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Humaniora
Published by Universitas Gadjah Mada
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humanities
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 10 Documents
 1 
Search results for , issue "Vol 23, No 1 (2011)" : 10 Documents clear
Glembuk, Strategi Politik dalam Rekrutmen Elite Penguasa di Desa Pulungansari Yogyakarta Bambang Hudayana
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.954 KB) | DOI: 10.22146/jh.1005

Abstract

Credibility is the power resource of village elites in Java that has ability to find out influence to the people. However, village elites also still require glembuk as a strategy to generate credibility, or to make the people merely under their control even though without legitimacy. Glembuk is implemented through conducting political transaction between the elites and the peoples, the elites persuate and negosiate their interest, and offer a compensation in term of services, goods, money or something that is important, or valuable for the peoples. Elites become to rely more on glembuk in the contestation of rulling elite recruitment such as village staff (pamong) and headman (lurah) direct election because they have no sufficient credibility requirement. The winers are the elites enabling to produce glembuk that manipulate and show off their potential as the credible leaders.
Perilaku Masyarakat Baduy dalam Mengelola Hutan, Lahan, dan Lingkungan di Banten Selatan Gunggung Senoaji
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.876 KB) | DOI: 10.22146/jh.1006

Abstract

Baduy community is a Sundanese ethnic isolating themselves around Kendeng Mountains, South Banten. They occupy an area about 5101.8 hectares of land in which the property rights were granted from the government. The people strictly adhere to their customary rules and norms. Hence, this article described to conditions of Baduy community and their behaviour in managing its forests, land and environments. The Baduy behaviour is different from the general community. These behaviour were believed to be initiated by the decrease availability of cultivated areas due to the population growth and influence their customary rules and norms. Their behaviour forms of local wisdom in managing the environment. The behaviour of Baduy community implemented in managing agricultural land, forest, and environment.
Gandrung Banyuwangi: Kontestasi dan Representasi Identitas Using Novi Anoegrajekti
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (390.489 KB) | DOI: 10.22146/jh.1007

Abstract

The article wants to emphasize contestation among authorities in understanding gandrung as identity construction that increased since 2000 until 2005. Blambangan Art Council and bureaucracy, for example, tried to increase Using identity through political policies. By using hegemony perspective, especially in the concept of contestation among residual, dominant, and emergent culture, I will analyze (1) the process of the contestation for gandrung among bureaucracy, santri, and capitalist in the context of representation of Using identity based on socio-cultural powers of each authority in particular times and spaces and (2) the power position of each authority in crafting hegemony towards gandrung. As something constructed, cultural identity is discursive, fractured, and dynamic based on times and spaces. Representation of Using identity is a battle-field in a cultural political project.
Antropologi Feminisme dan Polemik Seputar Tubuh Penari Perempuan Jaipongan menurut Perspektif Foucault Imam Setyobudi; Mukhlas Alkaf
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (172.9 KB) | DOI: 10.22146/jh.1008

Abstract

The dancers whose totally use their body and gesture explore their art-life experiences as well as to visualize their art form are always interrelated with the relation of knowledge and power. It is inclution whereas the dancers are belong to. This paper will focus on the issue of feminism in the field of the anthropological discourse as one of the Indonesian dances approach analysis. Even though it is not directly explaining how to operationalize feminism in analyzing the dances rather than serving an alternative perspective toward an older perspective in which tend to very masculine perspective.
Sajak-sajak Realisme Sosialis Lekra: Kajian Tematik Suyono Suyatno
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (143.01 KB) | DOI: 10.22146/jh.1009

Abstract

Lekra poems basically reflects the aesthetics of socialist realism which is adoped by the Lekra in the art and literature, including also in poetry. The aesthetic of socialist realism seems to be built from the oppositions between capitalist/imperialist--socialist, bourgeois--the proletariat with the partisanship on the part of the latter. To realize the partisanship that belong to the ideology of Marxism and socialism, Lekra also utilizing statements which are hyperbolic. Thus, the actual poems of Lekra identical with the mouthpiece of the communist party who spread propaganda.
Relasi dan Negosiasi Ideologis dalam Naga Sasra dan Sabuk Inten Karya S.H. Mintardja Teguh Supriyanto
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (183.854 KB) | DOI: 10.22146/jh.1010

Abstract

Naga Sasra dan Sabuk Inten--the silat story-- is built based on various ideological confrontation. It is assumed that this text has a close relation with extra situation because in outside the text, the political and social situation was facing similar ideological confrontations. Th eproblems are how ideology play in the artistic structure of the text and how are the relation and negotiation pattern of the ideologies. An artistic space is constructed by semantic fields and a place for seedbed of various ideologies. The dominant odeology is feodalism in a text. Negotiation and relation for ideology can be a way to grashep hegemonic ideology. The myth is the medium to relate capitalistic ideology. In extra-textual, capitalism is hegemonic ideology. The genetics of the text originates from capitalism class.
The Development of Bahasa Indonesia in Multicultural Context: A Case Study of Adoloscent's Slang I Dewa Putu Wijana
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (132.259 KB) | DOI: 10.22146/jh.1011

Abstract

This article deals with Indonesian slang that is commonly used by youngsters as a symbol of their intimate friendship. This colloquial variation, which is often regarded as a threat to the existence of standard Indonesian is in fact very rich with interesting linguistic features, especially in terms of its forms, formation processes, spellings, and sources. The discovery of its uniqueness will hopefully vanish all negative views about the slang because its presence will actually give give contribution for the development of Bahasa Indonesia.
A Review of Deontic Modality in Indonesian Language Based on the theory of Japanese Modality Tatang Hariri
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (162.409 KB) | DOI: 10.22146/jh.1012

Abstract

According to Hasan Alwi (1992) the scopes of deontic modality in Indonesian are permission and command with its modals such as .boleh, bisa, dapat., and other modality verbs. These two meanings, permission and command, are investigated from the point of view predication and deictivity. In this study deontic modality in Indonesian will be reviewed on the basis of the theory of Japanese modality.
Karikatur Karya G.M. Sudarta di Surat Kabar Kompas Kajian Pragmatik Slamet Supriyadi
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.007 KB) | DOI: 10.22146/jh.1013

Abstract

Caricatures are used mainly to put forward constructive ideas on prevailing issues and to put forward humorous function. The types of speech act practiced are commisive, expressive, verdictive, assertive, directive, and performative. The dominating speech act found is directive. Based on the forms of speech act used, types of speech act practiced by the caricaturist are direct type of speech act. In the practice of cooperative principles, the caricaturist violates the maxims of quantity, quality, relevance, and manner. Politeness principles practiced by the caricaturist are tact, agreement, sympathy, and modesty maxims. Linguistic aspects utilized are phonological aspects, phrases, words, sentences, and discourse which coherence with the pictures.
Akronim dalam Bahasa Arab Abu Sufyan
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.608 KB) | DOI: 10.22146/jh.1014

Abstract

Abreviation is a morphemic process. In Arabic one of the abreviation processes is annaht. This process plays a significant role in the development of Arabic in general, and its vocabulary in particular.The result shows that structurally annaht in Arabic derives from combining two or more elements into one word; this process occurs either by eliminating a fart of the elements of the consonanst or combining all of the elements, written/pronounced as one syllable/phonem. Annaht can be formed frm words, phrases and sentences. Semantically, the meanings of the determining elements forming annaht and those of the annaht itself have either direct or indirect relationship. The meaning of annaht can be synonymous with, more specific, more general than or associated with that of the determining elements.

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