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Arty: Jurnal Seni Rupa
Published by Universitas Negeri Semarang
ISSN : 25527516     EISSN : 27218961     DOI : -
Core Subject : Art,
Arts
Arty: Jurnal Seni Rupa focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Topics of special interest to Arty include scholarly reports that enhance knowledge regarding art in general, Fine Art, Art History, Visual Culture, Design Methodology, Design Process, Design Discourse, Design and Culture, Art Critism, Anthropology of Art, Artifact Design, Visual Communication Design, Creative Industry, and other historical, critical, cultural, psychological, educational and conceptual research in visual art and design.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 14 No. 2 (2025): Regular Issue" : 8 Documents clear
MULTICULTURAL LEARNING THROUGH CALLIGRAPHY ART CLASSES AT THE PIJI WETAN CULTURAL VILLAGE Gita, Randi; Hartono, Hartono; Vania, Febianti
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.16936

Abstract

This study aims to analyze multicultural learning through calligraphy art in Piji Wetan Cultural Village, Kudus, Central Java, and examine its influence on local cultural identity. The approach used is qualitative with a case study method, where data is collected through observation, in-depth interviews, and documentation. The results of the study indicate that the process of learning calligraphy art in Piji Wetan Cultural Village is carried out inclusively and involves various levels of society, from children to adults. This learning does not only focus on Arabic calligraphy writing techniques, but also integrates religious values and local art elements. The resulting works reflect a harmonious blend of Islamic calligraphy art with traditional Kudus decorative patterns and motifs. These works demonstrate the innovation of students in combining local motifs with calligraphy art without eliminating the authenticity of the writing character. Calligraphy art in Piji Wetan Cultural Village plays an important role in preserving local cultural identity through cross-cultural teaching, which not only enriches calligraphy art aesthetically, but also strengthens understanding and appreciation of culture and religion. The influence of learning calligraphy art is seen in the formation of a stronger local cultural identity, increased creativity of the younger generation, and pride in local artwork. In conclusion, the art of calligraphy in Piji Wetan Cultural Village has succeeded in becoming an affective multicultural learning medium, which not only emphasizes the artistic aspek but also strengthens the community’s relationship with their cultural heritage.
Designing Posters of Palembang’s Culinary Specialties as a Medium for Education on History and Local Cultural Identity Prasetya, Adi; Mujiyono
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.28888

Abstract

Traditional cuisine plays an important role in strengthening history and cultural values for public awareness, especially amidst the tide of globalization that erodes local cultural identities. The design of posters featuring traditional Palembang cuisine as a medium for historical education to visually and informatively introduce its diversity to the younger generation. Typical Palembang cuisine such as pempek, tekwan, model, lenggang, laksan, and burgo not only serves as a consumption necessity but also represents the acculturation of Sriwijaya, Malay, and Chinese cultures. The method used in designing the Palembang culinary poster is the design thinking approach, which consists of five stages: empathize, define, ideate, prototype, and test. Data was obtained through observation, interviews, questionnaire distribution, and literature study. The results show that the posters designed with a contextual visual and narrative approach can serve as a communicative and meaningful non-formal educational tool. The poster features local visual elements, such as the traditional Palembang songket fabric motifs, the Ampera Bridge, local cultural tourist destinations, and is disseminated through social media to reach a wide audience. These findings indicate that visual media are not only effective in introducing the diverse culinary offerings of Palembang but can also strengthen cultural identity and continuously preserve intangible cultural heritage.
User Interface/User Experience Design of Le Mans 24 Hours History Website for Motorsport Education. Ravielian Azzarin; Pratama Bayu Widagdo
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30045

Abstract

Access to Le Mans 24 Hours endurance racing history content faces limitations in a more structured and comprehensive digital format, although in practice Le Mans 24 Hours brought many innovations and technologies to commercial cars. For example, the book Le Mans: A Century of Passion that archives the 100-year history of Le Mans has only 2500 copies produced, making it out of reach for many. The purpose of this project is to design a user interface (UI) and user experience (UX) website to present comprehensive information about the history of Le Mans 24 Hours as an educational medium. The method used in this study project is a Design Thinking approach with a Design Sprint framework consisting of five stages: Understand, Diverge, Converge, Prototype, and Testing. Then produce a prototype of the "Memories du Mans" website that displays historical content, innovations, figures, and iconic cars at Le Mans 24 hours divided into 8 types of pages. Usability Testing results on 16 respondents showed a 100% task success rate, but some pages and tasks had a high percentage of misclick rate, >67% on the car page and averaage duration >106s. This study shows how important it is to apply UI/UX principles in designing an educational platform.
Aesthetic Representation of the Character Values of Tolerance and Nationalism in Chinese-Motif Batik Lasem Rizkyhimawan, Adhytia; Syah, Naziah Nilda; Suparti
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30148

Abstract

This study explores the aesthetic representation of tolerance and nationalism as character values embedded in the visual elements of Chinese-motif Batik Lasem. As a cultural artifact rooted in a history of intercultural exchange, Batik Lasem reflects not only artistic beauty but also deep social and moral meanings. Using a qualitative descriptive approach, this research employs visual analysis to examine the formal elements—such as color, shape, composition, and symbolism—found in selected Chinese-influenced Batik Lasem patterns. The findings reveal that the fusion of Chinese and Javanese visual motifs embodies messages of cultural harmony, mutual respect, and national identity. The aesthetic choices made by artisans—ranging from symbolic flora and fauna to harmonious compositions—serve as a medium to communicate values of tolerance and national pride. This study contributes to the field of visual communication design by demonstrating how traditional art forms can function as effective channels for character education and interethnic understanding through visual aesthetics.
AESTHETICS OF JOURNALISTIC PHOTOGRAPHY BY WAHYU ADJI FEBRIANTO IN INSTAGRAM RADAR KEDIRI MAY – JUNE 2025 EDITION syah, naziah; Adhytia, Rizkyhimawan; Suparti, Suparti
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30165

Abstract

This research on photography focuses its study on the works of Wahyu Adji Febrianto collected in online news portals with the aim of describing the types of photography and aesthetic values in Wahyu Adji Febrianto's photographic works. This research is a qualitative descriptive study with data collection techniques used are documentation, bibliography, and triangulation techniques. The results of the study show that all of Adji's photographic works have or contain elements, principles, and principles of art so that they have aesthetic value in them. The types of journalistic photography that are pursued and almost always present in every news photo coverage by Wahyu Adji Febrianto are spot photography, people in the news, and sports. The aesthetic value of Adji's journalistic photography leads to the application of elements of art, principles of art, and principles of art. For the elements of art, there are elements of line, elements of color, and elements of space. For the principles or basics of art, there are the principles of contrast and the principle of rhythm. Meanwhile, for the principles of art, the photojournalist named Adji successfully applies four principles, namely the principle of unity, balance, proportion, and the principle of simplicity. The value of beauty adds to the attraction because in general journalistic photos always prioritize speed in covering news and photos.
Representation of Sacracy and Monumentality in the Architectural Transformation of Mandara Giri Agung Semeru Temple through Brick Tectonics (Case Study: Lumajang Hotel) Anindya, Nabila; Mohammad, Sholahudin
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30500

Abstract

With an emphasis on the integration of local cultural elements into contemporary spatial composition, this study explores the transformation of vertical forms and rhythmic patterns from the architecture of Pura Mandara Giri Semeru Agung into the interior design of Hotel Lumajang through brick tectonics. The design was focused on two primary areas: the lobby and the suite unit. A practice-based design research method was employed to develop a design prototype representing sacred, monumental, and aesthetic impressions. User perception was evaluated using a 5-point Likert scale questionnaire administered to 50 respondents, covering three main dimensions. The results indicated that the Sacrality dimension achieved an average score of 3.68; Monumentality & Cultural Values scored 4.02; and Visual Aesthetics scored 4.15. These findings suggest that the brick tectonic elements effectively conveyed a strong and positive spatial impression, particularly in terms of monumentality and visual aesthetics. This study affirms the potential of brick tectonics as a medium for cultural representation in interior decorative elements, enriching meaningful spatial experiences in contemporary public space.
VISUAL RRESENTATION OF RIVER POLLUTION AND GLOBAL WARMING IN ENVIRONMENTAL ADVERTISMENT: BASED ON ROLAND BARTHES' THEORY PURANTRA, FAQRIE ARHAM RAFSANJANI; Dwi Budi, Budiharto
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30773

Abstract

This study explores the visual representation of river pollution and global warming in advertisements related to natural ecosystems, using Roland Barthes’ semiotic framework. It focuses on how visual signs, such as polluted water, industrial smoke, melting ice, and vulnerable human figures, construct layered meanings that extend beyond their literal appearances. Through denotation, connotation, and myth, these elements convey urgent environmental messages while embedding cultural narratives and emotional appeals. The environmental issues raised in these advertisements not only depict the impact of ecological destruction but also reflect the tension between destructive human activities and the need for ecological balance. Such visualizations demonstrate how visual media play a significant role in shaping public awareness of environmental issues and encouraging changes in attitudes toward the natural world. Using a qualitative descriptive method, this research analyzes selected digital campaigns to understand how advertisements build ecological awareness and construct the myth of restoring harmony between humans and nature, ultimately aiming to strengthen collective responsibility for environmental sustainability.
ANALYSIS OF THE SYMBOLIC ATTRIBUTES AND TIFO OF LA GRANDE INDONESIA IN THE INDONESIA NATIONAL TEAM VS BAHRAIN MATCH AT GELORA BUNG KARNO STADIUM IN 2025 Rafrizar Abdul Ghani; Dwi Budi, Budiharto
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30778

Abstract

This study examines the role of qualitative methods and semiotic analysis in investigating the symbolic attributes and tifos created by La Grande Indonesia (LGI) during the Indonesia vs. Bahrain football match on March 25, 2025, at Stadion Gelora Bung Karno, with a focus on conveying messages of national identity, supporter solidarity, and patriotism. Employing Roland Barthes’ semiotic framework, the research analyzes primary data from direct observations, photographic documentation, and Instagram content from official LGI and illustrator accounts, supplemented by secondary data from academic literature and media archives. Key visual elements, including the Garuda symbol, the colors red and white, and banners such as “Garuda Fly Alone, Bulbuls Flock Together” and “Jaya Raya Indonesia,” were decoded across denotative, connotative, and mythic levels. The findings reveal that the Garuda symbolizes national strength and independence, while collective displays of flags and tifos foster a sense of solidarity among supporters. The “Jaya Raya Indonesia” banner, tied to a 1-0 victory, reinforces a mythic narrative of national pride and love for the homeland. Triangulation of data sources ensured validity, confirming that these symbols and attributes serve as powerful communicative tools that extend beyond aesthetics to embed cultural values within the sporting context. The study concludes that semiotic analysis effectively uncovers the deep meanings embedded in tifos and banners, highlighting their role in mobilizing nationalistic sentiments and collective identity among Indonesian supporters. This approach highlights the importance of qualitative methods in examining the sociocultural aspects of sports, providing insights into how visual symbols shape and reflect national consciousness in competitive contexts.

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