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Ega Fausta
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egafaustaa@gmail.com
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Institut Seni Budaya Indonesia (ISBI) Bandung Gd. Prodi Angklung dan Musik Bambu Jl. Buah Batu No. 212 Bandung 40116
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Kota bandung,
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INDONESIA
Awilaras
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076627     EISSN : 29884098     DOI : https://doi.org/10.26742/jal
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Awilaras is a journal that focuses on the study of music and its development, open to various approaches that aim to provide encouragement and become a means of dialogue on issues of music and performing arts. The spectrum of topics includes: 1. Folk/Traditional Music 2. Contemporary Music 3. Music Performance/Composition 4. Review of Nusantara Music 5. Anthropology 6. Sociology of Music 7. Ethnomusicology 8. World Music Culture/Global Music 9. Digital Music Studies 10 Music History and Archaeomusicology 11. Intercultural/Multicultural Music Studies 12. Music Education 13. Music Therapy 14. Aesthetic and Music Criticism 15. Musician and composer Profile and Thought 16. Artistic Review of the Music Creativity Process 17. Ethnography of Music 18. Organology 19. Sound and Visual 20. Music Management
Arjuna Subject : Seni dan Humaniora - Musik
Articles 36 Documents
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“Struktur Pertunjukan Tradisi Rateb Mensa di Kecamatan Beutong Ateuh Banggalang Kabupaten Nagan Raya”.: The Performance Structure of the Rateb Mensa Tradition in Beutong Ateuh Banggalang District, Nagan Raya Regency Yulianti, Arisa; Denada, Berlian; Ocktarizka, Tria
Awilaras Vol 11 No 2 (2024): Seni : Sinergi Tradisi dan Teknologi
Publisher : LPPM ISBI Bandung

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Abstract

This study formulates the problem of “The performance structure of the Rateb Mensa tradition in Beutong Ateuh Banggalang District, Nagan Raya Regency.” The research employed a qualitative method with a field research approach. The objective of this study is to describe the “Performance structure of the Rateb Mensa tradition in Beutong Ateuh Banggalang District, Nagan Raya Regency.” Research data were collected through observation, interviews, documentation, and triangulation/combined techniques. The theoretical framework used is the performance structure theory proposed by Djelantik, supported by Endraswara’s perspective. The results indicate that the performance structure of the Rateb Mensa tradition consists of three stages: pre-performance, main performance, and post-performance, presented in the form of group dhikr led by a Syeh (religious leader). The tradition is performed to enliven the Eid al-Fitr celebration and is carried out for three to four consecutive nights by male participants aged between 15 and 60 years. The number of performers ranges from 40 to 70 people, forming circular and shaf (row) formations. The Rateb Mensa chants include Al-Fatihah, Eid takbir, dhikr, shalawat, and laweut (poetic verses). This study demonstrates that preserving Rateb Mensa requires support in the form of documentation, regeneration, and revitalization through a community-based approach, ensuring it remains meaningful as a living intangible cultural heritage of Aceh rather than merely a spectacle.  
Makna Simbolis dalam Kesenian Goong Renteng Sumedang: Kajian Etnografis pada Tradisi Musik Sunda: Makna Simbolis dalam Kesenian Goong Renteng Sumedang: Kajian Etnografis pada Tradisi Musik Sunda Ruchimat, Hilal Hadyan; Ruchimat , Ismet
Awilaras Vol 11 No 2 (2024): Seni : Sinergi Tradisi dan Teknologi
Publisher : LPPM ISBI Bandung

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Abstract

Goong Renteng is a cultural heritage of the Sundanese people that is rich in philosophical values, especially those reflected in the concept of "silih asah, silih asih, silih asuh." This study aims to examine the philosophical and symbolic meanings of Goong Renteng, a traditional musical instrument from Sumedang, West Java, through a literature review. The research analyzes various sources, including books, scholarly articles, and previous studies, to explore how the structure, function, and use of Goong Renteng reflect the Sundanese worldview on togetherness, harmony, and the relationship between humans and nature. The findings indicate that Goong Renteng serves not only as a musical instrument but also as a symbol of local harmony and wisdom that must be preserved. Additionally, the study highlights the relevance of the values embedded in Goong Renteng in modern life, particularly in maintaining social and ecological balance. It is hoped that this research will contribute to the preservation of Sundanese culture and enrich the understanding of Indonesia'scultural heritage.
TRANSFORMASI DAN INOVASI KOLOTOK MENJADI ALAT MUSIK BAMBU DALAM KOMPOSISI KOLOTOUCH: TRANSFORMASI DAN INOVASI KOLOTOK MENJADI ALAT MUSIK BAMBU DALAM KOMPOSISI KOLOTOUCH -, Farhan Setiawan; I Komang Kusuma Adi; Satria Mulya
Awilaras Vol 12 No 1 (2025): Musik sebagai Ruang Eksplorasi: Inovasi Tradisi dan Ekspresi Kontemporer
Publisher : LPPM ISBI Bandung

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Abstract

Kolotok, originally a livestock marker used in rice fields, has been increasingly marginalized due to modern technological advances that replace cattle and buffalo with mechanical plowing. The disappearance of its distinctive sound has not only silenced the dynamic atmosphere of the paddies but also eroded the agrarian cultural identity of the Ciamis community. This study aims to explore the transformation and innovation of kolotok into a new bamboo musical instrument through the composition “Kolotouch”. The method combines field observation, organological experimentation, acoustic measurement, and the application of Pande Made Sukerta’s text and context theory. The result is the Kolbam, a modified kolotok with a bamboo tube design that produces unique timbres according to the chamber size, integrated into modern bamboo music repertoire. This creation demonstrates that local instrument innovation can revive agrarian cultural values while enriching contemporary musical expression.
“GukKatura” Tafsiran Ornamentasi Suling Kesenian Musik Tradisional Sebuku Menggunakan Instrumen Eksperimental Kedalam Komposisi Musik Karawitan: GukKatura”: Interpretation of Flute Ornamentation in the Traditional Music of Sebuku Using Experimental Instruments in a Karawitan Music Composition ansyah, Sapri; Surya Rahman; Erlinda
Awilaras Vol 11 No 2 (2024): Seni : Sinergi Tradisi dan Teknologi
Publisher : LPPM ISBI Bandung

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This article presents the creation of a new karawitan music composition titled “GukKatura”, inspired by the Singuk ornamentation technique found in the Gayo flute (Suling Gayo) performance of the Sebuku (Pepongoten) tradition from Central Aceh. The main focus is the musical interpretation of the Acciaccatura ornament, perceived as a leaping grace note, and reimagined through a reinterpretative approach. The composition incorporates a range of experimental instruments such as drone flute, PVC saxophone, and fujara, and utilizes compositional techniques including call and response, interlocking, hocketing, and polymeter. The creative process involved field observation, interviews with tradition bearers, instrument exploration, and performance realization. GukKatura introduces a fresh perspective in transforming traditional ornamentation into a contemporary composition, contributing to the enrichment of Indonesian karawitan music.
STUDI DESKRIPTIF SEBUKU PADA ADA BEGURU DALAM RITUALPERNIKAHANDIDESAKUTELINTANG,KECAMATAN BUKIT, KABUPATEN BENER MERIAH: Descriptive Study of Sebuku in Ada Beguru during the Wedding Ritual in Kute Lintang Village, Bukit District, Bener Meriah Regency ati, sumi; Ocktarizka , Tria; Anwar, Humaira
Awilaras Vol 11 No 2 (2024): Seni : Sinergi Tradisi dan Teknologi
Publisher : LPPM ISBI Bandung

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Abstract

This research is entitled "Sebuku Descriptive Study on the Beguru Custom in Wedding Rituals in Kute Lintang Village, Bukit District, Bener Meriah Regency". What the author examines in this research is the structure of the Sebuku Song in the Beguru Custom in Wedding Rituals in Kute Lintang Village, Bukit District, Bener Meriah Regency. The aim of this research is to examine the structure of the Sebuku Song in the Beguru Custom in Wedding Rituals in Kute Lintang Village, Bukit District, Bener Meriah Regency. This research uses qualitative research with a descriptive approach. Data obtained using observation, interview and documentation techniques. Data analysis techniques use data reduction, data presentation and data verification. The theory used in this research is the theory of Jamalus and Bruno Natlle. Jamalus states that song structure is the arrangement and relationship between musical elements in a song, and to strengthen the ideas of Jamalus' theory, researchers also use Bruno Natlle's theory, to analyze song structure using the following elements: repertory, scales, tonality, intervals, melodic structure, rhythm, tempo and form. Sebuku in the beguru tradition is done in the morning, wearing upuh ulen-ulen and sitting on the ampang before the marriage ceremony is carried out. The conclusion of this research is that the song structure of the book has musical elements as stated by Bruno Nattle. Of the eight musical elements, only rhythm is not present in the song, because the book is not based on and is not tied to rhythm, but of the s even elements- These elements exist in a book but are not bound and are still changing.
Analisis Teknik Permainan Gitar Elektrik Mateus Asato pada Lagu How Deep Is Your Love: Analysis of Mateus Asato's Electric Guitar Playing Technique on the Song How Deep Is Your Love Farid Yoelhian Nasution; Irdhan Epria Dharma Putra
Awilaras Vol 12 No 1 (2025): Musik sebagai Ruang Eksplorasi: Inovasi Tradisi dan Ekspresi Kontemporer
Publisher : LPPM ISBI Bandung

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Abstract

The purpose of this study is to analyze the electric guitar techniques used by Mateus Asato in his version of How Deep Is Your Love. This research uses a qualitative descriptive method, with the researcher as the primary instrument, supported by tools such as an electric guitar, a laptop, Sibelius software, and YouTube. Data were collected through direct observation of Mateus Asato’s performance videos on YouTube and through document analysis, including scores and video recordings of his interpretation of the song.The results reveal that Mateus Asato uses a variety of distinctive electric guitar techniques, including hybrid picking, slide, bending, vibrato, legato, hammer-on and pull-off, chord melody, palm muting, and artificial harmonics, combined with expressive dynamics and articulation. These techniques contribute to a performance that is emotionally rich and musically nuanced, demonstrating a high level of technical skill and interpretative depth. The findings are expected to serve as a valuable reference for guitarists looking to expand their technical skills and deepen their understanding of artistic expression in song interpretation.

Page 4 of 4 | Total Record : 36

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