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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 10 Documents
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Search results for , issue " Vol 6 No 2 (2017)" : 10 Documents clear
Adaptability of Performing Literature Speech Tadut Artist in Facing Social Change of Peoples Life Besemah Pagaralam Sabillah, Masayu Selly; Triyanto, Triyanto; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19282

Abstract

Tadut speech literature is a literary speech that developed in Besemah Pagaralam which is used as a medium for dissemination and learning of Islam in the recitation and death because his poems are able to remind people of Allah swt.. Problems reviewed ini this research, (1) How to show literature Tadut speech in the community culture of Besemah Pagaralam (2) What values of local wisdom are expressed in Taduts literature, (3) How does the adaptation of the literary performers of Taduts literary works defend the language of the Tadut literature his artistry in the social change of life of the people of Besemah Pagaralam. This research uses interdisciplinary approach that is the science of cultural anthropology, sociology and art education. The type of research method used is qualitative with case study design. Data is collected by observation techniques, interviews and document material collection. The results show, first, in the present day Tadut literature is shown in government events, race events, public events and even wedding ceremony. Second, the values of local wisdom expressed in Tadut literature are religious values, moral values, educational values, customs values. Third, adaptability done by Tadut literary artists through the mechanism of cultural collaboration is able to maintain its existence in social change.
Art of Music Taring In Sanggar Tunas Muda Lahat District In Perspective Aksiologi: Study In The Context Of Socio Culture Arief, Ahmad Fikri; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19283

Abstract

The art of Terbangan music in Lahat district is a cultural product derived from the customs of Semende people who migrated to the district of Lahat South Sumatra. With regard to this, the purpose of this study is to examine the issue of the form of the music of Terbangan and the axiological values ​​in it. This research uses an interdisciplinary approach involving the disciplines of musicology and philosophy. Science of Musicology is used to analyze the elements and forms of music on the art of flying. The discipline of philosophy is used to analyze the values ​​contained in the Art of Music Terbangan. Sources of data in this study using a qualitative source consisting of primary and secondary sources with techniques perngumpulan observation data, interviews and document studies. Data validation technique used by source triangulation while data analysis technique is done by reducing data, presenting data, and verifying data. In this verification process, conclusions are drawn with interpretations that use emic point references (field opinion sources) and ethical perspectives based on the theoretical concepts used. Based on the results of research shows things as follows the first form of musical structure among other elements, motives, clauses, sentences or periods that exist in the art of music Terbangan. The two human values ​​in the art of Terbangan which are part of man are holiness, goodness, truth and beauty.
Extracurricular Learning of Dance with Local Wisdom Basis Muhammad, Fan Naa Na; Rohidi, Tjetjep Rohendi; Hartono, Hartono
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19284

Abstract

Indonesia’s education system directs that the curriculum of every education level should insert local wisdom education, especially in arts subject. Every area in Indonesia has various performing arts. One of the arts in Kendal is Barongan dance which is able to be used as the learning source. This research aims to analyse the extracurricular learning process with local wisdom materials in SMA PGRI 1 Kendal. This research was a qualitative research. The technique of data collection consists of observation, interview, and documentation. The technique of data analysis used data reduction, data delivery, and data verification. The result of the research showed that the learning consisted of three stages, the beginning, main materials, and closing. The steps were in line to Gagne’s theory of learning phases motivation, introduction, acquisition, performance, and feedback. The beginning consisted of motivation and performance. The main part included the knowledge and the performance. Meanwhile, the closing dealt with the performance and feedback. The learning process also involved interaction. The learning of extracurricular in SMA PGRI 1 Kendal used local wisdom of Barongan with materials focusing on developing the arts. The formation of the dance consisted of lampah seblak, sembahan, jengkeng manggut,menthang tangan, and loncat jaran.
The Inheritance Pattern of Wayang Orang Art in Padhepokan Tjipta Boedajatutup Ngisor Lereng Merapi Suparti, Suparti; Triyanto, Triyanto; Cahyono, Agus
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19285

Abstract

The purpose of the research is to, the inheritance pattern of Tjipta Boedaya’s Wayang Orang. The method of the research was qualitative method by using the approach of interdicipline which utilized etnochoreology study, anthropology, and sociology. The inheritance pattern of Tjipta Boedaya’s Wayang Orang. The location of the reasearch was at Padhepokan Tjipta Boedaya, dusun tutup ngisor. The technique of the data collection was using observations, interviews, and study dokumen, the technique of data validation was using triangulation, member check, and making thick description. The technique of the theory data analysis was using the concept which has been arraanged before and throughed four analysis stages which were data collection, reduction, presentation, and verification. The result of the research inheritance pattern of Wayang Orang divided into two paths, they were family path and environment path. Inheritance which been inherited including stories, themes, movements, cosmetics,and accompaniment. Inheritance pattern through family and environtment became the key of the establishment of Tjipta Boedaya’ Wayang Orang.
Polarization Music Function of Bia in Context of Social Change in Culture in Community Village South District Likupang South Regency of North Minahasa North Sulawesi Kapoyos, Richard Junior; Sumaryanto F, Totok; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19286

Abstract

The phenomenon in the Batu village community needs to be closely examined given that the bia music of the past to present is shifting and changing, due to the lack of awareness, the behavior of the society towards the Bia music. The music of this tradition is very apprehensive to see the reality of the players from year to year diminishing in quantity and quality, not many people who can play and who can play it most aged 40 years and above. The disinterest of the young generation of traditional music with the presence of communication and entertainment technology has made it easier for people to choose various types of entertainment in accordance with what they like. The theory used in this research is the theory of socio-cultural change, data collection techniques used are: interviews, observation and documentation. The data validity technique is based on the credibility criteria, using data triangulation. The result of the research shows that polarization of changes in bia music is seen in previous music functions as ritual media and communication media, now transformed into evangelism media, cultural festivals events, association, entertainment, publicity, and education and in socio-cultural changes occur Due to internal factors caused by the artist itself as a result of the musical demands into an innovation and creativity, and external factors caused by the influence of outside culture that entered and easily accepted by the community.
Bundengan : Between Aesthetics Expressivism, Social of Reality, and Perfomance Studies Arbi, Bahtiar; Sumaryanto F, Totok; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19287

Abstract

Bundengan is a transformation of kowangan or tudhung, which is a kind of head cover made of bamboo blades, clumpring, and rope fibers. This kowangan used to be used by duck herders to take shelter or shelter from the rain and the sun. The purpose of this study is to analyze: (1) The form of bundengan art performances; (2) Social reality that occurs in society; And (3) The aesthetic expression of artists bundengan with the flow of expressiveness. This research uses qualitative method with data collection technique of interview, observation and document study. The data validity technique is based on the credibility criteria, using triangulation of data. Data analysis techniques used are data collection, data presentation, data reduction, and data verification. The results show bundengan can replicate gamelan sounds such as bendhe, kempul, gong, and kendang applied in the pattern of the game, accompanying Lengger dance. There are three moments of dialectics in the social reality of externalization, objectivation, and internalization. Artists bundengan embrace the flow of aesthetic expressiveness art is not as a craft, magical, representation, and entertainment. The art of bundengan maintained its authenticity, and developed and disseminated.
Creativity of Gandes Luwes Traditional Arts Studio From Parenggan Village, Pati in Developing Tembang Dolanan Performance Nirbaya, Eryaya; Hartono, Hartono; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19288

Abstract

Gandes Luwes traditional dance studio plays important roles in conserving traditional arts, especially tembang dolanan (traditional game song) as the musical art made based on the growth level of children. Beside used as a song, Tembang Dolanan also contains moral values or wisdoms as well as be enhanced with the creativity from the creator studio in its structure and rhythm pattern. This research reviewed or analyzed the forms and creativity of Tembang Dolanan. This research used qualitative approach by understanding and describing the phenomenon of creative backsound music as to fulfill the needs of the market or the society to support the development of Tembang Dolanan.
Likok Pulo Aceh Dance as A Educational Media of Religious Values for Acehnese in Pulo Aceh Basri, Novysa; Triyanto, Triyanto; Hartono, Hartono
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19290

Abstract

The purpose of this research is to describe Likok Pulo Aceh dance as an educational media of religious values in Pulo Aceh society. This research used qualitative research method with interdisciplinary approach. The data was collected by observation, interview, and documentation. The researcher used triangulation to check the validity of data. Then it analyzed using reduction flow, data presentation, and data verification. The results showed that the messages that delivered from Likok Pulo Aceh dance through the dancers was when dancers perform the movement of the dance and poetry (syair), it gave advice to the Acehnese people especially in the people Pulo Aceh about Allah SWT’s rules and the relationship between the society. From the movements of dancers such as the movement of Saleum until the closing movement of Likok Pulo Aceh dance have some values which are aqidah, muamalah and morals and almost all the poems (lyric) which was sang by the dancers give some messages. The messages that conveyed relating to aqidah, mumalah and morals, especially the relationship between God and human being. Regarding to the relationship between Allah SWT and human being was how to pray in a good way and did not forsake for Salat and Shalawat to our Prophet Muhammad SAW. For young people or the future generations, they should not deny their parents, did not occupy the bad lust, for men and women there was a procedure of how to choose life companion that appropriate with the doctrine of Islam or the Shari’a. As long as the relationship between human and human, we should respect and always keep the hospitality to each other. This research is expected to instill these values ​​for next generation and keep on preserved.
The Appreciation of Ngloho Santri Society Towards Kubrosiswo Bintang Mudo Art in Ngloho Pringsurat Temanggung Safitri, Setiorini Rahma; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19291

Abstract

Peoples appreciation of traditional art can be influenced by the views of the community. This study aims to examine the appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo Arts. This research uses qualitative method. The approach used is a contextual approach or how to understand a phenomenon by connecting it to other phenomena in a particular culture. In the context of this research, problem solving is placed within the socio-cultural context of Ngloho santri society.The appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo art splits into two, namely the young and the old group. Kubrosiswo Bintang Mudo since its inception in Ngloho Hamlet in 1989 was supported by a group of young people because of the desire to fulfill their aesthetic needs for a traditional art form that can represent their identity. This art for young people is understood as a symbol of trends, progress and modernity. The old group tends to keep a distance to this art. For them this art is considered jogedan art that is understood as the symbol of abangan art. In addition, the existence of pre-show and trance ritual sessions for the old group is considered to have come out of the Islamic faith.
Embodiment, Myth, and Characters’ Value Sculpture of Tau Tau at Toraja in South Sulawesi Suherman, Suherman; Triyanto, Triyanto; Sunarto, Sunarto
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19293

Abstract

This research aims to study the embodiment sculpture Tau Tau in Toraja as a work of art, the urgency in Rambu Solo’ rituals, the myth, and the character’s value contained in it. The approach used is descriptive qualitative which lead to ethnographic, with techniques of observation, interviews, and document study in collecting data. The results obtained in this study indicate that, First, the sculpture of Tau Tau in Toraja is a primitive which is monumental style, with an aesthetic that is mythic-religious. Second, the sculpture of Tau Tau is important in the Rambu Solo’ ritual for the nobility because it is one determinant of excellence ceremony. Third, the sculptures represent the Tau Tau from the myths that live in the minds of religious-arkhais communities Torajans, like the myth of Eran di Langi’, the myth of the birth of Datu Laukku and Puang Adang, myths about Daeta-Daeta and myths about the end of human life. Fourth, the sculpture of Tau Tau contains character values, such as the attitude of respect, responsibility, wisdom, love and compassion, hard work, integrity, and a sense of gratitude. Based on the research results, put forward the suggestion that, First, the Department of Education and Culture need to incorporate sculpture Tau Tau into the learning materials in schools. Second, artists need to introduce more in sculpture Tau Tau through the studies. Third, citizens of Toraja societies which needs to have a high awareness of the importance of maintaining and preserving the sculpture Tau Tau as cultural products that few of their ancestors.

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