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Runtas: Jurnal Fesyen dan Wastra Nusantara
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Jurnal Fesyen dan Wastra Nusantara its contributions from academics and practitionerresearchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domainspecific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. Scope of the journal includes: • Cultural, historical, and anthropological studies of Nusantara textiles • Contemporary fashion design inspired by traditional textiles • Techniques, innovation, and technology in fabric and clothing manufacturing • Creative economy, entrepreneurship, and locally-based fashion industry • Analysis of local and global fashion trends related to Nusantara culture • Preservation, revitalization, and documentation of traditional fabric • Sustainable fashion and ethics in the textile industry • Identity, gender, and representation in traditional fashion and fabrics • Cross-disciplinary collaboration in the development of Nusantara fashion and textiles
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 16 Documents
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Search results for , issue "Vol. 2 No. 1 (2024)" : 16 Documents clear
WIWITAN EQUIPMENT AS BATIK MOTIF CREATION FOR MODERN KEBAYA listya iswandari, aviva; -, Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4818

Abstract

The main ideas that became the basis for the batik motif on jarik for modern kebaya clothing was offering equipment in wiwitan tradition. The wiwitan tradition in traditional agricultural practice is a ceremony carried out by the community before harvesting, wiwitan is a tradition that deserves to be maintained and preserved and can even be developed in its ritual procession to become its own attraction. Basically, this tradition is an expression of gratitude to God. The rituals of this tradition completed with offerings and bancakan which are a form of gratitude for all the favors and blessings of God to the earth. The content of the offerings or known as uborampe was used as a source of inspiration for the creation of batik motifs on jarik for modern kebaya. The creation of batik motif is carried out by means of batik tulis that is styled contemporary then colored with remasol dye and colet technique. The colors used are brown, cream, brick red, purple, grey, blue, and pink. Batik with wiwitan offering motifs is equipped with modern kebaya to create total of 4 designs completed with sequins as decoration and veil as a head-wear to make it look elegant and appropriate for both formal and non-formal events.
BATIK MOTIF OF PANDAWA FIGURES AS INSPIRATION FOR GLOW IN THE DARK MODERN KEBAYA Agustina, Sari; Rudianto, M
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4839

Abstract

In globalization and the current developments, many local fashions have been neglected, one of which is batik. Younger generations are often prefer to wear fashion that is influenced by foreign trends. The clothes used have their own uniqueness according to what the wearer likes. However, in recent years, clothing has often been misunderstood, that clothing is the main cause of harassment of women. In fact, there is no connection between the clothes worn by women and sexual harassment. To dispel rumors circulating that clothing is the cause of harassment, a modern kebaya with pandawa figure motifs with glow in the dark batik is made. Through this clothing, author wished that it can make people think that clothing is not the cause of sexual harassment and hope that it will be able to make women more courageous in dealing with people who behave certain ways.
THE MOJOARUM SITE AS A SOURCE OF IDEAS FOR CREATING BATIK MOTIFS FOR KEBAYA CLOTHES Desiatri, Olivia Evi; Oktaviani, Danissa Dyah
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4846

Abstract

This study aims to make Mojoarum Site as a source of inspiration in creating batik motif for Javanese blouse. The artwork creation process begins with exploration stage by doing direct observation toward Mojoarum site. The results of the observations are then used as a batik motif on Javanese blouse. Designing process is the next stage after exploration where, at this stage, the selection of the most suitable batik motifs is carried out. The last step is embodiment process in which this step uses covering and dying technique in creating batik motifs. Naphthol was chosen as coloring matter for resulting sense of beauty to the artwork. Overall, the embodiment process comprises nyorek (creating pattern), membatik (drawing batik motif), coloring, melorod (releasing wax from fabric), sewing, and finishing. This creation process resulted in four works and each one was named according to the history of the formation of the Mojoarum site as a village. The name of the first work is Slobog Paceklik, the second work is Udan Liris Bramantha, the third work is Sidomukti Sutrepta, and the fourth work is Sidomukti Rahayu Windraya. We then call the batik motifs relulted from this artwork creation as Mojoarum Batik Motif. It is expected that the society inspired to be more care with environment and tries to maintain cultural preservation through the creation of Mojoarum Batik Motifs.
GIRLS PARTY DRESSES WITH CEMPAKA FLOWER BATIK MOTIFS Nafiah, Anisa; Nurarfah, Ismy Putra
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4867

Abstract

The purpose of creating this work is to apply the Cempaka Flower motif into party dresses for girls. The methods used in making this work include expression, technique, and creation. The process of making this work consists of: the initial process using the batik tulis technique, then proceed with the coloring process in the form of dyed caps with synthetic dyes, namely with remasol dye, and using silk cotton fabric that is smooth and soft, therefore it is comfortable to use for girls’ party fashion works. The creation of this work resulted in four different types of girls' party dresses for ages 6-12 years. In this work, there are four different titles for each work that has been made, namely Lalita, Arabelle, Nayara, and Wening. Each of which has the meaning and expectations of the creator for each work created. The meaning of the work inspired by the cempaka flower is to present the leadership spirit of a woman, have a beautiful shape and smell good, present a woman who has a beautiful and charming appearance and has a strong character and a very attractive personality. The presence of a woman with a leadership spirit is able to present a nurturing feeling like the long petals of a chrysolite flower and are able to cover many people and other things. The end result of the creation of this work is that it is suitable for girls' party dresses aged 6-12 years and is suitable for attending birthday parties, garden parties, and various other formal events.
NIGHT PARTY PUCUAK RABUANG MOTIF INSPIRATION Anggara, Egi; Yanuarmi, Dini; Irja
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled “The Creation of Evening Party Dresses Inspired by the Pucuak Rabuang Motif” was inspired by evening party dresses and the pucuak raburan motif. Clothing is generally an expression or personal expression that is not always the same for everyone, the clothing created is an A-line silhouette evening party dress. Motif is a pattern that is formed in such a way as to produce a variety of shapes. The motif which is the source of the idea in this work is the pucuak raburan motif seen from the perspective of a mirror above the water. Everything that is visible above the water will be seen in two and upside down. Likewise, the pucuak raburan motif which is applied to this work resembles an inverted triangle motif as seen from above the water. The materials used are Silungkang songket, bridal sateen, brocade and velvet, consisting of ready to wear, ready to wear deluxe and houte couture clothing levels. In the embodiment using semi boutique techniques and boutique techniques. The method of creation that is carried out starts from preparation, namely looking for books or references related to the idea of ​​creation that is made, conducting a field survey to find the source of the idea or theme and the formulation of the idea of ​​creation to get to know more about the form of the work produced
SIBA AS A CONTEMPORARY FASHION INSPIRATION Suksa Hanifa, Nidya; Imelda, Desra; Rahmat, Fadri
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled "Siba As Inspiration for Contemporary Clothing" was inspired by siba which is found in Minangkabau women's traditional clothing, namely the basiba kuruang shirt. Siba is a piece that is located on the left and right sides of the basiba kurung shirt which functions to increase the looseness of the clothes. The creators design clothes with innovative models into contemporary clothing. Creating this work with the aim of increasing the existence of the basiba kurung shirt and making it attractive to all Minangkabau women, and remaining in line with the Minangkabau adage, namely adat basandi syarak, syarak basandi Kitabullah. The process of embodiment of this work begins with exploration to produce sketches and designs, then the craftsmen carry out embodiments by sewing works using semi-boutique and boutique techniques. Using materials in accordance with the three concepts created. The works created by Siba as inspiration for contemporary fashion are three ready-to-wear works, two ready-to-wear delux works, and one houte couture work with each concept using the same color nuance.

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