Cinematology Journal Anthology of Film and Television Studies
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
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83 Documents
<![CDATA[ATTITUDE AND STRATEGY OF INDEPENDENT BAND ‘BAHUREKSA’ IN CREATING MUSIC WITH THE CONCEPT OF ROOM POP ]]>
<![CDATA[Achmad Bhisma Ayudha Suwarna]]>;
<![CDATA[Rubby Sanjaya]]>;
<![CDATA[Fiery Agustian Rizbani]]>;
<![CDATA[Reza Pahlevi Sugianto]]>;
<![CDATA[Sultan Rizky adi Perdana]]>;
<![CDATA[Boyke Devit Adistya]]>;
<![CDATA[Deriel Sudiro]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i1.42705
<![CDATA[Music has become one of the most entertaining forms of entertainment. This is because music is very easy to digest. In addition to entertainment, music can also be a source of life for musicians. Some think that music is a necessity in their life. Then there is independent music which is the main reason for this research. Their struggle in life and making their work is very interesting to study. This is because independent music is music that is different from the industry which already has a luxury in music. Independent music carries out every process in making its work independently without any help from the industry. An example of independent music struggles studied here is the process of how they make music in simplicity. This research uses a qualitative method with a descriptive analytic approach, all data is generated through a process of observation, interviews, documentation studies and literatures to produce data that can be justified academically. This data is journalism data plus as a term for documentary films which are intended to compose a script which is then realized in making a documentary. This study found the term room pop which means the process of making music in the room. Room pop is a concept that helps indie musicians who don't have the luxury of making music into something they can do. This is because room pop does not rely on professional tools to make music. Enough with makeshift tools and adequate computers, musical works can be made. The implications of this research as the main data in making a documentary.]]>
<![CDATA[Yowis Ben Film as a Communication Media for Malang City Tourism Promotion ]]>
<![CDATA[Yenni elvrida manalu]]>;
<![CDATA[Dedi Warsana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v0i0.34707
<![CDATA[Yowis Ben's film, which raises regional languages and iconic places in Malang City, creates a phenomenon that makes the audience amazed when they see several locations of Yowis Ben's films that take pictures in iconic places in Malang City and the use of regional languages, namely Javanese and Sundanese, in almost the entire dialogue in film. This study uses Media Theory (Medium Teor) to show that film industry can have a positive impact on the development of tourism and culture. The appearance and grammar in the film can evoke a sense of pride and curiosity about the culture, customs, and traditions that are embodied in the script and storyline of the film. This shows that the film industry can have a positive impact on tourism and cultural development, and films can also be used for promotional media or tourism advertising. This study aims to find out how films can be a communication medium in an area. Using descriptive qualitative methods by conducting film study and literature studies, the results of the research show that the Yowis Ben 1 and 2 films as one of the mass communication media can reach the community effectively so that they can move people to make tourist visits and are proud to use regional languages as depicted in the film. Keywords — Communication Media, Film Yowis Ben, Malang]]>
<![CDATA[“Tetap Fokus di Jalan” : Aesthetic Perspective of Public Service Advertising ]]>
<![CDATA[Shafira Yuna Azzahra]]>;
<![CDATA[Muhammad Fikri Alwani]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.41104
<![CDATA[Based on research data from the World Health Organization (WHO) in 2018, annually, there are around 1.3 million people in the world experienced traffic accidents where one of the factors that has recently increased is due to driving while using cellphones. With the increase in the issue, there is a need for socialization of the dangers that can be caused by driving while using cellphones. “Tetap Fokus di Jalan” is a public service advertisement film that is mean to be a socialization effort of the issue. However, as a work of art that is intended to be effective in proclaiming the social message that the creator wants to convey, an aesthetical theory approach is needed in the process of its creation. DeWitt H. Parker advocates the existence of six principles of an artwork to be declared as a beauty. In this study, the authors uses the aesthetic theory of DeWitt H. Parker to the process of creating the public service advertisement film “Tetap Fokus di Jalan”.]]>
<![CDATA[INFLUENCE OF PIRATED FILMS ONLINE ON THE POPULARITY OF FILM FOR SOME STUDENTS IN BANDUNG ]]>
<![CDATA[Riyu Wansyah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i1.42169
<![CDATA[Although technological advances can have a positive impact, but can also have a negative impact on the field of film, namely the rise of film piracy by irresponsible individuals. Increasingly stable internet access, plus the number of movies that are now being shown through digital platforms make it easier for perpetrators to commit these criminal acts, plus the increasing number of movie enthusiasts who prefer to watch or download pirated films rather than buying official films or licensed films become a great opportunity for movie pirates to continue committing these crimes. The study was conducted to investigate the reasons why people would rather watchpiratedmovies than buy official or licensed movies. This research uses a quantitative approach that is descriptive, with data retrieval techniques carried out by researchers, namely data collection techniques by spreading questions with the help of google form. The criteria of respondents who can qualify are students who can use the internet and have done digital piracy, especially in the field of film (downloading from the internet).]]>
<![CDATA[The Effect of Keroncong Music Arrangements on The Interest of The Keroncong Music for Keroncong Tujuh Putri Listeners ]]>
<![CDATA[Seno Maulana]]>;
<![CDATA[Harry Tjahjodiningrat]]>;
<![CDATA[Kiki Sukanta]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i2.46446
<![CDATA[ This journal talk about the existence of keroncong music in globalization and modern era nowadays. Keroncong music has been around in Indonesia since it was introduced by the Portuguese in the 16th century with their Fado music. The music is well received because it has no religious value in it (egalitarian). However, with the growth of music and globalization that make other music genres easy to find in Indonesia, the existence of keroncong is increasingly threatened. Some Indonesian musician give their effort to overcome the situation, one of the way is by arrange pop music to keroncong vibes. This is what Keroncong Tujuh Putri group music do. The way they drawn the audience attention to be attracted by keroncong music made the writer want to assess how effective the effort is. The data obtained as material from this research is sourced from the shared questionnaire result about keroncong arrangement and its connection with the interest of keroncong music itself to the Keroncong Tujuh Putri listeners.]]>
<![CDATA[Semiotic Analysis and Mise En Scene Concept of Ancient Javanese Rituals in the Film BITING (2021) ]]>
<![CDATA[Nisrina Firdaus]]>;
<![CDATA[Pandu Watu Alam]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): Volume 2 - Issue 3 : Cinematology: Journal Anthology of Film and Television Stud ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i3.53946
<![CDATA[This article describes the semiotic analysis and the concept of mise en scene of ancient Javanese rituals in the film Biting (lidi). This film is interesting to study because the concept of ancient Javanese rituals is presented as a spectacle that can educate the public about the myths prevailing in ancient Javanese ritual culture. In addition, the concept of the existence of images presented adequately represents the essence of ancient Javanese culture through costumes, make-up, dialogue, settings. Location, artistic, camera position and lighting. This is the aim of research on reading signs and markers as well as the concept of mise en scene. A qualitative method with a semiotic approach and the concept of mise en scene is used in analyzing this film. This study found that all elements of semiotics starting from the meaning of denotation, connotation and myth are clearly visible in every scene. The concept of mise en scene can also be seen clearly depicting the appropriateness of the ancient Javanese rituals in each scene. The implications of this research can be a reference for researchers in analyzing ancient Javanese rituals in particular and other cultural structures in a film.]]>
<![CDATA[Malena: Representation of Sexual Harassment against Women in Film ]]>
<![CDATA[Naila Inas Zhafirah]]>;
<![CDATA[Irwan Sarbeni]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): Volume 2 - Issue 3 : Cinematology: Journal Anthology of Film and Television Stud ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i3.55349
<![CDATA[The rise of sexual harassment against women has become a social issue that is constantly being discussed. This creates a statement that women are visual objects where women are always seen and cared for by the social environment both from their appearance and behavior. Sometimes, sexual harassment against women instead of making women victims, on the contrary, women are used as objects and are often blamed for the clothes they wear. It can be seen that the appearance of a woman can be a public assessment. This social issue is contained in the neat film Malena, a film that tells about a beautiful widow who is seduced by all the men in Sicily. In this film, the male point of view shows that harassing beautiful women is a pleasure and getting beautiful women is a trophy for them. In essence, the journal entitled "Malena: Representation of Sexual Harassment of Women in Film" aims to prove that so far women have always been used as visual objects.]]>
<![CDATA[Intra-Extramusical Resonance of Western Pop Songs on Indonesians in a Communication Perspective ]]>
<![CDATA[Pandu Watu Alam]]>;
<![CDATA[Riyan Hidayatullah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): Volume 2 - Issue 3 : Cinematology: Journal Anthology of Film and Television Stud ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i3.55185
<![CDATA[The song is music with lyrics, one of the aesthetic communication media that can convey one's ideas or thoughts. The message conveyed by a song does not only rely on intramusical factors but also extramusical factors that influence listeners in understanding a piece of work, especially with lyrics in foreign (Western) languages. This research aims to find out how the transmission of Western songs in Indonesia is from a communication perspective? What intra and extra-musical factors do Indonesians absorb in Western songs? What is the form of musical communication of Western songs in the context of Indonesian society? Qualitative methods are used in this study so that the results obtained can be described in the form of narration and illustrative chart images. From the results of the study, listeners to western pop songs in Indonesia initially tended to think that songs in foreign languages (English) were superior and even had a special place in the listeners' hearts. However, along with technological developments and all the conveniences they have, the intra-extramusical resonance of western pop songs is increasingly varied, no longer just following the trend of becoming fans of western pop songs, many Indonesian people also become creators and combine it with Indonesian traditional music or with other cultures. another (fusion). The intra-extramusical factor which is an element of musical communication that occurs in western pop songs in Indonesia seems to have been the reason for how effectively musical communication is used to convey messages, whether it is used in the world of basic education, health therapy, or intercultural communication (west and east). as a place for cultural acculturation. The progress of the times and the role of the media are inseparable from the massive resonance of the spread of western pop songs through digital platforms such as spotify, youtube, and others. So now connoisseurs of we]]>
<![CDATA[Analysis The Dept of visual Aesthetic Value furniture ]]>
<![CDATA[Gebby Miranda]]>;
<![CDATA[Salsa Nafsika]]>;
<![CDATA[Nala Nandana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): Volume 2 - Issue 3 : Cinematology: Journal Anthology of Film and Television Stud ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i3.55353
<![CDATA[Aesthetics is a philosophical science that talks about everything that is called beautiful, the beauty contained in a work of art which is a form of creativity of an artist. Our goal is to analyze the depth of the aesthetic value of the good day coffee advertisement, seeing the lack of public knowledge about art in advertisements, they only see that the advertisement is beautiful without seeing the depth of aesthetic value and form in the work. It is said that the existence of art (advertising) is only controlled by art academics, curators, connoisseurs and art observers. The method is by looking at a work and then analyzing it and connecting it with aesthetic values and forms from various sources, then, it is processed using interpretive and descriptive methods so that readers can understand or re-explain properly and correctly. In analyzing this advertisement, the focus of the study is, what is the general description and the depth of aesthetic value and form in the work. The results of the study show that, not only visual products and music, but also property is needed so that the audience can enjoy it. ]]>
<![CDATA[Body Percussion Video: Rhythmic Learning for Elementary School Students ]]>
<![CDATA[Mastri Dihita Sagala]]>;
<![CDATA[Zakarias Aria Widyatama Putra]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): Volume 2 - Issue 3 : Cinematology: Journal Anthology of Film and Television Stud ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v2i3.55252
<![CDATA[Research discusses the benefits of learning rhythm for elementary school students through videos. During the Covid-19 pandemic, teachers are required to be creative in providing online learning. Teachers are required to be able to use various kinds of internet technology which must be used effectively and usefully for the implementation of the learning process properly. During the COVID-19 pandemic, online learning is mandatory for all schools in Indonesia. The purpose of this research is to examine in depth the benefits of video-based learning given to elementary school students. The research method used is qualitative with a description approach through literature studies. All data collected is then processed and analyzed by presenting, verifying and concluding data. The results of this study indicate that music learning can be done through videos. Rhythmic as one of the elements of music can have a positive impact on children. Rhythmic learning through body percussion does not limit students to improve their motor skills and musicality. They can easily do body percussion learning through videos because students don't have to bother looking for musical instruments because their own bodies are used as sound sources. The addition of musical accent symbols to body percussion games also has a positive influence on students' sensitivity and motor skills. Another benefit is that learning through video can be done flexibly for students, as well as increasing independence and self-confidence for students.]]>
