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BAJU: Journal of Fashion and Textile Design Unesa
Published by Universitas Negeri Surabaya
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
Humanities Social Sciences
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 17 Documents
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Search results for , issue "Vol. 6 No. 2 (2025)" : 17 Documents clear
Penerapan Manipulating Pleats Pada Busana Pesta Dengan Tema Exotic of Palm Devitriana, Devitriana; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p227-237

Abstract

This study aims to describe the process of applying pleats as decoration to evening wear with an exotic palm theme. This theme is highlighted by the choice of a sage and armpit color palette, where the colors provide the exotic beauty of tropical palm trees, explored through shape, texture, and color translated into fashion design. This study uses the FEA Consumer Need Model method from Orzada & Kallal (2021), which consists of six stages: problem identification, initial ideas, design refinement, prototype development, evaluation, and implementation. In the problem identification stage, the need for aesthetic innovation in party wear that is not only visually appealing but also functional and expressive. The initial idea was developed based on the characteristics of palm trees and pleat manipulation techniques. Refinements were made by selecting materials, colors, and design details that match the theme. Fashion prototypes were developed and tested through visual and functional evaluations. The results show that pleat manipulation techniques are able to create party wear that is aesthetic, expressive, and relevant to the needs of modern consumers. This study contributes to the development of fashion design based on textile exploration and a strong thematic approach.
Eksplorasi Desain Batik UNESA Berbasis Kangkung Air: Keberlanjutan dan Representasi Identitas Visual Institusi Arifiana, Deny; Nahari, Inty; Kharnolis, Mein
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

Batik, as an Indonesian cultural heritage, holds significant potential to support sustainable fashion, particularly through the exploration of nature-based motifs and the use of more environmentally responsible materials. However, its application as an institutional identity marker remains limited, especially in integrating sustainability values with the visual character of an institution. This study aims to develop a sustainable institutional batik design by adopting the stylization of water spinach (Ipomoea aquatica) as a symbol of ecological growth, combined with visual elements of Universitas Negeri Surabaya (Unesa). The Practice-Led Research method was employed across four stages: pre-design, design, realization, and presentation and evaluation. The study produced ten Unesa batik designs, from which three were selected as the best based on expert assessments using four criteria: functionality, cultural identity and expression, aesthetics, and creativity. The findings indicate that Batik Andaru Tirta UNESA effectively represents both the ecological character and institutional identity of the university. Future research may extend to material testing, the exploration of border motifs, and prototype refinement to support more sustainable production practices.
A ANALISIS PROSES PEMBUATAN BATIK KARAWO Mariono, Sinta Nuria; Saleh, Hasdiana; Naini, Ulin
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

This study aims to create a textile works that combine Batik techniques and Karawo embroidery which are then called Karawo embroidery. Karawo embroidery has an artistic form and also contributes to cultural preservation because it uses typical Gorontalo motifs. Through the process of making Karawo Batik, a new visual appearance can be created in textile craft works that maintain traditional values and continue to adapt to the times. This study uses a qualitative method with a descriptive approach. The results of this study indicate that process of making quality textile products. The stages of making Karawo Batik are 1) Selecting fabric, 2) Making motifs, 3) The canting process, 4) The process of slicing and pulling theads, 5) Soaking fabric in TRO, 6) Coloring, 7) Pelorodan, 8) And embroidering, the manufacturing process has gone quite well. In addition, the resulting Karawo has its own uniqueness through distinctive motifs that reflect the combination of Batik techniques and Karawo embroidery as a form of preserving local wisdom.
AURUM VITAE: PERANCANGAN KOLEKSI READY-TO-WEAR DELUXE BERNARASI ‘POSITIVE AGING’ Goenawan, Verena Fedora; Hamzah, Andi; Natalia, Wenny
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

AURUM VITAE is a women’s ready-to-wear deluxe fashion collection, designed based on the theme of the positive side of aging. In a modern society that often views aging negatively, this collection serves as a narrative counterpoint through an elegant and meaningful design approach. The garments are crafted to be timeless, transcending trends. Aging is perceived as the growth of experience, maturity, and a source of deeper meaning in life. The collection features A-line and I-line silhouettes, symbolizing growth and serenity. A neutral color palette — including white, ivory, beige, grey, and taupe — reinforces a sense of calm, elegance, and stability. Fabric manipulation techniques such as pleating, quilting, and broken needle stitching are employed to visually represent the philosophical values of aging, such as accumulated experience. This collection targets women aged 40–50 living in major Indonesian cities, such as Jakarta, who value high-quality clothing with meaningful design and timeless elegance.
Pemanfaatan Pewarna Alami dari Kulit Kayu Tingi dengan Teknik Ecoprint pada Kain Katun Nisa, Atina Khoiron; Nafi’ah, Nayla Fikriatun
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

The bark of the tingi tree (Ceriops tagal), a mangrove species commonly found in coastal regions, serves as a natural source of brown pigment capable of imparting appealing coloration to textiles. However, the utilization of tingi bark as a natural dye through ecoprint techniques remains relatively underexplored. This study employed an experimental approach comprising several stages: extraction, premordanting, dyeing, ecoprinting, and fixation. The leaf-based ecoprint process revealed that teak leaves produced a reddish-purple hue, while guava, castor, cassava, and fern leaves yielded lighter, whitish tones. The final outcomes demonstrate that fabrics dyed with tingi bark using ecoprint methods. There was a loss of fabric mass during washing with 1% detergent, indicating that the dye and mordant had not fully adhered to the fabric.
Eksplorasi Transformasi Simbolik Gajah Oling Dalam Penciptaan Busana Ready to Wear Berbasis Budaya Banyuwangi Ahsan, Rizka Sarah Heydarina Fathima; Rahayu, Sri Eko Puji; Kibtiyah, Asriana
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

The purpose of the research is to create a ready-to-wear fashion design that integrates Banyuwangi cultural values through the transformation of the Oling Elephant Batik motif and the anatomical character of the elephant into a contemporary fashion silhouette. The methods used with the stages of research on the creation of works include pre-design, design, realization, and presentation. In the pre-design stage, an exploration of the study of the philosophy of the Elephant Oling, analysis of elephant anatomy as a source of shape, and the selection of materials and textile techniques. The planning stage produces alternative sketches and is created at the embodiment stage covering patterns, material cuts, sewing and finishing. The results of the study show that the integration of cultural values, shape transformation and textile manipulation can produce ready-to-wear clothing that is aesthetic, functional and has narrative power. This research affirms the potential of contemporary fashion as a medium of cultural revitalization and offers a new model of approach in symbolic-based design. Further research is recommended to examine user responses and the potential for collection development at a production scale.
A Comparative Study of Product-Centric and Experience-Centric Value Creation in Indonesian Fashion Retail Prianka, Dian
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

This study examines how Indonesian fashion retailers strategically respond to the rising demand for physical, shareable experiences among digitally-native Generation Z and Millennial consumers. It aims to compare two distinct strategic approaches to value creation: “product-centricity” and “experience-centricity”; and to derive practical insights for navigating the contemporary experience economy. This study employs a qualitative comparative case study approach to investigate the distinct mechanisms of value creation. Through a comparative case study of the product-centric brand Colorbox and the experience-centric brand Paddy Playstore, this research analyzes their divergent value creation mechanisms using Aaker’s Brand Identity and Pine & Gilmore’s Experience Economy frameworks. Findings show Colorbox leverages its physical store primarily to support transactions of affordable apparel. In contrast, Paddy Playstore’s core offering is an immersive DIY experience, fostering value through co-creation and emotional engagement. The study concludes that both models are strategically viable, representing complementary strategic paths for retailers: layering experiential elements onto a product foundation or meticulously curating the core experience as the product itself.

Page 2 of 2 | Total Record : 17

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