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Journal of Urban Society´s Arts
Published by Institut Seni Indonesia Yogyakarta
ISSN : 23552131     EISSN : 2355214X     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Journal of Urban Society's Art ( Junal Seni masyarakat Urban) memuat hasil-hasil penelitian dan penciptaan seni yang tumbuh dan berkembang di masyarakat perkotaan yang memiliki struktur dan kultur yang berbeda dengan masyarakat pedesaan. Seni masyarakat urban merupakan manifestasi seni yang dihadirkan melalui media-media seni rupa, seni pertunjukan, dan seni media rekam yang erat dengan problematika kehidupan yang terjadi dalam keseharian masyarakat, serta bisa menjadi simbol yang menarik dan menjadi elemenpenting yang menjadi ciri khas dari (1) pusat kota, (2) kawasan pinggiran kota, (3) kawasan permukiman, (4) sepanjang jalur yang menghubungkan antar lingkungan, (5) elemen yang membatasi dua kawasan yang berbeda, seperti jalan, sungai, jalan tol, dan gunung, (6) kawasan simpul atau strategis tempat bertemunya berbabgai aktivitas, seperti stasiun, jembatan, pasar, taman, dan ruang publik lain.
Arjuna Subject : -
Articles 171 Documents
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STUDY OF APPLICATION "BATIK" IN THE INTERIOR OFFICE PARTITION Tunjung Atmadi Suroso Putro; Rizky Dinata; Ali Ramadhan
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3187

Abstract

Office partitions are part of office furniture that serves as a dividers of office space. Office partitions provide solutions to organize work space in the office to make it more tidy and efficient. The use of office partition is a modern concept of office space in maximizing office space to make it more comfortable. By applying knock down system to the office partition, wall panels can be dismantled and installed back to be installed or applied with certain batik pattern. The office interior now became an important part to represent clients to increase the look of an office. The method used in this research is descriptive qualitative method, starting from the initial concept of the product, product development and prototype application of batik motif design on the partition. The results of this study are expected to be able to complement the space image with a certain style as a supporting element of interior design, as well as add to the appearance of the office interior to be more dynamic and increase working productivity. 
ECOART THROUGH VARIOUS APPROACHES Martinus Dwi Marianto; martinus dwi marianto
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.4084

Abstract

This research was done as an effort to observe, write, and publicize  eco-activism and achievements by a number of eco-actors in the midst of an increasingly natural environmental crisis, to be used as stimuli and teaching materials for the course of  EcoArt. A number of artists practicing ecoartivism were purposively selected as a sample; their works and achievements are exposed. They are Endar Progresto, Widya Purwoko, Bernadeta Pudiasminarsih (Dyas Ecoprint), and Nasirun. These eco-activists not only work ecologically real, but also creatively communicate ecological values to surrounding communities to change. Nevertheless campaigning this environmental crisis for the better cannot be done partially, but must be jointly supported, organized and socialised continuously. For this reason, their works and achievements, as well as their individual ecoartivism need to be exposed, documented, and assembled as one unit as part of selected subjects of the EcoArt Course in the Fine Arts Department of the Indonesia Institute of the Arts Yogyakarta, to generate  enthusiasm in articulating or representing ecological concerns for ecosystem sustainability and preservation of natural environment through Art.
Revisionist Architecture Karim Raef Gorgi
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3159

Abstract

This paper introduces the reconciliation as well as an analysis on the divide between contemporary and classical aesthetics in architecture. The analysis outlines the segmentation as one of standards rather than of aesthetic appeal, concluding with a proposal for the reconciliation by means of integrating modern and contemporary art into today’s architecture. This reconciliation would not only serve as an artistic take on architecture, but also raise awareness on the subjectivity of beauty in architecture. In the conclusion of this paper, there are highlighted illustrations demonstrating the picturesque outcome of using this proposed method of integration.
LEGITIMATION OF RELIGIOUS MUSIC OF SABYAN GAMBUS’ SONG “DEEN ASSALAM” AS A PERCEPTIVE RESPON TO ISLAMIC RADICALIZATION IN INDONESIA Umilia Rokhani
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3866

Abstract

Islam is often referred as being a radical movement or activity. Sabyan Gambus, through their song cover, responses to the situation in their song “Deen Assalam”. This song was created as an effort to minimize and reduce the society’s misthinking on the concept and implementation of Islamic teaching. Thus, a study of values implied in the song becomes essential to view such a perception shift within the society as a legitimation upon the work as well as the positioning of Islam in the structural world of Indonesian people. An analysis of the song lyrics is, accordingly, essentially needed.The theory of Riffaterre is applied to study the song lyric. Meanwhile, a theory of Bourdieu is employed to review the legitimation achievement of the work production practices. The behaviorism method is used in analyzing the agents’ behaviors during the production process to reach a legitimation that can be considered as shifting of position and perception of the society.The legitimation of Sabyan Gambus’ works by analyzing the response from the society can be considered as some possibilities of the emergence of a more moderate Islam in Indonesia. The analysis of internal meaning may also create some possibilities to audience to gain the power of value that affects the power relation and other external factors. Therefore, both internal and external work analyses are necessary to show the influence of work production and its legitimation achievement on its position and perception of the society.
Implementation Fernando Martinez’s Practice Methods On Drumset Instrument Class Alfiah Akbar Mohamad Alfiah Akbar
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.3329

Abstract

This study aims to (1) Know the improvement in student learning outcomes in the drumset instrument class after applying the Fernando Martinez practice method; and (2) Knowing the obstacles that exist during the application of the Fernando Martinez (FM) practice method. The research method used is classroom action research (CAR) carried out in two cycles. The stages in this study include the planning, action, observation, and reflection stages. Data obtained include student learning outcomes, observations of student drumset practice activities obtained from videos and observation sheets, as well as the results of interviews. The results of the study in the first cycle showed that there was an increase in student learning outcomes, but the learning outcomes had not yet reached the indicators of learning achievement, namely the minimum score with a very good category (90-100). While the results of the research in the second cycle there is an increase in student learning outcomes that are significant when compared with before the application of the FM practice method and in first cycle. The obstacles faced when conducting research in the first and second cycles include; lack of motivation of students towards the tasks given, students have not been able to master the material well, because the FM method is new so students are not familiar. the stages of the FM practice method in first cycle have not been carried out correctly, the collection of tasks in the first cycle in this case the practice video was not collected on time.
Losing the Battle: Questioning Postcolonial Aesthetic Hegemony Represented in Illustration Pictures at Taman Pintar Yogyakarta Kasiyan Kasiyan
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3399

Abstract

This article describes the postcolonial aesthetic hegemony which is represented in illustration pictures in one of the educational tourist attractions in Yogyakarta, namely Taman Pintar, along with its causes. This study used a hermeneutic approach, with the main instrument is the researcher himself as a human instrument. Meanwhile, the analysis technique used is descriptive qualitative. The results of the analysis revealed some points. Firstly, the form of postcolonial aesthetic hegemony in illustration pictures of Taman Pintar, is manifested by the use of pictures of the inventors of modern science. All of the inventors came from the West, and none of them came from the East. This has lead to the construction of discourse with Western bias. This phenomenon is a kind of losing the battle in the cultural constellation that is not supposed to be transformed and internalized to young generations that are going to be the next generations of this country in the future. Secondly, this phenomenon of Western hegemony is caused mainly by the existence of the strong burden of Western post-colonialism syndrome faced by this nation, Indonesia.
Deconstruction and fractalization of urban identity mojtaba Valibeigi
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.3843

Abstract

The research, by referring to the Dur Untash city at the Symbolic level, seeks to answer the question that how in urban semiotics, the city's identity has acquired a semantic significance beyond its significance. The situation of the city expresses a state that any kind of dominant discourses has lost their accreditation capacity and authority, and the audience cannot rely on any of the currents that were considered as definitive. City identity is nothing but fractal games that there is no source of authority that indicates the fixed meaning of these formulas and this is a social contract. These contracts derive from the semiotic rules which is agreed upon in the community. In this game will be try to impose certain meanings on the city identity using the symbolic function; to internalize meta-narrative (internalization process) and in this way, the identity and the presence of the Dur-Untash city will be recorded in time and reach an immortal realm.
Women Emancipation and Empowerment in The Incredibles 1 and 2 Larisa Indriani Putri; Lucia Lusi Ani Handayani
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.4356

Abstract

Movies represent women differently from men. Some try to raise women’s dignity, and some still impose traditional values on them. This paper studies the representation of the characters of female superhero in The Incredibles 1 and 2 which seem to support women’s emancipation. However, there are some ideas conveyed through the mise- en-scéne which still indicate that the movie series do not fully emancipate women. The Incredibles 1 and 2 movie series have been chosen as the object of the study for their typical characteristics when female superhero plays the role. The purpose of this paper is to examine how women are represented through visuals and character roles in The Incredibles 1 and 2. The movies were analyzed through a critical discourse approach. The analysis focused on the language beyond sentences and aspects outside the language, such as power relation, social context, and ideology. The result of the analysis shows that the female character in the movies still upholds traditional values, such as male domination, revealing that these movies are not emancipatory for women. Moreover, women are still degraded and objectified through their body. Therefore, these movies can be seen as a form of pseudo-empowerment, where something is seen as empowering but actually it is not. Emansipasi dan Pemberdayaan Perempuan dalam Film Incredibles 1 dan 2. Film menggambarkan perempuan dan laki-laki dengan cara yang berbeda. Sebagian mencoba untuk menaikkan derajat perempuan, dan sebagian masih menyajikan nilai- nilai tradisional. Artikel ini meneliti representasi karakter perempuan utama pada film The Incredibles 1 dan 2 yang terlihat mendukung emansipasi perempuan melalui karakter superhero. Namun, terdapat gagasan yang menunjukkan bahwa kedua film ini tidak sepenuhnya mengemansipasi perempuan. Artikel ini bertujuan untuk meneliti bagaimana perempuan digambarkan melalui visual dan peran pada setiap karakter di The Incredibles 1 dan 2. Kedua film ini dianalisa menggunakan pendekatan analisis wacana. Analisis dilakukan pada tingkat bahasa yang digunakan yang tidak terbatas pada kalimat dan aspek-aspek di luar bahasa, seperti hubungan kekuasaan, konteks social, dan ideologi. Hasil analisis menunjukkan bahwa karakter perempuan pada kedua film ini masih menjunjung tinggi nilai-nilai tradisional, seperti dominasi oleh laki-laki. Hal ini membuktikan bahwa film-film ini tidak merepresentasikan kebebasan pada perempuan. Lebih lagi, melalui tubuhnya, perempuan masih terlihat direndahkan dan dijadikan sebagai objek. Oleh karena itu, dapat disimpulkan bahwa film-film ini merupakan suatu pseudo-empowerment, yaitu ketika sesuatu terlihat seperti memberikan kebebasan namun dalam kenyataanya tidak sama sekali.
The Visualization of Wayang Kulit Purwa by Bambang Suwarno Bagaskoro Ardhi; Slamet Supriyadi; Edy Tri Sulistyo
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3431

Abstract

Visualisasi Wayang Kulit Purwa Karya Bambang Suwarno. Artikel ini membahas tentang visualisasi wayang kulit purwa karya Bambang Suwarno, seorang dalang, guru dalang, dan pengembang pakeliran padat. Tujuan penelitian ini adalah mengetahui visualisasi wayang kulit karya Bambang Suwarno. Metode yang digunakan adalah bentuk deskriptif kualitatif. Teknik pengumpulan data yang digunakan peneliti dalam penelitian ini adalah teknik observasi, wawancara dan dokumentasi. Hasil kreativitas berkarya ditunjukkan dalam berbagai karya wayang dari kondisi yang ambang, ricuh, dan mencoba sesuatu yang belum ada dari berbagai jenis tokoh wayang. Pengakuan berbagai tanggapan dalang tentang karya kreasi ini menunjukkan kreativitas berkarya yang memiliki konsep, dan mendukung pentas pakeliran. Selain itu, diharapkan wayang semakin indah dilihat, menjadi penghubung antar tokoh dalam lakon, memenuhi sanggit pakeliran, menambah perbendaharaan tokoh wayang, dan memperkuat pengakuan wayang di mata dunia. This article discusses the visualization of wayang kulit purwa by Bambang Suwarno, a puppet master (dalang), a puppet master’s teacher, and a developer of a short shadow puppet performance. The objective of the research is to find out the visualization of wayang kulit by Bambang Suwarno. The method employed was descriptive qualitative one. Techniques of data collection were observation, interview, and documentation. The result of working creativity could be seen in many wayang works from the threshold, chaotic condition to trying something new that has never existed yet in a variety of wayang characters. Recognition of various mastermind’s responses to the work of Bambang Suwarno indicted the creativity of work that has a concept, and supports the performance stage. In addition, it is hoped that wayang will be more attractive to watch, become a liaison between characters in the play, fulfill the sanggit pakeliran, increase the treasury of puppet characters, and strengthen the puppet recognition in the world. 
VISUAL STRATEGIES OF CONTEMPORARY ART: A Case Study of Banksy’s Artworks Singgih Prio Wicaksono
Journal of Urban Society's Arts Vol 7, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v7i1.3924

Abstract

Visual Strategy of Contemporary Art: The Study of Banksy’s Artwork. The development of contemporary art has introduced a new understanding and recognition of esthetics. This article aims to describe postesthetic phenomena as trends in the visual communication of contemporary art. The method used is a descriptive approach and analysis of Banksy's work. This study produces a discussion about: 1). Postesthetic symptoms in Banksy's work, 2). Characteristics of Banksy's work, 3). Banksy's symbolic meaning, 3). Social implications arising from the postesthetic approach to Banksy's work. Keywords: visual language, consumerism, contemporary art

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