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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 950 Documents

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KONFLIK SOSIAL TABU NIKAH PADA MASYARAKAT PERDESAAN DI PURBALINGGA DAN BANYUMAS Sugeng Priyadi
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study is aimed at discovering the social conflicts which the community experienced leading to the marriage taboo. The study employs the historical method combined with the folklore and philological method. The two later methods are applied to provide the historical sources contained in the texts and folklores. Then, the historical method is taken to produce a historiography work, i.e. the cultural history or the intellectual history in the local range of Purbalingga and Banyumas. The results of study show that the marriage taboo in the rural community of Purbalingga and Banyumas indicates the phenomenon of plural socio-culture laid on socio-political legitimate. The marriage taboos are inflicted by social conflict as the manifestation of incest marriage, social rivalry, and legitimate battle. In those conflicts, the communities of Onje, of Banjaranyar, and of Raden Kaligenteng are the troublemakers. In addition, the communities of Sambeng Kulon, of Sambeng Wetan, of Jompo Kulon, and of Jompo Wetan can also be categorized into the troublemaker, since they are involved in the internal conflict, leaving them broken into parts. The marriage taboos indicate something that can be understood as the shift of cosmos into chaos. The chaotic situation is dominant, for the shift has not resulted in a new cosmos, i.e. it is always in the liminal or threshold position.

THE IMPACTS OF MARKET ECONOMY ON SOCIAL RELATIONS: A PERSPECTIVE FROM HOUSEHOLD POTTERY PRODUCTION IN LAI THIEU, BINH DUONG PROVINCE, SOUTH VIETNAM Ngo Thi Puong Lan
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Produksi dan kerajinan keramik yang berkembang pesat di Lai Thieu, Vietnam, tidak terlepas dari kedatangan para imigran dari Cina pada abad ke-19. Perusahaan keramik dapat dibedakan menjadi lima, yaitu perusahaan milik negara, patungan, swasta, perseroan terbatas, dan rumah tangga. Kebanyakan perusahaan keramik di Lai Thieu berkembang menjadi perusahaan modern karena perkembangan teknologi dan keharusan berkompetisi dengan produsen lain. Dari sisi manajemen, ada perubahan dari manajemen keluarga ke arah manajemen yang lebih maju dan terbuka. Perkawinan antara etnis Cina dan warga Vietnam memungkinkan perusahaan keramik yang semula bersifat tertutup menjadi semakin terbuka dan kompetitif.

A SYMBOLIC REALITY OF AMERICAN TELEVISION: A CASE STUDY OF THE JERRY SPRINGER SHOW Ida Rochani Adi
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The Jerry Springer Show adalah salah satu program talk show televisi Amerika yang dapat dikategorikan sebagai tabloid talk show, trash talk show, atau istilah lain yang menunjukkan betapa acara ini menyajikan topik persoalan yang vulgar. Meskipun acara ini adalah acara yang banyak dianggap orang tidak layak ditonton, ini masih tetap diminati di Amerika terbukti masih berlangsung dan telah menyajikan lebih dari 3.000 episode. Ternyata acara ini tidak hanya diminati oleh orang Amerika, tetapi juga oleh orang Inggris karena acara ini pun sampai mengilhami pembuatan opera yang dipentaskan di beberapa teater Inggris. Ada tiga realitas yang sebetulnya merupakan simbolisasi yang dapat dimaknai di sini. Pertama, bermoral tidaknya suatu acara tidaklah menentukan minat orang dalam menonton tayangan televisi karena berhasil tidaknya suatu acara dalam masyarakat tergantung dari kekuatan sosial acara tersebut. Kedua, makin tinggi nilai kebebasan suatu masyarakat, makin tinggi pula tuntutan masyarakat terhadap pemenuhan kepuasan penonton televisi. Ketiga, karya imajiner yang ditayangkan di televisi akan dianggap sebagai suatu kebenaran apabila dikemas dalam program yang diterima dalam masyarakat sebagai program informasi dan bukan hiburan meskipun kandungan di dalamnya adalah hiburan.

FENOMENA SEKS DALAM NOVEL INDONESIA MUTAKHIR KARYA PENGARANG PEREMPUAN: KAJIAN KRITIK SASTRA FEMINIS . Wiyatmi
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This research is aimed at describing and understanding (1) homosexuality phenomena in the current Indonesian novels, (2) the relationship between homosexuality phenomena with the existence of homosexual community in Indonesia, and(3) the relationship between homosexuality phenomena with feminist school. To achieve these aims, six novels are analyzed. They are (1) Larung by Ayu Utami, (2) Supernova by Dee (Dewi) Lestari, (3) Mahadewi Mahadewi (4) Garis Tepi Seorang Lesbian by Herlinatien, (5) Tabularasa by Ratih Kumala, and (6) Dadaisme by Dewi Sartika. The result of the research shows that (1) homosexuality phenomena in the current Indonesian novels are reflected in theme and character problems, (2) these phenomena are related to the existence of homosexual community in Indonesia, whose members already demand that their existence be recognized in society, and (3) these phenomena are related to feminism, especially radical feminism that influences the authors’ creativity.

MOSLEM IN THE JAVANESE CULTURE PLURALISM AND THE PALACE ART PERFORMANCE Sunaryadi Maharsiwara
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Pluralisme budaya Jawa yang terjadi karena interaksi dengan budaya lain menjadikan budaya Jawa kaya makna. Perpaduan dua unsur budaya yang berlainan mampu membentuk nilai baru dalam format yang harmonis. Konsep kewalian, jalan mistik, dan konsep kesempurnaan hidup di dalam Islam bahkan diterapkan dalam formulasi kultus kraton yang menjadi model konsepsi Jawa mengenai berbagai aturan, baik sosial maupun ritual, sehingga terjalin saling ketergantungan antara ajaran Islam dan masyarakat yang masih terikat tradisi dan norma adat. Ajaran Islam itu dipahami dan dikembangkan dengan kaca mata Jawa, diolah menjadi bentuk budaya Kejawen yang berbeda dengan aslinya, dan yang mudah diterima masyarakat. Dunia seni pertunjukan pun dapat dinyatakan telah terpengaruh oleh subkultur budaya Islam-Jawa. Paling tidak, kesan seperti itu dapat dilihat di dalam pergelaran wayang, beberapa tarian ritual, ataupun Tari Golek Menak yang ada di Kraton Yogyakarta

TEATER TRADISIONAL DI SURABAYA 1950-1965: RELASI MASYARAKAT DAN ROMBONGAN SENI . Samidi
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article intends to study the relation between social spectators and the troupe of theatre in Surabaya. The spectators were needed in traditional performance because the presence of spectators was related to the fund raising. Spectators were related to fund. Troup of theatre was basically commercial and so the spectators had significant function in providing financial support to members of he troupe. Most of the people of Surabaya liked theatre, such as ludruk and wayang wong. Both ludruk and wayang wong had to make their admirers and fans happy and at the same time obey the instructions and regulations of the local government.

REREADING BARTHES’ READING METHOD: COMPARING FRENCH AND INDONESIAN/BRITISH CASES Muh Arif Rokhman
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Tulisan ini membahas metode pembacaan Roland Barthes yang dikenal dengan nama semiotika. Metode ini diterapkan pada fenomena budaya yang terdapat di Prancis dan dimuat dalam buku Barthes yang berjudul Mythologies. Cara pembacaan Barthes dapat dipertanyakan karena cara itu akan menghasilkan suatu titik pandang dari dalam. Pengamat dari luar budaya Prancis akan berpandangan berbeda karena pemahaman kontekstual budaya Prancis tidak akan dipertimbangkan dalam pembacaan gambar negro yang menghormati bendera Prancis. Kasus pemakaian jilbab di London untuk para polisi wanita dapat dibandingkan dengan kasus negro itu. Selain itu, kasus kenaikan harga di Prancis juga dibandingkan dengan kasus Indonesia pada saat perayaan Idul Fitri. Dari perbandingan itu, tampak bahwa metode pembacaan Barthes mempunyai keterbatasan sehingga menghasilkan suatu fleksibilitas.

PEMAKAIAN KATA DI MANA DALAM TULISAN MAHASISWA I Dewa Putu Wijana
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Generally speakers of bahasa Indonesia use di mana as a question word for asking location of the state or action expressed in information interogative sentences. However, the impact of English usage nowadays made the use of di mana is strongly influenced by English word where to which this Indonesian question word is equivalent. Therefore the use of di mana in students essays writings shows that di mana is not merely functioned as question word, but also as copula, relative clause marker, interclausal and intersentencial conjunctions, and other markers which are difficult to identify because they do not have any equivalent in English.

KOMUNIKASI ANTARETNIK DALAM MASYARAKAT TUTUR DIGLOSIK: Kajian Etnografi Komunikasi Etnik Using Imam Suyitno
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

People need communication in their daily activities. The term cross cultural communication is used to refer to communication conducted by people of different culture. This type of communication normally occurs in a diglosic community where two or more ethnic groups live together. In conducting communication, each of the ethnic group will apply and share their language and socio-cultural norms accepted by each other. All participants of communication are tied by rules that live in the speech community. Although they attempt to obey the norms, culturally the characteristic of each ethnic is still observed at the verbal attitude of their speech. In this case, we can observe the characteristic of speech act usage when speaking to other etnics, especially to Javanese and Madurese. Some factors which influence the etnic groups to choose the verbal attitude are a social distance, power, social variable, and cultural values.

PERAYAAN PERINGATAN KEDATANGAN BAHARIWAN CHENG HO DAN PERANNYA PADA PERKEMBANGAN PARIWISATA DI SEMARANG Conny Handayani
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Every year, the Indonesian Chinese and the native Javanese always commemorate the coming of Admiral Cheng Ho (well-known as Sam Po Kong or Sam Po Thay Jien) to the Indonesian Archipelago and especially to Central Java. For political reasons, President Soeharto through his decree No.14/1967 forbade all the Chinese tradition, cultural and religious activities. Before Soeharto’s government, this Sam Po Kong Festival was celebrated by the pilgrims who came from all over the world. In Soeharto’s time this ceremony was forbidden, too. President Abdurrahman Wahid and President Megawati have issued decrees which allow the Indonesian Chinese to celebrate their tradition and to worship their beliefs freely. This positive situation brings good result to Tourism Industry in Central Java and is considered as “A Blessing in Disguise” especially to Indonesian people and especially to the peole living in Semarang which hasa lot of Chinese Inheritance

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Elan Ardri Lazuardi,

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Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

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Kab. sleman,

Daerah istimewa yogyakarta

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

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Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA