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Humaniora
Published by Universitas Gadjah Mada
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humanities
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 10 Documents
 1 
Search results for , issue "Vol 21, No 2 (2009)" : 10 Documents clear
DARI KYUUSHUU KE RAN’IN: KARAYUKI-SAN DAN PROSTITUSI JEPANG DI INDONESIA (1885-1920) Sri Pangastoeti
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2830.128 KB) | DOI: 10.22146/jh.962

Abstract

Karayuki-san is a term referring to Japanese women who worked as prostitutes abroad from the Meiji Period (1868-1912) to the World War II. This study investigates the various conditions that encourage Japanese women to be karayuki-san, to understand the kinds of exploitations that the karayuki-san experienced during their journey to Indonesia and worked as prostitutes in some cities in Indonesia. The main data sources for this research are some diplomatic records (confidential and disclosed) obtained from the Japanese Consulate in Singapore and Batavia from Meiji 28 (1895) to Taisho 4 (1915), Dutch Colonial Governments Regulations related to Japanese migrants, particularly those collected in the Missive Gouvernements Secretaris (Mgs), and dialog records between Yamazaki Tomoko and the ex-karayuki-san that were recorded in Sandakan Hachiban Shookan (Sandakan No.8 Brothel).
DUALITAS PRAKTIK PERKAWINAN MINANGKABAU Zainal Arifin
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2872.338 KB) | DOI: 10.22146/jh.963

Abstract

This paper aims to understand duality of Minangkabau marriage. The results of the research indicates that the decision making process which proceed a marriage are not fully determined by the adaik’s norms, but also being influenced by “politics of marriage” of the actor and kinship members who are to be interwoven in the proposed extended family. The decision making process proceeding marriages in Minangkabau is essentially a synthesis of adaik, which permits certain cultural liberties to actor and family members who will then be part of the extended family.
BAHASA VIETNAM SEBAGAI BAHASA NADA . Hendrokumoro
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2694.866 KB) | DOI: 10.22146/jh.966

Abstract

Vietnamese is a complex language as evidenced by the variety of its tones, shapes and meanings. Its complexity is a natural result of the fact that the language belongs to different proto-languages, i.e. Austro-Asiatic, Sino- Tibet, Thai-Kadai and Hmong-Dao. Therefore, it is interesting to study Vietnamese. Vietnamese is a tonal language. Pitch is a crucial part in tonal languages since it helps create suprasegmental phonemes to produce different lexical meaning. To understand suprasegmental phonemes, one must understand segmental phonemes. A tonal analysis can only be done after efforts have been made to reveal segmental phonemes. This article attempts to answer these questions: (1) how to describe the Vietnamese phonological system, and (2) how to describe pitch in a tonal language such as Vietnamese. While the Vietnamese phonological system makes up the segmental phonemes, pitch in Vietnamese language makes up the suprasegmental phonemes.
FUNKTIONSVERBGEFÜGE CONSTRUCTION AND ITS CORRESPONDENCE IN INDONESIAN Pratomo Widodo
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2337.705 KB) | DOI: 10.22146/jh.967

Abstract

Penelitian ini bertujuan untuk mendeskripsikan konstruksi predikat bahasa Jerman Funktionsverbgefüge dan padanannya dalam bahasa Indonesia, serta mendeskripsikan persamaan dan perbedaan di antara keduanya. Metode analisis gramatika kontrastif digunakan untuk membandingkan konstruksi Funktionsverbgefüge dan padanannya dalam bahasa Indonesia. Hasil penelitian menunjukkan bahwa kedua konstruksi predikat tersebut terdiri atas dua unsur, yaitu verbal dan nominal. Kedua konstruksi memiliki bentuk, makna, dan fungsi yang sama, sementara perbedaannya terletak pada distribusi unsur-unsurnya.
TINGKAT TUTUR BAHASA JEPANG DAN BAHASA JAWA: ANALISIS KONTRASTIF Eman Suherman
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2047.04 KB) | DOI: 10.22146/jh.968

Abstract

In Japanese speech levels, a polite form is known as Keego, which consists of Sonkeego, Kenjoogo, and Teeneego. In Javanese, such a form is called Unda-Usuk. It consists of Ngoko (divided into Ngoko Lugu, Antya Basa, and Basa Antya), Madya (divided into Madya Ngoko, Madyantara, and Madya Krama), and Krama (divided into Mudha Krama, Kramantara, and Wreda Krama). Based on the results of the contrastive analysis used in this paper, it was found out that there are similararities as well as differences between Keego and Unda-Usuk. Both of them have honorific forms as well as humble forms. The difference is that in Japanese there are two concepts known as Uchi and Soto. This means that Japanese pay attention to who a speaker is talking to and who is being discussed. Another difference is that Ngoko can not be contrasted with Keego. Krama Inggil and Krama Andhap do not belong to speech levels. Both are lexicons giving varieties to the existing speech levels, whereas Sonkeego and Kenjoogo are parts of Keego.
SOSIALISASI ANAK DAN MELEMAHNYA TRADISI DALAM MIGRASI INTERNASIONAL: KASUS TKW DARI GODONG GROBOGAN JAWA TENGAH Tri Marhaeni P. Astuti
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3240.316 KB) | DOI: 10.22146/jh.1326

Abstract

International migration that women from Godong , Grobogan, CentralJava, did has brought about social, cultural, political, and economic changes.This paper focuses on the social changes that these migrant women have caused to their family and the society. These social changes were viewed from local and global points of view, suggesting the loosening of traditional values and the evaluation of family relationship. In-depth interviews with a sample of the women in both Grobogan and Malaysia showed that there was a shift of the values of daughters, and the weakening of traditional social values. The family was found not to be the main control centre in the family life cycle anymore, but the daughters were. The separation of the women from their children suggests the weakening
PATUNG LORO BLONYO DALAM KOSMOLOGI JAWA Slamet Subiyantoro
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3176.832 KB) | DOI: 10.22146/jh.1327

Abstract

The study of ”loro blonyo” generally deals with the structure and form of the statue as a real autonomous work of art. In this article “loro blonyo” is perceived as an integral part which can not be separated from its functions and placemant. It is located in the central “senthong”, part of the structure of the “dalem” room in a traditional Javanese house. More specifically this article attempt to discuss from the point of view of Javanese cosmology what the statue of “loro blonyo” means in relation to the way of life of “sangkaning dumadi”.
PERTUMBUHAN PENDUDUK BESUKI: KAJIAN DEMOGRAFI HISTORIS Nawiyanto Nawiyanto
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3074.611 KB) | DOI: 10.22146/jh.1328

Abstract

In demographic terms, Besuki residency was a distinctive region comparedwith the rest of Java. It is argued that demographic growth taking place in the region was linked primarily to migration, rather than births and deaths. Drawing upon diverse historical materials, this article discusses the role of migration and natural factors of births and deaths, in populating the region of Besuki by comparing it with Java. In elaborating the arguments, this article specifically looks at factors and conditions that affected each component and its contribution to the demographic process in the region.
TEKNOLOGI, MODERNITAS, DAN ZAMAN ‘PANTJAROBA’: REPRESENTASI RADIO DALAM DUA ROMAN INDONESIA DI AKHIR ZAMAN KOLONIAL Suryadi Suryadi
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5111.6 KB) | DOI: 10.22146/jh.1329

Abstract

The reception and perception of the Indonesian society onradio technology in the early period of the appearance of thistechnology in the former Netherlands East Indies can of course betraced in its diverse culture texts, including the literary texts. Eventhough such technological invention as radio is an element that isquite apparent and give colour in many modern Indonesian literarytexts, this element has not seemed to attract the attention of scholarsof Indonesian literary studies. This paper looks at the images of radiotechnology in modern Indonesian literary texts by examining how thistechnology is represented as a matter of course in early modernIndonesian literary works. Two works which will be investigated in thisarticle are Muhammad Dimyati’s Dibalik Tabir Gelombang Radio(1940) and A. Damhoeri’s Zender Nirom (1940). In this paper, Idiscuss them in terms of the explicit presence of radio as an urbanicon and symbol of modernity.
KODE BUDAYA DALAM PUISI JAWA MODERN Akhmad Nugroho
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1445.813 KB) | DOI: 10.22146/jh.1330

Abstract

The modern Javanese poem “Wengi ing Pinggir Bengawan” (TheNight in the River Side) is a poem with a background taken from the“wayang” story in the Javanesse culture. That poem is loaded with adialogue between the figures Kunthi, the mother, and Adipati Awangga,the son. This paper explores the meaning of the poem using the culturalcode analysis.

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