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Lexicon
Published by Universitas Gadjah Mada
ISSN : 23022558     EISSN : 27462668     DOI : http://dx.doi.org/10.22146/lexicon
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Lexicon, Journal of English Language and Literature, is an open access, peer reviewed, academic journal published by the English Department, Universitas Gadjah Mada in cooperation with the English Studies Association in Indonesia (ESAI). It is devoted primarily to the publication of studies on English language and literature. It publishes original articles written exclusively in English twice a year in April and October. Manuscript submission is free of charge and open all year round to any author all across the globe.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 194 Documents
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Tolerance and Intolerance of Muslims in Australia in Abdel-Fattah’s Does My Head Look Big in This? Shofi Ayudiana; Muh. Arif Rokhman
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50309

Abstract

Australiais a multicultural country which claims themselves accept and respect the right of all people in Australia. However, its multiculturalism is questioned when the Australian people still treat Muslims with negative stereotypes and discrimination. This research examines the image of the Australian people towards Australian Muslims as represented in Randa Abdel-Fattah’s novel Does My Head Look Big in This? This study is a library research employing the theory of representation (Hall, 1997). The results show that the Australian people are both tolerant and intolerant to Muslims. People who are tolerant manifest their behaviors by having respectful attitudes, positive images of Muslims, and curiosity of Muslims and Islam. On the other hand, people who are intolerant express their behaviors in the forms of disrespectful attitudes, negative stereotypes, and discrimination towards Muslims.
Request Strategies in the TV Series Victorious Windy Alviora Lestari; Thomas Joko Priyo Sembodo
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50310

Abstract

This research aimed to investigate request strategies as found in an American TV series Victorious. In particular, it attempted to identify and classify request head acts, external modifications, and types of sentences of the requests expressed by the characters in the series. Therefore, utterances containing requests in the TV series were used as the data of this study. The results show that the most frequently used request strategy in the TV series was direct strategy (mood derivable) with 194 occurrences (67%). In addition, an external modification by means of grounder was found to be the most frequent strategy in the TV series with 32 occurrences (94% of the total number of the external modifications). Furthermore, it was found that the imperative sentence was the most frequent type of sentence utilized by the characters in the series when making requests with 216 occurrences (74%). In conclusion, the tendency for the characters to use mood derivable as their request strategy might due to their intimacy with each character and the informal situations and conversations where they interacted with each other throughout the TV series. In addition, the proclivity of the characters to use grounder may relate to ease and simplicity. Finally, the tendency of the characters to use declarative sentences when making requests might due to its simplicity and function to state facts, opinions, or ideas.
Blends in Gravity Falls TV Series Ermi Andriani; Rio Rini Diah Moehkardi
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50311

Abstract

This research investigates the blending process used in Gravity Falls TV series seasons I and 2. It aims to classify blends based on the classification of blends proposed by Mattiello (2013) and interpret the meaning of blends. From the data source, there are fifty-four data considered as blends. The data are categorised in three perspectives, namely: morphotactic, morphonological and graphical, and morphosemantic. The result shows that morphotactically, the most frequently used pattern is partial blend particularly the blends consist of full word followed by splinter with 49 percent data. Then, morphonologically and graphically, non-overlapping type in which neither the graphs nor the sounds of source words are overlapped each other is commonly used in the series with 57 percent of overall data. Finally, morphosemantically, the most used structure with percentage of 63 percent is right headed blend in which the head is the second source word.
Taboo Words in the TV Series Stranger Things Theresia Ria Anjani Kurniawati; Tofan Dwi Hardjanto
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50312

Abstract

This study investigates taboo words produced by teenagers in the TV series entitled Stranger Things Season 2. It classifies taboo words into five referents, that is, mental, physical, religious, scatological, and sexual terms, and also categorizes them based on their functions. The data were taken from the subtitles of this TV series. The results show that the most frequently used taboo words are related to scatological terms with 55 (43%) occurrences. However, the teenage characters in the TV series rarely uttered taboo words which refer to mental and physical terms. Taboo words in the TV series were used for two main purposes, swearing and insulting. Swearing serves as a means to only relieve emotions, while insults are uttered to verbally attack the interlocutors. The findings suggest that the teenage characters use taboo words mostly for expressing their emotions rather than causing harm on their interlocutors.
Eugene O’Neill’s Protest about White Supremacy in All God’s Chillun Got Wings Setyani Setyani; Bernadus Hidayat
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50313

Abstract

This article investigates Eugene O’Neill’s protest against racism and white supremacy found in his play, All God’s Chillun Got Wings. O’Neill expressed his protest in relation to white supremacy as a reflection of some part of his life. Therefore, M.H. Abrams’ (1971) expressive approach is applied. To answer the research questions, the primary data of this research, i.e., excerpts from All God’s Chillun Got Wings script and Eugene O’Neill biography related to white supremacy were collected and analyzed. Dictionaries, newspapers, journals, and articles related to the play and Eugene O’Neill were used as secondary data to support the analysis.  The analysis reveals that O’Neill criticizes the different treatments because of skin colour and how to fix it. The study suggests that the different treatments related to the racial differences did not only affect the oppressed but also the oppressor. The solution Eugene O’Neill presented to remedy the situation is to see each other in the same standing regardless of the difference in racial genetics.
Death and Woman: Comparing the Meaning of the Deaths of the Female Main Characters in the Works of Toni Morrison and Alice Munro Achmad Munjid
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50315

Abstract

This paper seeks to explore the meaning of death in two important works by two female Noble Prize winning authors, Toni Morrison and Alice Munro. Hagin’s (2010) theory of role of death in storyline is used to analyze the works. The three deaths found in the story: initial death, intermediary death and story-terminating death all have significant meaningful relation to the past and the future. They have epistemological value of revealing and/or exposing the truth from the past. Death is used as technical instrument to reveal the truth, to transform ignorance into knowledge, dishonesty into accountability, to purify the past from falsehood and lies. Death also inserts its demand in the story by removing obstacle or giving opportunity for the living to set up new goal. The demand of the dead is possible since the deceased is “remembered” by the “cult” who may follow or manipulate their legacy. The two authors articulate “feminist voice” through the struggle of the main female characters. Toni Morrison articulates the dehumanizing consequence of racism, whereas Alice Munro voices her concern on the contradictory nature of orderly neat appearance of the modern people versus scandalous dark secret beneath the surface.Keywords: dehumanization, feminist voice, initial death, intermediary death, story-terminating death, racism.
Anne Shirley’s Character Development and its Causes as Seen in Anne of Green Gables by Lucy Maud Montgomery Fatimah Salsabila Az-Zahra; Nur Saktiningrum
Lexicon Vol 6, No 2 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i2.53146

Abstract

This research discusses the character development of Anne Shirley, the main character of the novel Anne of Green Gables by Lucy Maud Montgomery. The objective of the research is to understand the character development of Anne Shirley and also examines the factors that cause development. The analysis is conducted by using the objective approach by M.H Abrams because the approach is suitable to analyze character, characterization, and character development. The result of this research shows that the character of Anne Shirley is developed from a loveless girl to a mature teenager. Her character development is caused by two factors, internal factor which is her own motivation and external factors which come from the people around her and new environment.
Homesickness as Seen in Harry Potter’s Character in J. K. Rowling’s Harry Potter and the Prisoner of Azkaban Januar Ramadhan; Rahmawan Jatmiko
Lexicon Vol 6, No 2 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i2.53147

Abstract

This research attempts to examine the effects of homesickness on Harry potter in J. K. Rowling’s Harry Potter and the Prisoner of Azkaban. Homesickness as a mental illness is prevalent in people; therefore, the investigation used Harry Potter as its subject. The research adopts the theory of homesickness proposed by Fisher (1989). The research shows the harshness of being homesick in a society that we have little control of and in situations where we have no choice on how to proceed. It highlights the need of attachments in a social sense for individuals who are suffering from homesickness because it is one of the definite cure for a serious and dangerous mental illness. It can affect anyone regardless of age, living conditions, and state of mind.
A Journey to Ethical Life: A Moral Reading of Shakespeare’s Othello through the Nasirean Ethics of Naṣir Al-Din Al-Ṭuṣi Mochammad Dwi Teguh Prasetya; Muh. Arif Rokhman
Lexicon Vol 6, No 2 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i2.53148

Abstract

This research is an attempt of offering a moral reading of Shakespeare’s Othello through The Nasirean Ethics (Akhlaq-i Naṣiri) by Naṣir Al-Din Al-Ṭuṣi. It aims to analyse the ethical life of the characters in it, how virtues and vices of a human soul are being reflected, as well as the social and political life in Othello as reflected by the interaction of its characters. In conducting the research, excerpts from the play are accordingly collected and investigated, and for the primary discussion, the selective materials from The Nasirean Ethics of Al-Ṭuṣi are employed. The result of the research shows that in man’s existence within the universe, cultivating virtue and removing vices are things of most importance. Othello, Iago, and Roderigo are perplexed by the vices of the soul, a quality when the golden mean of virtue is not at equilibrium. In social and political life, the ethical components of justice and love are necessary as well as the presence of law, just arbitrator, and money. This research suggests that the cultivation of morality and ethics should be the ground of every civilization.
The Significance of the Conch in William Golding's Lord of the Flies Jamiah Solehati; Bernadus Hidayat
Lexicon Vol 6, No 2 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i2.53150

Abstract

This research investigates the significance of the conch shell in the novel Lord of the Flies written by William Golding. The focus of this research is to examine the meaning of the conch shell as one of the most important symbols and to observe the dynamic of the main characters in relation to power. The research applies textual formalism approach to uncover the meaning of the symbol. Furthermore, this research is also supported with sociological approach to relate the literary work with the reality of the social condition during that era and to get a better understanding of the characterization of the main characters in the novel. The main data used in this research is the novel Lord of the Flies. To support this analysis, additional data is taken from various sources such as books and academic journals. The result of this analysis shows that conch is symbol of democratic power and order. Furthermore, the conch leads us to understand that we must have rules and authority to maintain a safe environment. Without them, utter chaos is inevitable.

Page 11 of 20 | Total Record : 194

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