Suyoga, I Putu Gede
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Representasi Simbolik Rejang Inyeng Melalui Film Dokumenter di Desa Adat Tiyingan Kabupaten Badung: Indonesia Sukadana, I Putu; Suyoga, I Putu Gede; Dinata, Ramanda Dimas Surya; Hendrawan, Freddy
Besaung : Jurnal Seni Desain dan Budaya Vol. 10 No. 3 (2025): Besaung: Agustus-November
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v10i3.5940

Abstract

Rejang Inyeng  is a sacred dance preserved in Tiyingan Village, Petang District, Badung Regency. Performed by young girls before menstruation during the Purnama Kapat and Purnama Kedasa ceremonies, the dance functions as a ritual to welcome deities. However, its continuity faces challenges due to limited academic documentation and a hiatus during the pandemic. This study aims to represent the symbolic meaning of Rejang Inyeng  through documentary film as a cultural preservation strategy. The research employed a qualitative approach by combining Ferdinand de Saussure’s semiotics, visual ethnography, and the Save the Cat narrative model. Data were collected through observation, interviews, questionnaires, literature studies, and documentation, while information tracing was guided by the concept of Catur Guru and the Glass Box method. Analysis was conducted by linking signifiers, such as dance movements and performers, with signifieds such as purity, sanctity, and cultural regeneration, further deepened through the concept of Dasa Aksara. The findings indicate that the documentary effectively represents the symbolism of Rejang Inyeng  in a communicative way, serving not only as a visual archive but also as an educational and cultural transmission medium. The novelty of this research lies in the integration of Saussurean semiotics with Dasa Aksara, the application of Catur Guru in data exploration, and the adaptation of Save the Cat within a sacred documentary.
Analysis of Spatial Layout Design and Its Impact on Circulation Comfort at the Homedec Exhibition in ICE BSD Jakarta Arini, Ni Made Suci; Mahadipta, Ngurah Gede Dwi; Suyoga, I Putu Gede
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.68369

Abstract

This research aims to analyze the implementation of spatial layout in relation to visitor circulation comfort at the HOMEDEC 2024 Exhibition, held in Hall 3A of the Indonesia Convention Exhibition (ICE) BSD, Jakarta, from October 3rd to 6th, 2024. The background of this study is rooted in the importance of spatial arrangement to support smooth visitor flow and enhance the overall visitor experience during large-scale exhibition events. This study employs a descriptive qualitative research method, using data collection techniques such as direct observation, expert interviews, documentation, and the distribution of questionnaires to exhibition visitors. The analysis focuses on aspects including circulation path width, movement patterns, booth placement, zoning, and wayfinding within the exhibition space. The findings indicate that the spatial layout, designed using a combination of grid and radial patterns, successfully facilitated a relatively smooth flow of movement. However, several congestion points were identified, particularly in the prize giveaway area, the main stage area, and at the intersections of major circulation paths. Supporting factors that contributed to visitor comfort at the HOMEDEC exhibition included adequate main path widths, good lighting, and strategic booth placement. Nevertheless, limited boundary signage and high density in certain zones emerged as key constraints. This study recommends improvements in zone organization, widening of pathways in high-traffic areas, and the addition of directional signage to further enhance visitor circulation comfort in future exhibitions.