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International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 19 Documents
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Search results for , issue "Vol. 8, No. 2" : 19 Documents clear
TRIADIC PATTERN TOTAL THEATRE AS A MODEL FOR THEATER DIRECTING METHODS BASED ON THE CONSTRUCTION OF TRIANGTU SUNDANESE PHILOSOPHICAL VALUES Rusmana, Tatang
International Review of Humanities Studies Vol. 8, No. 2
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Abstract

The three basic values of the philosophy of life belonging to the culture of the Sundanese people in Indonesia are the principles of triadic patterns of life contained in the Tritangtu Sunda philosophy. The three basic philosophical values contain a view of the division of triadic worlds, namely Buana Nyungcung (upper world, metaphor; sky, water, and women), Buana Larang (underworld, metaphor; earth, land, and men), and Buana Pancatengah ( Middle world, metaphor; stone, human, male and female, and life behavior). Tritangtu Sunda is a cosmic perspective of the unification of three interconnected worlds in the life of the Sundanese people. The union is the marriage between Buana Nyungcung and Buana Larang, and Buana Pancatengah which is the center of their connection. Tritangtu Sunda's philosophy of life which contains the construction of cultural and artistic values is used as a model for the directing method; Triadic Pattern Total Theater Performance. Research and concretization of method models are realized through a transformation process, to find new creations or new forms of change both in function and structure. "To transform", means to create something new that has never existed before. Transformation can mean a change in “mindset”. The research tools used Environmental theater theory and Performance Theory suggested by Schechner (1994 and 2004).
NEW MEDIA TO PROMOTE JAMBI PEOPLE'S STRUGGLE MUSEUM BASED ON DIGITAL MARKETING Eftritianto, M Rian Indra
International Review of Humanities Studies Vol. 8, No. 2
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A museum is a place to record world civilization development, especially for preserving culture and history. The museum is also used for permanent exhibitions of objects that deserve public attention, such as historical, artistic, and scientific heritage. In this regard, the museum functions as a place to serve learning, educational, and fun needs. However, nowadays, the museum is only considered a place to store antiques and ancient objects. The lack of museum enthusiasts is caused by the perception that museums are not significant places to broaden insight and knowledge. Besides, there is a lack of publications and information about museums. One great way to introduce museums is through new media based on digital marketing. Digital media is ubiquitous and relevant to today's society to introduce Jambi People's Struggle Museum. New media based on digital marketing can inform the museum's activities and educative materials. Thus, more Indonesians will know about and become interested in visiting the Jambi People's Struggle Museum.
THE TRANSFORMATION OF THE MARINA BAY SAND AREA: THE HISTORY OF MANAGING THE ENERGY BALANCE OF SINGAPORE Sikumbang, Idris Hadi; Yola, Lin
International Review of Humanities Studies Vol. 8, No. 2
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Abstract

As an island country, Singapore has limited territory so it needs appropriate policies to arrange the balance between its population and territory. After separated with the Federation of Malaya in 1965, Singapore drew up a regional plan involving UNDP. Urban Redevelopment Authority is the institution that plays a role in carrying out this policy. Singapore organizes its slum areas for the better, one of which is located at Marina Bay Sand and the current transformation is in line with the Sustainable Development Goals program to maintain the balance of urban energy needed by Singaporeans. This approach involves the private sector in regional development and planning which is always organized following developments in the global community. This research was conducted using a sociological historical change approach by observing changes in Singapore government policies in managing the environment in the Marina Bay Sands area as well as field observations using qualitative methods through taking field data to the Marina Bay Sands area in Singapore, as well as unobtrusive observation, namely collecting data from informants indirectly through the social media channel Youtube.
READING “SOCIO-DEMOCRACY” OF PANCASILA THROUGH GADAMER'S HERMENEUTICS Sugiarto, Toto; Asnawi, Naupal
International Review of Humanities Studies Vol. 8, No. 2
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MANIFESTATION OF THE STATUES OF DEITIES IN THE LI TIE GUAI TEMPLE IN WEST JAKARTA: A LIFE COURSE PERSPECTIVE Zaqi, Muhammad; Marwoto, Irmawati
International Review of Humanities Studies Vol. 8, No. 2
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This article discusses the embodiment of the statues of the gods and goddesses at the Li Tie Guai Temple in West Jakarta. The embodiment of the statues in this temple is discussed using a life course perspective. The data used are all the statues of the gods in the temple, totaling thirty statues. The method used is study of literature and field data, followed by data processing which is done by classifying the statues into age, adult, teenager, and children as well as the shape of men, women, and others. The next stage is data interpretation. The results showed that there were more statues depicted in the forms of adults and old people compared to the forms of teenagers and children. This shows that from a life course perspective, a person during his or her lifetime becomes a god more when he or she is mature and old because the process of becoming a god requires special abilities and a purified soul that can be acquired over a long time. Then the embodiment of male statues is more numerous than the embodiment of female statues and others. This shows that in the past, especially in China, men had greater domination than women and others.
THE REPRESENTATION OF GARUDA CHARACTER IN A COMIC ENTITLED GARUDAYANA SAGA BY IS YUNIARTO Bestania, Dhityana Ayu; Yuwono, Prapto
International Review of Humanities Studies Vol. 8, No. 2
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Garudayana Saga is a comic that tells the story of Garuda. Garudayana Saga has the concept of Garuda, which is also found in Adiparwa. Adiparwa is the first book of the Mahabharata story. The Garuda character in the Adiparwa narrative is illustrated with manga-style drawings in Garudayana Saga. This research aims to explain the representation of the Garuda character seen in the Garuda character image in the Garudayana Saga, based on a quote that contains the character of Garuda in Adiparwa. The research is conducted using Creswell's qualitative method (2014), combined with Damono's transmedia theory (2018) and Peirce's semiotic theory (1998). Overall, the character of Garuda in Garudayana Saga is maintained based on Garuda in Adiparwa, which can be seen in physical characteristics, the title of king, supernatural powers, nature, and appetite, with the addition of accessories worn by the Garuda character in the comic. Then, found a sign in the form of 3 icons, 1 index, and 3 symbols. The results of this study reveal that the representation of the Garuda character in Garudayana Saga, which is in the form of a manga-style drawing, is compatible with the Garuda character in Adiparwa's narrative. We can conclude that the Garuda character in Garudayana Saga is correctly represented with a manga-style drawing based on the Garuda character in Adiparwa.
URBAN CULTURE AND PRIORITY VILLAGE PROGRAMS IN A GLOBAL CONTEXT: CASE STUDY OF KAMPUNG SUSUN BAHARI AKUARIUM adwani, abdul azis, Mr; Hasan, Chotib
International Review of Humanities Studies Vol. 8, No. 2
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Abstract

Settlement arrangement in Jakarta is refer to the concept of global development context began in the 1900s with the Menteng and New Gondangdia projects at the first. After independence, the expansion of residential land extended to Kebayoran and Tebet, resulting a lesser land for housing development. The existence of kampungs in Jakarta is increasingly shifted by the development of housing complexes. And the impact of increasing urbanization has led to the development of slum areas in Jakarta, thereby putting pressure on the government to provide vertical population services. The DKI Jakarta government then compiled a development strategy to remove slum area in 445 RWs recorded in 2017 through the Priority Kampung development program, one of which was the construction of the Kampung Susun Bahari Akuarium (KSBA) in Penjaringan, North Jakarta. This theme study is a development of an existing study and examines two aspects, namely the aspect of social change in society in terms of urban village culture and changes in occupancy from horizontal housing to vertical housing for people in urban areas with a tropical tropical atmosphere. This study uses a multidisciplinary historical approach by tracing colonial period map documents, mass media news, government policies and past literature searches.
SEX AND WOMEN IN THE SCRIPT OF THE STORY OF SHEIKH MARDAN ACCORDING TO BUGESE AND MAKASSARESE VERSIONS Mustari, Mustari; Zaini, Hisyam
International Review of Humanities Studies Vol. 8, No. 2
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Sex and women are always interesting to talk about due to their mysterious nature. Discussion on the topic will get more interesting when it is related to illegal practice done by spiritual figures who look for the position of insan kamil or perfect human being. Such kind of depiction is found in popular stories that live among Bugis and Makassar people, known as Paupaunna Séheq Maradang in Bugis tradition, and Paupaunna Séhu Maradang in Makassar tradition. The script was originally transformed from Javanese to Malay and spread to Nusantara languages including, Bugese and Makassarese. Both versions of this text have been used as a tool of da'wah because the core of this story is the spiritual journey of a prince named Sheikh Mardan in perfecting his religious knowledge. Inhis spiritual journey, he always met a woman (the king's daughter) and married her. There are some differences between the Bugese language version and the Makassarese language version. That difference will be revealed in this study and followed by explanation of their differences. To sharpen the analysis, comparative literary theory is used. The output of this study is controversy related to illegal sex has been addressed differently by people through both versions. The Makassarese version allows the narrative of free sex performed by the main character with the two princesses he first met, while the Bugese language version seeks a way out by inner marriage.
TEXT RECEPTION OF THE MANUSCRIPT SYARAH MA’RIFAT ISLAM WRITTEN BY SYEIKH IMAM ZAHID Supriatna, Agus
International Review of Humanities Studies Vol. 8, No. 2
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This article aims to explain the reception of the ancient text "Sharah Ma'rifat Islam" by Sheikh Imam Zahid. The method used in this research is a descriptive-analytic method with a philological approach and reception theory. This ancient manuscript of Syarah Ma'rifat Islam (SMI) contains lessons about Islamic Aqeedah. The results showed that SMI contained knowledge about the meaning of Islam, Iman, Ihsan, and issues related to believers, families, groups, ummah, and schools of thought. Nusantara scholars widely absorbed the SMI text to teach basic Aqidah lessons to their students. The SMI text is explained in more detail, such as in terms of language and content in the form of reference sources and the intent of each discussion section of the manuscript.
CHINESE-NESS AS A SPACE OF CONTESTATION: REREADING TWO INDONESIAN PERANAKAN MUSEUMS IN TANGERANG Kurnia, Lilawati
International Review of Humanities Studies Vol. 8, No. 2
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This paper discusses two museums that deliberately adopt the concept of “Peranakan” as part of their identities, namely the Museum Pustaka Peranakan Tionghoa, or the Peranakan Chinese Literature Museum (2012), and the Museum Benteng Heritage (November 11, 2011). Both are located in South Tangerang (ca.10 km from Jakarta). The term “Peranakan” indicates a mélange of identities for the Indonesian and Chinese. A closer examination of the Chinese in Indonesia reveals that during the New Order regime, the Indonesian Peranakan Chinese underwent a “repression” taking the form of various political policies and laws limiting their public roles, even attaching negative stigmas to the Chinese identity. The void space in state museums could be filled by these museums, which would demonstrate the endeavor to develop a fairer concept of nationhood. This paper is not intended to provide any solution to the current problem underlying the establishment of the museums. Rather, it is meant to explain the process that takes place when the identity of an ethnic group is questioned and politicized.

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