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Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 98   99   100   101   102 
Developing Android Role Playing Game for Elementary Music Learning
Harmonia: Journal of Arts Research and Education Vol 18, No 2 (2018): December 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i2.14018

Abstract

Elementary students prefer to listen to modern songs from the device that they have in their daily life. In the music learning process, the student feels bored because of the monotone learning method, even though the music art learning process is an important process to promote student knowledge about Indonesia’s traditional songs. Innovation is needed because of this condition. This study aims to design and develop an android role-playing game (RPG) for music learning, especially Indonesia’s traditional songs. This study also analyses the worthiness of android RPG game based on expert judgment validation’s score. Based on expert judgment validation’s score, the music art learning media called “Lagu Nusantara” is worthy of supporting the student to learn about the basic of music learning and Indonesia’s traditional songs. The average score is 3.6 for media representation, 4 for the material which presented in this game, and 3.3 for the use of language. The worthiness of this media is above 90% (precisely 90.83%). In conclusion, this RPG game can use by teachers or students to promote music art learning process, especially about Indonesia’s traditional songs.
Kidung: Myth of Welfare for Kuthuk People in Kudus Regency Bahtiar, Hafid Zuhdan
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): December 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3297

Abstract

The study is to describe the art of kidung in Kuthuk village Blora regency. This study used qualitative method with Structural Functional theory approach. Data in the form of the song, especially the lyrics and other data were used for primary data sources in addition to interviewing and observation. Data were analyzed qualitatively with structural and functional theory and anthropological approach developed by Malinowski. The result shows that the people of the village embracing many beliefs, have an art tradition of Puputan ritual. In Javanese culture, this ritual is done at the time of released cloth wrapping the baby’s navel. Kidung, an expression of the people when request welfare to God, reflects the acculturation between Islamic and non-religious beliefs, which characterize the people of those two cities that exist around Kuthuk village.
MASALAH KEAKTORAN DALAM TEATER MODERN (The Problem of Being an Actor in Modern Theater)
Harmonia: Journal of Arts Research and Education Vol 2, No 3 (2001)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v2i3.858

Abstract

Aktor adalah unsuryang memegang peran penting dalam teater modern. Perbedaan utama antara aktor dalam teater modem dan dalam teater tradisional terletak pada pertanggungjawabannya atas naskah atau teks yang menjadi sumber pementasan. Dalam teater tradisional, pertanggungjawaban aktor terhadap naskah tidak begitu ketat –bahkan  boleh dikatakan sangat longgar, sementara dalam teater modern sangat ketat. Hal ini disebabkan oleh adanya tuntutan yang berat bagi seorang  aktor teater modern, yaitu kemampuan menempatkan dirinya pada tokoh yang diperaninya dan kemampuan mengomunikasikan apa yang  dipahaminya itu melalui permainannya di panggung. Melihat kondisi seperti ini, seorang aktor memang harus rajin berlatih (pernafasan, vokal, ekspresi,  gesture, dan interpretasi naskah) dan senantiasa mengikuti perkembangan  teater. Pelajaran Richard Boleslavsky dengan demikian juga menjadi  penting, sehingga seorang aktor mampu bermain dan tahapan yang paling  rendah sampai pada akhirnya dapat bermain secara sempurna. Ukuran keberhasilan permainan seorang aktor dapat dilihat dengan kriteria lima  tingkatan, yaitu tahap memerankan, tahap sebagai, tahap menjadi, tahap  adalah, dan tahap sempurna. Semakin tinggi tahap yang dapat dicapai oleh  seorang aktor, semakin tinggi pula nilai permainannya. Kata Kunci: aktor, pelajaran Richard Boleslavsky, pelatihan dasar
PEMANFAATAN TARI BARONGSAI UNTUK PARISIWATA
Harmonia: Journal of Arts Research and Education Vol 10, No 1 (2010)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i1.52

Abstract

The problem studied is the form of performance and Barongsai choreography elements that are applied to help offering dan increasing the selling point of cultural tourism in Semarang. The objective of the study is to describe the form of performance and choreography elements of Barongsai as cultural tourism so that it can help the selling point of cultural tourism in Semarang. The result of the study, in general, is expected to be of beneficial as a theoretical and practical input to the related parties. In particular, the result of the study can provide empirical input for the artists, art observers, policy makers related to the cultural tourism. The method of the study uses qualitative approach. The study site was in Semarang. The data was collected by using controlled observation technique, deep interview, and documentary research. The data acquired is analyzed qualitatively by using interactive cycle model through reduction, presentation and verification process. The validation of the data and the analisys was done through trianggulation among research team. The result shows some findings. First, the form of Barongsai performance as cultural tourism is solid coreoragphy. Second, the coreography of Barongsai dance contain attractive elements and environmentally sound. Kata kunci: Tari Barongsai, pariwisata, koreografi padat, attractive, berwawasan lingkungan
Musik Klasik Mozart dan Beethoven suatu Refleksi Konsep Estetika Plato (The Clasical Music of Mozart and Bethoven a Reflection of Plato’s Aesthetic Concept )
Harmonia: Journal of Arts Research and Education Vol 7, No 1 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i1.747

Abstract

Karya Mozart dan Beethoven adalah dasar utama keindahan musik di jaman klasik.Konsep yang digunakan kedua komponis ini masih relevan digunakan dan dipelajarihingga era kekinian. Keseimbangan pikiran, persaan dan tenaga ditunjukan dalamkonsep karya Mozart dan Beethoven, yang merupakan refleksi dari pemikiranmimesis tentang seni oleh Plato.Kata Kunci: Musik Klasik, Keseimbangan, Mimesis.
Advocating for The Sustainability of Semai Indigenous Music Through The Collaborative Creation of New Traditional Music: A Participatory Action Research (PAR) Methodology Chan, Clare Suet Ching; Saidon, Zaharul Lailiddin
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.28715

Abstract

This article provides a critical reflection on the participatory approach methodology and the collaborative creation approach used in an advocacy project to sustain the musical heritage of the indigenous Semai community in Malaysia. These approaches were examined through the medium of an advocacy project that aimed to stimulate the interest of Semai youth in traditional music through relevance, engagement, and connection with their current musical interest and skills. The intention of the project was to also co-create new traditional music with the Semai youth through live musical interaction, improvisation and jam sessions with the research team. This article explored the research team’s use of the “Participatory Action Research” (PAR) method, which involved planning, action, observation, reflection, and revision during the initial stages of our advocacy project. Our findings suggest a narrative style in discussing advocacy processes because they occur in a lateral than the linear or cyclical format used in current action research models. Findings also reveal that any attempts to advocate change in the community would firstly require an established relationship of trust, respect, and belief in the research team. The research team would have to have had prior involvement, commitment, and dedication to the community before members of the team could influence change among the community. A self-review of the research team’s effort to co-create new traditional music with Semai youth led to the conclusion that co-creation between musicians of different musical training would require a “new” compositional method that negotiates Western musical composition techniques with the oral tradition of creating music.
The inheritance of values in Sundanese song of Cianjuran in West Java
Harmonia: Journal of Arts Research and Education Vol 17, No 2 (2017): December 2017
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v17i2.8645

Abstract

This article examines the issue of inheritance that occurs in the Sundanese Song of Cianjuran. During this time, the inheritance is dominated by the transfer of skills only, while the transfer of value tends to be ignored. Consequently, the public cannot grasp the value of what is important to Sundanese Song of Cianjuran, so that over time the Sundanese Song of Cianjuran being abandoned. Through research conducted by observation into the studio and the training venues of Sundanese Song of Cianjuran, and interviews with the artists of Sundanese Song of Cianjuran, the study results showed two things. First, the Sundanese Song of Cianjuran contains the value both in lyrics and music accompaniment, in the lyrics have meaning is quite diverse, whereas the musical accompaniment contains any value in the form of symbolic treatment. Second, the process of inheritance value, on the one hand, occurs at certain times through a casual chat after training Sundanese Song of Cianjuran finished, and on the other hand, the value of inheritance is one drawback in the regeneration of Sunda Cianjuran song, because teachers tend to pass on the skills aspect alone.
JAROG DANCE FOR CHILDREN WITH SPECIAL Needs : Case Study in The Celebration of The International Dance Day in Surakarta
Harmonia: Journal of Arts Research and Education Vol 13, No 2 (2013): December 2013
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v13i2.2776

Abstract

The International Dance Day is celebrated every year as a self-expression since dances belong to the world. Jarog dance was created to facilitate children with special needs in order to celebrate the International Dance Day in Surakarta in 2013. The research method applied was data collection consisting of observation, interview and documentation. The data analysis was the narrative one by using qualitative approach. The research result shows that Jarog is a new creation dance which combines Jaranan dance and Reog dance. The main functions of Jarog dance are character education, entertainment, and self-confidence improvement. Persistent learning, special commands by beating kendhang loudly and raising hands highly in every movement change and the rhythm of the instruments supporting the dance are needed. There were internal and external factors which support and obstruct the dance performance. The internal supporting factors were motivation, identification, sympathy and audience’s interest, while the external supporting factors were the influence of the world recognition, the motto ”Solo Berseri”, and the development of technology. The obstructing internal factors were the difficulties in practicing and adapting the movement, gendhing which was memorized easily, the beats of kendhang and other instruments which should have been louder. The external obstructing factors were the time-consuming rehearsal which interfered the children’s study hours, less attention from their parents, and the poor cooperation with the supporting karawitan musicians. Hari tari dunia diperingati setiap tahun sebagai ekspresi diri karena tari dianggap sebagai milik dunia. Tari Jarog diciptakan untuk memenuhi anak berkebutuhan khusus dalam rangka merayakan hari tari dunia di Surakarta tahun 2013.  Metode penelitian meliputi pengumpulan data yang terdiri atas observasi, wawancara dan dokumentasi. Analisis data bersifat naratip, dengan menggunakan pendekatan kualitatif. Hasil penelitian yang dicapai, Jarog merupakan tari kreasi baru yang menggabungkan antara tari Jaranan dengan tari Reog. Fungsi utama tari Jarog adalah sebagai pendidikan karakter, hiburan yang menyenangkan, dan meningkatkan kepercayaan diri. Diperlukan pembelajaran yang ulet, aba-aba khusus melalui pukulan kendhang yang keras dengan angkatan tangan yang tinggi pada waktu perpindahan gerak tari serta bunyi irama instrumen sebagai pendukung tari. Terdapat faktor  yang mendukung dan menghambat dalam pentas tari, baik faktor internal maupun faktor eksternal. Faktor  internal yang mendukung adalah motivasi, identifikasi, simpati dan animo penonton dari luar. Adapun faktor eksternal yang mendukung adalah pengaruh pengakuan dunia, slogan Solo berseri, dan perkembangan teknologi. Faktor penghambat dari dari dalam antara lain kesulitan dalam berlatih dan membiasakan gerak, gendhing mudah yang dihafal, bunyi kendhang dan instrumen tertentu harus lebih keras. Faktor penghambat dari luar antara lain pada saat berlatih  menyita banyak waktu belajar, kurangnya perhatian orang tua, kerjasama dengan musik  karawitan pendukungnya.
SIMBOL BARONG DALAM KEHIDUPAN SOSIAL­RELIGIUS UMAT HINDU DI BALI (The Barng Simbol in Sosial­Religius Life of Hindunist in Bali)
Harmonia: Journal of Arts Research and Education Vol 4, No 2 (2003)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v4i2.713

Abstract

Di Bali ada beberapa kesenian yang meanrik untuk diamati, lebih ­lbih p[ada seni pertunjukanya. Barong adalah salah satu seni pertunjukan yang sangat digemari oleh masyarakat Bali sendiri, turis­turis domestik, maupun turis­turis mancanegara yang datang ke Pulau Dewata.  Barong yang dipertunjukkan di tempat profan yang fungsinya hanya untuk menghibur para tamu merupakan barong yang tidak sakral. Barong yang disakralkan adalah barong yang dianggap sebagai pelindung masyarakat karena barong sendiri dianggap mempunyai kekuatan gaib yang terletak pada mata dan anggotanya. sakral tidaknya beberapa barong di Bali, tergantung dari proses pembuatannya. Di samping itu umumnya barong­barong yang telah disakralkan tempatnya selalu berada di tempat suci umat Hindu. Barong­barong yang ada di Bali banyak sekali bentuk dan jenisnya, diantaranya barong macan, barong bangkal, baron landung, danlain sebagainya.Kata Kunci :  Simbol Barong, Jenis­jenis Barong, dan Proses  Pembuatannya
Conservation Strategy in Preserving The Local Image Existence of Wayang Topeng
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i2.24005

Abstract

This research studies the strategic conservation efforts to preserve the local image of wayang topeng or mask puppet as a traditional art performance. Ten years into the 21st century shows a great effort from the artists who joined the Wayang Topeng Malang dance studio, Asmorobangun led by Tri Handaya (43), in preserving its existence. This research studies the strategy carried out in preserving the association’s existence so it can continue, not only wayang topeng as traditional art performance but also as the professions of its artist. The efforts carried out shows an action which is systematic and modern. Therefore, the researcher is interested in exploring Tri Handaya’s effort in preserving wayang topeng communities to be able to hold monthly regular performances, establishing cooperation with the government and private sector, and serving various training for general public. Research method used was qualitative approach of single instrumental case study, which is Sanggar Wayang Topeng Asmorobangun. Data was collected with the use of interview, observation, and documentation. Data verification to establish validity was using source and method triangulation. Research results show that there are three strategic aspects in preserving local image: (1) following the tradition patterns of its predecessors, (2) conducting training for young generations, (3) designing an extensive promotional media and building relationships with stakeholders.

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