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LIVE STREAMING FOR YOUR LIFE: HOW THE DAGO ELOS COMMUNITY USES INSTAGRAM TO BROADCAST THEIR PROTEST FOR LAND RIGHTS Efendi, Muklis; Pratiwi, Aprilianti; Muqsith, Munadhil Abdul; Ayuningtyas, Fitria; Waluyo, Lukman Saleh
ASPIRATION Journal Vol. 6 No. 1 (2025): July Edition of ASPIRATION Journal
Publisher : ASPIKOM Jabodetabek Region

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56353/aspiration.v6i1.92

Abstract

Urban land conflicts are still a complex and complicated issue in Indonesia. One of the phenomenal urban land conflicts in Indonesia is the conflict between the residents of Dago Elos, Bandung and the Muller Family and PT Dago Intigraha. The conflict began with a claim made by the Muller brothers in 2016 to a 6.3-hectare piece of land that has long been inhabited by hundreds of residents. The purpose of this study is to analyze the use of Instagram Live as a new alternative media in the resistance of Dago Elos residents in Bandung, West Java. The concept used is alternative media. The method in this study is qualitative with digital observation data collection techniques with thematic analysis techniques. The results of the study found that Dago Elos residents use the live streaming feature on Instagram as a medium to voice dissatisfaction and fight for justice by Dago Elos residents. The live streaming is presented not only documenting the repressive actions of the authorities, but also creating a space for citizens to express their collective identity and challenge the dominant narrative. However, there are challenges in using this live streaming in the act of resistance, namely the lack of interaction in the comment column. Through this research, it can be recommended the need to socialize before taking action, namely by disseminating information about the action plan through social media platforms, community groups and the WhatssApp application.
Popularitas VS Realitas Elektoral: Strategi Komunikasi Digital dalam Pemilu Presiden Indonesia 2024 Dewi, Risma Amalia Ulfa; Pratiwi, Aprilianti
Jurnal Dinamika Ilmu Komunikasi Vol 11, No 2 (2025)
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/dinamika.v11i2.6039

Abstract

This study analyzes digital communication strategies in the 2024 Indonesian Presidential Election, focusing on the gap between digital popularity and electoral reality. Using a qualitative descriptive method, this research involved in-depth interviews with three political influencers supporting each candidate pair and one political expert. The findings show that although the Anies-Muhaimin pair dominated digital interactions on Instagram with 45% of conversations, their electoral votes were not proportional to this digital popularity. The study identifies four main digital communication strategies: personal branding, viral momentum, influencer roles, and platform segmentation. However, the effectiveness of these strategies is limited by Indonesian voter characteristics that remain dominated by traditional-emotional patterns, the existence of a silent majority, and structural factors such as money politics, dynastic politics, weak digital campaign regulations, and resource inequality. This research concludes that social media functions more as a space for affirmation rather than political conversion, and digital popularity does not automatically result in electoral victory because it operates within a complex political context.
Media Framing of Environmental Pollution Caused by Nickel Mining in Southeast Sulawesi on Mongabay Indonesia Soraya, Nadia; Pratiwi, Aprilianti
International Journal of Environmental Communication (ENVICOMM) Vol. 3 No. 2 (2025)
Publisher : Faculty of Communication Science | Universitas Pancasila Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35814/envicomm.v3i2.9729

Abstract

Indonesia holds the world’s largest nickel reserves, mainly in Sulawesi and Maluku, positioning the mineral as a strategic resource for stainless-steel production and electric-vehicle battery development. Yet, the rapid expansion of nickel mining has intensified environmental problems, particularly in Southeast Sulawesi. This study examines how Mongabay Indonesia frames environmental pollution linked to nickel mining and analyzes the implications of such framing for public understanding. Through qualitative content analysis of seventeen articles published between 2023 and 2025, the study identifies dominant narratives, issue emphases, and representations of socio-ecological impacts. Guided by Entman’s (1993) Framing Theory, the findings show that Mongabay Indonesia consistently portrays nickel mining as a multidimensional environmental threat, highlighting water contamination, sedimentation, deforestation, biodiversity loss, and increasing vulnerability among coastal and Indigenous communities. The coverage frequently features community testimonies, scientific evidence, and critiques of weak regulatory enforcement. Overall, the study underscores the role of alternative environmental media in shaping discourse, amplifying affected voices, and influencing public perspectives within Indonesia’s ongoing green-energy transition. 
Meme Jomok sebagai Representasi Interseksionalitas Ras dan Gender di Media Sosial Putra Sembiring, Farrell Riskia; Pratiwi, Aprilianti
Warta Ikatan Sarjana Komunikasi Indonesia Vol 8, No 2 (2025): Warta Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/wartaiski.v8i2.452

Abstract

Abstract - Social media has become a place for communication and interaction. It is also a place for exchanging information and ideas. As a result of this exchange of information and ideas, digital communities have emerged, consisting of users who share similar interests. In this era, memes have become a practical means of communication. This is because memes provide a practical representation of life as it is. Memes are a form of entertaining communication, but they have now become a means of indirectly conveying stereotypes. Jomok memes are meme content that directly displays muscular, masculine black men in homoerotic poses. This occurs in a community called Sungut Lele. The purpose of this study is to analyse Jomok meme content as intersectionality content on social media. The research method used is qualitative research. The data collection techniques used are digital participatory observation, interviews, and document studies. The theory used is the theory of intersectionality proposed by Kimberle Crenshaw. The results of this study show that the Sungut Lele community practically uploads memes that have intersectionality visuals towards black people. Black people are visualised as muscular, erotic, and homosexual black men. This content constantly reinforces new stereotypes about black people, which causes discomfort to individuals. These findings show that memes are not only a means of communication that is full of entertainment, but also a means of indirectly conveying new stereotypes to the audience.Keywords:  Digital Observation; Intersectionality; Memes; Stereotypes; Virtual Community Abstrak - Media sosial menjadi tempat untuk berkomunikasi dan berinteraksi. Media sosial juga menjadi tempat untuk bertukar informasi serta tempat untuk bertukar pikiran. Akibat adanya proses pertukaran informasi dan pikiran tersebut, muncullah komunitas-komunitas digital yang terdiri atas pengguna yang memiliki kesamaan akan keinginan. Pada zaman ini, meme menjadi alat komunikasi yang praktis. Karena, meme dengan praktisnya memberikan jelemaan tentang kehidupan yang sudah terjadi. Meme merupakan alat komunikasi menghibur, namun sekarang menjadi alat untuk menyampaikan stereotip secara tak langsung. Meme Jomok adalah konten meme yang secara langsung menampilkan laki-laki berkulit hitam yang berotot, maskulin, dan menampilkan pose yang homoerotik. Hal tersebut terjadi pada suatu komunitas yang bernama Sungut Lele. Tujuan penelitian ini adalah untuk menganalisis konten Meme Jomok sebagai konten interseksionalitas di media sosial. Metode penelitian yang digunakan adalah metode penelitian kualitatif. Teknik pengumpulan data yang digunakan adalah observasi partisipatif digital, wawancara, dan studi dokumen. Teori yang digunakan adalah teori interseksionalitas yang dikemukakan oleh Kimberle Crenshaw. Hasil penelitian ini menunjukkan bahwa Komunitas Sungut Lele secara praktis mengunggah meme yang memiliki visual interseksionalitas terhadap orang kulit hitam. Orang kulit hitam divisualisasikan sebagai pria kulit hitam yang berotot, erotis, dan berorientasikan homoseksual. Konten tersebut senantiasa memberikan stereotip baru terhadap orang kulit hitam yang menimbulkan ketidaknyamanan terhadap suatu individu. Temuan tersebut menunjukkan meme tidak hanya sebagai alat komunikasi yang penuh hiburan, tetapi juga alat untuk menyalurkan stereotip baru secara tak langsung kepada audiens. Kata kunci: Interseksionalitas; Komunitas Virtual; Meme; Observasi Digital; Stereotip
Resistance Murals and Spatial Politics in the Dago Elos Agrarian Conflict: A Visual Discourse Analysis Pratiwi, Aprilianti; Soemantri, Nathalia Perdhani; Burhan, Ahamd Badari; Sudarto
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 1 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i1.6390

Abstract

Agrarian conflicts in the Dago Elos area, Bandung, not only take place in the realm of formal law and politics, but are also mediated through visual practices in residential spaces. This study aims to analyze how resistance murals function as a form of collective visual communication in responding to threats to citizens' living spaces. This research is expected to enrich the study of visual communication and urban resistance, especially in the context of urban agrarian conflict. The method used is a qualitative approach with visual discourse analysis, Gillian Rose, which includes the site of production, the site of the image, and the site of audiencing. The Data was obtained through focus group discussions with residents and artists, visual documentation, and analysis of four murals in the Dago Elos area. The results showed that murals are produced spontaneously, based on solidarity networks, and do not depend on formal structures. Visually, murals utilize a variety of communication strategies to claim living space and build a narrative of resistance. Murals also play a role in transforming everyday spaces into political arenas that are collectively accepted by citizens. This study concluded that murals do not merely represent agrarian conflicts, but become a medium for politicizing space and strengthening the collective identity of citizens.
Meme Jomok sebagai Representasi Interseksionalitas Ras dan Gender di Media Sosial Putra Sembiring, Farrell Riskia; Pratiwi, Aprilianti
Warta Ikatan Sarjana Komunikasi Indonesia Vol. 8 No. 2 (2025): Warta Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/wartaiski.v8i2.452

Abstract

Abstrak - Media sosial menjadi tempat untuk berkomunikasi dan berinteraksi. Media sosial juga menjadi tempat untuk bertukar informasi serta tempat untuk bertukar pikiran. Akibat adanya proses pertukaran informasi dan pikiran tersebut, muncullah komunitas-komunitas digital yang terdiri atas pengguna yang memiliki kesamaan akan keinginan. Pada zaman ini, meme menjadi alat komunikasi yang praktis. Karena, meme dengan praktisnya memberikan jelemaan tentang kehidupan yang sudah terjadi. Meme merupakan alat komunikasi menghibur, namun sekarang menjadi alat untuk menyampaikan stereotip secara tak langsung. Meme Jomok adalah konten meme yang secara langsung menampilkan laki-laki berkulit hitam yang berotot, maskulin, dan menampilkan pose yang homoerotik. Hal tersebut terjadi pada suatu komunitas yang bernama Sungut Lele. Tujuan penelitian ini adalah untuk menganalisis konten Meme Jomok sebagai konten interseksionalitas di media sosial. Metode penelitian yang digunakan adalah metode penelitian kualitatif. Teknik pengumpulan data yang digunakan adalah observasi partisipatif digital, wawancara, dan studi dokumen. Teori yang digunakan adalah teori interseksionalitas yang dikemukakan oleh Kimberle Crenshaw. Hasil penelitian ini menunjukkan bahwa Komunitas Sungut Lele secara praktis mengunggah meme yang memiliki visual interseksionalitas terhadap orang kulit hitam. Orang kulit hitam divisualisasikan sebagai pria kulit hitam yang berotot, erotis, dan berorientasikan homoseksual. Konten tersebut senantiasa memberikan stereotip baru terhadap orang kulit hitam yang menimbulkan ketidaknyamanan terhadap suatu individu. Temuan tersebut menunjukkan meme tidak hanya sebagai alat komunikasi yang penuh hiburan, tetapi juga alat untuk menyalurkan stereotip baru secara tak langsung kepada audiens.   Kata kunci: Interseksionalitas; Komunitas Virtual; Meme; Observasi Digital; Stereotip