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Journal : Journal of Language and Literature

Wandering in Pakistan: The Paradoxical World of the Marginalized in Nadeem Aslam’s The Golden Legend (2017) Firda Khoirunnisa; Ari Jogaiswara Adipurwawidjana; Sandya Maulana
Journal of Language and Literature Vol 24, No 1 (2024): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i1.7613

Abstract

This study explores the idea of place in Nadeem Aslam’s The Golden Legend (2017) to frame the identity crisis befalling the Christian community in Pakistan as a mirror of the similar experiences of marginalized groups in Britain. As a British novel expected to be read by Western readers, the depiction of the marginalization happening in Pakistan is utilized to allude to the condition outside the country: a paradox. The depicted paradox also recalls the history of Islam’s development in Türkiye and Spain, represented by the Hagia Sofia and the Great Mosque. The loss of ‘home’ causes the marginalized to wander in Pakistan, and, at the same time, they try to establish their identities and be remembered by society, both in the sense ofbelonging and of inhabiting memory. It is the same with the unsettled immigrant of Muslim Pakistanis, begging for their citizenship and being acknowledged in Britain. This analysis is based on Bhabha’s notion of unhomeliness and Derrida’s host and guest concept, composing an understanding that having no exact ‘home’, the Christian community being a guest to the Muslim community whose territory is obligated to preserve, is treated inappropriately. With these findings, we argue that wandering through places in Pakistan is an action determining whether one’s self is constructed or otherwise, illustrating Muslims in Britain having the same fate by remembering the golden legend told in the novel.
Creating a Home Elsewhere: Diasporic Imagination in Lee Isaac Chung’s Minari Fauziyah, Alifya Aini; Manggong, Lestari; Maulana, Sandya
Journal of Language and Literature Vol 24, No 1 (2024): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i1.6373

Abstract

Minari, a film screened in 2020 directed by Lee Isaac Chung, presents a Korean immigrant family having moved to Arkansas in fulfilling their American dream at the cost of being displaced and out of place. By focusing on the attempt made by Jacob, the father, to recreate the imagined home which refers to South Korea, this study aims to show how the displacement and unhomeliness in the construction of diasporic imagination are displayed in the film. David, the son, not only feels out of place but is also obligated to feel a kind of belonging to both cultures. Jacob’s mother-in-law, Soon-Ja, having newly arrived in the US brings recent memories of home into the family that represent the Korean immigrant perspective of living in the US for the first time. This approach will show how the American film attempts to incorporate the new forms of portraying the ‘elsewhere’ which is an important characteristic of American dream narratives. The analysis is conducted by referring to Bhabha’s unhomeliness and Walder’s displacement in comprehending the contrast between the stereotypical characteristics of Korean immigrants and the American dream through the dialogues and scenes. We would like to argue that Minari follows the convention of the American dream narratives. However, due to displacement and unhomeliness, the film shows how Korean immigrants experience being awkwardly immersed within the mainstream American cultural discourse.