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INDONESIA
LITERASI: Jurnal Ilmu-Ilmu Humaniora
Published by Universitas Jember
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 10 Documents
 1 
Search results for , issue "Vol 3 No 1 (2013)" : 10 Documents clear
UU KEBAHASAAN, KEWENANGAN PEMBAKUAN, DAN TANTANGAN GLOBAL BAHASA INDONESIA: SEBUAH ANALISIS WACANA KRITIS Ganjar Hwia
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article discusses the Language Law of 24, 2009 in the context of social conditions of the Indonesian society, having implications on (1) the authority on formulating principles of Indonesian languange standardization (2) Its acceptance by the society, and (3) the challlenges to Indonesian language during the globalization era. The three issues are discussed by employing a critical discourse analytical framework focusing on textual aspect, discourse and social practical. In this context, the text of the Language Law is regarded as a constitutional discourse. Inside there is an ideological discourse function, meaning that the discourse constitutes a form of social practice and has dialectical relations to other social dimensions. Thus, its discourse practice analysis would provide us with a picture of creation and reproduction of power relations (the government formulating the law and its executing institutions, and society as its users. Keywords: language, law, challenge, discourse analysis
SENGKALAN MEMET: MAKNA PENANDA DALAM BENTUK KALIMAT ATAU GAMBAR INDAH SEBAGAI BAHASA KOMUNIKASI SENI Febrian Wisnu Adi
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

Sengkalan constitutes a form of the Javanese society expressions. Sengkalan lamba has three elements, namely: sentence or words, figure, and year. Sengkalan casquette is a marker visualized in the form of pictures, patrimonies, statues, ornaments, carts representing an intention to deliver a particular message. Presenting sengkalan in a wording based on meanings and characteristics which refer to the sun, months, nature and forms to express the contents of intention loaded in the sentences. Developed from words and having presentation of word, a figur relates to synonyms, sound spelling, things and actions, similar intentions and meanings, and similarity in particular things, and so on. The substance-loads of sengkalan indicate a picture of certain situation and time, and express events occuring at particular times and places.Keywords: candrasengkala, suryasengkala, picture, ornament, figure
NASIONALISME PUITIS: NASIONALISME DAN BUDAYA KONSUMEN Faruk F
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

The Indonesian nationalism has emerged through a long process of colonialism opression. In the course of history, it experienced a significant change. The dynasty politics, novel and newspaper, and religion became major sources of the handing down of nationalist values that rooted in the past. They provide inspirations for men of letters, poets, drama and art workers to immortilize various historical events in Indonesia. Recent development demonstrates a phenomenon of the truncated, superficial, and local nationalism. Solidarity for the victims of natural disasters, the oppressed people, football fans club solidarity, and solidarity for Ambalat, Simpadan, Palestine, Afghanistan, have proved the trend. Poetical experiences as an aesthetical appreciation tend to reject repetition. Therefore, the same spirit tends not to be brought to face similar phenomena because of boredom and saturation.Keywords: consumer culture, nationalism, repetition rejection, poetic, superficial
PARADOKS ANONIMITAS: FILSAFAT IDENTITAS DALAM NOVEL SURAT PANJANG KARYA DEWI KHARISMA MICHELLIA Saifur Rohman
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

Novel Poetics Surat Panjang tentang Jarak Kita yang Jutaan Tahun Cahaya (2013) by Dewi Kharisma Michellia is composed with an autobiographical technique to counter Katrin Bandel’s view on sexuality identity for young writer. This work may be seen from a different perspective of discussing woman, a self narrating style, gender, feminism, deconstruction, or even brought further to phenomenology practice. The discussion shows that the self character is able to merge into a non-self discourse and identity into non-identity and thus, becomes anonimousKeywords: identity, Surat Panjang novel, self character
PROMOSI SENI BUDAYA DAN KEARIFAN LOKAL WILAYAH KABUPATEN JEMBER MELALUI TELEVISI LOKAL Hary Kresno Setiawan; Renta Vulkanita Hasan; A. Lilik Slamet Raharsono
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

The invention and application of the media forms using satellite communications, such as telephone and television, as well as the technological transportation advances result in the fading of physical, spatial boundaries because information on all events occuring in any part of the world becomes easily accessible to many people in different places almost in no time. Mass media such as television, can be interpreted simply as one of the instruments which reinforces human efforts in realizing the above obsession. The optimization and promotion of indigenous arts and culture of the Jember regency in the form of documentation and the making of the album as one of the shows on television programmes can serve as representation and image creation of the area and its complicated culture. Through this study, it is expected to create a better communication between communities and cultures in the regency of Jember that can be utilized to help the local government in formulating policies to explore and to develop its potential resources.Keywords: promotion , arts, local wisdoms, Jember regency, local television
KESATUAN DALAM KEBERAGAMAN: PASANG SURUT PEMBAURAN ORANG-ORANG TIONGHOA DI SURABAYA Sarkawi B. Husain
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

The Chinese migration to Surabaya can be traced back to the 14th Century. Among the push factors that forced the Chinese to migrate to Surabaya, poor conditions of living in their home country caused by natural disasters, warfares, and inhospitable environment were notable. In addition, the Chinese migrants in the 19th century were attracted by employment opportunities in colonial mines and plantations. Initially, there were no problems occuring between the Chinese and the indigenous peoples in Surabaya. The Chinese interacted with the indigenous people through marriage, religion, cultural performances, language, and food. However, their relations began to break down with the strengthening of the Dutch colonial rule in Indonesia. In the 19th Century, the colonial government began to introduce a number of regulations that effectively segregated the Chinese from the rest of population, namely the “wijkenstelsel”, an ethnic-based identification system (passenstelsel) and the establishment of Chinese schools. The postcolonial policies further disrupted the relations between the Chinese and the indigenous people. The policies included the Ekonomi Benteng, PP 10/59 which prohibited the Chinese and others identified as foreigners from engaging in village retail trade. Several additional policies established by the East Java Pepelrada (Regional Military Authority to Implement Dwikora) also discriminated against the Chinese in Surabaya.Keywords: assimilation, the Chinese, the indigenous people, Surabaya
MUMI BERAROMA MINYAK WANGI, FLUIDITAS IDENTITAS TOKOH PEREMPUAN DALAM RUANG SOSIAL: SEBUAH PENDEKATAN FEMINISME Imas Uliyah
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article is a brief analysis of a novel entitled Mumi Beraroma Minyak Wangi composed by Naning Pranoto (2001). To uncover its content relating to feminism issues, the article looks at first Bourdieu sociology, especially on social space. The subject matter to be dealt with here is focused on social space mobility experienced by the major female character in the story taking the 1965–1997 Indonesia as its background. The basic asumption is that in any social space mobility that occurs, the major female character of the story change her identity as part of the efforts to secure her existence in any environment where she is present. The change in identity forms an expression of concept of identity fluidity, in which one’s identity does not continuously exist in a similar situation. Keywords: feminism, sosial space, identity, fluidity
DARI BIASA MENJADI LUAR BIASA: VICTORIA’S SECRET Resti Nurfaidah
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

Bra is one of the basic needs of women fashion. The history of bra has been unbelievably reached up to two hundred years old while during the period, it was fulfilled with ups and downs experiences. They have been confronted by the pros-contra reactions. The contra said that being multiple layers of woman dress seemed to be persecution. A series of inventions emerged as part of the improvements in making the bra shape getting better and more comfortable. They intended to burn those bras, but by the security guards helps, it didn’t happen anyway. They, at the end, threw those bras into the garbage can. This article explores the connection of bra status, before and after, the performance of the Victoria’s secret. Victoria’s secret is considered a leading pioneer in bra innovations using others material on bra surfaces. Its innovations have involved the great combination of fabrics, laces, comfortable, and using prime germs, such as sapphire, diamonds, or white and yellow gold meta, also the improvement of the status of the bra itself. Victoria’s Secret will be the trendsetter in the underwear world. The analysis shows that Victoria’s Secret seeks to restore femininity to strengthen themselves against of the high pressures of masculinity in the public domain by empowering their own weak sides as weapon. Keywords: bra, Victoria’s Secret, innovation, and values
MENGUSUNG CERITA TOPENG BETAWI TEMPO DOELOE MENUJU PERTUNJUKAN DUNIA Siti Gomo Attas
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article elaborates the performance of Topeng Betawi story as a form of Betawi’s oral tradition presented at the Night of Old Jakarta Performance held at the VOC’s (Vereenigde Oost Indische Compagnie) Shipyard, Pluit Jakarta Utara, on Sunday, Desember 2, 2012. Foreign guests attending the show, invited by the head of North Jakarta municipality, came from 14 countries, including India, Japan, China, United States of America, Singapore, South Korea, and South Africa. The objective of this article is to report the aesthetical substance of the show in the context of world spectators. The article employs ethnographical method, interdiciplinary analysis, and performing arts approach. By doing so, it is expected that the article would be able to compose a writing that describe the performing of Topeng Betawi story during the 19th century in Batavia under the Dutch colonial rule. The aesthetic role of the stage was important as a media of performing Betawi’s folk story equipped with music, lighting, stage, and costums, which made the show more interesting. The producer with his expertise was able to organize the performance into a a garden party model before the VOC building. There were three things that made it interesting: (1) the great role of master ceremony in translating the story of Topeng Betawi (2) the shared exotic values of history as once being colonized, and (3 )the producer’s expertise in interestingly setting the show amazed the foreign spectators.Keywords: performance, folk story, Topeng Betawi, VOC era, exotic values
NILAI-NILAI KULTURAL MAGISME TENGGER Sri Mariati
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article aims at discussing the cultural values of magic in the context of Tenggerese culture. The research was ethnographivally done. The study results show that for the Tenggerese culture and society, spells and cultural values of magic represent a prayer. For the people holding mountainous culture, mantra and any of its kinds form a religious subculture whose ownership is controlled by shaman (dhukun pandhita). The Tenggerese culture regards dukun as a spearhead of the religious representation of Tenggerese community. Therefore, the practices of mantra use among the Tenggerese community are constructive in nature.Keywords: magical, spells, shaman, ritual, Tenggerese community

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