cover
Contact Name
Prasetyo Adhitama
Contact Email
prasetyoa@yahoo.com
Phone
+6222-86010080
Journal Mail Official
jvad@lppm.itb.ac.id
Editorial Address
LPPM ITB, Gedung CRCS, Institut Teknologi Bandung, Lt. 6 & 7, Jl. Ganesha No. 1, Bandung, 40132
Location
Kota bandung,
Jawa barat
INDONESIA
Journal of Visual Art and Design
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Articles 267 Documents
Cover Vol. 10 No. 2, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 2 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Front Matter Vol. 10 No. 2, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 2 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Back Matter Vol. 10 No. 2, 2018 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 10 No. 2 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Analysis of Customers' Visual Comfort Perception and Mood for Cafes using Colored Glass Curtain Prabu Wardono; Yuni Maharani
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2019.11.1.4

Abstract

People generally prefer to work or spend leisure time under natural light rather than artificial light. Direct sunlight that enters into leisure places interrupt guests when having a meal or are enjoying the surrounding natural environment. Bamboo curtains are commonly used in Indonesia to control natural light but they do not allow people to look outside. This research was aimed at solving this problem by developing three sets of colored glass curtains"“cool colored, warm colored and combined (warm/cool colored) "“ and testing them in a real situation, which involved test subjects having a meal in a café with a natural view, to find out which alternative had the best effect on the subjects' visual comfort and mood. Forty-two student respondents participated voluntarily in the experiment. The one way repeated measured ANOVA statistic results showed that there were significant differences in visual comfort and mood response in the same space between a number of manipulated conditions. The subjects had a significantly different visual comfort and mood response when the cool colored glass curtain was used compared to using the warm colored glass curtain or the combined glass curtain. This research concludes that bamboo shades and cool colored glass curtains are preferable to satisfy customers' visual comfort and that all the spatial conditions contribute to the customers' mood during dining.
The Visual Arts Education Crisis in Malaysia: Placement of Students into the Arts Curricular Stream at the Upper Secondary Level in Malaysian Secondary Schools Ahmad Suffian Asmawi Ponijan; Mohamad Faizuan Mat; Sarah Naemah Aman Leong
Journal of Visual Art and Design Vol. 11 No. 2 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2019.11.2.1

Abstract

In Malaysia, the curricular subject of visual art, especially at secondary school level, pays little attention to the aspect of artistic knowledge development. Students are assigned to the arts stream based on their Level Three assessment results, which ultimately causes problems in the visual art learning process in the classroom. On the other hand, formal art education is absent among students in the science stream and visual art is perceived to be only for underperforming students, when in fact visual art can be a valuable subject for all students. This study used a qualitative triangulation method to assess the similarities between data from face-to-face interviews, observations and literature study. Visual arts education is duly needed at the upper secondary level of education in Malaysia to cultivate future generations with creative and critical minds. However, does the art education offered in the arts stream actually benefit the students who are assigned to this curricular stream based on the existing student placement system? This study aimed to investigate problems and issues in Malaysian visual arts education based on the system of student placement into curricular streams.
New Identity in Local Community-owned Woven Fabrics in Tuban, East Java, Indonesia Fajar Ciptandi
Journal of Visual Art and Design Vol. 12 No. 2 (2020): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2020.12.2.2

Abstract

The tradition of weaving fabrics by the local community in Tuban, East Java, Indonesia began in the 11th century and until now is considered an important part of the identity of the community. In the current conditions, the tradition of making traditional woven fabrics has persisted without improvements in terms of design, technique, function and products. However, the modern context has brought about a new lifestyle in Tuban that is no longer entirely traditional. Therefore, traditional woven fabrics also need a new identity that is compatible with the current conditions while still being connected to the original identity. This was done in the current research by developing visual novelty for the traditional woven fabrics of Tuban using an experimental method. Alternative processes and techniques of weaving were used to produce weavings with a variety of textures. In the development process, keeping elements that are traditionally valued by the local community was a major concern in order to retain the original character of the fabrics while adding novel elements.
Reliability and Validity of Questionnaire on Assessing the Aesthetic Perception of Design Motif Applied on Sarawak Pua Kumbu Cloth Using the Art Reception Survey (ARS) Wan Juliana Emeih Wahed; Saiful Bahari Hj. Mohd Yusoff; Noorhayati Saad
Journal of Visual Art and Design Vol. 11 No. 2 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2019.11.2.5

Abstract

The objective of this study was to assess the reliability of the Art Reception Survey (ARS) in measuring the aesthetic experience of a Pua Kumbu cloth among visitors who visited the textile museums in Kuching Sarawak. Using this instrument with 28 items grouped into 6 factors, the reliability was assessed by measuring its internal consistency using Cronbach's alpha coefficient. Thirty (30) visitors served as respondents in this study, who were from various age groups and different geographic backgrounds. The results from the reliability analysis revealed that the factors had good internal consistency. Cronbach's alpha coefficient ranged from α = .672 to .978. The results also indicate that Negative Emotion, Expertise and Positive Attraction produced a low intraclass correlation coefficient. Negative Emotion and the first items from two other factors revealed poor item-scale correlations. This study suggests the removal of the Negative Emotion factor, which was revealed to be irrelevant in measuring the aesthetic experience of the Pua Kumbu cloth, and of items 1 of both Expertise and Positive Attraction, making the remaining 21 items in the instrument reliable to measure the aesthetic experience of the respondents towards the Pua Kumbu cloth.
Cover Vol. 11 No. 1, 2019 JVAD JVAD
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Front Matter Vol. 11 No. 1, 2019 JVAD JVAD
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Back Matter Vol. 11 No. 1, 2019 JVAD JVAD
Journal of Visual Art and Design Vol. 11 No. 1 (2019): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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