cover
Contact Name
Yasmina Wikan Astri
Contact Email
wikanastri87@gmail.com
Phone
+6281310088135
Journal Mail Official
prianganjurnal@gmail.com
Editorial Address
Fakultas Adab dan Humaniora Lantai 3, UIN Sunan Gunung Djati Jalan. A. H. Nasution No. 105, Bandung
Location
Kota bandung,
Jawa barat
INDONESIA
Priangan Journal of Islamic Sundanese Culture
ISSN : -     EISSN : 29625297     DOI : -
Core Subject : Humanities,
Priangan memiliki perspektif tentang Budaya Islam Sunda. Jurnal ini bertujuan untuk menyajikan dan membahas beberapa isu yang berkaitan dengan Budaya Islam Sunda. Area fokusnya meliputi Budaya Islam Sunda, tradisi lokal di Wilayah Priangan, seni bangunan tradisional Sunda, warisan Islam masyarakat Sunda, dan hal-hal lain yang berkaitan dengan komunitas Sunda. Priangan bertujuan untuk menyediakan media bagi mahasiswa, praktisi, peneliti, akademisi, dan lainnya untuk mempublikasikan penelitian mereka di bidang Budaya Islam Sunda. Priangan menerima artikel di bidang fokus terkait dan metodologi penelitian apa pun yang memenuhi standar yang ditetapkan untuk publikasi dalam jurnal. Kriteria utama untuk publikasi di Priangan adalah signifikansi kontribusi artikel terhadap literatur dan praktik dalam studi Budaya Islam Sunda. Priangan menerima artikel dari penulis dari lembaga nasional dan internasional.
Articles 49 Documents
Sejarah Perkembangan Masjid Salman ITB Dalam Bidang Sosial Keagamaan Tahun 2015-2022 Fikri Mubarok Pamungkas; Setia Gumilar
Priangan: Journal of Islamic Sundanese Culture Vol. 3 No. 1 (2024): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v3i1.38357

Abstract

Penelitian ini dilakukan untuk mengetahui sejarah dan perkembangan masjid salman ITB, penelitian ini berfokus pada kegiatan bidang sosial keagamaan masjid salman ITB tahun 2015-2022. Metode yang digunakan dalam penelitian ini menggunakan metode penelitian sejarah yaitu heuristik, kritik, interpretasi, dan historiografi, dalam hasil penelitian ini menunjukan bahwa masjid Salman ITB dari sejarahnya yang panjang memiliki karakteristik yang unik dan telah menadi pelopor bagi masjid kampus di Indonesia. Dibawah yayasan bernama YPM ( Yayasan Pembinaan Masjid ) Salman ITB melahirkan beberapa bidang sebagai penunjang tercapainya visi masjid Salman ITB. Akan tetapi penelitian ini berfokus pada bidang BMKA ( Bidang Mahasiswa Kaderisasi dan Alumni ) dalam bidang BMKA sendiri memiliki banyak unit kegiatan, diantranya dibagi menjadi dua macam yaitu bidang kaderisasi dan layanan.
Ulama Perempuan Dalam Kitab Tarikh AL-Baghdady Karya Al-Khatib Baghdady Muhammad Haikal; Malya Naiffa Widiara; Muhammad Pachruroji; Muhammad Reja Faudji Assyifa; Agus Permana
Priangan: Journal of Islamic Sundanese Culture Vol. 3 No. 1 (2024): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v3i1.38362

Abstract

Al-Khatib al-Baghdadi, seorang ahli Sunni yang terkenal, lahir pada tahun 1002 Masehi di desa Hanikiya, yang terletak di selatan Baghdad. Dia dikenal karena pengetahuannya yang luas tentang hadith, fiqh, dan sejarah. Al-Khatib belajar di bawah bimbingan para ahli terkemuka, termasuk Abu Nu'aym al-Isfahani, dan telah melakukan perjalanan ke berbagai tempat untuk mengumpulkan hadith. Dia mengajar di masjid-masjid terkemuka di Baghdad dan Damaskus, sehingga mendapat julukan "Pengkhotbah Baghdad." Karya-karyanya termasuk "Tarikh Baghdad," sebuah sejarah yang komprehensif tentang Baghdad. Al-Khatib dipuji oleh teman-temannya, termasuk Ibn Makula, yang mencatat pengetahuannya yang luar biasa, hafiz, dan keahliannya dalam hadith. Dia meninggal dunia pada tahun 1071 Masehi, meninggalkan warisan sebagai salah satu ahli hadith terkemuka pada masanya.
Peran Teater Sunda Kiwari dalam Melestarikan Nilai Budaya Sunda di Jawa Barat Melalui Pementasan Teater Tahun 2000-2023 Shella Gebrilla; Suparman Jassin
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 2 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i2.39806

Abstract

This research examines the role of the Sunda Kiwari Theater in efforts to preserve Sundanese culture in West Java from 2000 to 2023. The background to this research is the challenges faced by local culture due to globalization, which can threaten local traditions and values, especially among the younger generation. Globalization often has an influence that can weaken the continuity of local culture, with the younger generation being the group most vulnerable to this erosion. In this context, the Sunda Kiwari Theater functions as a cultural institution that seeks to maintain and promote Sundanese culture through theater arts. The research method used is the historical research method, which consists of four main stages: heuristics, criticism, interpretation, and historiography. The main data was obtained through interviews, documentation and literature review relevant to the history and activities of the Sunda Kiwari Theatre. The results of this research show that the Sunda Kiwari Theater plays a key role in preserving Sundanese culture through theatrical performances that consistently highlight local themes and use Sundanese as the main medium.
Stasiun Kereta Api Tempo Dulu: Perkembangan Stasiun Cimahi Masa Kolonial Belanda 1884-1942 Dellia Gustiani; Ading Kusdiana; Agung Purnama
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 1 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i1.41120

Abstract

The purpose of this article is to conduct research related to the development of Cimahi station during the Nederlandcolonial period in the NederlandIndies. At that time, train transportation itself was one of the main transportations that was widely used for various forms of activities. The method used in this study is the historical research method which has four stages, namely heuristics, source criticism, interpretation and historiography. At the beginning of its development, Cimahi itself was planned to be an area with a train stop as a means of transportation, but over time the Nederland Colonial needed a larger means of transportation, therefore the Cimahi stop experienced an upgrade to a third-class station. After this upgrade, in addition to being a means of passenger transportation, Cimahi station was used as a supporting facility for the Military Garrison and the delivery of garden produce.
Peran kursus politik P.S.I.I Bandung dalam meningkatkan kesadaran politik tahun 1931 Mutiara Indah Prameswari
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 1 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i1.46363

Abstract

The purpose of writing this article is to study the political course of the Sarekat Islam Party (PSII) in Bandung. Sarekat Islam is a party known for having the largest number of members during the leadership of HOS Tjokroaminoto. The research method used is historical research, specifically literature study, by comparing and combining the data and sources found. In 1920, there was turmoil among parties to win the hearts of the people through various means, from verbal persuasion to physical actions, which resulted in public fear. Therefore, PSII Bandung took the initiative to establish a party course institution to attract the public's interest and retain its members.
Perkembangan Kesenian Bangreng di Kabupaten Sumedang Tahun 1969-2020 Ainun Nur Intan Fadilah
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 1 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i1.47508

Abstract

This article asserts the significance of Bangreng Art, which was established in 1969 by Abah Maman Suharya. Bangreng Art is a direct evolution of Terbang and Gembyung art, with Terbang art playing a crucial role in spreading Islam throughout the Sumedang Regency. While anchored in Islamic teachings like prayer and dhikr, the rituals are still executed in accordance with Hindu cultural norms. Research unequivocally shows that Bangreng Art stands as a unique artistic expression in Sumedang Regency, deeply rooted in Terbang art and its mission to promote Islamic teachings. Initially, Bangreng Art enjoyed immense popularity within the Sumedang community. However, by the 2000s, it reached a critical saturation point. In response, the Sumedang Regency government has taken decisive action to preserve Bangreng Art through three key strategies: robust protection, strategic development, and meaningful utilization.
Saung Angklung Udjo Sebagai Ruang Edukasi Dan Pelestarian Kesenian Tradisional Sunda Dila Fadila Hoerunnisa
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 1 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i1.47710

Abstract

Saung Angklung Udjo is a cultural center dedicated to preserving Sundanese art and heritage while serving as an important site of non-formal education, particularly for children in the Pasirlayung area of Bandung. Founded by Abah Udjo Ngalangena, this institution functions not only as a venue for traditional performances but also as a learning space where young generations are trained in angklung, dance, and other traditional musical instruments. Utilizing a hands-on, imitation-based educational approach (nimesis) without a fixed curriculum, Saung Angklung Udjo has successfully fostered an environment that nurtures creativity, discipline, and appreciation for local cultural traditions. This article applies historical methods to trace the development of Saung Angklung Udjo from its founding to its transformative role in social and educational life within the community.
Penyebaran Metode Tadarus Al-Qur’an Harfiyah Karya K.H. Udung Abdurrahman Ya’kub di Kabupaten Bandung (1930-1992) Suni Mutmainah
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 1 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i1.47813

Abstract

This article explores the historical spread of the harfiyah Qur'anic recitation method developed by K.H. Udung Abdurrahman Ya’kub from Pesantren Cikoneng to various regions in Bandung Regency between 1930 and 1992. The method is known for its literal approach to understanding the Holy Qur’an in Sundanese. The article also highlights the role of the Islamic Boarding School Foundation (YPI), the Islamic Union (SI), and educational institutions in developing and preserving this method in areas such as Soreang, Majalaya, and Arjasari.
Giri Kawangi Pujaran Giri Harja 2 sebagai Pelestari Wayang Golek di Kecamatan Ujungberung 1995-2025 Teddiansyah Nata Negara
Priangan: Journal of Islamic Sundanese Culture Vol. 4 No. 2 (2025): Priangan: Journal of Islamic Sundanese Culture
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/priangan.v4i2.52171

Abstract

Padepokan Giri Harja is a prominent center for the preservation and development of Wayang Golek, a traditional Sundanese puppet art, in West Java. Founded by the legendary puppeteer Abeng Sunarya, the institution has evolved into an artistic hub that fosters cultural education across generations. This study explores the significant role of Pujaran Giri Harja 2, led by puppeteer Awan Kartanda Suanda Ade Kosasih, a non-lineal disciple who has been officially acknowledged within the Sunarya lineage of cultural transmission. Using historical and oral history methodologies, the research investigates informal learning processes, spiritual and cultural values, and the dynamics of succession within the Giri Harja community. Findings reveal that Giri Harja does not limit its teachings to biological heirs but extends its legacy to dedicated disciples who embody the spiritual and cultural ethos of Sundanese puppetry. The pedagogy employed is experiential and rooted in daily practice, strengthening intergenerational bonds through emotional closeness and lived experience. Symbolic mechanisms, such as verbal certification (non-formal “diplomas”), serve as markers of skill recognition. The success of Giri Harja in extending its influence nationally and internationally is further supported by an inclusive and adaptive succession strategy. This study affirms that Pujaran Giri Harja 2 stands as a tangible representation of an open and spiritually rooted cultural inheritance system resilient to temporal changes.