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All Journal HUMANIKA Harmonia: Journal of Research and Education ATAVISME JURNAL ILMIAH KAJIAN SASTRA Panggung METASASTRA: Jurnal Penelitian Sastra Kandai Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam JENTERA: Jurnal Kajian Sastra Metahumaniora Loa : Jurnal Ketatabahasaan dan Kesusastraan Pustaka : Jurnal Ilmu-Ilmu Budaya Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Wacana: Journal of the Humanities of Indonesia Riksa Bahasa: Jurnal Bahasa, Sastra, dan Pembelajarannya PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung Serat: Journal of Literature and Cultural Studies Sawerigading Indonesian Language Education and Literature
Teddi Muhtadin
Fakultas Ilmu Budaya - Universitas Padjadjaran
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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The Narrator's Perception of Homosexual in Catetan Poean Rere By Ai Koraliati And My Cousin Is Gay By Lia Indra Andriana Zulfikar Alamsyah; Lina Meilinawati Rahayu; Teddi Muhtadin
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 5, No 1 (2022): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i1.3987

Abstract

The purpose of this study is to reveal the narrator's perception of homosexuality and the ideology contained in the Noveletet Catetan Poéan Réré and the teenlit Novelet My Cousin is Gay. The method used in this research is descriptive analytic. Reading and taking notes are the data collection techniques of this study. The data processing technique used is data triangulation. The results of this study indicate that there are eight perceptions of the narrator towards homosexuals, namely homosexuality as a disgrace that must be hidden, a wrong deed, a disease that must be cured, a person who is strange or not in general, a difficult life to live, a bad person, a trial that given by God, and one's life choices that must be respected. There are two ideologies in Catetan Poéan Réré's Noveletet, namely the ideology of conservatism and the ideology of theism. Likewise in the teenlit Novelet My Cousin is Gay which has two ideologies, namely the ideology of conservatism and the ideology of liberalism. The conclusion in this study is that negative perceptions of homosexual behavior are more dominant in both literary works. The ideologies in the Noveletet Catetan Poéan Réré have a close correlation because the two ideologies try to maintain heterosexuality in their society. The author and the narrator have the same voice in addressing homosexual behavior. While the ideology in the teenlit Novelet My Cousin is Gay has no correlation. The author and several characters in the story have a conservatism ideology that tries to maintain heteronormativity. This is contrary to the ideology of liberalism that appears in the middle of the story through the narrator's point of view. Therefore, the writer and narrator in this Novelet do not have the same voice in dealing with homosexuals.
FOLKLOR DEWI RENGGANIS SEBAGAI MOTIF DASAR NOVEL CANTIK ITU LUKA KARYA EKA KURIAWAN Teddi Muhtadin
JENTERA: Jurnal Kajian Sastra Vol 10, No 1 (2021): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v10i1.3589

Abstract

Abstrak:Ditulis isi berisi pembacaan novel Cantik itu Luka (2002) karya Eka Kurniawan dengan perspektif folklor. Hal itu dilakukan karena, menurut hemat kami, dunia folklor melandasi keseluruhan novel tersebut. Dengan menggunakan teori folklor dan semiotika Charles Sander Peirce akan dijelaskan ciri folklor, kedudukan folklor dalam struktur novel, serta makna dan ideologi novel. Hasilnya menunjukkan bahwa folklor Dewi Rengganis yang ada di dalam novel merupakan motif dasar atau la mise en abyme ‘tanda kecil yang memiliki acuan besar’ bagi keseluruhan novel. Oleh karena itu, keseluruhan novel dapat diinterpretasikan berdasarkan motif folklor tersebut dan ideologi novel dapat diinterpretasikan berdasarkan sifat-sifat folklor. Dengan mengacu pada motif dasar tersebut maka novel Cantik itu Luka menunjukkan adanya upaya penggabungan dan penjajaran dari hal-hal yang berbeda bahkan bertentangan, serta pengulangan dengan variasi yang berbeda dari motif dasar.
MITOS NYAI RORO KIDUL DALAM NOVEL SANG NYAI Suci Andari; Safrina Noorman; Teddi Muhtadin
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol 13, No 02 (2016): Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v13i02.1977

Abstract

This writing titled "Mitos Nyai Roro Kidul dalam Novel Sang Nyai". The data is a mythical story of Nyai Roro Kidul on the Sang Nyai novel as a reference text. The theory used structural analysis refers to the actansial Greimas. Based on the structure of the search results found work in seven events in actant scheme that drives the plot of the novel. In this study indicates the utilization of Nyai Roro Kidul myth on the level of plot, character, and background. From the analysis of the structure of meaning found in the form of myths utilization objectification, commodification and demystified
Kesundaan dalam Keindonesiaan: Memahami Sajak Sunda Tahun 1950-an Teddi Muhtadin
PANGGUNG Vol 33, No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2620

Abstract

Tulisan ini berfokus pada pemahaman sajak Sunda yang ditulis tahun 1950-an. Tujuannya untuk mengungkap representasi kesundaan dalam bingkai keindonesiaan. Tujuan tersebut dicapai dengan menggunakan teori semantik semiotika. Hasilnya untuk mengungkapkan bahwa secara semantik, sajak Sunda didominasi oleh tanda ikonis diagramatis dan tanda ikonis metaforis. Tanda ikonis diagramatis menempatkan keindonesiaan di depan kesundaan dan tanda ikonis metaforis menggambarkan bahwa keindonesiaan dapat dijelaskan dengan tradisi kesundaan. Artinya bahwa keindonesiaan terkandung di dalam kesundaan. Selain itu, terungkap pula identitas kesundaan berubah seiring berubahnya bingkai keindonesiaan. Ketika pada tahun 1950-an bingkai keindonesiaan menyempit dan menjadikan kesundaan tereksklusi, maka kesempatan tersebut dipakai untuk melihat dan memahami kesundaan kembali. Dalam pertemuannya dengan keindonesiaan yang menjadi tujuan kesundaan, kesundaan pun menemukan kesundaan yang paling primordial sekaligus berusaha mengatasi kesundaan yang berorientasi kejawaan. Kata kunci: sajak, sunda, gerakan kesundaan
INOVASI BAHASA SUNDA DI KECAMATAN SALEM KABUPATEN BREBES JAWA TENGAH Wahya Wahya; Cece Sobarna; Teddi Muhtadin; Hera Meganova Lyra
Riksa Bahasa Vol 2, No 1 (2016): Riksa Bahasa Vol. 2 No.1 Maret 2016
Publisher : Sekolah Pascasarjana Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/rb.v2i1.8784

Abstract

Perkembangan bahasa Sunda di Kecamatan Salem, Kabupaten Brebes, Provinsi Jawa Tengah ini berbeda dengan bahasa  Sunda di tempat lain. Kondisi lingkungan budaya dan bahasanya berbeda dengan kondisi lingkungan budaya dan bahasa Sunda lainnya. Kabupaten ini berada di daerah perbatasan dua bahasa: Sunda dan Jawa. Secara genealogis, bahasa Sunda di wilayah ini berasal dari bahasa Sunda yang ada. Dengan demikian, secara historis, bahasa Sunda di lokasi penelitian berasal dari satu bahasa Sunda. Penelitian ini bertujuan mendeskrispsikan inovasi internal dan inovasi eksternal yang terjadi dalam bahasa Sunda di Kecamatan Salem, Kabupaten Brebes, Jawa Tengah. Metode Pengumpulan data yang digunakan adalah metode simak dan cakap. Informan yang diwawancarai hanya satu orang di setiap desa. Hasil penelitian menunjukkan terdapatnya leksikon bahasa Sunda setempat yang merupakan hasil inovasi internal, baik inovasi internal parsial maupun inovasi internal penuh. Di samping itu, ditemukan leksikon yang merupakan hasil inovasi eksternal akibat pengaruh dari bahasa Jawa setempat.Kata kunci: inovasi internal; inovasi eksternal; bahasa Sunda; Kecamatan Salem.
LANDSCAPE AND THE SILENCE OF COLONIALISM NARRATIVE IN THE FIRST SUNDANESE NOVEL (1914) Asep Yusup Hudayat; Lina Meilinawati; Teddi Muhtadin
Prosiding Seminar Nasional dan Internasional HISKI 2020: 29TH INTERNATIONAL CONFERENCE ON LITERATURE AND HISKI 36TH ANNIVERSARY IN GORONTALO 2020 (Lite
Publisher : Himpunan Sarjana-Kesusastraan Indonesia (HISKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/psni.v0i0.56

Abstract

The landscape (nature and domestic space) in the first Sundanese novel (1914) Baruang ka nu Ngarora” Poison for the Youth”, which was published during the colonial period of the Dutch East Indies, can be interpreted as ambiguous, which has the potential to show a palimpsest. The reasons are (1) the landscape (especially nature) in the novel has an atmosphere of silence, (2) the atmosphere cannot be interpreted as peaceful, but how the problems surrounding the practice of colonialism are likely to be hidden, diverted, or even interpreted, and (3) the landscape has the potential as a layered text based on memory traces inherent in narratives about the changing natural landscapes and domestic space. Thus, this study aims to uncover the potential of landscapes as areas of hiding, diversifying, and suppressing the narratives of colonialism. The approach used for this purpose is postcolonial. From a postcolonial perspective, Loomba (2003: 92-93) states that literature is also an important means of taking, reversing, or opposing the dominant colonial means and ideologies. This study also uses the palimpsest concept to show the overlapping phenomenon of pre-colonial and colonial narratives in the natural landscape and domestic space, which indicates the hidden narrative of colonialism behind this background. The result of this research is the silence of the narrative of colonialism in the background of natural landscapes and domestic space which is constructed as hiding and transferring of colonialism narratives.
POTRET PERGUNDIKAN: PERLAKUAN, PERGULATAN, DAN JEJARING DALAM ROMAN SUNDA CARIOS AGAN PERMAS KARYA JOEHANA Irma Nurhidayah; Muhamad Adji; Teddi Muhtadin
LOA: Jurnal Ketatabahasaan dan Kesusastraan Vol 18, No 2 (2023): LOA
Publisher : Kantor Bahasa Kalimantan Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/loa.v18i2.6460

Abstract

Artikel ini bertujuan untuk memaparkan kaitan teks dalam roman Sunda Carios Agan Permas karya Joehana dengan realitas pergundikan pada masa penjajahan Belanda yang terjadi terhadap masyarakat Sunda. Metode yang digunakan dalam penelitian ini adalah deskriptif-kualitatif. Pendekatan sosiologi sastra dan tinjauan sejarah digunakan untuk melihat penggambaran pergundikan dalam roman yang dipandang sebagai representasi realitas mengenai pergundikan. Hasil penelitiannya, penggambaran pergundikan melalui hubungan harmonis Tuan kepada gundiknya adalah representasi dari gundik yang mendapatkan nasib baik. Pergulatan kelas sosial gundik cacah bertujuan untuk menaikkan status sosialnya di masyarakat sehingga penyamaran sebagai menak adalah representasi dari gundik cacah yang sombong. Pandangan masyarakat yang mendukung praktik pergundikan membentuk suatu jejaring dari masyarakat yang tidak bertentangan karena memiliki tujuan untuk kepentingan pribadi seperti status sosial, uang, dan gaya hidup. Teks dalam roman berkaitan dengan fakta sejarah pergundikan merupakan bagian dari penuangan gagasan Joehana melalui karya sastra dalam bentuk roman berbahasa Sunda.
KESENYAPAN NARASI KOLONIALISME DALAM NOVEL-NOVEL SUNDA RENTANG 1914—1940: WACANA MENGINGAT DAN MELUPAKAN (The Silent of Colonialism Narratives in Sundanese Novels Circa 1914—1940: Memory Discourse about Remembering and Forgetting) Hudayat, Asep Yusup; Rahayu, Lina Meilinawati; Muhtadin, Teddi A.N.
Kandai Vol 19, No 1 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i1.4402

Abstract

In the early 20th century circa 1914–1940 were Sundanese novels almost "silent" from the colonialism narratives. This condition shows that memories were forgotten, suppressed, ignored, or even omitted in literary works because of the domination of the Dutch East Indies. However, the colonial traces can be revealed through how the narratives are constructed and presented. Through their works, the authors (from the middle class and educated) told about social reality and themselves in the challenges of social change in the early 20th century. This paper aims to reveal the memory selection process of Sundanese novelists in the early 20th century in producing their works under the dominant forces influences: feudal and colonial. The data analysis techniques were as follows, (a) data instrumens: narrative tools, special expressions, projection, and contruction (b) describing the data instrumens, (c) interpreting the data, (d) conclusions. The analysis results are: (1) the authors positioning (as teachers, natives, and employees of the Balai Pustaka) had an affects on the memories selections that were used to constructing narratives about domination and power, (2) the narratives of colonialism memories in five novels are built in three ways: suppressed, diverted, and even erased, (3) The voices behind the colonialism-narratives silent are expressed through the metaphorical traces of power, the pre-colonial and colonial memories as background, and indigenous marginal discourse. Pada awal abad ke-20 sekitar tahun 1914—1940 novel-novel Sunda nyaris “diam” dari narasi kolonialisme. Kondisi ini menunjukkan bahwa ingatan dilupakan, ditekan, diabaikan, atau bahkan dihilangkan dalam karya sastra karena dominasi Hindia Belanda. Namun, jejak kolonial dapat terungkap melalui bagaimana narasi dibangun dan disajikan. Melalui karya-karyanya, para pengarang (dari kelas menengah dan terpelajar) bercerita tentang realitas sosial dan diri mereka sendiri dalam tantangan perubahan sosial di awal abad ke-20. Tulisan ini bertujuan untuk mengungkap proses seleksi ingatan para novelis Sunda di awal abad 20 dalam menghasilkan karya-karyanya di bawah pengaruh kekuatan dominan: feodal dan kolonial. Teknik analisis data adalah sebagai berikut, (a) instrumen data: alat naratif, ungkapan khusus, proyeksi, dan konstruksi (b) mendeskripsikan instrumen data, (c) menafsirkan data, (d) kesimpulan. Hasil analisis adalah: (1) positioning pengarang (sebagai guru, pribumi, dan pegawai Balai Pustaka) berpengaruh terhadap pemilihan memori yang digunakan untuk mengkonstruksi narasi tentang dominasi dan kekuasaan, (2) narasi memori kolonialisme dalam lima novel dibangun melalui tiga cara: ditekan, dialihkan, dan bahkan dihapus, (3) suara-suara di balik narasi-narasi kolonialisme diekspresikan melalui jejak metaforis kekuasaan, kenangan pra-kolonial dan kolonial sebagai latar, dan marginalisasi pribumi.
Representation of the Meaning of Indung in Artworks Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29800

Abstract

Indung means mother in Sundanese. Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. The word indung, which is found in almost all elements of Sundanese culture and manifests in Sundanese artifacts, has an invisible meaning. The meaning of indung in the perspective of Sundanese culture that exists in today’s society has not been explored. The meaning of indung from a cultural perspective needs to be searched for. There have not been found artworks with the theme of indung from a Sundanese cultural perspective, so it is necessary to explore representations in artworks. This study employs the Art-based Research method, in which an investigation is carried out on the data, and the results are represented in artworks. Through questionnaires, interviews, and literature studies, the meaning of indung is extracted and then tabulated to be classified and analyzed. The results of data processing showed that indung has many meanings, the result of converging data from the literature, questionnaire and interview the whole there are 17 meanings, among which the nurse, angel, house, huge, source of life, earth, embrace, harmony, the center of life, and love. The results of data processing are represented in artworks. Artworks made based on the meaning of indung are limited to three titles, namely Sumber Kehidupan (Source of Life), Merangkul (Embracing), and Rumah yang Hangat (Warm Home). The visual exploration contained in the three titles is made using stylized forms with a decorative style, using elements of motifs and colors from West Javanese batik. The media and techniques used are found in written batik. The results of the visualization of the meaning of indung of the three artworks that are created can be concluded that the meaning of indung cannot be symbolized singly.
Ngabandungan Banda Indung Interpretasi Kepercayaan Masyarakat Sunda Rancakalong melalui Seni Visual Rini Maulina; Setiawan Sabana; Nuning Yanti Damayanti; Teddi Muhtadin
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.1204

Abstract

ABSTRACTIndung (mother) in Sundanese culture is not only meaningful as a mother who gives birth, but has a broadmeaning and contains motherhood. Sundanese people have a tradition of appreciating the indung, seenfrom the mention of the indung in Paribasa, Babasan, Carita Pantun, and mythology. The maternal natureof Sunan Ambu, Dayang Sumbi and Nyi Sri Pohaci, was placed in the highest position as a glorificationof the indung. The results of the study showed that the philosophy contained in the traditional ceremonyof Ngalaksa in Rancakalong, Sumedang, contains the meaning of broad indung, interpreted into the formof visual artwork “Ngabandungan Banda Indung”, based on the problem of interpretation the meaningof the mother in visual artwork has been limited to mothers who give birth. Using the Art Based Researchmethod, the creation of research-based artwork. Aimed at interpretation of the wider meaning of the landin the form of the depiction of the banda indung (mother’s wealth) such as rice plants, honje, Kawung,Kalapa, jagong, with the depiction of batik, using glass painting techniques.Keywords: Art Based Research, Banda Indung, Nyi Sri Pohaci, Rancakalong, Visual ArtABSTRAKIndung (ibu) dalam budaya Sunda tidak hanya bermakna sebagai ibu yang melahirkan, tapimemiliki makna yang luas dan mengandung sifat keibuan. Masyarakat Sunda memiliki tradisilebih menghargai indung, terlihat dari penyebutan indung pada paribasa, babasan, carita pantun,dan mitologi. Sifat keibuan terdapat pada Sunan Ambu, Dayang Sumbi, dan Nyi Sri Pohaci,ditempatkan pada posisi tertinggi sebagai pemuliaan indung. Hasil penelitian menunjukkanfalsafah yang terkandung dalam upacara adat Ngalaksa di Rancakalong, Sumedang,mengandung makna indung yang luas, diinterpretasikan ke dalam bentuk karya seni visualNgabandungan Banda Indung, berdasarkan permasalahan interpretasi terhadap makna ibu dalamkarya seni visual selama ini terbatas pada ibu yang melahirkan. Menggunakan metode ArtBased Research, penciptaan karya seni berbasis penelitian. Bertujuan sebagai interpretasi maknaindung yang lebih luas berupa penggambaran banda indung (kekayaan Ibu) seperti tanamanpadi, honje, kawung, kalapa, jagong, dengan penggambaran batik, menggunakan teknik lukiskaca.Kata Kunci: Art Based Research, Banda Indung, Nyi Sri Pohaci, Rancakalong, Seni Visual.
Co-Authors Adi Kurniawan Anzailla, Wening Sari Aquarini Priyatna Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Asri Soraya Afsari Cece Sobarna Faza Fauzan Azhima Hendrayana, Dian Hera Meganova Lyra Indrawan Dwisetya Suhendi, Indrawan Dwisetya Irma Nurhidayah Lia Maulia Indrayani Lina Meilinawati Lina Meilinawati Rahayu Liska Puri Maulina, Rini Mikihiro Moriyama, Mikihiro Muhamad Adji Nuning Yanti Damayanti Nuning Yanti Damayanti OPAH ROPIAH, OPAH Rani, Seni Melia Reiza D. Dienaputra Rini Maulina Safrina Noorman Sartika Sari Setiawan Sabana Setiawan Sabana Suci Andari Tisna Prabasmoro Wahya Wahya Wening Sari Anzailla Widyo Nugrahanto Yuliawati, Susi Zulfikar Alamsyah