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Grenek: Jurnal Seni Musik
Published by Universitas Negeri Medan
ISSN : 23015349     EISSN : 25798200     DOI : https://doi.org/10.24114/grenek.v10i1
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Computer Science & IT Education Social Sciences
Grenek : Jurnal Seni Musik merupakan jurnal yang dikelola oleh prodi pendidikan musik jurusan sendratasik FBS Unimed. Grenek: Jurnal Seni Musik menyajikan persoalan dan isu-isu terkini tentang musik di Indonesia terkhusus di Sumatera utara. Grenek : Jurnal Seni Musik secara khusus membahas tentang pendidikan musik, penyajian musik, pengelolaan musik, penciptaan musik, serta pengkajian musik.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 403 Documents
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PEMBELAJARAN ANSAMBEL GESEK EKSTRAKURIKULER DI SMK METHODIST CHARLES WESLEY MEDAN Simanjuntak, Kevin Justinus Elwadi
Grenek: Jurnal Seni Musik Vol. 7 No. 1 (2018): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i1.8787

Abstract

This study is about the String Ensemble Learning in Extracurricular at SMK MethodistCharles Wesley Medan. The purpose of learning is to know the learning process of stringensemble extracurricular, knowing in teaching methods and materials string ensemble, knowingthe learning ability of ensembles extracurricular participant, and to identify constraints stringensemble extracurricular teaching at SMK Methodist Charles Wesley Medan.The study is based on theoretical foundation to explain the theory of learning, thelearning component, understanding ability, sense of ensemble, string ensemble understanding, andextracurricular activities.This study will take a place in Jalan Padang Golf (In), Central Business District BlockCC-DD Polonia, Medan Polonia. This study uses descriptive qualitative research, observation,interviews, documentation and literature review. The samples are part of the population that isabout to be investigated, which in this study were teachers and all students who take the stringensemble extracurricular activities are 15 students and 1 teacher.Once the entire data has been collected, then analyzed to answer all the questions ofthe study. The learning process is carried out for 60 minutes, the time used to explain the theory isa 15-minute and 45-minute practice. The implementation stage string ensemble learning studentswho take these activities are all students in both the junior high school students Methodist CharlesWesley, the high school students of Charles Wesley Methodist School, and SMK Methodist CharlesWesley were merged into a single string ensemble group.In the ensemble learning process swipe at SMK Methodist Charles Wesley Medanmaterial used is a script of classical music such as Baroque and Rokoko, Romantic, Classical andContemporary Classical. The obstacles in the form of incomplete facilities, differences in levels ofstudent proficiency, and student attendance in a regular schedule that already exists. Students canbe said to be capable of if the students can play an instrument properly, in accordance with goodtechnique, mastering the material well, and can play with a harmonious ensemble.
BENTUK DAN MAKNA ENDE JEIR PADA MASYARAKAT MANDAILING DI KELURAHAN WEK V PADANGSIDIMPUAN SINAGA, LAURI NOVITA
Grenek: Jurnal Seni Musik Vol. 7 No. 1 (2018): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i1.8788

Abstract

Lauri Novita Sinaga. NIM 2131140024. Forms And Meaning Of Ende Jeir In The Mandailing Society InWek V Village Padangsidimpuan. Faculty of Language and Art. State University of Medan 2017.This study aims to determine the form and significance of the Ende Jeir in the Mandailing Society inKelurahan Wek V Padangsidimpuan. The purpose of this research is to find out the form of Ende Jeirsong in Mandailing community in Wek V Padangsidimpuan Village, to know the meaning contained inEnde Jeir in Mandailing community in Wek V Padangsidimpuan Village, to know the function of EndeJeir in Mandailing community in Wek V Village Padangsidimpuan, to know the response of local peopleto preserve Ende Jeir on Mandailing community in Wek V Padangsidimpuan Village.The theory used is form, meaning, function, and Ende. The shape is the arrangement of the frame of asong that is determined according to the parts of the sentence. Meaning is the purpose that is derivedfrom things that want to be shown by something or want to be expressed, exposed, with the word actuallydoes not interfere with the value of taste. The function of music is to express the taste, and simultaneouslyas an activity of various types of human communication. Ende is a traditional song (folksong), whichrepresents the representation of structure, function and cultural values.Methods in this research using qualitative descriptive method. The samples in this study were the lectureand audio visuals of Ende Jeir, singer Ende Jeir, artist and community Wek V Padangsidimpuan Village.This data collection is done by observation method or observation, interview, and documentation. Thisresearch was taken at Kelurahan Wek V Padangsidimpuan, and this research was conducted from August2017.The results of this study indicate that the form of Ende Jeir song consists of a one part song form, with AA 'form. the meaning of Ende Jeir is a prayer, plea, expectation of parents to his daughter who is doingthis marriage and singing to advise on a good domestic life. Ende Jeir function is as symbolicrepresentation media, media of emotional expression and media of cultural preservation. Ende Jeir needsto be preserved because it begins to be forgotten and left behind. For that, it needs to be developed andintroduced in the young generation so as not to just disappear.
PENGARUH MODEL PEMBELAJARAN SAVI (SOMATIS, AUDIOTORI, VISUAL, INTELEKTUAL) TERHADAPHASIL BELAJAR SISWA KELAS VII DALAM PEMBELAJARAN LAGU DAERAHSETEMPAT SMP PARULIAN 2 MEDAN LISA, NORA
Grenek: Jurnal Seni Musik Vol. 7 No. 1 (2018): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i1.8789

Abstract

This study aims to determine the effect of learning model SAVI (SomaticAudiotori, Visual, Intellectual Property) to the learning outcomes of students class VIISMP Parulian 2 Medan.This study is based on a theoretical foundation to explain the learning model SAVI(Somatic Audiotori, Visual, Intellectual), learning outcomes, and Song local area, alongwith the hypothesis.The research method in this study using an experimental research. This type of researchis True Experimental Design with pretest design -Posttest Control Group Design. Thepopulation in the study were all students of class VIII SMP Parulian 2 field consistingof 4 classes. Sampling was done by random sampling by taking two classes, namely theclass VII4 as an experimental class that numbered 30 people and VII2 class as thecontrol class that numbered 30 people. The instrument used to determine studentlearning outcomes is the achievement test in the form of multiple choice numbered 30and 20 items that have been declared valid for the experimental class and control classthat has been tested on VII1 class in junior Parulian 2 Medan.The second class are given a pretest to determine the ability of the student before thebeginning of the treatment given in each grade, with an average value of 38.83experimental class and control class 35.83. then given a different treatment, theexperimental class learning model SAVI (Somatic, Audiotori, Visual, Intellectual) andgrade control with conventional learning (direct). After learning is completed givenpostes, obtained postes with an average value of 76.83 experimental class and controlclass 66.87. Hypothesis test results using a different test (t-test) obtained t> t table soHa is received, so that the results showed that there was a 15.67% influence learningmodel SAVI (Somatic, Audiotori, Visual, Intellectual) the learning outcomes of studentsof class VII in Learning Locally in the Junior songs Parulian 2 Medan.
BENTUK PENYAJIAN LAGU OEMAR BAKRIE DI MARCHING BAND SWATAMI PADA GEBYAR PENDIDIKAN NASIONAL KABUPATEN LABUHANBATU UTARA Buana, Utari Arsy
Grenek: Jurnal Seni Musik Vol. 7 No. 1 (2018): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i1.8790

Abstract

The results showed that one form of emotional expression that is channeledthrough the music and therefore, the group marching band Swatami onarranemen songs Oemar Bakrie brought by Marching band Swatami using threecategories of instrument, namely: instrument Percussion in tone (Glockenspiel,vibraphone, Xylophone, Marimba), brass instruments (trumpet, Mellophone,Baritone, Tuba), and percussion (Senar drum, tenor drum, bass drum, cymbals).Choosing songs Omar bakrie for in the arrangements with the shape Marchingband. Bakrie Oemar tempo songs using 163 has 51 bars and has two variations ofthe melody, the melody forms A and B. Form benuk melodic presentation of thesong sung by Oemar Bakrie Swatami Marching band is a form of selfappreciation for issuing arts talent. Using costumes and makeup of their pridethat seemed interesting and luxurious for a show. Using display / position playersmake this show the higher thevalue of his art.
GONDANG DAN SISTEM KEKERABATAN ETNIK ANGKOLA EPANGELIA, LIDIA
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10654

Abstract

This study aims to find out the Angkola ethnic kinship system, to know Angkolagondang shape and to interpret the relationship of gondang and the ethnickinship system of Angkola. This research is based on a theoretical explainingthe understanding of gondang and the Angkola ethnic kinship system by usingthe theory of deconstruction, semiotics and ethnomusicology. This researchwas conducted from September 2017 to October 2017 in Kecamatan Arse,Simangambat Street, KM. 11, Arse Nauli. The research method used isdescriptive qualitative. The population in the study was non-existent and theresearch sample consisted of five indigenous figures and Angkola artists. Theresearch result explores that gondang and relatives of ethnic Angkola areneeded in showing their identity as ancestral cultural heritage which deservesto be appreciated by society. The relationship between gondang and the ethnickinship system of Angkola states that gondang is a representation of the kinshipsystem by looking at the relationship between each instrument in Angkolagondang ensemble which is a manifestation of na tolu transition in traditionalceremony.
KONTRIBUSI MUSIK KLASIK SEBAGAI IRINGAN TARIAN BALLET DI ROYAL BALLET CENTRE MEDAN Purba, Johana Teresia
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10655

Abstract

This study aims to find out the background of the use of classical music as Balletdance accompaniment, whatever classical music title used as Ballet danceaccompanist, and how the contribution of classical music as Ballet danceaccompaniment.This research is based on a theoretical explanation of the meaningof contribution, classical music, music accompaniment and Ballet dance. Thisresearch was conducted in September 2017 until November 2017. This researchuses Qualitative Descriptive method, which become population and sample in thisresearch is Ballet students at Intermedite level at Royal Ballet Center Medan. Thisresearch takes place on Jl. General Ahmad Yani No 104 A Medan. The data werecollected by observation, interview, visual / drawing / documentation, literaturestudy and triangeles.The results of this study indicate that the contribution ofclassical music as Ballet dance accompaniment that is as one motion of relaxation,motion confirmation, atmosphere builder, trigger memory and as an illustration.Classical music contributes greatly to Ballet dance accompaniment. Whenperforming the initial stage or heating the music used is Le Cygne. Movement isdone at this stage is the plie movement, then in the second stage or core of the musicused is Swan Lake, then the move is done Swan Lake dance that resembles themovement of swans, movements performed in accordance with the classical musicused
FUNGSI DAN TEKNIK PERMAINAN ALAT MUSIK TRADISIONAL MANDAILING UYUP-UYUP DI DESA PARGARUTAN JAE TAPANULI SELATAN Silaban, Eben Ezer
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10896

Abstract

This study aims to determine Function, Game Techniques and Organic Uyup-Uyup In PargarutanVillage Jae Tapanuli Selatan. The purpose of this research is to know the function, game techniqueand organology of mandailing uyup-uyup instrument in Pargarutan Jae Tapanuli Selatan Villagecommunity. The theory used is function, game technique and organology. The function of music isto express the taste and simultaneously as an activity of various types of human communication.Organology is the study of the structure of musical instruments based on sound sources, how toproduce sounds and system of alignment. Game technique is a way or technique of touch on amusical instrument over a particular tone according to the instructions or notation. The methodused in this research is qualitative descriptive method. The sample in this research is one artist andfive people of Pargarutan Jae Village. Data collection was done by observation, interview, anddocumentation. This research was taken in Pargarutan Jae Village, and this research was carriedout from October 2017. The function of Uyup-uyup music instrument in South Tapanuli there arethree of the first is the function of emotional disclosure is a medium for someone to express feelingsand emotional through the game of uyup-uyup instruments that use systematic way of presentingthe sound. The second is the entertainment function in which the South Tapanuli also needentertainment that is the entertainment of playing a uyup-uyup instrument at rest in the rice fields.Third is the Communication Function where when calling the opposite sex across the paddy fieldthe man repeatedly played uyup-uyup. Organic musical instrument Uyup-uyup consists of fiveparts, namely rice stalks, coconut leaves and lidi as a binder of coconut leaves. The game techniquein the uyup-uyup instrument is divided into the first three sections that are played in a sitting /standing position, the second way of blowing uyup-uyup is by way of the mouth is placed at thebase of the top of the uyup-uyup instrument, the third position of the finger finger, first startingfrom the left hand with the beginning of the index finger and the second hole of the middle fingerand then on the right hand begins with the index finger and the hole of both middle fingers.
IMPLEMENTASI TEKNIK VOKAL NASAL PADA PADUAN SUARA MAHASISWA SOLFEGGIO CHOIR UNIVERSITAS NEGERI MEDAN Siregar, Siska Magdalena
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10898

Abstract

Penelitian ini bertujuan untuk mengetahui proses implementasi teknik vokal nasalpada Paduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan. Tujuanpenelitian ini adalah untuk mengetahui karakteristik teknik vokal Nasal padaPaduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan, untukmengetahui fungsi implementasi teknik vokal Nasal pada Paduan Suara MahasiswaSolfeggio Choir Universitas Negeri Medan, untuk mengetahui hasil yang diperolehsetelah mengimplementasikan teknik vokal Nasal pada Paduan Suara MahasiswaSolfeggio Choir Universitas Negeri Medan.Teori yang digunakan adalah teori implementasi, teknik vokal, teknik vokal nasal,paduan suara. Implementasi adalah perluasan aktivitas yang saling menyesuaikan.Teknik vokal adalah suatu cara memproduksi suara yang baik dan benar, sehinggasuara yang keluar terdengar jelas, indah, merdu, dan nyaring. Teknik vokal nasaladalah vokal yang diartikulasikan dengan udara yang keluar dari hidung yangmenghasilkan bunyi suara yang sengau. Paduan suara atau koor merupakan istilahyang merujuk kepada ensambel musik yang terdiri atas penyanyi-penyanyi maupunmusik yang dibawakan oleh ensambel tersebut.Metode dalam penelitian ini menggunakan metode deskriptif kualitatif. Sampeldalam penelitian ini adalah anggota Paduan Suara Mahasiswa Solfeggio ChoirUniversitas Negeri Medan, partitur dan audio visual dari lagu Tandai Ma Au.Pengumpulan data ini dilakukan dengan metode observasi atau pengamatan,wawancara, dokumentasi dan studi kepustakaan. Penelitian ini di ambil diSekretariat Paduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan,dan penelitian ini dilaksanakan dari bulan Oktober 2017.Hasil penelitian ini menunjukkan bahwa implementasi teknik vokal nasal padaPaduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan harus diawalidengan pemanasan, olah vokal serta berlatih pernafasan terlebih dahulu karena haltersebut sangat penting dan berpengaruh pada saat bernyanyi agar tidak terjadicedera pada pita suara. setelah melakukan pemanasan lalu terapkanlah teknik nasaltersebut dengan menyanyikan sebuah lagu. Contoh lagu yang diambil adalah lagu2Tandai Ma Au. Hasil yang diperoleh pada saat bernyanyi menggunakan tekniknasal tersebut adalah suara yang dikeluarkan terdengar lebih jernih dan liris berbedaketika bernyanyi dengan teknik biasa.
BENTUK PENYAJIAN ANSAMBEL GONDANG SABANGUNAN PADA UPACARA PANANGKOK SARING-SARING DI DESA PATOR JANJI MATOGU KECAMATAN ULUAN KABUPATEN TOBA SAMOSIR Purba, Fenny Hannatasya
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10956

Abstract

The results showed that the presence of Gondang Sabangunan in the village PartorJanji Matogu important role in any traditional events in the village Partor Janji Matoguwhich can be seen from the function, especially in traditional events Panangkok Saringsaring to accompany tortor when dropping crates to the location of the tomb new,accompany tortor the hula when handing rudang-rudang and accompany tortor bonahasuhutan that will bring rudang-rudang into the house. Forms of presentationgondang played using ensemble gondang Sabangunan, this ensemble plays a repertoiregondang sipitu in the event panangkok Saring-saring is Gondang At first, Gondangsomba-somba, Gondang mangaliat, Gondang Pasu-pasu, Gondang sahata saoloan,Gondang hasahaton, Gondang sitiotio , Gondang Sipitu particular musical formgondang mangaliat accentuate the melody played by Bolon sarune musical instrumentsand other musical instruments taganing, ogung, hesek serves as an accompanimentmelody and tempo beats with a value thatisdifferent foreach instrument
KOMPARASI MUSIK GUBANG DAN MUSIK GONDANG PORANG DALAM IRINGAN BAPUNCAK DI KOTA TANJUNGBALAI ASAHAN Sari, Melan
Grenek: Jurnal Seni Musik Vol. 7 No. 2 (2018): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v7i2.10957

Abstract

Purpose of this study is to investigate the formation of existence Gubang music, and GondangPorang music in accompaniment Bapuncak in Tanjungbalai Asahan, form music Gubang inaccompaniment Bapuncak, form Gondang Porang music in accompaniment Bapuncak, withcomparation from form Gubang music and form Gondang Porang music in accompanimentBapuncak in Kota Tanjungbalai AsahanThe theory used in this research include music theory, analisys form music theory,comparationGubang music, Gondang Porang music, and Bapuncak as base in study for get output is want.This research make in Tanjungbalai Asahan City. The population and sample is: recorded file ofGubang music and Gondang Porang music, music instructor, four Gondang Porang musicplayers, traditional self players, and sample is: recorded file of Gubang music and GondangPorang music, music instructor all at once traditional self instructor, four Gondang Porang musicplayers . The method used in this research isqualitative descriptive. Data collection techniquesused were library research, laboratory work, field observations, interviews, anddocumentation.Processing techniques and data analysis using qualitative descriptive researchtype.According to the research results,Gubang music have many fungtion from last period, howeverbecome accompaniment for entertainment at now period. Existence Gondang Porang music fromlast period until now stil like accompaniment Bapuncak. Form Gubang music is two motif m1 andm2, no have frase and sentence, because all of it is repeating rithym. Form Gondang Porangmusic is two sentence, that is sentence A with a like question frase and x like answer frase. Frommotif A have two motif, that is m1 and m2. In Sentence B found two frase that is b like questionfrase and y as answer frase, be found two motif at sentence B that is m3 and m4.

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