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Advances In Social Humanities Research
Published by Sahabat Publikasi
ISSN : 30323037     EISSN : 30315786     DOI : doi.org/10.46799/adv.v2i2.187
Core Subject : Humanities, Social, Engineering,
Humanities Engineering Law, Crime, Criminology & Criminal Justice Social Sciences
Advances In Social Humanities Research is a double blind peer-reviewed academic journal and open access to social and humanities fields. The journal is published monthly by Sahabat Publikasi Advances In Social Humanities Research provides a means for sustained discussion of relevant issues that fall within the focus and scopes of the journal which can be examined empirically. This journal publishes research articles covering social and humanities fields. Published articles are from critical and comprehensive research, studies or scientific studies on important and current issues or reviews of scientific books. This journal publishes research articles covering social and technology.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 2 Documents
 1 
Search results for , issue "Vol. 4 No. 2 (2026): Advances In Social Humanities Research" : 2 Documents clear
Arv Adherence as the Main Predictor of Viral Load Levels: A Case Study at Pasar Minggu Health Center Ulina Sitepu, Yunita Sri; Purnamawati, Dewi; Nurfadhilah, Nurfadhilah
Advances In Social Humanities Research Vol. 4 No. 2 (2026): Advances In Social Humanities Research
Publisher : Sahabat Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/adv.v4i2.539

Abstract

This study aims to analyze the effectiveness of adherence to antiretroviral (ARV) therapy on viral load levels among People Living with HIV (PLHIV) in the working area of the Pasar Minggu Health Center. The study employed a cross-sectional design with a total sample of 80 PLHIV. Data were obtained from medical records and a validated adherence questionnaire. Analysis was performed using Chi-square tests and multivariate logistic regression. The results showed that ARV adherence had a significant effect on viral load levels (p = 0.001; Exp(B) = 0.045), where non-adherent individuals had a 22-times higher risk of having a detectable viral load. The duration of HIV diagnosis was also significant (p = 0.006; Exp(B) = 0.086), while comorbidities were not statistically significant (p = 0.078) but clinically relevant (Exp(B) = 8.696). Both variables acted as confounders in the relationship between adherence and viral load. The study concludes that ARV adherence plays a crucial role in reducing viral load. Comorbidities and the duration of HIV diagnosis influence adherence and should be considered in therapeutic interventions. Education-based, counseling, and family-support interventions need to be strengthened to improve long-term adherence.
Visual Culture; Expanded Cinema and the Concept Of “Trisikon” as a Manifestation of Indonesia Cultural Diversity Biosa, Sito Fossy; Piliang, Yasraf Amir; Ahmad, Hafiz Aziz; Sanjaya, Tisna
Advances In Social Humanities Research Vol. 4 No. 2 (2026): Advances In Social Humanities Research
Publisher : Sahabat Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/adv.v4i2.540

Abstract

  Visual culture understands cinematic practice not merely as aesthetic expression, but as a site of social meaning production shaped by the relationships between medium, space, and audience participation. Within this framework, expanded cinema opens new possibilities for experimental film practices that transcend conventional representational boundaries through multisensory and reflective experiences situated between reality, archive, and imagination. This research examines the concept of TRISIKON (three situations and conditions: live action, documentation–footage, and animation) as a cinematic creation model that manifests Indonesian cultural diversity through the dialectic of Chaos–Harmony, defined as the convergence of creative uncertainty and compositional order. Through a case study of the work Anemoia Utopia, Chaos–Harmony (cultural diversity) is interpreted not as a binary opposition but as a dynamic space reflecting relationships between humans, nature, and non-human entities within Indonesia’s plural cultural context. This study employs an art-based research methodology combined with a hermeneutic approach to interpret visual symbols, rhythms, and nonlinear narrative structures as intersections between aesthetic experience and social reality. The findings indicate that TRISIKON blurs the boundaries between documentation, performativity, and animation, transforming cinema into a participatory space that invites collective interpretation. Consequently, TRISIKON functions not only as an artistic method but also as an epistemological framework within visual culture studies, offering an understanding of cinema as a fluid and continually transforming cultural practice.

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