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Jurnal NAZHARAT Universitas Islam Negeru Sulthan Thaha Saifuddin Jambi, Jurnal milik Fakultas Adab dan Humaniora Jalan Lintas Jambi-Muaro Bulian KM. 16 Simpang Sungai Duren Kab. Muaro Jambi 36363 Telp/Fax : (0741) 583183 - 584118 website : www.fah.iainjambi.ac.id
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Nazharat: Jurnal Kebudayaan
Published by Universitas Islam Negeri Sulthan Thaha Saifuddin Jambi
ISSN : 14124386     EISSN : 25412183     DOI : https://doi.org/10.30631/nazharat
Core Subject : Humanities, Social,
Humanities Social Sciences
Focus and Scope Jurnal Nazharat memuat tulisan-tulisan yang terkait dengan ilmu-ilmu yang dikembangan oleh Fakultas Adab dan Humaniora, yang meliputi kajian bahasa, sejarah, dan pustaka. Fokus Fokus tulisan adalah memberikan wawasan dan informasi baru yang terkait dengan ilmu-ilmu kebahasaan, kesejarahan, dan perpustakaan. Skop Tulisan-tulisan yang ditampilkan di dalam jurnal ini sangat menekankan pada hasil-hasil penelitian yang orisinial dan refleksi yang mengungkap perkembangan kebahasaan, kesejarahan, dan perpustakaan masyarakat Islam di Indonesia pada khususnya dan di Asia Tenggara secara luas.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 109 Documents
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KEHIDUPAN MASYARAKAT ISLAM DI NAGARI KURAI TAJI PARIAMAN PADA MASA PEMBERONTAKAN PRRI 1958-1961 Arief Rahman Hakim; Melia Afdayeni
Nazharat: Jurnal Kebudayaan Vol. 31 No. 2 (2025): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v32i2.263

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya memahami kondisi sosial dan keagamaan masyarakat Nagari Kurai Taji pada masa pemberontakan Pemerintahan Revolusioner Republik Indonesia (PRRI) tahun 1958–1961. Sebagai salah satu nagari di Pariaman, Kurai Taji memiliki keragaman dalam praktik keagamaan yang mencerminkan dinamika Islam lokal antara tradisi tarekat dan gerakan modernis. Konflik PRRI tidak hanya berdampak pada aspek politik dan militer, tetapi juga turut memengaruhi kehidupan sosial keagamaan masyarakat. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana perubahan kondisi sosial dan keagamaan masyarakat Kurai Taji sebelum dan selama pemberontakan PRRI Penelitian ini menggunakan metode penelitian sejarah dengan tahapan, 1) Heuristik, pengumpulan sumber primer seperti arsip dokumen yaitu manuskrip yang ditulis oleh Kasim Munafy anggota Masyumi Padang Pariaman, serta wawancara dengan tokoh masyarakatdan sumber sekunder berupa wawancara dengan orang yang mengetahui peristiwa di Kurai Taji ini secara lisan maupun tulisan, kemudian buku-buku dan karya ilmiah terkait 2) Kritik sumber, yakni penilaian terhadap keaslian dan kredibilitas sumber; 3) Interpretasi, yaitu penafsiran terhadap fakta sejarah yang diperoleh; dan 4) Historiografi, yaitu penyusunan narasi sejarah berdasarkan hasil penelitian yang sesuai dengan pedoman penulisan karya ilmiah Program Studi Sejarah dan Peradaban Islam, UIN Sjech M. Djamil Djambek Bukittinggi. Hasil penelitian menunjukkan bahwa sebelum PRRI, kehidupan sosial keagamaan masyarakat Kurai Taji berjalan harmonis meskipun terdapat perbedaan paham antara tarekat Syattariyah dan Muhammadiyah. Namun saat PRRI berlangsung, kehidupan masyarakat mengalami gangguan signifikan. 
ROOTS OF DESIRE: COMPARING TRAJECTORIES OF LESBIAN IDENTITY IN CONTEMPORARY INDONESIAN AND ENGLISH PROSE Tira Mariana
Nazharat: Jurnal Kebudayaan Vol. 31 No. 2 (2025): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v32i2.264

Abstract

This comparative study explores the multifaceted trajectories of lesbian identity formation—or “becoming”—in 13 selected contemporary Indonesian and English short stories. By synthesizing narratives sourced from grassroots and digital literary platforms, this research proposes a six-point typology of the “roots” of lesbian desire: conscious choice, spontaneous desire, long-term interaction, early environmental exposure, sexual exploration, and responses to marital trauma. Drawing on Judith Butler’s theory of performativity and Adrienne Rich’s concept of the lesbian continuum, the study critically deconstructs essentialist myths of sexuality. The findings reveal a clear cultural divergence: Indonesian narratives frequently frame lesbian becoming as a strategic and agentic choice to resist state-sponsored heteronormativity and “State Ibuism,” whereas English narratives tend to emphasize the fluid, visceral, and spontaneous nature of desire. Ultimately, the study demonstrates that lesbian becoming functions as a radical reclamation of female agency and as a literary sanctuary from patriarchal failure across both traditions.
PERKEMBANGAN PASAR NAGARI PADANG LUAR KEC. BANUHAMPU 1986-2022 Rani Anggraini; Kori Lilie Muslim
Nazharat: Jurnal Kebudayaan Vol. 31 No. 2 (2025): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v32i2.265

Abstract

Permasalahan dalam penelitian ini berangkat dari belum adanya kajian komprehensif yang mendokumentasikan perubahan fisik, ekonomi, dan sosial pasar ini secara menyeluruh dalam lintasan sejarah. Tujuan penelitian ini adalah untuk menganalisis perkembangan infrastruktur pasar, peran strategisnya dalam distribusi hasil pertanian, serta dampaknya terhadap kehidupan ekonomi masyarakat setempat. Penelitian ini menggunakan metode penelitian sejarah dengan, 1) heuristik adapun data primer yang digunakan ialah beberapa surat-surat terkait dengan pembangunan pasar inpres tahun 1986, kemudian laporan anggaran dana pasar Padang Luar terkait dengan bukti peningkatan perekonomian pasar Padang Luar dan lain sebagainya Data sekunder dikumpulkan melalui wawancara dengan pelaku pasar dan pengurus, serta analisis dokumen resmi terkait pembangunan dan pengelolaan pasar; 2) kritik sumber tahapan ini dilakukan untuk memastikan keaslian sumber sehingga diperoleh data yang orisinil; 3) interpretasi, ditahapan ini dilakukan pemisahan antara sumber yang bisa digunakan dengan tidak;  dan  4)  historiografi, pada tahapan ini dilakukan penulisan terhadap data-data yang diperoleh sesuai dengan buku panduan pedoman penulisan karya ilmiah prodi SPI UIN SMDD Bukittinggi.  Hasil penelitian menunjukkan bahwa Pasar Padang Luar, mengalami perubahan yang terjadi dari setelah awal pembangunan pasar Padang Luar tersebut, yaitu pembangunan selanjutnya terjadi pada tahun 1986, kemudian perbaikan atap tahun 2016, selanjutnya rehabilitasi berat pasar tahun 2019 hingga pembangunan lantai 2 pasar Padang Luar menjadi tahap terkhir yang terjadi pada pasar Padang Luar. pasar Padang Luar tidak hanya berkembang secara fisik melalui pembangunan Pasar Inpres, revitalisasi, dan perluasan infrastruktur, tetapi juga menjelma menjadi simpul distribusi hasil tani terbesar di Sumatera Barat yang menjadi dampka dari pembangunan tersebut. 
Dinamika Islam dalam Kontribusi Upacara Tradisional Timbo ka Sunge di Desa Koto Majidin Kabupaten Kerinci Auliana Nur Putri; Ravico
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.281

Abstract

This study examines the dynamics of Islam in its contribution to the traditional timbo ka sunge ceremony in Koto Majidin Village, Kerinci Regency. The timbo ka sunge ceremony is a hereditary tradition that has been preserved across generations, involving the first occasion when a baby is taken outside the house after the umbilical cord has fallen off (lucaungk). This study aims to analyze the dynamics of Islam in its contribution to the timbo ka sunge traditional ceremony in Koto Majidin Village, Kerinci Regency. This research employs a qualitative method with a cultural-historical approach. Data were collected through observation, interviews with religious leaders, traditional leaders, village shamans, and local community members, and were supported by documentation and literature studies. The results show that the timbo ka sunge ceremony is a hereditary tradition consisting of preparation, bathing the baby, prayers, and a thanksgiving feast, carrying both social and religious meanings as an expression of gratitude and hopes for safety. The dynamics of Islam are reflected in adjustments such as the use of prayers, changes in location, and alignment with the values of tawhid. This tradition reflects a harmonious acculturation between local culture and Islamic teachings.
Peran Museum Topeng Cirebon dalam Pelestarian Budaya Lokal di Kota Cirebon Fajwaturrizqiyyah
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.286

Abstract

This study aims to analyze the role of the Cirebon Mask Museum in preserving local culture in Cirebon City. The research employed a descriptive qualitative approach, with data collected through observation, interviews, and documentation. The informants consisted of museum curators, museum managers, and representatives from the Department of Culture and Tourism of Cirebon City. The results show that the Cirebon Mask Museum plays an important role as a cultural preservation institution through its functions of protection, conservation, education, documentation, and cultural communication to the public. The museum not only serves as a place to store mask collections but also acts as a social space that maintains the continuity of the values, symbols, history, and cultural identity of Cirebon masks. This role is implemented through collection management, presentation of cultural information, cultural education programs, workshops, collaboration with art communities, and the introduction of the mask cultural ecosystem to younger generations. In addition, the museum also functions as a medium for strengthening the collective memory of society regarding local culture. Although it still faces challenges such as limited conservation facilities and the impact of cultural globalization, the Cirebon Mask Museum remains a strategic institution in maintaining the sustainability of local culture amid social changes in modern society.
Strategi Pelestarian Tari Topeng Kelana di Era Modern pada Sanggar Nimas Mayangsari Tania Puji Lestari; Naila Farah
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.289

Abstract

This study discusses the preservation strategy of the Kelana Mask Dance in the modern era at the Nimas Mayangsari Studio, Cirebon Regency. This research is important because the development of modern entertainment and changes in people's interests pose challenges to the sustainability of traditional arts. The purpose of this study is to determine the strategy used by the Nimas Mayangsari Studio in preserving the Kelana Mask Dance amidst the changing times. The approach used is qualitative with descriptive methods. Data were obtained through observation, interviews, and documentation with informants. Data analysis was carried out using the Miles and Huberman model through the stages of data reduction, data presentation, and drawing conclusions. The results show that the preservation strategy is carried out through coaching the younger generation in dance training, introducing philosophical values, utilizing social media, and collaborating with educational institutions. This strategy shows that the preservation of traditional arts requires the ability to adapt to social and technological developments without eliminating the cultural values ​​that are the identity of the region.
Regenerasi Tari Topeng Cirebon di Tengah Perubahan Budaya Generasi Muda Rizky Oktoviyani; Naila Farah
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.291

Abstract

The Cirebon Mask Dance is a traditional cultural heritage that holds historical, philosophical, and cultural identity value for the Cirebon people. However, the development of globalization, modernization, and digital culture has led to changes in the lifestyles of the younger generation, which have also influenced the regeneration process of traditional arts. This study aims to analyze the dynamics of the regeneration of the Cirebon Mask Dance amidst the cultural changes of the younger generation and to understand the various obstacles and preservation strategies undertaken by art studios and cultural actors. This study uses a qualitative method with a descriptive approach. Data collection techniques were carried out through in-depth interviews, observation, and documentation of studio managers and young dancers of the Mask Dance in Cirebon. The results show that the regeneration of the Mask Dance is still ongoing, but has experienced changes in the patterns of involvement of the younger generation. Some young people still have an interest in the Mask Dance, especially through social media approaches, flexible learning, and cultural innovations that adapt to current developments. On the other hand, the regeneration process faces various obstacles such as changes in the interests of the younger generation, limited funds, minimal environmental support, and the view that traditional arts are old cultures that are less relevant to modern life. 
تحليل الإحتياجات للشخصية الرئيسية في فيلم "وجدة" لهيفاء المنصور (دراسة في علم النفس الأدبي) Yuni Sarah Lubis; Rosalinda; Ahdiyat Mahendra
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.299

Abstract

تهدف هذه الدراسة إلى تحليل هرم الحاجات لدى الشخصية الرئيسة في فيلم «وجدة» (2012) للمخرجة هيفاء المنصور، وذلك من خلال توظيف مقاربة علم النفس الأدبي القائمة على نظرية هرم الحاجات لأبراهام ماسلو. وتسعى الدراسة إلى تحديد مستويات الحاجات التي تمكّنت الشخصية الرئيسة من إشباعها، وتحليل العوامل المؤثرة في عملية إشباع تلك الحاجات. اعتمدت الدراسة المنهج الوصفي النوعي، مع استخدام تحليل المضمون بوصفه الأداة الرئيسة للتحليل. وتمثلت مصادر البيانات في فيلم «وجدة» (2012)، إلى جانب مجموعة من الكتب والمقالات العلمية والدراسات السابقة ذات الصلة بموضوع البحث. وقد جُمعت البيانات من خلال التوثيق، والمشاهدة المتكررة للفيلم، وتحديد الحوارات والأفعال والمشاهد المرتبطة بهرم الحاجات لدى الشخصية الرئيسة. وأظهرت نتائج الدراسة أن الشخصية الرئيسة حققت المستويات الخمسة لهرم الحاجات عند ماسلو، وهي الحاجات الفسيولوجية، وحاجات الأمن، وحاجات الحب والانتماء، وحاجات التقدير، وحاجات تحقيق الذات. كما تبين أن إشباع هذه الحاجات تأثر بعدة عوامل، من أبرزها دعم الأسرة، والبيئة الاجتماعية، والثقافة الأبوية، ورغبة الشخصية في نيل الحرية. وتخلص الدراسة إلى أن فيلم «وجدة» يجسد الكفاح النفسي للفرد من أجل إشباع حاجاته الإنسانية وتحقيق ذاته في ظل مختلف القيود الاجتماعية والثقافي
Lexical and Contextual Meanings in Coldplay's Everyday Life Album Meazzazera Chemafachri Alfarizzi; Yenti; Norra Erisha
Nazharat: Jurnal Kebudayaan Vol. 32 No. 1 (2026): NAZHARAT: Jurnal Kebudayaan
Publisher : Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/nazharat.v33i1.303

Abstract

This study investigates lexical and contextual meanings in selected songs from Coldplay's Everyday Life (2019) album. The research aims to identify the lexical meanings and contextual meanings contained in the song lyrics and to explain how these meanings contribute to the interpretation of the songs. This study employed a descriptive qualitative method. The data were collected from seven selected songs, namely Daddy, Church, Arabesque, Trouble in Town, Broken, When I Need a Friend, and WOTW/POTP. The lyrics were obtained from official sources and analyzed using semantic theories proposed by Geoffrey Leech, John Lyons, and Abdul Chaer. The findings reveal that the songs contain 66 lexical meanings and 66 contextual meanings. Lexical meanings represent the dictionary meanings of words and expressions, while contextual meanings emerge from emotional, social, cultural, and spiritual contexts embedded in the lyrics. The analysis demonstrates that Coldplay employs language not only to convey literal messages but also to express deeper themes such as love, loss, hope, faith, humanity, and social criticism. The study concludes that understanding both lexical and contextual meanings is essential for interpreting song lyrics comprehensively and uncovering the intended messages behind artistic language

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