cover
Contact Name
Indah Asikin Nurani
Contact Email
berkala.arkeologi@brin.go.id
Phone
-
Journal Mail Official
berkala.arkeologi@brin.go.id
Editorial Address
BRIN Publishing, Directorate of Repositories, Multimedia, and Scientific Publishing Gedung B. J. Habibie, Lantai 8 Jln. M. H. Thamrin No. 8, Kebon Sirih, Menteng, Jakarta Pusat, Daerah Khusus Ibukota Jakarta 10340
Location
Kota bogor,
Jawa barat
INDONESIA
Berkala Arkeologi
ISSN : 02161419     EISSN : 25487132     DOI : https://doi.org/10.55981/jba.
Core Subject : Social,
We are a journal on archaeology published by the National Research and Innovation Agency every May and November each year. This journal seek to promote and shares research results and ideas on archaeology to the public. We covers original research results, ideas, theories, or other scientific works from the discipline of Archaeology mainly in the Indonesian Archipelago and Southeast Asia. Interest from other disciplines (such as history, anthropology, architecture, geology, etc.) must be related to archaeological subject to be covered in this journal. Our first edition was published on March 1980.
Arjuna Subject : Ilmu Sosial - Arkeologi
Articles 9 Documents
Search results for , issue "Vol. 45 No. 1 (2025)" : 9 Documents clear
Mr: Preservasi Naskah Kuno : Studi Kasus Perpustakaan Pribadi Kemas Andi Syarifuddin di Kota Palembang Saputra, Roki; Rochmiatun, Endang; Andhifani, Wahyu Rizky
Berkala Arkeologi Vol. 45 No. 1 (2025)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.6421

Abstract

This paper explores the preservation of ancient manuscripts in the private library of Kemas Andi Syarifuddin in Palembang. The study focuses on three key aspects: 1) the factors contributing to manuscript deterioration, 2) the owner's knowledge of ancient manuscript preservation, and 3) the preservation efforts undertaken. The research employs methods such as data collection, observation, interviews, documentation, and document analysis to gain a comprehensive understanding. Findings indicate that manuscript damage results from chemical factors like oxidation and humidity, biological factors such as mold and insects, and human-related factors like improper handling. The owner possesses substantial knowledge of preservation and has taken measures including proper storage, digitization, transliteration, and the use of traditional materials like tobacco and camphor to prevent damage. However, preservation efforts face challenges such as limited resources, inadequate understanding of modern conservation techniques, and potential natural disasters. This study offers valuable insights into manuscript preservation and serves as a reference for private and public libraries in safeguarding cultural heritage.
Komparasi Motif Lukisan Kulit Kayu Asei Dari Masa Lalu Hingga Masa Kini: Perkembangan Lukisan Kulit Kayu Sejak Abad ke-20 Hingga Masa Kini di Kampung Asei, Sentani, Papua Putri, Amurwani; Suroto, Hari; Sudarmika, Gusti Made
Berkala Arkeologi Vol. 45 No. 1 (2025)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.6654

Abstract

In human life, the development of ideas through painting has been done since ancient times. Symbols and strokes are believed to be a means of conveying messages. The expression of the painting is applied to natural canvases such as cave walls, large rocks, and even bark. In the community of Asei village, Sentani, a painting in the past was applied to the clothes of a Ondoafi made of bark. The painting reflects their lives and their beauty.  This paper aims to explain the research results on the shift in nature, meaning, and function of Asei bark paintings in the 20th Century to the present. The research method is descriptive qualitative with an ethnoarchaeological approach. The result indicates that bark paintings are no longer only considered as works of art, but also as a supporter of the family economy, as well as being a distinctive product of Asei, Sentani, commercial in nature.
Karakteristik Bahan Baku Artefak Batu di Situs Paroto, Situs Talepu, Situs Calio dan Situs Jampu : Sumber Gamping Kersikan: Karakteristik Bahan Baku Artefak Batu Akram, Khairil; Makmur, Dwi Sumaiyyah
Berkala Arkeologi Vol. 45 No. 1 (2025)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.7963

Abstract

This research discuss about identification of raw materials for gravelly limestone artifacts in Walennae Valley area as the oldest settlement in Sulawesi with dating from 200.000 years ago. The method used for this research are library and field research (survey and interview) and also 3-dimensional recording. Data processing includes morphological-technological and petrological analysis with two analysis models, namely thin section analysis and spectrometric analysis on stone artifact samples. The results show that the morphological-technological material of limestone artifacts consists of two categories, core tools and retouched flakes. The identification of the limestone raw materials describe the process of limestone formation that occurs due to the transformation and weathering of CaCO3 compounds (calcite minerals) to form SiO2 compounds (silica minerals). In Walennae Valley, the human adaptation in utilizing and exploiting the raw materials for stone artifacts greatly influenced by the natural and environmental conditions of tropical forests.
The Performing Arts in Ancient Java: Historical and Archaeological Studies Soni Sadono; Pandanwangi, Brilindra
Berkala Arkeologi Vol. 45 No. 1 (2025)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.9048

Abstract

This research was conducted to investigatesthe development of performing arts through historical and archaeological evidence, including inscriptions, temple reliefs, literary texts, and performing arts artifacts. This research aims to explore the cultural significance of the performing arts in ancient Java and how the influence of Hindu-Buddhist culture transformed traditional art forms into more structured and complex ones. This focus emerges from the limited understanding of how performing arts shaped and reinforced social solidarity in Javanese society. This research employs historical methodology with a qualitative descriptive approach. This method includes four main stages: (1) Heuristics collection data from written sources (inscriptions, kakawin, and historical texts) and unwritten sources (artifacts and temple reliefs); (2) Criticism to evaluate the authenticity and credibility of sources through external and internal criticism; (3) Interpretation to analyze the meaning and relationship between historical data; and (4) Historiography to compile a coherent historical story. The results show that the performing arts in ancient Java, such as wayang and gamelan, developed rapidly through the adaptation of Hindu-Buddhist values. Wayang, which was originally a medium for ancestral worship, transformed into a means of entertainment and a medium for delivering Indian epics such as the Mahabharata and Ramayana. Reliefs on temples such as Borobudur and Prambanan illustrate the integral role of dance and music as an important part of the social and religious life of ancient Javanese society. In addition, the art of comedy has also developed as entertainment that conveys moral messages and enlivens the social atmosphere.
Candi Sukuh dan Representasi Agensi: Simbolisme, Ritual, dan Identitas Sosial pada Masa Akhir Majapahit: Candi Sukuh dan representasi agensi: Simbolisme, ritual, dan identitas sosial pada masa akhir Majapahit Harriyadi
Berkala Arkeologi Vol. 45 No. 1 (2025)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2025.9218

Abstract

Sukuh Temple is a Hindu worship site from the Late Majapahit period, and its artifacts represent distinct characteristics that contrast with the socio-cultural system of Majapahit. This study aims to explain the formation of socio-cultural identity due to the dialectical relationship between agents and structure, which leads to cultural reproduction. The research applies Anthony Giddens’ structuration theory. Data were collected from the archaeological remains at Candi Sukuh and relevant studies. Contextual analysis was conducted to understand the relationships and chronology of various events. The findings, through the application of structuration theory, indicate that political instability and the rise of Karesian in the Late Majapahit era led to the emergence of a community that supported Candi Sukuh’s cultural traditions. The practice of rituals and interactions among community members resulted in socio-cultural reproduction. As a consequence, a distinctive group identity was formed and is represented in the artifacts of Candi Sukuh.
COVER BERKALA ARKEOLOGI VOL. 45 NO. 1 2025 Arkeologi, Berkala
Berkala Arkeologi Vol. 45 No. 1 (2025)
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PREFACE BERKALA ARKEOLOGI VOL. 45 NO. 1 2025 Arkeologi, Berkala
Berkala Arkeologi Vol. 45 No. 1 (2025)
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APPENDIX BERKALA ARKEOLOGI VOL. 45 NO. 1 2025 Arkeologi, Berkala
Berkala Arkeologi Vol. 45 No. 1 (2025)
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BACK COVER BERKALA ARKEOLOGI VOL. 45 NO. 1 2025 Arkeologi, Berkala
Berkala Arkeologi Vol. 45 No. 1 (2025)
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