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English Study Program, Faculty of Humanities, Universitas Andalas Jl. Mohammad Hatta, Limau Manis, Pauh, Kota Padang, Sumatera Barat, Indonesia
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Linguistika Kultura: Jurnal Linguistik Sastra Berdimensi Cultural Studies
Published by Universitas Andalas
ISSN : 19786646     EISSN : 30249376     DOI : https://doi.org/10.25077/jlk
Core Subject : Education,
Languange, Linguistic, Communication & Media
Linguistika Kultura is a journal by English Study Program, Faculty of Humanities, Universitas Andalas, Padang. It is a double blind review journal that is peer reviewed and open access. The journal seeks to become an open access publishing platform that publishes and disseminates concepts and research findings related to language and literature beginning in 2021. Articles from this journal may be downloaded, copied, distributed, printed, and used in any legal way following the lisence used in this journal. Languages, linguistics, literary studies, and cultural linguistics are just a few of the fields that the journal is open to submissions. The goal is to publish the findings of theoretical and critical study of language and literature, conceptual thinking, ideas, innovation, and book reviews written either in English or Indonesian. The journal will be released twice a year, in June and December. From 2007 to 2020, the issues were published in printed version and start to published in electronic version since 2021.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 52 Documents
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IDENTITAS DAN KONFLIK MORAL DALAM GALATEA KARYA EMILY SHORT DAN DE BARON KARYA VICTOR GIJSBERS: STUDI FIKSI INTERAKTIF DALAM ANALISIS WACANA Seswita, Seswita; Az-Zahrai , Asyifa Ratu
Linguistika Kultura Vol 14 No 2 (2025)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.14.2.103-112.2025

Abstract

This study analyzes two works of interactive fiction, Galatea (2000) by Emily Short and De Baron (2006) by Victor Gijsbers, to examine how identity and moral conflicts are constructed within interactive narratives. This study employs discourse analysis, particularly focusing on Stuart Hall’s concept of identity, as well as the principles of positioning and representation in social discourse. A qualitative method with close reading techniques is applied to both texts to explore how characters construct and negotiate their identities in relation to other characters and social expectations. The results indicate that Galatea emphasizes identity issues through a non-linear narrative structure, while De Baron highlights moral conflicts shaped by character positioning and social representation within a linear narrative. These findings suggest that interactive fiction can engage with complex issues of identity and morality in ways comparable to conventional literature.
Mengurai Lapisan Naratif: Suatu Analisis Naratologis terhadap Tense, Mood, dan Voice dalam Where the Crawdads Sing (2018) karya Delia Owens Legesang, Jaldrayana Elisabeth
Linguistika Kultura Vol 14 No 2 (2025)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.14.2.137-151.2025

Abstract

Unfolding Through Layers: A Narratological Analysis of Tense, Mood, and Voice in Where the Crawdads Sing (2018) by Delia Owens examines the narrative structure of the novel through Gérard Genette’s narratological framework. The study aims to identify the narrative tense, mood, and voice and to analyze their implementation in the novel. Using a qualitative descriptive method, the study identifies and classifies narrative passages according to Genette’s theory. The findings reveal that the narrative tense in the novel is structured through anachronic order involving analepsis and prolepsis, various narrative durations such as scene, summary, pause, and ellipsis, and multiple frequencies including singulative, repetitive, iterative, and anaphoric. In terms of mood, the narration primarily employs internal focalization while also incorporating zero and external focalization. In terms of voice, the narrative is characterized by subsequent narration, an extradiegetic level, and a heterodiegetic narrator. Through the identification and analysis of the implementation of these narratological elements, the study demonstrates how Owens constructs a layered and non-linear narrative that organizes time (tense), perspective (mood), and narrative stance (voice).

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