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The Aesthetics of the Telu Muli Cindo Welcome Dance from South Ogan Komering Ulu Fitri; Deia Putri Anjani; Erika Ramadila
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.87

The aesthetics of the welcome telu muli cindo dance in south Ogan Komering Ulu district, this study aims to express: 1) The integrity of the sambut telu muli cindo dance in south Ogan Komering ulu district, namely (a) The movements are graceful and the dancers are graceful. (b) The floor pattern used is one line, then a triangle, then an oblique line.(c) Musical accompaniment used is more dominant to a single guitar musical instruments (d) the costumes used by the dancers are woven fabrics typical of the south Ogan Komering Ulu region, namely kawai towels and red velvet clothes typical of palembang (e) The makeup used is tools (Foundation, Eye shadow, lip cream, loose powder, pressed powder, counter, concealer, blush on, mascara, eyebrow pencil, and false eyelashes) (f) accessories used are banyan heads, swings, gandik,cempako flowers, crowns, and buns.

Deskripsi Tari Munai Serumpun Mata Kuliah Koreografi Tari Program Studi Pendidikan Seni Pertujukan Universitas PGRI Palembang Dwi Afriani; Suci Rahmadini
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.88

This study aims to describe the Munai Serumpun Dance with dance choreography courses in the Performing Arts Education Study Program, PGRI Palembang University. This study uses qualitative methods and observations with various data collection techniques. This work was made to find out the development of the motions of the Munai Serumpun Dance which is based on the Setudung Sedulang dance. The research results show that there are several main issues, including: 1) spatial design, 2) timing and dance accompaniment design, 3) dynamics, 4) dramatic design and 5) group composition.

Principles of the Form of the Welcome and Serasan Sekentenan Dance in Musi Rawas Regency Lusiana Dewi; Desi Puspita Sari; Niken Clarisa
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.89

This study aims to describe the principles of the Sambut Lan Serasan Sekentenan Dance by using a choreographic approach according to Y. Sumandiyo Hadi's theory in the principles of dance form, in one of the courses in semester 6 (six) in the Performing Arts Education Study Program, Faculty of Teaching and PGRI Palembang University of Education. What will be discussed is the principle of the form of motion in Sesentenan's Sambut Lan Serasan Dance, which includes wholeness, variation, repetition, transition, series, comparison, and climax. The Serasan Sekentenan Sambut Lan Dance is a development of the Musi Rawas Welcome Silampari Dance. The word Lan Serasan Sekentenan means a peaceful earth, mutual cooperation, tolerance and hand in hand. The Sambut Lan for special guests. Where the Sambut Lan Serasan Sekentenan Dance uses a tepak property Serasan Sekentenan dance is included in the type of traditional dance as a welcoming dance containing a betel leaf as a symbol of respect for certain guests. This welcoming dance is performed by 8 dancers, consisting of 5 female dancers and 3 male dancers. The make-up in this dance uses corrective make-up. Clothing in this dance uses a bracketed shirt. The use of identical colors, namely red in the sambut lan serasan sekentenan dance.

Faktor-Faktor yang Mempengaruhi Penerapan Pendokumentasian Rekam Medis Elektronik (EMR) di Ruang internal RSUD Dr. R. Soedjono Selong Indah Jamihaq Chaniago; Yessi Anggraini R; Erinna Rahmalia
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.90

The implementation of Electronic Medical Records (EMR) is a strategic step in modernizing healthcare services, aiming to improve documentation quality and service efficiency. This study aims to analyze the factors influencing the implementation of EMR documentation in the Internal Medicine Ward of Dr. R. Soedjono Selong Regional General Hospital. This study used a quantitative approach with a cross-sectional design and involved 33 respondents consisting of healthcare workers in the internal medicine ward. The research instrument was a questionnaire measuring demographic characteristics, computer literacy, computer facilities, knowledge, and attitudes toward EMR. The results showed that age, length of service, knowledge, and attitudes were significantly associated with EMR implementation, while gender, education, profession, computer literacy, and computer facilities showed no significant association. The most dominant factor influencing EMR implementation was healthcare workers' attitudes. These findings emphasize the importance of educational interventions and behavioral change in supporting the implementation of health information technology.

Analysis of Keje Rami Lubuklinggau Dance Movement Forms Suci Anita Rahman; Neha Aprilia; Marcella Zalianty
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.91

The motivation behind this study was to decide the type of development for the improvement of the Keje Rami dance, which was concentrated on in light of the idea of examination of the type of movement Y. Sumandoyo Hadi comprising of (1) Solidarity, (2) Variety, (3) Reiteration, (4) Progress (improvement), (5) Series, (6) Correlation, (7) Peak The exploration strategy utilized in this examination is unmistakable subjective strategy with Perception, Interview, and Documentation Information Assortment Methods. In light of the consequences of this review, specialists can reason that the Keje Rami dance is a conventional dance that has a set of experiences that created in the Lubuklinggau region. Throughout the entire existence of the Keje Rami dance as a welcome dance in the city of Lubuklinggau, this dance utilizes a tepak containing a betel leaf as a worthy gesture for visitors who come. This dance is generally performed at true occasions and as an indication of inviting authority visitors like visitors from the city organization, celebrations, Lubuklinggau City birthday celebrations. This dance is performed at the kickoff of the occasion and is typically moved by young ladies, however the entertainer of the tepak sirih is Bujang Dere. Research on the specialty of dance, particularly on the Keje Rami Dance which prompts a contribution or welcome dance, is critical to do.

The Aesthetics of the Telu Muli Cindo Welcome Dance from South Ogan Komering Ulu Fitri; Deia Putri Anjani; Erika Ramadila
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024)
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar

The aesthetics of the welcome telu muli cindo dance in south Ogan Komering Ulu district, this study aims to express: 1) The integrity of the sambut telu muli cindo dance in south Ogan Komering ulu district, namely (a) The movements are graceful and the dancers are graceful. (b) The floor pattern used is one line, then a triangle, then an oblique line.(c) Musical accompaniment used is more dominant to a single guitar musical instruments (d) the costumes used by the dancers are woven fabrics typical of the south Ogan Komering Ulu region, namely kawai towels and red velvet clothes typical of palembang (e) The makeup used is tools (Foundation, Eye shadow, lip cream, loose powder, pressed powder, counter, concealer, blush on, mascara, eyebrow pencil, and false eyelashes) (f) accessories used are banyan heads, swings, gandik,cempako flowers, crowns, and buns

Deskripsi Tari Munai Serumpun Mata Kuliah Koreografi Tari Program Studi Pendidikan Seni Pertujukan Universitas PGRI Palembang Dwi Afriani; Suci Rahmadini; Martha Krisna
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024)
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to describe the Munai Serumpun Dance with dance choreography courses in the Performing Arts Education Study Program, PGRI Palembang University. This study uses qualitative methods and observations with various data collection techniques. This work was made to find out the development of the motions of the Munai Serumpun Dance which is based on the Setudung Sedulang dance. The research results show that there are several main issues, including: 1) spatial design, 2) timing and dance accompaniment design, 3) dynamics, 4) dramatic design and 5) group composition

Principles of the Form of the Welcome and Serasan Sekentenan Dance in Musi Rawas Regency Lusiana Dewi; Desi Puspita Sari; Niken Clarisa
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024)
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to describe the principles of the Sambut Lan Serasan Sekentenan Dance by using a choreographic approach according to Y. Sumandiyo Hadi's theory in the principles of dance form, in one of the courses in semester 6 (six) in the Performing Arts Education Study Program, Faculty of Teaching and PGRI Palembang University of Education. What will be discussed is the principle of the form of motion in Sesentenan's Sambut Lan Serasan Dance, which includes wholeness, variation, repetition, transition, series, comparison, and climax. The Serasan Sekentenan Sambut Lan Dance is a development of the Musi Rawas Welcome Silampari Dance. The word Lan Serasan Sekentenan means a peaceful earth, mutual cooperation, tolerance and hand in hand. The Sambut Lan for special guests. Where the Sambut Lan Serasan Sekentenan Dance uses a tepak property Serasan Sekentenan dance is included in the type of traditional dance as a welcoming dance containing a betel leaf as a symbol of respect for certain guests. This welcoming dance is performed by 8 dancers, consisting of 5 female dancers and 3 male dancers. The make-up in this dance uses corrective make-up. Clothing in this dance uses a bracketed shirt. The use of identical colors, namely red in the sambut lan serasan sekentenan dance.

Elemen Estetis Koreografi Tari Sambut Ringkeh Gemulai Di Kota Prabumulih Indah Jamihaq Chaniago; Yessi Anggraini R Erinna Rahmalia; Rully Rochayati
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024)
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study discusses the aesthetic elements of the choreography of the Ringkeh Gemulai welcome dance which is a development of the Seinggok Sepemunyian welcome dance in the city of Prabumulih. Ringkeh Gemulai dance is a dance for welcoming guests of honor which is an important part of welcoming guests. The purpose of this study will be to discuss how the aesthetic elements of the choreography of the Ringkeh Gemulai welcome dance are created to become distinctive in it. This research method uses qualitative, which is a research process that begins with the rules of thinking and compiling the basic assumptions outlined in the research. From the results of the research it was found that the creation of a new dance as the Ringkeh Gemulai welcoming dance was a development of the Seinggok Sepemunyian welcoming dance.

Analysis of Keje Rami Lubuklinggau Dance Movement Forms Suci Anita Rahman; Neha Aprilia; Marcella Zalianty
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024)
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar

The motivation behind this study was to decide the type of development for the improvement of the Keje Rami dance, which was concentrated on in light of the idea of examination of the type of movement Y. Sumandoyo Hadi comprising of (1) Solidarity, (2) Variety, (3) Reiteration, (4) Progress (improvement), (5) Series, (6) Correlation, (7) Peak The exploration strategy utilized in this examination is unmistakable subjective strategy with Perception, Interview, and Documentation Information Assortment Methods. In light of the consequences of this review, specialists can reason that the Keje Rami dance is a conventional dance that has a set of experiences that created in the Lubuklinggau region. Throughout the entire existence of the Keje Rami dance as a welcome dance in the city of Lubuklinggau, this dance utilizes a tepak containing a betel leaf as a worthy gesture for visitors who come. This dance is generally performed at true occasions and as an indication of inviting authority visitors like visitors from the city organization, celebrations, Lubuklinggau City birthday celebrations. This dance is performed at the kickoff of the occasion and is typically moved by young ladies, however the entertainer of the tepak sirih is Bujang Dere. Research on the specialty of dance, particularly on the Keje Rami Dance which prompts a contribution or welcome dance, is critical to do.

Home Page

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Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
hastuti diah ikawati

Contact Email
jometjournal@gmail.com

Phone
+6282247622935

Journal Mail Official
jometjournal@gmail.com

Editorial Address
Jl. Lingkok Buak No. 1, Lingkok Berenga, Kec. Janapra, Kab. Lombok Tengah, Provinsi Nusa Tenggara Barat, 83554

Location
Kab. lombok tengah,

Nusa tenggara barat

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name hastuti diah ikawati

Contact Email jometjournal@gmail.com

Phone +6282247622935

Journal Mail Official jometjournal@gmail.com

Editorial Address Jl. Lingkok Buak No. 1, Lingkok Berenga, Kec. Janapra, Kab. Lombok Tengah, Provinsi Nusa Tenggara Barat, 83554

Location Kab. lombok tengah, Nusa tenggara barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
hastuti diah ikawati

Contact Email
jometjournal@gmail.com

Phone
+6282247622935

Journal Mail Official
jometjournal@gmail.com

Editorial Address
Jl. Lingkok Buak No. 1, Lingkok Berenga, Kec. Janapra, Kab. Lombok Tengah, Provinsi Nusa Tenggara Barat, 83554

Location
Kab. lombok tengah,

Nusa tenggara barat

INDONESIA