Articles
10 Documents
Search results for
, issue
"Vol 2 No 2 (2012)"
:
10 Documents
clear
<![CDATA[STRUKTUR CERITA MINAK JINGGO DALAM TEATER RAKYAT JANGER BANYUWANGI ]]>
<![CDATA[Mohammad Ilham]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[This article elaborates the Minak Jinggo story. It is a unique phenomenon. Some people regard it as just a tale, resulting from human creativity, that had nothing to do with any historical events; Other people hold the view that the story had a connection with great event, Paregreg War, Perang Paregreg, between Majapahit and Blambangan. The story is still held by the local people until today and becomes the most popular story of janger art performance in Banyuwangi. It can be briefly stated that the proposal of Minak Jinggo (MJ) to marry Kencono Wungu (KW) symbolizes the willingness of Blambangan not to be subordinated by Majapahit. From a structural point of view, the story of MJ has several structures going harmoniously with the flow of story. There are diachronical structure and hidden structure shaped by relations among the story elements.Keywords: Minak Jinggo story, Banyuwangi, structural analysis, Janger folk theater]]>
<![CDATA[PEMIKIRAN POLITIK ISLAM MUSTOFA BISRI DALAM PUISI: PERSFEKTIF HERMENEUTIKA KEROHANIAN ]]>
<![CDATA[Erfi Firmansyah]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[The study generally aims to determine how the Islamic political thought in poetry KH Mustafa Bisri , and find use hermenutik spiritual approach in reviewing poetry. Mustafa Bisri poems is , in principle, can be approximated by hermenutik approach to spirituality. Poetry KH Mustafa Bisri not too difficult to understand. Based on a study conducted on the ten poems KH Mustafa Bisri , it can be seen that Islam is very strong political element in his poems. So , in an effort to gain and retain political power displayed in his poems Always he was guided by the teachings of Islam which has always been inherent in him. The views and criticisms Mustafa Bisri through his poems based on the moral Always political Islam that promotes good moral or good morals. Through poetry poet reminded various parties in Indonesia to improve themselves and redirecting itself on the completion of the reform as an act of gratitude towards independence had been achieved by the Indonesian nation. Keywords : Hermeneutics Spirituality , Poetry Islamic , Islamic Politics]]>
<![CDATA[AYAT-AYAT CINTA : HEGEMONI, SUBJEKTIVIKASI, DAN BUDAYA MASSA ]]>
<![CDATA[Ramayda Akmal]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[This article discusses the ideological aspects of the Ayat-Ayat Cinta novel. It is shown that the willingness for hegemony always goes hand in hand with the willingness for obtaining broader readership. Many interests are put in it with an assumption of the dominated subjects growing in number, but at the same time, the offered values have never been fully accepted as the dominating group expects. (Islamic group surrounding Habiburrahman El Shirazy). The text of AAC is full of tension between the two conflicting interests. On one hand, Islam is presented as universal, but on the other hand particular. Islam is also considred complete, but sometime needs the world to perfect itself. This condition is presented in the AAC for a particular reason. Islam-ness in the AAC is Islam that should be accepted by the mass. Islam-ness becomes an economic commodity. Therefore, AAC has to present a dynamic hegemony in which there is negotiation and resistance.Keywords: Islamic novel, ideology, Ayat-Ayat Cinta]]>
<![CDATA[THE MAN CHARACTER’S PERSONALITY CHANGE AS REFLECTED IN DEFOE’S ROBINSON CRUSOE ]]>
<![CDATA[Imam Basuki]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[Robinson Crusoe is a novel written by Daniel Defoe telling about a story of Robinson Crusoe’s life experiences in the three places such as in York, at sea and in the islands. This article discusses about these places, particularly the last place, and the events experienced by Crusoe that can influence his personality change. Therefore, the qualitative research is done to know whether the setting and the events undergone by him, as the main character, can change his personality or not, by applying Murray’s theory of personality describing how personality is formed. This theory employs three sets of determinants: group membership, situational and constitutional. It is also applied the psychological approach to analyze the main character’s personality and to find out the setting and the events influencing his personality change. The result of the research proves that there has been a close relation between setting and personality in which setting and the events experienced by Crusoe during his life adventure in the three places can influence the change of his personality.Keywords: setting, life experiences, personality change]]>
<![CDATA[ADUAN SAPI DI BONDOWOSO ANTARA TRADISI, JUDI, DAN POLITIK ]]>
<![CDATA[Bambang Samsu Badriyanto]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[Bull fighting is a form of physical fight involving two bulls guided by two jokey (seler) found in Bondowoso regency. This performance emerged in line with the birth of the Bondowoso in the 19th century, initiated by Ki Ronggo, the central figure in the opening up of Bondowoso. Initially, the bull fighting had an amusement function, but then turned into a gambling arena. A shift from an amusement to a gambling arena had been strongly influenced by the ethnical characters of Madurese associated with violence and competition. Religious image linked ti this ethnic group could not prevent them from practicing gamble in the bull fighting festival. There had been a form of dependency between bull fighting, gambling, and the government as the holder of legal authority. A bull fighting without gambling would not attract spectators and without them the government could not make money from tax. In 1991, for example, the bull fighting made a contribution of 15 % of the Bondowoso’s total income. A political shift in Bondowoso from a nationalist, Golkardominated political power to a religious, PKB dominated political power caused the ban of the bull fighting festival due to religious reasons.Keywords: bull fighting, Madurese ethnic, Bondowoso]]>
<![CDATA[BATIK KAYU KRÈBÈT YOGYAKARTA : KAJIAN ESTETIKA DAN FUNGSI ]]>
<![CDATA[Aruman A]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[The development of batik art craft has expanded to diverse materials and techniques. One of them is batik applied to wood media. As applied by the batik art craftmen of Dusun Krebet, Yogyakarta. Wood-based batik art craft has been developed through exploration in traditional batik art that has been hereditarily in existence for generations. In this article, the author seeks to elaborate the structure of batik style formation on wood media and the function of the created product. The discussion is focused on the applied batik style, the patterns of style formation, their functions based on function theories.Keywords: wood batik, aesthetic, function]]>
<![CDATA[LEMBAGA PERKREDITAN MASA KOLONIAL ]]>
<![CDATA[Haryono Rinardi]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[By employing historical method, this article explains formal credit institutions in Indonesia during the Dutch colonial period especially in rural area. The study is focused on the development of three credit institutions emerging during the colonial period that operated under the volkscredietwezen supervision. Before the presence of volkscredietwezen, there had been traditional credit systems among the the society. In rural areas, the people needed loans because it was hard for them to obtain cash money. Lumbung Desa, Bank Desa, and People Bank constituted formal credit institutions in charge of serving the people’s need of loans during the colonial period. One of the interesting things is that there was a connection between the economic development of the society and credit institutions. Keywords: volkscredietwezen, small credit, rural area, colonial era]]>
<![CDATA[KEBERANIAN MENYISIR SEJARAH DAN KEBUDAYAAN INDONESIA DALAM BENTANG TIMUR-BARAT ]]>
<![CDATA[Dien Vidia Rosa]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[Resensi Buku Judul buku : Saling Silang Indonesia-Eropa: Dari Diktator, Musik, hingga BahasaPenulis : Joss Wibisono Penerbit : Marjin Kiri Tahun Terbit/Hlm : Cetakan Pertama, 2012; i-xiv + 228 halaman]]>
<![CDATA[DESAIN INOVATIF KERAMIK KASONGAN MEMASUKI PERSAINGAN PASAR GLOBAL ]]>
<![CDATA[Moh. Rusnoto Susanto]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[The principal aim of this study was to determine and measure the effectiveness of the innovative design development at the Center Ceramics / Pottery Kasongan in the context of the development of the creative industries to enter global market competition. Type a descriptive qualitative study used reflexively to description entire visual data and statistics accurately related to all aspects of the scope of the study as a result of detailed fieldwork and comprehensive. The research instrument used structured interview techniques and triangulation test on the development of design innovation and influence with global market absorption. Design development process in the industrial pottery Kasongan generally adopted local elements and adapted many aspects of modern and contemporary artistic needs. The trend observed-observe, imitate or adopters, and add a touch of creativity or new as a measure of artistic innovation is increasingly rising to serve the demands of the global markets. Thus the movement of the economy based on the orientation of the creative economy moving forward in realizing the government’s program to empower the creative industry centers are independent and brave creative economy to compete with other developed countries. Keywords: Sentra Industri Keramik Kasongan, exploration of innovative design, creative industries and global market competition]]>
<![CDATA[KONSEP SAKTI DALAM LAKON SAWITRI: ANALISIS PERTUNJUKAN WAYANG KI NARTOSABDO ]]>
<![CDATA[Retno Dwi Intarti]]>
<![CDATA[ LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012) ]]>
Publisher : <![CDATA[Faculty of Humanities, Jember University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[This article is aimed at discussing the form of wayang performance and sacred (sakti) concept on Sawitri shadow puppet play performed by Ki Nartosabdo. It employes hermeneutics and dramaturgy approaches. Based on the analysis it can be concluded that the main theme is “destiny can be changed” (kodrat bisa diwiradat). The mandate given in the story is that with sincerity, loyalty, and persistence, everything can be changed. The main character of the story is Dewi Sawitri. The wayang performance is presented with Surakarta style. The sacred (sakti) concept in Sawitri is manifested in spiritual behaviour, loyalty, her unwavering and unyielding stance in living her life. It is proved that she is able to contribute positively to her husband, parent in-law, parent, and the environment.Keywords: sacred, shadow pupet performance, Surakarta style]]>
