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INDONESIA
Berkala Arkeologi
Published by Badan Riset dan Inovasi Nasional
ISSN : 02161419     EISSN : 25487132     DOI : https://doi.org/10.55981/jba.
Core Subject : Social,
Social Sciences
We are a journal on archaeology published by the National Research and Innovation Agency every May and November each year. This journal seek to promote and shares research results and ideas on archaeology to the public. We covers original research results, ideas, theories, or other scientific works from the discipline of Archaeology mainly in the Indonesian Archipelago and Southeast Asia. Interest from other disciplines (such as history, anthropology, architecture, geology, etc.) must be related to archaeological subject to be covered in this journal. Our first edition was published on March 1980.
Arjuna Subject : Ilmu Sosial - Arkeologi
Articles 1,574 Documents
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THE DEPICTION OF SNAKE ORNAMENT ON GANESHA STATUE IN THE COLLECTION OF PRAMBANAN TEMPLE MUSEUM, YOGYAKARTA: PENGGAMBARAN ORNAMEN ULAR PADA ARCA GANESHA KOLEKSI MUSEUM CANDI PRAMBANAN, YOGYAKARTA Ashar Murdihastomo
Berkala Arkeologi Vol. 40 No. 1 (2020)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v40i1.477

Abstract

Abstract Ganesha is the best-known deity after Trimurti in the Hindu pantheon. He is worshipped as the lord of beginnings and as the lord of removing obstacles. He is sculpted in various depictions. One of them, collected by the Prambanan Temple Museum, Yogyakarta, shows a snake and a mouse as his vahana (mount/vehicle). This image has never been found anywhere else. Therefore, this study was aimed to find out the mythological story behind that depiction and to investigate the past people’s understanding of it. This descriptive study employed an iconographic analysis to analyze the collected data. The analysis results indicate that Ganesha is revered as the protector of crop yield (the harvest deity). Abstrak Ganesha merupakan dewa terpopuler bagi umat Hindu setelah Trimurti. Dewa ini dipuja karena keberadaannya dapat memberikan kemakmuran dan menghindarkan segala rintangan dan marabahaya. Tidak mengherankan apabila dewa ini diarcakan dengan berbagai penggambaran. Salah satu penggambaran yang unik ditemukan di Museum Candi Prambanan, Yogyakarta. Ganesha digambarkan memiliki ornamen ular dan terdapat pahatan tikus sebagai wahananya. Tentunya gambaran ini belum pernah ditemukan di tempat lain sehingga diperlukan suatu kajian untuk mencari tahu cerita mitologi yang melekat dalam wujud tersebut. Selain itu, juga untuk menerka pemahaman masyarakat masa lalu terkait dengan penggambaran wujud tersebut dalam kehidupan sehari-hari. Kajian yang dilakukan ini menggunakan deskriptif-analisis dengan menggunakan kajian ikonografi sebagai dasarnya. Hasil yang diperoleh mengindikasikan bahwa arca Ganesha tersebut merupakan perwujudan dewa pelindung hasil panen.
TRACKING THE LOCATIONS OF HINDU - BUDDHIST ARCHAEOLOGICAL REMAINS IN MAGELANG REGION BASED ON ROD 1914 AND GIS APPROACH: PELACAKAN LOKASI TINGGALAN HINDU - BUDDHA BERDASARKAN ROD 1914 DAN PENDEKATAN SIG DI WILAYAH MAGELANG Ari Mukti Wardoyo Adi
Berkala Arkeologi Vol. 40 No. 1 (2020)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v40i1.508

Abstract

Abstract Java was once the center of Hindu and Buddhist culture around the 4th until the 15th century AD. The number of archaeological remains from this period is infinite, both monumental remains such as temples and petirtaan (water shrines/ temple), and other remains such as yoni, linga, and statues. These remains are registered systematically by the Dutch East Indies government through its Archaeological Service (Oudheidkundig Dienst). unfortunately, most of them cannot be identified for their exact present locations. Some of the remains were later discovered unexpectedly at the time of construction or agricultural work activities. Therefore, this study seeks to investigate the locations of archaeological remains as reported by the Dutch Archaeological Service in the region of Magelang using the Geographic Information System (GIS) approach. This study suggests that, during the period of the Dutch East Indies, Magelang region has a very high density of Hindu-Buddhist archaeological remains. The result of this study can be used for further surveys, re-inventory, as well as protection and preservation efforts. Abstrak Pulau Jawa pernah menjadi pusat perkembangan kebudayaan bercorak Hindu-Buddha sekitar abad ke-4 hingga ke-15 M. Tinggalan arkeologi dari periode ini sangat tinggi, baik berupa candi, petirtaan, maupun tinggalan lepas seperti arca, yoni, lingga, dan sejenisnya. Inventarisasi tinggalan tersebut sudah dilakukan secara sistematis sejak masa pemerintah Hindia Belanda melalui Dinas Purbakala (Oudheidkundig Dienst). Sayangnya sebagian besar tinggalan arkeologi tersebut sekarang tidak lagi diketahui secara tepat lokasi. Ada yang kemudian ditemukan secara tidak sengaja pada saat kegiatan pembangunan ataupun pengerjaan lahan pertanian. Penelitian ini berupaya untuk melacak ulang lokasi tinggalan arkeologi Hindu-Buddha yang pernah dilaporkan oleh Dinas Purbakala Belanda di Wilayah Magelang. Proses pelacakan dilakukan menggunakan pendekatan Sistem Informasi Geografis. Hasilnya berupa peta sebaran lokasi tinggalan arkeologi Hindu-Buddha. Peta ini menunjukkan bahwa di Wilayah Magelang, pada periode Hindia-Belanda, mengandung tinggalan arkeologi Hindu-Buddha yang padat. Hasil penelitian ini diharapkan dapat dimanfaatkan untuk kegiatan survei, reinventarisasi, hingga upaya pelindungan dan pelestariannya.
MAKARA OF ADAN-ADAN TEMPLE: THE ART STYLE DURING THE KAÁ¸IRI PERIOD: MAKARA CANDI ADAN-ADAN: GAYA SENI MASA KAÁ¸IRI Sukawati Susetyo
Berkala Arkeologi Vol. 40 No. 1 (2020)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v40i1.514

Abstract

Abstract This paper discusses the makara found at Adan-Adan Temple, Kediri. So far, it is the largest makara in Indonesia and, in terms of iconography, has distinctive features. The data was collected through detailed observations both directly in the field or through photographs. This study employed a comparative analysis, i.e. comparing the collected data to the makaras from different periods (the Ancient MatarÄm, the SrÄ«wijaya, and the SiÅ‹hasÄri). From these comparisons, it is known that the makara at Adan-Adan Temple has special characteristics, i.e. different depictions between the makara on the left and the right as can be seen from the figure of a mythical creature inside the makara’s mouth, from the sculpture on the front of the makara, and on the back of the makara. This particularity may be included as an art style of the Kaá¸iri period (the transitional period of from Ancient MatarÄm to SiÅ‹hasÄri). Abstrak Tulisan ini memaparkan tentang makara yang ditemukan pada waktu penelitian di Candi Adan-Adan, Kediri. Makara Candi Adan-Adan sejauh ini merupakan makara terbesar di Indonesia dan dari segi ikonografi mempunyai ciri yang khas. Pengumpulan data dilakukan ketika penelitian melalui pengamatan detil baik secara langsung atau melalui foto, kemudian mendeskripsikannya. Analisis dilakukan dengan studi komparasi yaitu membandingkan makara Candi Adan-Adan terhadap makara-makara dari masa yang berbeda, yaitu masa MatarÄm Kuno, masa ÅšrÄ«wijaya, dan masa SiÅ‹hasÄri. Melalui perbandingan tersebut diketahui bahwa makara Candi Adan-Adan mempunyai ciri-ciri khusus berupa pembedaan penggambaran yang dapat diamati antara makara di sebelah kiri dan kanan, pada figur makhluk mitos yang berada dalam mulut makara; pada pahatan di bagian depan makara; dan pada bentuk bagian belakang makara. Kekhasan ini kiranya dapat dimasukkan sebagai gaya seni masa Kaá¸iri (masa peralihan dari MatarÄm Kuno ke SiÅ‹hasÄri).
INSTRUCTIONAL MEDIA IN THE XV CENTURY (A CASE STUDY OF WIDODAREN, GERBA, AND PASRUJAMBE INSCRIPTIONS): MEDIA PEMBELAJARAN PADA ABAD XV M (STUDI KASUS PRASASTI WIDODAREN, GERBA, DAN PASRUJAMBE) Rakai Hino Galeswangi
Berkala Arkeologi Vol. 40 No. 1 (2020)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v40i1.499

Abstract

Abstract This study was aimed at analyzing and interpreting the instructional media existing in the classical period of the Hindu - Buddhist kingdoms. The object of the study was inscriptions found on the Semeru Slope, inclduing Widodaren, Pasrujambe, and Gerba. This study employed a qualitative method with an archeological-historical framework. The data was collected through a literature review and in-situ research of the inscriptions. The collected data was analyzed using a structural analysis in the forms of transliteration of the contents and meaning written at the inscriptions. The study found that there is evidence of the use of instructional media in teaching process. This finding is also supported by the NÄgaraká¹›tâgama and Bujaņga Manik manuscripts which narrate educational and moral values as one of the characteristics of instructional media. In addition, the instructional media serve as a tool support the teaching and learning process at that time. Abstrak Penelitian ini bertujuan untuk menganalisis dan menginterpretasikan temuan baru pada masa kerajaan Hindu - Buddha di Nusantara (masa klasik). Objek dari kajian penelitian ini adalah prasasti- prasasti dari Lereng Semeru yakni; Prasasti Widodaren, Pasrujambe, dan Gerba. Metode penelitian yang digunakan adalah metode kualitatif dengan kajian studi arkeologi-sejarah. Pengumpulan data dilaksanakan dengan studi kepustakaan dengan tinjauan data primer. Selanjutnya menggunakan analisis struktural berupa transliterasi terhadap isi dan makna yang tertulis pada ketiga prasasti tersebut. Hasil analisis menemukan adanya bukti-bukti penggunaan media pembelajaran dalam proses pembelajaran di Lereng Semeru yang didukung oleh sumber naskah yakni NÄgaraká¹›tâgama dan Bujaņga Manik. Ketiga prasasti yang menjadi objek kajian terbukti sebagai media pembelajaran tradisional yang berbahan dasar batu. Media pembelajaran sendiri adalah alat bantu dalam belajar mengajar. Lebih lanjut, ketiga batu prasasti tersebut berisikan pesan-pesan moral interaktif yang merupakan salah satu sifat dari media pembelajaran.
APPENDIX VOLUME 40 NO. 1 MAY 2020: APPENDIX VOLUME 40 NO. 1 MAY 2020 Berkala Arkeologi
Berkala Arkeologi Vol. 40 No. 1 (2020)
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Abstract

APPENDIX VOLUME 40 NO. 1 MAY 2020
BACK COVER VOLUME 40 NO. 1 MAY 2020: BACK COVER VOLUME 40 NO. 1 MAY 2020 Berkala Arkeologi
Berkala Arkeologi Vol. 40 No. 1 (2020)
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Abstract

BACK COVER VOLUME 40 NO. 1 MAY 2020
Technology and raw material sources of pottery from Mulyosari Site based on petrographic analysis: Teknologi dan sumber bahan gerabah Situs Mulyosari berdasarkan analisis petrografi Putri Novita Taniardi; Anggara Nandiwardhana; Maulana Ainul Yaqin; Citra Iqliyah Darojah
Berkala Arkeologi Vol. 41 No. 1 (2021)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v41i1.610

Abstract

Since the research in 2018 until 2019, pottery sherds are the most dominant artifact from Mulyosari megalithic site amongst other. Hence, analysis conducted towards pottery directly associated with the megaliths are important. Petrographic analysis that was applied in this research is aiming to understand the technology and the material source of pottery at Mulyosari Site. It is necessary to know whether the pottery is locally made or imported from other region. Petrographic analyses were carried out to several excavated pottery samples. All the samples were not randomly chosen; instead they were based on specific character of pottery sherds. The result of analysis shows that the source of pottery material located within geological formation of researched area comprises Sukamade, Merubetiri, Batu Ampar, and Merubetiri limestone. The result of analysis also shows advanced pottery making technology using spinning wheel and open firing at 400 Celsius degrees.
The fungus Paecilomyces from Leang Pettae in Maros karst area and the suggestions for rock art preservation: Jamur Paecilomyces dari Leang Pettae di kawasan karst Maros dan saran pelestarian gambar cadasnya R.Cecep Eka Permana; Mohammad Habibi; Edy Gunawan
Berkala Arkeologi Vol. 41 No. 1 (2021)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v41i1.602

Abstract

This paper examines microorganisms causing damage to rock arts in Leang Pettae, Maros Karst Area, South Sulawesi. The damage is indicated by a layer of white sediment on the cave walls and rock arts. This research aims to identify the microorganisms that cause the damage and to determine the preservation strategy for the rock arts. Microorganism samples were taken from the area around the damaged hand stencils and figurative paintings of babirusa (Babyrousa). The samples were cultured on PDA (Potatoes Dextrose Agar) medium at the Biology Laboratory of the Agency for Borobudur Conservation. The analysis identifies fungus from the genus Paecilomyces, which thrives in humid and wet conditions, and produces protease enzymes that affect the organic elements of the rock arts. To preserve the rock arts in Leang Pettae, it is suggested to control temperature and humidity, prevent air pollution, and limit human activities inside the cave.
The study of slender Agastya statue in the Mpu Purwa Museum collection, Malang City: Kajian arca Agastya bertubuh ramping koleksi Museum Mpu Purwa Kota Malang Rakai Hino Galeswangi
Berkala Arkeologi Vol. 41 No. 1 (2021)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v41i1.603

Abstract

This study aims to examine and identify the place of origin of the slender Agastya statue (arca) stored in the Mpu Purwa Museum Malang. The object of study is the Agastya depicted with a slender stomach, a hair-style partially curled and partially loose on the back, and holding the trident weapon from its backrest. The research method is qualitative descriptive, inductive reasoning with the sense of analytical description. This research uses analysis of iconography, ecology, contextual, and historical approach. The result shows that the slender Agastya is locally made with high quality and influenced by the Gupta-Indian style, which appeared in the VIII to IX centuries in Central Java. The origin of Agastya statue also known as part of the Karangbesuki temple ruins in Desa Karangbesuki. The Agastya acts as a Hindu temple mandala statue placed in a niche of the south side wall. These results are expected to be useful for further researches.
Islamic tradition in Ulu inscription and manuscript at Pasemah, South Sumatra, Indonesia: Tradisi Islam dalam prasasti dan naskah Ulu di wilayah Pasemah, Sumatera Selatan, Indonesia Wahyu Rizky Andhifani; Nor Huda Ali
Berkala Arkeologi Vol. 41 No. 1 (2021)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v41i1.599

Abstract

Ulu is a script developed in the southern part of Sumatra. The origin of the word ulu interpreted as upstream of a river or a highland. Ulu scripts are no longer used in the present era. Nevertheless, this paper examines the Islamic tradition in the Pasemah area based on the contents of Ulu manuscripts and inscriptions. The research objective is to discover the Islamic tradition in the contents, while the research purpose is to identify the influence of Islamic tradition towards the content. The research method includes data processing (source study, interview, and literature study), description of scale, origin, owner, state or condition, language, variation of characters, transliteration, translation, interpretation, synthesis, and data presentation. The result shows that the contents of Ulu manuscripts and inscriptions have intensely been influenced by Islamic tradition. The influence of Islam in Ulu manuscripts or inscriptions can also be comprehended from the public opinion towards it, categorized as profane, semi-sacred, and sacred.

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