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Riska Aryanti
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Wanastra: Jurnal Bahasa dan Sastra
Published by Universitas Bina Sarana Informatika
ISSN : 20866151     EISSN : 25793438     DOI : https://doi.org/10.31294/wanastra
Core Subject : Education,
Languange, Linguistic, Communication & Media Other
Wanastra: Jurnal Bahasa dan Sastra appreciates and supports researchers in English studies as part of its commitment to disseminating scientific knowledge and community service. The journal provides free access to all published articles for national and international audiences. The editorial board welcomes original and innovative manuscripts in the following areas: Linguistics Literature English Language Teaching English for Specific Purposes (ESP) Submitted manuscripts must be original, properly cited, and not previously published in print or online. All submissions will be screened for plagiarism using Turnitin. Manuscripts found to contain significant plagiarism will be automatically rejected.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 32 Documents
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Decoding the 'Bad Guy': Implementing the V.O.I.C.E. Framework in Analyzing Contemporary English Song Lyrics Putra, Octa Pratama; Abdulkadir, Zubairu Sani; Anggraini, Sri Dewi
Wanastra: Jurnal Bahasa dan Sastra Vol. 18 No. 1 (2026): March
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v18i1.12280

Abstract

The rapid evolution of contemporary popular music has transformed songs into complex multimodal texts that often pose challenges for traditional linguistic and literary analysis. This study introduces the V.O.I.C.E framework a simplified, analytical tool to decode the multi-layered meanings of Billie Eilish’s global hit, ‘Bad Guy’. Utilizing a qualitative descriptive method grounded in Multimodal Discourse Analysis (MDA), the research examines the song through five interconnected pillars: Vocal performance, production Originality, Identity construction, Cultural circulation, and Emotional resonance. The findings reveal that ‘Bad Guy’ achieves its subversive impact by deconstructing traditional pop tropes through ASMR-like whispered vocals, minimalist ‘bedroom’ production aesthetics, and the construction of an ‘anti-hero’ persona that challenges conventional gender roles. Furthermore, the study demonstrates that the V.O.I.C.E strategy effectively bridges the gap between complex semiotic theories and practical interpretation, providing a structured yet flexible roadmap for researchers and educators. Ultimately, this research highlights a shift toward ‘New Authenticity’ in English discourse, where sonic textures and digital cultural circulation are as significant as textual content in shaping contemporary identity and global resonance.
Protagonist Agency in Epistolary Fiction: Lady Susan by Jane Austen Syarifah; Rahmah Fithriani; Pardi
Wanastra: Jurnal Bahasa dan Sastra Vol. 18 No. 1 (2026): March
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v18i1.12184

Abstract

Agency in literary studies is commonly approached as a moral or psychological quality of a character. However, such perspectives often overlook how agency is shaped by narrative form. This study addresses this gap by examining how the protagonist’s agency in Lady Susan is narratively constructed through epistolary mediation. This study examines the construction of the protagonist’s agency in Lady Susan, an epistolary novella in which action and intention are mediated through letters. Rather than treating agency as an ethical attribute, the study approaches agency as a product of textual mediation. Using a qualitative literary approach, the analysis employs close reading of selected letters to examine decision-making, narrative voice, and narrative consequences. This focus is significant because it clarifies how agency in epistolary fiction operates as a strategic and negotiated textual process rather than merely a reflection of character autonomy. The findings demonstrate that the protagonist’s agency is not represented as moral autonomy but as a strategic capacity negotiated through voice and social relations. Within the epistolary structure, agency emerges as a dynamic and textually constructed process.

Page 4 of 4 | Total Record : 32

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