Article Per Year (5 Year)
p-Index From 2021 - 2026
2.697
P-Index
This Author published in this journals
All Journal Panggung Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Gelar : Jurnal Seni Budaya PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Suluh: Jurnal Seni Desain Budaya Jurnal Desain
Budiwiyanto, Joko
Unknown Affiliation
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

Published : 17 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 17 Documents
Search

 1   2 
PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN Budiwiyanto, Joko
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i1.31

Abstract

This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakarta”. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.
GAYA INTERIOR RUMAH DINAS BUPATI BLITAR Attamami, Mohammad Nur Farchan; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i1.3197

Abstract

The research entitled Interior Style of the Blitar Regent's Official House aims to determine the interior style of the house. Blitar was originally the kingdom of the Surakarta Sunanate. In 1830, the Surakarta Sunanate began to hand over Blitar to the Dutch as a consequence of Dutch assistance to the Kasunanan after the end of the Diponegara War. The Dutch government subsequently appointed a new regent as the ruler of Blitar complete with government support facilities, including the regent's official residence. The uniqueness of the official residence of the Blitar Regent is that it was built by combining the Surakartanan and Dutch styles to produce a new interior style. To achieve the goal, a descriptive qualitative research method is used with an interior style approach. The sources used in this research are sources, literature data, places/buildings, and pictures. The interior of the Blitar Regent's official residence is a combination of Javanese style and Dutch style called Indis style. The application of the Javanese style can be found in the arrangement of spaces, space zoning, and direction towards space. From a visual point of view, the Javanese style is more prominent in the front room area, especially the pendapa with the form of an open space composed of saka and the use of Javanese-style ornaments. The Indies style is more prominent in the main house area. Indische style in the main house can be seen from the space plan and the elements that form the space, especially the pillars lining the veranda area and the shape of the towering buildings. The Javanese style that appears on the front is the government's attempt at that time to show that Blitar is still part of Javanese society, especially the Surakarta Sunanate Kingdom. The colonial-style manifestation of the main house was an attempt by the Colonial government to show that the Blitar government was under the control of the colonial government at that time. AbstrakPenelitian dengan judul Gaya Interior Rumah Dinas Bupati Blitar bertujuan untuk mengetahui gaya interior pada rumah tersebut. Blitar pada awalnya merupakan wilayah kerajaan Kasunanan Surakarta. Pada tahun 1830, Blitar mulai diserahkan oleh Kasunanan Surakarta kepada Belanda sebagai konsekuensi atas bantuan Belanda kepada Kasunanan setelah berakhirnya Perang Diponegara. Pemerintah Belanda selanjutnya mengangkat bupati baru sebagai penguasa Blitar lengkap beserta fasilitas pendukung pemerintahan, di antaranya adalah rumah dinas bupati. Keunikan rumah dinas Bupati Blitar adalah dibangun dengan menggabungkan gaya Surakartanan dan Belanda sehingga menghasilkan gaya interior baru. Untuk mencapai tujuan digunakan metode penelitian kualitatif deskriptif dengan pendekatan gaya interior. Sumber-sumber yang digunakan dalam penelitian ini adalah narasumber, data literatur, tempat/bangunan, dan gambar. Interior rumah dinas Bupati Blitar merupakan gabungan gaya Jawa dan gaya Belanda yang disebut gaya Indis. Penerapan gaya Jawa terdapat pada susunan ruang, zonasi ruang, serta arah hadap ruang. Dari segi visual gaya Jawa lebih menonjol pada area ruang depan terutama pendapa dengan bentuk ruang terbuka yang disusun oleh saka-saka serta digunakannya ornamen-ornamen bergaya Jawa. Adapun gaya Indis lebih menonjol pada area rumah Induk. Gaya Indis pada rumah Induk dapat dilihat dari denah ruang serta elemen pembentuk ruang, terutama adanya pilar-pilar yang berjajar di area beranda (teras) serta bentuk bangunan yang tinggi menjulang. Gaya Jawa yang nampak di bagian depan merupakan usaha pemerintah pada masa itu untuk menunjukkan bahwa Blitar masih bagian dari masyarakat Jawa, khususnya Kerajaan Kasunanan Surakarta. Wujud gaya Kolonial pada rumah induk merupakan usaha pemerintah Kolonial untuk menunjukkan bahwa pemerintah Blitar berada dalam kendali pemerintah kolonial pada masa tersebut.
BENTUK DAN MAKNA GEBYOG ÉMPÉR RUMAH TRADISIONAL JAWA Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3653

Abstract

The background of this research is that the Javanese house gebyog has a variety of shapes, is beautiful, but has almost the same pattern. The shape and size of the gebyog always follow the size of the Javanese house. The number of gebyog is always odd. However, not all Javanese houses use gebyog émpér. Only Javanese houses in rural areas with closed pendhapas have gebyog émpér. The relationship between the form of gebyog émpér and the spatial pattern of a traditional Javanese house in the meaning that is hidden behind its beauty is interesting. This study aims to determine the form and meaning of the Javanese house gebyog émpér. The research strategy uses qualitative. The research locations include the cities of Surakarta, Wonogiri, Sragen, Sukoharjo, Klaten, and Karanganyar. Sources of data extracted include informants and artifacts. Data collection techniques used in-depth interviews and observation techniques. The analysis technique uses interactive techniques. The results of the study are as follows, the pattern of gebyog forms is varied and symmetrical. Gebyog èmpèr controls the entrance from an unlimited free area to a restricted space due to possession and more.
Fraktal Geometri sebagai Sumber Ide Perancangan Interior Mental Healthcare Clinic di Yogyakarta Ramadhanty, Nurina; Budiwiyanto, Joko
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.4897

Abstract

Interior Design Mental Healthcare Clinic in Yogyakarta is a facility designed as a mental health service, especially to overcome stress disorders, depression, schizophrenia, and addictive substance use disorders. This Mental Healthcare Clinic is in the form of an outpatient clinic that provides diagnosis, therapy, and prevention services for mental health disorders carried out by the disciplines of psychiatry, psychology, and social work. This design aims to design the interior of the Mental Healthcare Clinic as a facility for people with mental health disorders that is safe, comfortable and informative, and applies the theme of geometric fractal patterns in a contemporary style. The design method used includes the input, synthesis and output stages. Design results in the form of Interior Design for Mental Healthcare Clinic which has lobby facilities, multipurpose room, café, consul room, fitness therapy room, children's speech therapy room, child sensory integration therapy room, art therapy room, pharmacy, and management office
ESTETIKA INTERIOR RUMAH JAWA DALAM ALIH FUNGSI RUMAH JAWA MENJADI RESTORAN budiwiyanto, joko
PANGGUNG Vol 33 No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2432

Abstract

Penelitian ini dilatarbelakangi oleh banyaknya rumah Jawa yang dibongkar dan digunakan kembali menjadi bangunan restoran. Rumah Jawa sebagai rumah tempat tinggal masyarakat Jawa yang penuh makna filosofis dan simbolis diubah menjadi tempat makan dan minum yang bersifat publik. Penggunaan rumah Jawa menjadi restoran banyak mengabaikan fungsi, makna, dan penataan interiornya. Penelitian ini bertujuan untuk menjelaskan perubahan estetika interior rumah Jawa dalam alih fungsi menjadi restoran yang disebabkan karena adanya perubahan budaya masyarakat pendukungnya. Untuk mencapai tujuan digunakan penelitian kualitatif interpretatif dengan pendekatan estetika. Hasil penelitian adalah alih fungsi rumah Jawa baik berbentuk joglo maupun limasan lebih didasarkan pada pemenuhan selera penggunanya, baik selera pengunjung maupun selera pemilik yang dimaksudkan sebagai daya pikat bagi pengunjung. Etika budaya dan tradisi sudah mulai dihilangkan. Orang hanya melihat bentuk rupa yang indah sebagai daya tarik saja. Selera estetis hanya didasarkan pada permukaan benda, tanpa melihat nilai filosofis dan maknanya dibalik benda indah itu sendiri. Perubahan ini akan menyebabkan adanya perubahan estetika, yaitu dari estetika Jawa menjadi estetika selera.
Interpreting interior heritage at Wisma Batari Surakarta through papanek’s framework Prasetyo, Raden Ersnathan Budi; Mumpuni, Primastiti Wening; Budiwiyanto, Joko; Aji, Tunjung Bayu
Jurnal Desain Vol 13 No 2 (2025): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v13i2.1006

Abstract

This study analyzes the interior of Wisma Batari in Surakarta as a social design product by applying Victor Papanek’s function complex framework. Interior is not merely an architectural space, but a design artefact that embeds functions, needs, social contexts, symbols, and aesthetic values. The study employs a qualitative descriptive-interpretative method using visual observation and spatial analysis, complemented by thematic reading based on Papanek’s six dimensions: method, use, need, telesis, association, and aesthetics. The findings suggest that the interior of Wisma Batari forms a design system rooted in spatial efficiency, local materials as a reflection of “truth to materials,” and room configurations that support communal activity. Space is never practical alone; it also represents morality, harmony, and unity within Javanese cultural logic. The study highlights that interior heritage can be understood as a social design product that evolves through adaptive reuse and the interrelation of functions, meanings, and materiality. The implication of this research opens a critical approach toward interior heritage as a locus for ethics and social responsibility within contemporary design practices.
Interior Rumah Tinggal Berbasis CPTED Sebagai Upaya Preventif Mencegah Kriminalisasi di Surakarta : The Application of CPTED in Residential Interiors as a Preventive Measure Against Criminalization in Surakarta Budiwiyanto, Joko; Badriyah, Siti; Prasetyo, Raden Ersnathan Budi; Adrianto, Aditya Eko
PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Vol. 11 No. 2 (2026): PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat
Publisher : Institute for Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/pengabdianmu.v11i2.10706

Abstract

Crime prevention in densely populated urban areas such as Jebres, Surakarta, presents a serious challenge that requires preventive solutions grounded in interior and environmental design. Crime Prevention Through Environmental Design (CPTED) offers a practical approach by leveraging physical interior design to minimize opportunities for criminal activity. This community service project aimed to implement fundamental CPTED principles within residential interiors as a preventive strategy against crime in densely inhabited neighborhoods. The partners in this initiative were residents of Jebres, Surakarta, a densely populated urban community vulnerable to security threats. The methodology combined education, design simulation, and case-based mentoring applied to selected residential units. Five core CPTED principles were adapted: natural surveillance, access control, territorial reinforcement, maintenance, and target hardening, all implemented through participatory engagement. The outcomes indicate that CPTED-integrated interior design significantly enhances residents' perception of safety and fosters greater community awareness and active participation in maintaining a secure environment. An interior design sensitive to security aspects serves as both an educational tool and a practical preventive measure. These findings underscore that design interventions at the residential scale yield meaningful social impacts. Applying CPTED at the household level not only improves physical security but also strengthens social cohesion. Therefore, the results of this service project are significant as a replicable model of design-based preventive strategies that can be adopted in other urban communities facing similar challenges.
Co-Authors Adrianto, Aditya Eko Aji, Tunjung Bayu Ana Rosmiati Attamami, Mohammad Nur Farchan Dewi, Adinda Amartya Sukma Indarto Indarto Mulyadi, Tubagus Nugraheni, Regina Ratih Primastiti Wening Mumpuni, Primastiti Wening Raden Ersnathan Budi Prasetyo Ramadhanty, Nurina Rosalina, Neni Nurul Siti Badriyah Supriyanto Supriyanto