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Grenek: Jurnal Seni Musik
Published by Universitas Negeri Medan
ISSN : 23015349     EISSN : 25798200     DOI : https://doi.org/10.24114/grenek.v10i1
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Computer Science & IT Education Social Sciences
Grenek : Jurnal Seni Musik merupakan jurnal yang dikelola oleh prodi pendidikan musik jurusan sendratasik FBS Unimed. Grenek: Jurnal Seni Musik menyajikan persoalan dan isu-isu terkini tentang musik di Indonesia terkhusus di Sumatera utara. Grenek : Jurnal Seni Musik secara khusus membahas tentang pendidikan musik, penyajian musik, pengelolaan musik, penciptaan musik, serta pengkajian musik.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 403 Documents
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Tabbhuwân Colo’: Tradisi Gamelan Mulut Masyarakat Nelayan Panarukan, Kabupaten Situbondo Hidayatullah, Panakajaya
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.71324

Abstract

This article examines tabbhuwân colo’, an oral gamelan tradition practiced within the fishing community of Panarukan, Situbondo. This tradition realizes the structural principles and repertoire of Madurese gending through vocal sound and the human body, without the use of metal musical instruments. Drawing on ethnographic experience gained from sitting in a circle with senior practitioners, the article approaches tabbhuwân colo’ not merely as a form of vocal art, but as a collective musical practice rooted in fishing labor, embodied memory, and the history of Madurese migration from Sumenep to the northern coast of East Java.The study employs an ethnographic approach through participant observation, in-depth interviews, and audio-visual documentation, analyzed within the theoretical frameworks of oral tradition, sound ecology, and embodiment. The findings demonstrate that tabbhuwân colo’ functions as a structured musical system, with a division of sonic roles that imitate the functions of Madurese gamelan instruments, sustained through egalitarian social coordination and collectively distributed musical knowledge. Its musical complexity does not rely on individual virtuosity, but on shared capacities for listening, mutual adjustment, and the maintenance of sonic balance. Historically, tabbhuwân colo’ developed within the context of fishing labor—particularly during the tèra’an period—and functioned as work music, a medium of social cohesion, and an archive of collective memory. However, changes in fishing technologies, the contraction of collective work spaces, and shifts in the coastal soundscape have placed this tradition in a condition of serious endangerment.
Lagu Marsinondang Dibaen Jesus Karya Philip Paul Bliss: Analisis Bentuk dan Makna Lagu Simangunsong, Emmi; Panggabean , Ance Juliet; Saragih , Ronald Heriko; P. , Eston Hernandes
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.71700

Abstract

This study aims to analyze the form and meaning of the song Marsinondang Dibaen Jesus from the Ende HKBP book number 518 by Philip Paul Bliss. The song is sung by the congregation during Sunday services at the HKBP Church and other services. The song was composed by Philip after hearing a sermon from Dwight Lyman Moody about a storm that occurred at the Cleveland harbor docks which had two lighthouses, called the upper light and the lower light. The captain couldn't see the lower lights, which caused the ship to sink to the bottom of the sea. Only a small number of the crew survived, and most drowned. Based on Moody's account, Philip wrote the song "Let the Lower Lights be Burning." The song was then translated by missionaries into the Toba Batak language based on the meaning of the song and gave the song the title Marsinondang Dibaen Jesus (“shining because of Jesus”). This research used a descriptive qualitative method. The results showed that the song's form is binary (A, B) and has eight melodic motifs. The meaning contained in the song "Marsinondang Dibaen Jesus" states that God's faithful love must continue to be reflected in life, God's faithful love must continue to be expressed so that others can be saved and find the path to truth. The meaning of this song is emphasized by the use of non-verbal language, namely the time signature 3/2, andante tempo around ♩ = 75, crescendo ( < ) and decrescendo ( > ) signs, forte ( f ), ascending and descending motion. The use of these signs emphasizes the majestic character of the hymn, which strengthens the message of deep spiritual joy and the atmosphere of worship full of appreciation.
Eksistensi Doding Pada Kalangan Muda Simalungun Sitopu, Sapna; Sholikhah, Rahmatika Luthfiana; Hutajulu, Rithaony
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.71708

Abstract

This research aims to describe the existence of Simalungun doding performed with inggou among the younger generation of Simalungun and analyze the factors that influence the continuity of this tradition. Using a qualitative approach, this research examines how Wallace & Srb's adaptation theory can explain the phenomenon. The results show that doding with inggou, as an integral part of Simalungun culture, has an important role in maintaining the identity and social values of the community. However, the existence of this tradition among the younger generation is increasingly diminishing due to the influence of modernization and globalization. The lack of understanding of the values contained in doding and the lack of conservation efforts are the main factors that cause this. This research concludes that strategic efforts are needed to revive the doding tradition with inggou among the younger generation, such as through education, socialization, and innovations that are relevant to the times.

Page 41 of 41 | Total Record : 403

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