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Jl. R. E. Martadinata No.150, Mekarjaya, Kec. Ciamis, Kabupaten Ciamis, Jawa Barat 46274
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INDONESIA
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah
Published by Universitas Galuh
ISSN : -     EISSN : 31233899     DOI : 10.25157
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
JAMASAN: Journal of History Education Students is an academic journal that publishes scholarly works by students in the fields of history education and historical studies. The journal holds an E-ISSN 3123-3899 and is published three times a year, in February, June, and October, under the ISSN Decree issued by the National Research and Innovation Agency of Indonesia (BRIN), Decree No. 31233899/II.7.4/SK.ISSN/12/2025, dated December 15, 2025. The focus and scope of the JAMASAN Journal include 1. History Education, covering studies on the teaching and learning of history in schools and communities, curriculum development, educational values in historical contexts and figures, learning media and historical learning resources, as well as textbook studies; 2. Historical Study Materials, encompassing historiographical writing and historical discussions based on primary and secondary historical sources presented in critical narratives relevant to history learning; and 3. Historiography, which examines various historical themes in a chronological framework, such as the history of education, local history, maritime history, economic history, political history, social history, cultural history, public history, and other historical studies related to history or history education.
Arjuna Subject : -
Articles 26 Documents
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EKSISTENSI PASAR KINANTI DI ERA DIGITAL: PERAN MEDIA SOSIAL DALAM MEMPERTAHANKAN PASAR TRADISIONAL Febrianti, Hera; Sukendari, Widie Dwitami; Azzahra, Isti Mudrikatun
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5810

Abstract

Digital transformation poses both challenges and opportunities for the sustainability of community-based traditional markets. This study examines how social capital, cultural practices, and digital media contribute to the sustainability of Pasar Kinanti in the digital era. Using a qualitative case study approach, data were collected through in-depth interviews with ten key informants, supported by digital documentation and literature review. Data were analyzed using the interactive model of Miles and Huberman. The findings show that Pasar Kinanti’s sustainability is shaped by the synergy of social capital (bonding, bridging, and linking), local cultural practices, and digital media strategies for representation and visibility. The market functions not only as an economic space but also as a social and cultural arena that strengthens community identity through traditional arts and intergenerational participation. Digital media expands public reach and reinforces the market’s image as an alternative cultural space. However, structural challenges persist, including unequal role distribution, dependence on social media algorithms, and risks of cultural commodification. This study proposes a conceptual model of community-based traditional market sustainability integrating social capital, cultural practices, and the digital cultural economy, contributing to scholarship on traditional markets and community-based development in local contexts.
KAJIAN POTENSI PENINGGALAN ARKEOLOGI CANDI BARONG SEBAGAI SUMBER BELAJAR SEJARAH Arrazaq, Naufal Raffi
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5813

Abstract

Archaeological heritage holds significant potential as a contextual learning resource in history education; however, its utilization within formal educational settings remains suboptimal. This article aims to analyze the potential of Candi Barong as a source of historical learning at the senior high school (SMA) level. The study employs a qualitative research method. The findings indicate that Candi Barong possesses multidimensional educational values derived from its historical background, religious symbolism, architectural characteristics, and cultural landscape, all of which are relevant to the senior high school history curriculum. The site can be effectively integrated into history learning through site-based experiential activities, the development of visual and digital learning media, and the preparation of instructional materials grounded in local history. Furthermore, its utilization supports the development of students’ historical thinking skills, enhances contextual understanding, and fosters awareness of cultural heritage preservation. Therefore, Candi Barong represents a strategic and innovative historical learning resource capable of improving the quality of history education while simultaneously strengthening efforts to preserve archaeological heritage through an educational approach.
Peranan Kampung Angklung Ciamis dalam Revitalisasi Seni Musik Tradisional Sunda di Era Modern Amanda, Restu Aulia; Azzahra, Resma Alfiani; Agustin, Dita Amalia
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5834

Abstract

Globalization and popular culture have posed significant challenges to the sustainability of traditional arts, including Sundanese music. Kampung Angklung Ciamis is a community-based cultural space that plays an important role in preserving and revitalizing traditional Sundanese music, particularly angklung. This article aims to analyze the role of Kampung Angklung Ciamis in the modern revitalization of this traditional music. The study employs a descriptive approach using field research, collecting data via observation, interviews, and documentation. The findings indicate that Kampung Angklung Ciamis functions not only as a center for cultural preservation but also as an agent of cultural revitalization through cultural education, intergenerational transmission, active community participation, and creative adaptation of angklung music to contemporary contexts. The study further shows that the revitalization of traditional music is a dynamic and contextual process rather than a static one. The sustainability of angklung music is strongly influenced by the active involvement of local communities in responding to social and cultural change. These findings emphasize the importance of community-based cultural initiatives in sustaining intangible cultural heritage in the modern era.
Ritual Performance as Cultural Memory Work: Re-enacting History, Sacred Landscapes, and Spiritual Ecology in the Nyiar Lumar Ritual of Kawali - Ciamis: Maulana, Fikri Ahmad; Ramdani, Dadan; Salsabila, Gina Tsania
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5854

Abstract

This study examines Nyiar Lumar as a form of ritual performance that functions as cultural memory work in reconstructing history, sacralizing landscape, and shaping collective spirituality in the Kawali community of West Java, Indonesia. Drawing on cultural memory theory, performance studies, and spiritual ecology, the research employs a qualitative approach combining performance ethnography, participant observation, in-depth interviews, and symbolic analysis. The findings demonstrate that the historical narrative of the Palagan Bubat is transformed into a moral and identity-bearing symbol through embodied performance, rather than reproduced as a fixed historical account. The Astana Gede site operates as a sacred landscape mediating relationships between humans, nature, and ancestral memory, enabling ritual experience to generate ecological awareness and spiritual reflection. Egalitarian communal participation reinforces the transmission of ancestral values, social cohesion, and cultural resilience. This study advances scholarship by conceptualizing ritual performance as an integrative practice in which historical memory, artistic expression, and ecological ethics are mutually constituted. By foregrounding an Indonesian case rarely discussed in international literature, the article contributes empirical depth and theoretical insight to debates in cultural memory studies, performance studies, and heritage scholarship on the interconnections between ritual, environment, and spirituality
Unaddressed Cultural Nexus: Phenomenological Inquiry into Past Life Regression at Pasar Kinanti for Identity Formation and Future Wisdom Firmansyah, Rizki; Prasetyo, Azka; Alifia, Khilda Rahma
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5865

Abstract

This study examines Past Life Regression (PLR) as a socio-cultural and symbolic practice in Pasar Kinanti, a community-based traditional market in Indonesia. PLR is not treated as a metaphysical claim but as symbolic memory and narrative experience shaping identity and future orientation. Using a qualitative phenomenological approach, data were collected through in-depth interviews with 12 participants, participant observation, and analysis of community digital documentation. Data were analyzed using interpretative phenomenological thematic analysis based on van Manen’s framework. Four themes emerged: (1) PLR as a symbolic and embodied reflective experience, (2) identity construction through cultural and spiritual narratives, (3) production of future wisdom as moral and social guidance, and (4) negotiation between spiritual meaning and digital commodification. The findings show that Pasar Kinanti functions as an experiential cultural space where symbolic memory and collective imagination are produced. However, tensions arise between authenticity, representation, and digital commodification. This study contributes to phenomenological research on public space and to debates on digital cultural economy by highlighting the ambivalence between meaning-making and symbolic commodification
The role of Mungkus in Enhancing Creative Economic Resilience and Cultural Preservation through UMKM in Cikoneng - Ciamis Ramdani, Adi; Fadhlurrahman, Fakhir Elyanda; Maulana, Azka Irham; Millah, Saeful
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 2 No 1 (2026): Culture, Traditions, and Historical Heritage
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v2i1.5869

Abstract

The study examines the role of Mungkus in enhancing creative economic resilience and cultural preservation through UMKM in Cikoneng District in the era of globalization. Using a qualitative approach with a case study method through interviews, observation, and documentation, the study identifies how Mungkus cultural values are integrated into the creative economic activities of UMKM, thereby strengthening competitiveness and preserving local culture. Creative economic resilience is measured using the Business Intelligence and Clustering (BIC) method, SWOT Analysis, Asset Based Community-Driven Development (ABCD), and Key Performance Indicators (KPI). The results show that Mungkus culture is a social capital, a strategic asset, and contributes significantly to the development of creative MSMEs that can strengthen the economic resilience of the community while preserving local cultural values and maintaining cultural identity amid the dynamics of globalization. The research recommends that local governments and stakeholders develop Mungkus culture-based MSME training and mentoring programs, expand market access, and encourage collaboration between cultural and creative economy actors to strengthen economic resilience and cultural preservation in Cikoneng District.

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