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Department of Arabic Language and Literature, Faculty of Adab and Humanities, UIN Sunan Gunung Djati Bandung Jl. A.H. Nasution No. 105 Cibiru Bandung, West Java, Indonesia
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Lughaat: Journal of Arabic Linguistics
Published by Universitas Islam Negeri Sunan Gunung Djati Bandung
ISSN : -     EISSN : 30905397     DOI : https://doi.org/10.15575/lughaat.v1i1
Core Subject : Education,
Languange, Linguistic, Communication & Media
Lughaat: Journal of Arabic Linguistics is a biannual academic journal dedicated to studying and exploring Arabic linguistics. We accept only manuscripts written in Indonesian, English, and Arabic. It is published by the Department of Arabic Language and Literature, Faculty of Adab and Humanities, UIN Sunan Gunung Djati Bandung. Articles published in LUGHAAT cover the results of qualitative and field research within the following areas: Arabic Linguistics, History of the Arabic Language, Applied Linguistics and Language Education, Translation and Interpreting Studies, Arabic Computational Linguistics, Pragmatics, Sociolinguistics, Contrastive Linguistics.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 5 Documents
 1 
Search results for , issue "Vol. 1 No. 1 (2025): March 2025" : 5 Documents clear
Penolakan Dalam Pelanggaran Prinsip Kerja sama Film Animasi Shalahuddin Al-Ayyubi Episode 6-10 (Kajian Pragmatik) Sholihat, Isha; Siti Muslikah
Lughaat: Journal of Arabic Linguistics Vol. 1 No. 1 (2025): March 2025
Publisher : Departement of Arabic Language and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/lughaat.v1i1.1025

Abstract

The movie “Saladin Al-Ayyubi” is a movie by Steve Bristow that tells the story of a male Islamic warrior who wants to achieve his goal of becoming a great hero. In the conversation of the movie Saladin Al-Ayyubi episode 6-10, there are a number of violations of the principle of cooperation. These violations give rise to conversational implicatures. The objectives of this research are: 1) To describe the types of violations of the principle of cooperation committed by the characters in the animated film “Saladin Al-Ayyubi” episode 6-10 by Steve Bristow. 2) To describe the conversational implicature that occurs due to the violation of the principle of cooperation in the animated film “Saladin Al-Ayyubi” episode 6-10 by Steve Bristow. The research method used is analytic descriptive method. This method is done by describing and analyzing the data. The method of data collection is by using the listening method followed by note-taking technique. The analysis method used in this research uses the extralingual pairing method. The data source used is taken from the speech of the characters in the movie “Saladin Al-Ayyubi” episode 6-10. The approach uses pragmatic studies. The result of the research revealed is that in the animated movie “Saladin Al-Ayyubi” episode 6-10 there is a violation of the principle of cooperation which includes violation of the maxim of quantity, maxim of quality, maxim of relevance, and maxim of manner or execution. Violation of the principle of cooperation
Kajian Semiotika Riffaterre Pada Lagu ‘Ain Humood Alkhudher Karya Saif Fadhel Wahidah, Ariana Nurul; Mardiansyah, Yadi
Lughaat: Journal of Arabic Linguistics Vol. 1 No. 1 (2025): March 2025
Publisher : Departement of Arabic Language and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/lughaat.v1i1.1030

Abstract

Songs are a form of oral literature that is not limited to entertainment, but also as a medium of expression that reflects emotions, culture, and social phenomena. Literary works such as songs have long been considered a type of poetry due to their capacity to communicate messages through the integration of language and music, evoking emotional responses in their audiences. The poetic nature of songs is often manifested through the use of specific melodies, rhythms, and tonal qualities that contribute to a continuous auditory harmony that transcends social boundaries such as race, ethnicity, and culture. So the analysis of the meaning of the lyrics of the song 'Ain popularized by Humood Alkhudher was carried out using Michael Riffaterre's semiotic study which focuses on the analysis of poetry (song lyrics). This study aims to examine: 1) Indirectness of expression, 2) heuristic and hermeneutic reading, 3) matrix, model, variant, and, 4) hypogram. This study was conducted with a descriptive-qualitative approach and semiotic analysis method, using the lyrics of the song 'Ain by Syaif Fadhel popularized by Humood Alkhudher as a research sample. The data collection technique used was document analysis. The results of the study show that: first, heuristic and hermeneutic readings contain religious values ​​that reflect the behavior of a Muslim in being grateful for the blessings given by Allah; Second, the matrix of the song 'Ain is gratitude to Allah; Third, the model obtained is to order us to say good things and always be sincere: Fourth, there is one variant found in the song 'Ain, namely the nature of sincerity; Fifth, the potential hypogram in the lyrics of the song 'Ain reflects gratitude for the blessings given by Allah SWT, while the actual hypogram describes the reality of human life.
Socio-Cultural Values in The Film: Semiotic Study of Charles Sanders Peirce on Farha Ridho, Mohammad Rosyid; Aulia Safitri; Zalifa Nuri
Lughaat: Journal of Arabic Linguistics Vol. 1 No. 1 (2025): March 2025
Publisher : Departement of Arabic Language and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/lughaat.v1i1.1062

Abstract

This paper analyzes the social and cultural values represented in the film Farha using Charles Sanders Peirce's semiotic approach. The film Farha portrays the life of Palestinian society before and during colonization through the perspective of a young girl struggling to survive in a world fraught with division and conflict. By focusing on her journey, the film provides a poignant depiction of the challenges, aspirations, and transformations within Palestinian society. As a work of visual storytelling, Farha serves as a medium to shed light on the historical and social realities faced by Palestinians. This paper aims to explore the socio-cultural values embedded in the film, particularly in relation to traditional customs, educational aspirations, and shifting gender roles. The study employs Peirce's triadic semiotic model, which consists of three key elements: the representamen (the sign itself), the object (what the sign refers to), and the interpretant (the meaning derived by the audience). Through this approach, the research seeks to uncover the deeper significance behind the film's symbolic elements and their implications for understanding Palestinian cultural identity. The findings of this study indicate that Farha depicts Palestinian society as one that is deeply rooted in traditional social values, emphasizing community, resilience, and familial bonds. Furthermore, the film brings attention to the importance of education as a means of empowerment, particularly for women. The protagonist's aspiration for education symbolizes a broader societal shift toward gender equality and self-determination, highlighting the evolving roles of women in Palestinian society.
Praanggapan dalam Novel Al-Yaum al-Mau’ud Karya Najib al-Kailani (Kajian Pragmatik) Rohayanti, Wulan; Rachtikawati, Yayan; Indra Gunawan
Lughaat: Journal of Arabic Linguistics Vol. 1 No. 1 (2025): March 2025
Publisher : Departement of Arabic Language and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/lughaat.v1i1.1174

Abstract

This study aims to describe and illustrate the meaning of presumption along with the context contained in the presumption in the novel Al-Yaum al-Mau'ud by Najib Kailani. This research is a descriptive qualitative research. The descriptive qualitative method in this research leads to two steps to obtain data, namely data collection and data analysis. In the data collection technique, namely using the listening method in which there are tapping techniques and recording techniques. While in data analysis using extralingual pairing method. From the analysis of this research, there are existential presuppositions, which are dominated by direct speech that always shows the actual situation and existence. Then there is factual presumption in which it is dominated by literal direct speech, and all the speech is in the form of sentences, both in the form of single sentences and compound sentences. The sentence contained in the speech is intended to inform a news that is believed to be true. The non-factual presupposition is dominated by literal indirect speech. So, the sentence in the speech is a news sentence spoken in an inappropriate form, but there is a similarity between the meaning and the action. Then lexical presumption, in this presumption is dominated by direct speech which is accompanied by affirmation in the speech. Structural presumption is dominated by statements through speech in the form of interrogative sentences. As well as the factual counter presumption only has a definite marker, namely the presence of the lingual unit “if”.
The Concept of Face of Bilal as the Main Character in the Film Bilal Directed by Ayman Jamal (A Pragmatic Study) Apriyani, Nanda Hera; Muhammad Anis
Lughaat: Journal of Arabic Linguistics Vol. 1 No. 1 (2025): March 2025
Publisher : Departement of Arabic Language and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/lughaat.v1i1.1178

Abstract

This research is motivated by the fact that Bilal, the animated film, is set around 1,400 years ago. Bilal is the first animated film from the United Arab Emirates, created by 250 animators. This film is based on a true story that showcases the action and adventures of Bilal. It also features highly detailed and imaginative elements. The utterances in the film are formed into face concepts. Therefore, the researcher is interested in examining this film using a pragmatic approach. This study aims to identify and describe positive and negative face concepts in the film Bilal directed by Ayman Jamal. This research employs a descriptive-analytical method by describing the forms of positive and negative faces that appear in the utterances of the main character and analyzing them. Data collection was conducted using observation and note-taking techniques, while the analysis method employed was the extra-lingual matching method. The pragmatic approach was utilized, and the data source was the utterances of the main character Bilal in the film “Bilal”. The analysis results show that the data found in the film includes utterances related to face concepts, specifically positive and negative faces. The positive face data of the main character Bilal often appear in the form of representatives functioning to express or state, used by paying attention to the desires or interests of the interlocutor. Meanwhile, the negative face data of the main character Bilal often appear in the form of representatives functioning to acknowledge, used in a pessimistic manner (self-deprecation).

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