director AB. Asmarandana played by the Ngaos Art Theater Group in Tasikmalaya, West Java. To understand the creative process, it is examined through the dramaturgy of the show, both the dramaturgy of the script and the stage dramaturgy which can be seen from the process of working on the script along with its literary management as well as the arrangement of the artistic elements of the stage. and other supporting aesthetic elements as part of the performance form, It uses a qualitative research method with a phenomenological approach that is described in an analytical descriptive manner. Referring to Irving Goffman's dramaturgical theory, this Amateur Actor's theatrical performance implies a message that interprets the daily life of humans in this case is an actor who plays a show on stage both from the front stage and back stage.]]>
<![CDATA[Nanti Kita Cerita Hari Ini : Jhon Fiske Signs and Marks As A Movie ]]>
<![CDATA[Aidha Syafira Dharma]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia ]]>
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DOI: 10.17509/ftv-upi.v2i3.53204
<![CDATA[All the emotions and pain and the mutual hiding of their feelings within a family can be felt in a film showing NKCTHI: One Day We’ll Talk About Today. A film based on a book by Marcella FP, this film with a family theme has a background story that usually carries a fairly complicated conflict. Besides being able to bring the emotions of laughter and tears, films with family themes also have the benefit of conveying messages in everyday social life. With the achievement of reaching more than 2 million viewers, enthusiasm and trending topic in the world of social media, as well as being discussed by many communities and society in general regarding the film, the researcher is interested in raising the topic of discussing the contents of the story of the NKCTHI film, especially to get answers about what the actual contents are. or the message conveyed in the storytelling in the NKCTHI film by using John Fiske's Semiotics analysis. The method used in this study uses qualitative methods with a semiotic analysis approach, which will be interpreted into John Fiske's three semiotic levels, namely the level of reality, then the level of representation, and the level of ideology. The existence of ideological differences in the three brothers proves that there are differences even from the same sphere. And in a family that looks harmonious and looks happy, it doesn't necessarily belong to a good family]]>
