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Prasetyo Adhitama
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jvad@lppm.itb.ac.id
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LPPM ITB, Gedung CRCS, Institut Teknologi Bandung, Lt. 6 & 7, Jl. Ganesha No. 1, Bandung, 40132
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INDONESIA
Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 267 Documents
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Development and Evaluation of A New Studio-Based Course on Critical Design Aykut Coskun
Journal of Visual Art and Design Vol. 10 No. 2 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2018.10.2.2

Abstract

Although the last decade has seen critical design growing as an area of research, studies have rarely focused on how to teach it. Some design schools have established graduate programs and others have developed individual undergraduate courses on critical design. However, to date there has been no study that investigated student reactions to the learning of critical design. Addressing this gap, this paper proposes a new studio-based course at the graduate level aimed at providing students with a medium for critical discussion and creative reflection on contemporary social issues. Lectures, seminars and class discussions were used to instruct theoretical concepts pertaining to critical design, while a 10-week design studio project was used to concretize these concepts. The students' initial reactions to this teaching methodology was gathered through semi-structured interviews conducted at the end of the course. The interview results indicate that students had a very positive attitude towards critical design and the course. Furthermore, although understanding critical design was a major challenge for them, the teaching methods used in the course (i.e. lectures, critical design assignment and reflection paper) helped them overcome this challenge. Finally, this paper offers suggestions for design educators for constructing critical design courses that meet design students' expectations.
From Analog to Virtual: Visual Stylizations of Humanoid Characters Across Media Terry Lucas
Journal of Visual Art and Design Vol. 12 No. 1 (2020): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2020.12.1.3

Abstract

Visual stylization and its impact on different aspects of the perception of digital human beings are commonly debated. This study investigated how fictional and non-fictional characters are represented in various media from the perspective of digital humanoid character design. Based on Zangwill's theory of Moderate Aesthetic Formalism, this study focused on the formalistic aspect of visual analysis and interpretation of media artifacts ranging from older media such as paintings to newer media, such as animations, interactive video games and mobile apps. This paper also explores several case studies of how humanoid digital characters are represented via visual stylizations across different media. This article underlines the importance of visual stylization as an opportunity to find unique and innovative ways of communicating with visual means.
Cover Vol. 10 No. 1, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 1 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Front Matter Vol. 10 No. 1, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 1 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Back Matter Vol. 10 No. 1, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 1 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Combining Korean Traditional Patterns and Batik Cirebon Banji Pattern in Daily Hanbok Myung-Gong Park; Hafiz Aziz Ahmad; Kahfiati Kahdar
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2019.11.1.5

Abstract

The interest towards Korean culture has risen through the popularity of K-wave and thus artefacts related to Korea are gaining more interest as well. Hanbok, the Korean traditional costume is also increasingly popular, with people renting and wearing hanbok while visiting Korean traditional places. The popularity of hanbok led to the creation of daily hanbok, a modern interpretation of the traditional hanbok, which is easier and more comfortable to wear for the young generation while still retaining the beauty of the original costume. Cirebon, a coastal region in Indonesia, has a rich local cultural tradition influenced by Chinese culture. One of these influences can be observed in Cirebon's batik, which uses Chinese influenced motifs, such as Cirebon's banji pattern. Because there are similarities between Chinese and Korean culture, several Korean motifs are also found in banji patterns, such as the swastika, known as wan in China and man in Korea. This study tried to combine the traditional patterns from Korea and Cirebon's banji pattern and implemented the result in a daily hanbok that can be worn by young people from Indonesia and Korea as a symbol of the close and harmonious relations between Indonesia and Korea.
Design Education in European Countries: Great Britain and Ukraine Viktor Danylenko; Lesya Danylenko
Journal of Visual Art and Design Vol. 13 No. 1 (2021): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2021.13.1.6

Abstract

In this study, consideration was given to the evolution of design education in the UK and Ukraine. A review was conducted by comparing the following main parameters of the design education sphere in both countries: the historical background of its emergence in the 19th century, the dynamics of the development of higher institutions of design education during the 20th century, as well as quantitative and qualitative indicators of design education at the beginning of the 21st century. In the conclusion two main polar properties of contemporary design education are defined, namely: the ability to prepare for gradual entry into modern practical work/business on the one hand and thorough classical artistic preparation on the other. It has been suggested that with humanity approaching the super-hi-tech era, the tendency of design education in Ukraine, unlike in Britain, towards the second of these properties has a positive potential in preserving human-centric values in contemporary design.
Functional and Emotional Features Studies on Traditional Indonesian Instant Food Packaging Monica Hartanti; Nina Nurviana
Journal of Visual Art and Design Vol. 12 No. 1 (2020): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2020.12.1.2

Abstract

Food technology and packaging create opportunities for Indonesian SMEs to sell traditional dishes for instant cooking. Such products require a fitting packaging design. The purpose of this study was to find out verbal and visual design elements that have functional and emotional appeal that are suitable for the packaging of instant traditional Indonesian food. This study used a combined qualitative and quantitative method, measuring the respondents' opinions using a 5-point Likert scale. According to the results, the packaging of instant traditional Indonesian food brands is mostly functional but not unique. To make the appearance of the products stand out more and have more emotional appeal, three things can be applied to the packaging design: firstly, unusual colors and shapes to create a unique impression; secondly, a conventional image rather than a modern image; and thirdly, visual and verbal icons referring to the origin of the traditional dish that are still popular to create a familiar image.
Women’s Perspective on the Surakarta Kebaya based on Biographies of Gusti Noeroel and Utami Suryadarma Ira Adriati; Irma Damajanti; Almira Belinda Zainsjah
Journal of Visual Art and Design Vol. 10 No. 2 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2018.10.2.4

Abstract

The kebaya is a national dress for Indonesian women. This paper analyzes the development of the Surakarta kebayas used by Gusti Noeroel, a princess who lived in Mangkunegara Palace, and Utami Suryadarma, the daughter of a high rank police officer from Surakarta. They were selected as the subject of this research because they used the kebaya consistently throughout their lives despite their interaction with modern culture. This study used a historical approach, especially on women’s position in Indonesian society and the development of Indonesian culture and kebaya design. The data were collected from various publications. Gusti Noeroel and Utami Suryadarma were educated noblewomen. They interacted with modern culture from various nations, while consistently using the kebaya as a characteristically Indonesian dress. The model they initially wore, the Surakarta kebaya, developed by changing the collar and the length and by applying a tighter fitting design. In addition, the material used changed according to the times. We can conclude that these princesses’ abilities to adjust the kebaya according to each era, made their kebaya designs always up to date.
Culture and Identity in Selected New Media Artworks in Malaysia 1993-2007 Sarena Abdullah; Siti Khadijah Elham
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2019.11.1.2

Abstract

Contextual analysis studies based on cultural and identity aspects of fine art practice are still limited in Malaysia, especially concerning new media art, although new media as an artistic tool was introduced as early as the 1990s. Since the seminal exhibition on E-art was in 1997, since then systematic examination of new media artworks and their role in the Malaysian art history has only been limitedly done. The early approaches of new media art were varied, yet the subject matter, as discussed in this paper, was still mostly informed by the general proclivities of Malaysia artists at that time. Thus, it can be seen that despite the new technology used and explored, the subject matter of these works is still aligned with similar concerns and contents as can be found in contemporaneous works using traditional media. Thus, as this paper demonstrates, the themes of cultural identity and culture related issues and concerns still persisted as the main subject matter of early Malaysian new media artworks, as can be seen in the oeuvres of Hasnul Jamal Saidon, Liew Kungyu, Niranjan Rajah, Yee I-Lann and T.C. Liew.

Page 18 of 27 | Total Record : 267

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