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All Journal Shaut Al-'Arabiyah ELS Journal on Interdisciplinary Studies in Humanities SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Hijai - Journal on Arabic Language and Literature Az-Zahra: Journal of Gender and Family Studies COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat Riwayat: Educational Journal of History and Humanities Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics
Mardiansyah, Yadi
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Religion Arts Humanities Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Perjuangan Kesetaraan dalam Novel Fatatu As-Sajair Karya Ratih Kumala (Kajian Kritik Sastra Feminis) Arsita, Wina; Mardiansyah, Yadi; Ridho, Muhammad Rosyid
Az-Zahra: Journal of Gender and Family Studies Vol 4, No 1 (2023)
Publisher : UIN Sunan Gunung Dajti Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/azzahra.v4i1.27852

Abstract

Abstract: This study explains the struggle for gender equality of female figures in several of its parts. The novel Fatatu As-Sajair presents a female characters who has an influence on the development of cigarettes in Indonesia. The representation of female characters in this novel not only places women in an inferior position, but can also be in a superior position. The purpose of this study is to explain the socialist feminism contained in the novel. This study uses a qualitative descriptive analysis method with a type of literary criticism approach, namely feminist literary criticism. The research results from the novel Fatatu As-Sajair show that the novel contains female characters fighting for gender equality by working in the clove cigarette sector.
Reflection of Moral Integrity in the Novel Al-Hubb Fii Zaman An-Nafth by Nawal El-Saadawi (A Sociological Literature Study) Khofifah, Siti; Abdul Djaliel, Maman; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43345

Abstract

Discrimination against women in the workplace is still a complex social problem, including in the field of archaeology. NovelAl-Hubb Fii Zaman An-Nafth depicts the story of a female archaeologist who experiences gender discrimination in her work. The main character is prohibited from going looking for statues without permission, while her male colleagues do not face similar restrictions. This study aims to describe the sociological review of literature on moral integrity in the novel. This study uses a qualitative descriptive method by analyzing the patriarchal and moral areas presented in the novel. The results show that the female character in these novel fights discrimination due to the patriarchal culture inherent in society through self-motivation and internal drive. She shows courage and moral firmness in facing the injustice she experiences. In addition, the moral integrity of the main character is reflected in honesty, consistency, commitment, perseverance, and self-discipline. Values such as responsibility, trust, and justice are also principles that are firmly held in her struggle. This study reveals that moral integrity plays an important role in dealing with gender discrimination. The female character in this novel represents an empowered woman, who not only opposes injustice but also proves that morality, perseverance, and courage can be the main weapons in fighting discrimination. These findings provide new perspectives on how literature can reflect social realities and promote gender equality in society.
Alih Kode dan Campur Kode dalam Akun Instagram @affarmakarim_ Luluil Azminah, Gitsna; Dayudin, Dayudin; Mardiansyah, Yadi
JURNALISTRENDi : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 1 (2025): Edisi April 2025
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i1.2414

Abstract

Perkembangan media sosial telah menciptakan ruang baru bagi fenomena kebahasaan, khususnya alih kode dan campur kode pada penutur bilingual. Permasalahan penelitian ini adalah bagaimana fenomena alih kode dan campur kode termanifestasi dalam konteks komunikasi digital lintas budaya Indonesia-Arab. Penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk alih kode dan campur kode dalam akun Instagram @affarmakarim_ dan mendeskripsikan faktor-faktor yang mempengaruhi terjadinya fenomena tersebut. Metode penelitian menggunakan pendekatan deskriptif kualitatif dengan teknik simak catat untuk mengumpulkan data percakapan dalam video reels periode Juni 2023-Mei 2024. Analisis data dilakukan menggunakan metode agih untuk mengklasifikasikan bentuk-bentuk alih kode dan campur kode, serta metode padan untuk menganalisis faktor-faktor penyebabnya berdasarkan konteks sosial dan situasional. Hasil penelitian menunjukkan dominasi alih kode ke luar (external code switching) antara bahasa Indonesia-Arab, serta campur kode ke luar (outer code mixing) dan ke dalam (inner code mixing). Faktor-faktor yang mempengaruhi meliputi lawan tutur, kehadiran orang ketiga, perubahan topik pembicaraan, penutur, dan peralihan situasi formal-informal. Implikasi penelitian ini memperkaya kajian sosiolinguistik digital dengan memberikan pemahaman tentang penggunaan bahasa bilingual dalam media sosial, yang bermanfaat untuk strategi komunikasi lintas budaya dan pembelajaran bahasa kedua di era digital
NILAI KEPAHLAWANAN PADA FILM SALAHUDIN AL AYYUBI (SEMIOTIKA CHARLES SANDERS PEIRCE) Nur Azizah, Fitria; Dayudin; Mardiansyah, Yadi
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.29744

Abstract

This study analyzes the values of heroism in the film Salahudin Al Ayyubi using Charles Sanders Peirce’s semiotic approach. Peirce’s semiotic theory divides signs into three main elements: Representamen (the sign itself), Object (what the sign represents), and Interpretant (the meaning derived from the sign). Using a qualitative analysis method, this study identifies visual and narrative symbols that represent heroism in the film. The analysis reveals five key heroic values reflected in the film: sacrifice, courage, responsibility, empathy, and justice. These values are represented through various visual signs, dialogues, and the actions of the main character, as well as events that depict the struggle to uphold justice and truth. The findings of this study indicate that Salahudin Al Ayyubi not only presents a historical and heroic narrative but also conveys profound moral messages through semiotic symbols. Furthermore, this research highlights the importance of semiotic analysis in understanding how heroic values are constructed and perceived by the audience. Thus, this study contributes to film studies and the interpretation of heroism in film media.
Social Construction and Social Status Conflict in Qais Figure in Layla Majnun Novel by Nizami (Sociology of Literature Perspective) Veramitha Apriani, Suci; Rosyid Ridho, Mohammad; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44342

Abstract

Social construction and social status conflict are important issues in literary sociology studies, including in Nizami's Layla Majnun. The character of Qais in this novel represents the complex dynamics between social norms, societal expectations, and personal identity. This study aims to describe how social construction shapes Qais' role and position in society, as well as how social status conflict affects his life journey and choices. The method used is descriptive qualitative with a sociology of literature approach. The results show that Qais experiences strong social pressure due to class differences and cultural norms that hinder his love for Layla. Qais' social status as a poet who is considered crazy by society symbolizes resistance to rigid social constructions. The character of Qais represents an individual trapped in a social system that does not give him space, but still shows sincerity and firmness in defending his love and beliefs. The findings provide a deeper understanding of the impact of social construction on individual freedom and the relevance of social status conflict in modern life.
Analysis Amr in the Book of Ṣuwar min Ḥayātiṣ-Ṣahābah by Dr. Abdurrahman Ra'fat Al-Basya (Al-Ma'ānī Study) Nurhaliza, Siti; Komarudin, Edi; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44343

Abstract

This study aims to analyze the form and meaning of amr as well as the structural components of imperative sentences in the book Ṣuwar min Ḥayātiṣ-Ṣaḥābah by Dr. Abdurrahman Ra’fat Al-Basha, using a semantic approach. This approach focuses on the meaning of language within a specific context. A semantic approach allows for an analysis of how the meaning of amr can vary depending on its situational usage, whether literal (Ḥaqīqī) or figurative (majāzī). The research method employed is descriptive-analytic, which serves to describe and provide an overview of the object under study through collected data or samples. The data were obtained from excerpts containing imperative verbs (fiʻl amr), which were classified according to their form and implied meaning, and then analyzed based on the theory of amr proposed by Ahmad Al-Hāsyimī. The results of this study indicate that the concept of amr in Ṣuwar min Ḥayātiṣ-Ṣaḥābah encompasses seven meanings: 55 instances of literal command (Ḥaqīqī), 2 of honoring (ikrām), 4 of permission (iʾzn), 28 of supplication (duʿāʾ), 43 of guidance (irshād), 17 of request among equals (iltimās), and 8 of threat (tahdīd). Morphologically, the imperative forms appear in two patterns: fiʻl mujarrad (basic/root verbs) and fiʻl mazīd (augmented verbs), both transitive and intransitive. Syntactically, the structure of amr typically follows the pattern: verb (fiʻl) – subject (fāʻil) – object (mafʻūl bih) – preposition (ḥarf jar) and vocative (nida'). Keywords: Balaghah, Fi'il Amr, Ṣuwar min Ḥayātiṣ - Ṣahābah
Pemberdayaan Menulis Huruf Arab Pada Guru Diniyah Takmiliyah Awaliyah (DTA) Se-Kelurahan Pasirbiru Kecamatan Cibiru Kota Bandung (Aplikasi Metode Menulis Arab Pendekatan Anatomis) Rohanda, Rohanda; Mardiansyah, Yadi; Hidayat, Deden
COMSERVA : Jurnal Penelitian dan Pengabdian Masyarakat Vol. 5 No. 1 (2025): COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/comserva.v5i1.3099

Abstract

Pendidikan agama di Indonesia memainkan peran strategis dalam membentuk karakter generasi muda, terutama melalui pembelajaran bahasa Arab sebagai bagian dari kurikulum di lembaga-lembaga pendidikan Islam. Guru Diniyah Takmiliyah Awaliyah (DTA) dituntut memiliki kompetensi pedagogis yang memadai, termasuk keterampilan menulis huruf Arab secara baik dan benar. Penelitian ini bertujuan untuk meningkatkan mutu pengajaran penulisan huruf Arab melalui penerapan metode MAPAN (Menulis Arab dengan Panduan Analitik) bagi guru DTA di Kelurahan Pasirbiru, Kecamatan Cibiru, Kota Bandung. Metode yang digunakan adalah pendekatan partisipatif berbasis pengabdian kepada masyarakat dengan langkah-langkah pelatihan, pendampingan, dan evaluasi hasil belajar. Hasil kegiatan menunjukkan adanya peningkatan signifikan dalam kemampuan menulis huruf Arab di kalangan peserta, baik dari segi bentuk, keterbacaan, maupun konsistensi penulisan. Temuan ini menunjukkan bahwa metode MAPAN dapat menjadi solusi efektif dalam meningkatkan keterampilan menulis huruf Arab di tingkat dasar. Implikasi dari penelitian ini adalah perlunya pengembangan program pelatihan serupa secara berkelanjutan di wilayah lain serta integrasi metode MAPAN dalam kurikulum pelatihan guru DTA.
Makna Harfu Jar Min dalam Qashidah Al-Burdah Karya Imam Al-Būṣīrī (Kajian Sintaksis) Munawan, Andis; Suprianto, Ade Ahmad; Mardiansyah, Yadi
Shaut al Arabiyyah Vol 13 No 2 (2025): JURNAL SHAUT AL-'ARABIYAH
Publisher : Jurusan Pendidikan Bahasa Arab

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/saa.v13i2.58843

Abstract

Penelitian ini mengkaji fungsi dan makna ḥarf jar "min" (مِنْ) dalam Qasidah al-Burdah karya Imam al-Būṣīrī. Pendekatan yang digunakan adalah sintaksis-semantik dengan merujuk pada teori ma‘ānī al-ḥurūf Ibnu Hisyām. Data dikumpulkan melalui teknik simak dan dianalisis menggunakan metode agih dengan teknik substitusi. Hasil penelitian menunjukkan bahwa "min" memiliki beragam makna. Fungsi yang paling dominan adalah ibtidā’ al-ghāyah (permulaan atau titik asal), yang muncul sebanyak 21 kali. Fungsi ini digunakan untuk menunjukkan asal mula suatu objek atau peristiwa, baik secara fisik maupun konseptual. Selanjutnya, "min" juga banyak berfungsi sebagai bayān al-jins (penjelasan jenis atau kategori), yang ditemukan sebanyak 13 kali. Fungsi ini berperan dalam memerinci atau mengklasifikasikan entitas yang dibicarakan. Selain itu, "min" digunakan dalam makna at-ta‘līl (penyebab atau alasan) sebanyak 7 kali, untuk menjelaskan sebab terjadinya suatu kondisi atau tindakan. Penggunaan "min" dengan makna at-tab‘īḍ (sebagian dari keseluruhan) ditemukan sebanyak 6 kali, mengindikasikan bagian dari suatu totalitas. Dalam jumlah yang lebih sedikit, "min" juga bermakna murādifatu al-bā’ (sepadan dengan huruf bā’), sebanyak 2 kali, yang berfungsi menunjukkan alat atau sebab. Selain itu, ditemukan pula makna at-tanṣīṣ ‘alā al-‘umūm (penegasan terhadap keumuman) sebanyak 2 kali, serta makna al-faṣl (pemisah atau pembeda) sebanyak 1 kali. Keragaman makna tersebut menunjukkan kedalaman dan fleksibilitas bahasa Arab dalam menyampaikan nuansa makna dan ekspresi melalui satu unsur gramatikal.
Representasi Makna pada Lirik Lagu Sherine Abdel Wahab yang Populer di Indonesia: Pendekatan Semiotika Roland Barthes Zahra, Siti Patimah; Ainusyamsi, Fadlil Yani; Mardiansyah, Yadi
Riwayat: Educational Journal of History and Humanities Vol 8, No 3 (2025): July, Social Studies, Educational Research and Humanities Research.
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v8i3.48156

Abstract

Penelitian ini bertujuan untuk menganalisis makna denotasi dan konotasi dalam lirik lagu Sherine Abdel Wahab yang memiliki populeritas di Indonesia dengan pendekatan semiotika Roland Barthes, khususnya pada tataran makna denotatif dan konotatif. Lagu- lagu yang dianalisis meliputi El Watar El Hassas, Kalam Eineih, Bi Kelma Menak, Sabry Aalil, Hobbo Ganna, dan Ala Bali. Menggunakan metode deskriptif-kualitatif dan jenis penelitian kepustakaan (library research), Hasil analisis menunjukkan bahwa lirik-lirik tersebut merepresentasikan berbagai ekspresi cinta, kerinduan, luka batin, serta harapan emosional yang kuat dalam hubungan romantis. Makna denotatif dalam lagu umumnya bersifat deskriptif, sedangkan makna konotatif membentuk citra perasaan mendalam dan konflik emosional khas relasi cinta. Representasi ini memperlihatkan daya tarik universal lagu-lagu Sherine bagi masyarakat Indonesia, khususnya karena kemampuannya menyampaikan emosi yang kuat secara liris dan musikal, dengan kekuatan lirik dalam lagu Arab tidak hanya terletak pada keindahan bahasanya, tetapi juga pada kedalaman makna yang dapat dijangkau melalui pendekatan semiotik.
The Luxury Culture in Arab Film: Route 10 by Omar Naim (A Semiotic Analysis of Roland Barthes) Nur Afiffah, Syifa; Komarudin, Edi; Mardiansyah, Yadi
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 3 (2025): SEPTEMBER
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i3.47424

Abstract

This study examines the representation of luxury culture in Omar Naim’s film Route 10 using Roland Barthes’ semiotic approach. The research aims to reveal how luxury objects and fashion function not merely as literal signs but as symbols of social hierarchy, prestige, and cultural adaptation. Employing a qualitative descriptive method with content analysis, selected dialogues and scenes are analyzed to uncover denotative and connotative meanings embedded in both narrative and visual elements. The findings indicate that luxury is depicted through icons such as branded cars, high-heeled shoes, and premium bags, representing elite status and global prestige. Indexes, including personal assistants, palatial residences, and exclusive privileges, highlight social hierarchies and structural inequalities. Symbols, such as formal attire, wedding gowns, and the fusion of religious tradition with modernity, reflect both aspirational and contradictory aspects of elite culture, including elitism, hypocrisy, and social distinction. Overall, the film presents luxury as a phenomenon that functions both as a marker of prestige and a source of social tension, illustrating how material and symbolic representations of wealth influence perceptions of identity, status, and cultural values in contemporary Arab society.
Co-Authors Abdul Djaliel, Maman Anggraini, Frida Arifin, Siti Syarah Kamilah Arsita, Wina Dayudin Dayudin, Dayudin Fadlil Yani Ainusyamsi, Fadlil Yani Hidayat, Deden Jamjam, Ajang Khofifah, Siti Komaruddin, R. Edi Komarudin, Edi Luluil Azminah, Gitsna Muhammad Rosyid Ridho Munawan, Andis Muslim, Yushli Nur Afiffah, Syifa Nur Azizah, Fitria Nurdiani, Emil Ridho, Mohammad Rosyid Rohanda Rohanda, Rohanda Siti Nurhaliza Suprianto, Ade Ahmad Veramitha Apriani, Suci Wahidah, Ariana Nurul Yoda, Fildzah Arifah Zahra, Siti Patimah