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All Journal E-Journal Of Cultural Studies Segara Widya: Jurnal Penelitian Seni Panggung Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Journal of Aesthetics, Design, and Art Management Hastagina: Jurnal Kriya dan Indsutri Kreatif Serat Rupa: Journal of Design
Ida Ayu Gede Artayani
Program Studi Kriya, FSRD, ISI Denpasar
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Teknik Pembelajaran Dan Pembentukan Keramik Menggunakan Elletric Wheel Di UD.Tri Surya Keramik Br.Belulang, Desa Kapal Kecamatan Mengwi Kabupaten Badung Putu, Tari mey jessica; Artayani, Ida Ayu Gede; Muka, I Ketut
Hastagina : Jurnal Kriya Seni Vol 5 No 01 (2025): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i01.4306

Abstract

This study aims to create ceramic works using the Electric Wheel technique at UD. Tri Surya, a ceramic company focused on producing high-quality ceramics. This research is driven by the importance of innovation in the ceramic world, particularly in the manufacturing techniques that can produce more complex ceramic forms while being more efficient. The Electric Wheel technique is one method of ceramic production that uses an electrically powered spinning wheel, providing stable speed and ease in shaping clay. The research methodology employed is an experimental approach, where the author creates ceramic works through several stages: preparation of raw clay materials, mixing, shaping with the Electric Wheel, drying, firing, and glazing. This technique is applied to create various forms, ranging from utilitarian ceramics to ceramic art pieces. This study also explores the creative process faced by artisans in using the Electric Wheel and its impact on the quality and aesthetics of the resulting ceramic products. The results of this research show that the Electric Wheel technique offers many advantages, such as precision in shaping and time efficiency. The ceramic works produced are more structured and symmetrical compared to those made with manual pottery wheels. However, the study also identifies several challenges encountered in using this technique, such as speed control and adjustment to specific types of clay. Overall, this study provides a significant contribution to the development of ceramic manufacturing techniques in the industry, particularly in terms of technological innovation and creativity. The application of the Electric Wheel technique at UD. Tri Surya has opened opportunities for improved production quality and product competitiveness, as well as enhancing artisans' understanding of technology use in ceramic art.
Amreta Ing Huma Seni Hidroponik Upcycled Glass dan Keramik Ismayana, Diva; I Nyoman Suardina; Ida Ayu Gede Artayani
Segara Widya : Jurnal Penelitian Seni Vol. 13 No. 1 (2025)
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/sw.v13i1.3241

Abstract

Tujuan agar penciptaan koleksi karya Amreta Ing Huma Seni Hidroponik Upcycled Glass dan Keramik dapatbermanfaat memberikan kontribusi terhadap generasi muda serta memberikan edukasi yang berbasis budaya Indonesia. Pendekatan yang digunakan dalam penelitian ini yaitu estetika dari Clive Bell dan William Morris serta pendekatan seni ekologis berkelanjutan. Temuan dalam penciptaan ini adalah koleksi karya seni berjudul Amreta Ing Huma. Koleksi dengan judulAmreta Ing Huma diartikan sebagai air kehidupan di sawah merupakan penciptaan karya seni berbasis seni ekologis (ecological art). Koleksi karya seni Amreta Ing Huma mewakili imaji seni dengan ide pemantik fenomena degradasi lingkungan dan seni hidroponik, terimplementasidengan penggunaan material limbah kaca bening dan limbah kaca botol wine berwarna hijau, material keramik dengan teknik glasir, tanaman microgreens, tanaman herbal semusim serta berbabagi medium tanam pada seni hidroponik atau soilless culture. Koleksi karya seni Amreta Ing Huma diartikan sebagai sesuatu yang memicu emosi estetis berdasarkan susunan formalnya dan mengisi ruang imajinasi personal bagi audiens atau pemirsa selain ditelaah secara formalis. Ketika seseorang menikmati karya seni Amreta Ing Huma hanya mampu mengapresiasi dimensi formal karya tersebut selama beberapa menit saja. Selebihnya pemirsa cenderung melayang dalam imajinasi personalnya tentang kesan psikologis karya seni “air kehidupan di sawah”.
Busana Unisex Berbasis Kain Tradisional Rangrang Bali Dewi, Ni Putu Chyntia; Nyoman Dewi, Pebryani; Ida Ayu Gede, Artayani
Serat Rupa: Journal of Design Vol 9 No 2 (2025): JULI-2025
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v9i2.11923

Abstract

This study aims to preserve the traditional Balinese Rangrang fabric through unisex fashion design combined with environmentally friendly fabrics. Through this approach, it is expected to support the preservation of Indonesian cultural heritage, create contemporary fashion so that it can compete in the global market, reduce fast fashion waste and meet the lifestyle of generation Z amidst the flow of globalization. This preservation is not only to preserve, but also as an effort to recognize Balinese Rangrang fabric in WBTBI (Indonesian Intangible Cultural Heritage), as we know that this fabric has not been recognized in WBTBI, even though this fabric has been passed down from generation to generation by the people of Nusa Penida. Using a descriptive qualitative approach, data was collected through a literature study on Balinese Rangrang fabric, the characteristics of unisex fashion and the characteristics of generation Z fashion. Interviews with weaving owners, weavers and desainers to obtain more in-depth information. The results of the study show that the design of deluxe ready-to-wear unisex fashion based on Balinese Rangrang fabric is an effective step to preserve Rangrang fabric and reduce fast fashion waste. This research contributes to the development of contemporary fashion that contains traditional values in modern fashion design that is relevant to the needs of generation Z.    
Penciptaan Keramik Earthenware Dan Stoneware Pada Bedroom Di Hotel Fourteen Roses Boutique, Legian, Kuta, Badung Suartana, Putu Erik; Artayani, Ida Ayu Gede; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3168

Abstract

A hotel is an accommodation facility that provides lodging facilities as well as commercial food and beverage services. Because it is commercial, the hotel is equipped with supporting facilities such as; halls, lobby, restaurants, management offices and others. Hotels are divided into several types whose classification is reviewed from various purposes such as; the purpose of the guest's arrival, the length of the guest's stay, the number of rooms, the location and based on the division of star hotel clusters. The number of hotels spread across Bali is directly proportional to the increasing need for exterior and interior complementary products, it is interesting to explore further in creating ceramic products made of earthenware and stoneware as an answer to the exterior and interior needs of a hotel. Based on this phenomenon, then this was realized in the implementation of the MBKM program of the Independent Project scheme. SP Gustami creation method is used such as exploration, design, and embodiment in the process of realizing the creation of ceramic products. Exploration is carried out in two steps, namely idea exploration and physical exploration as the basis for designing ceramic products. The design is carried out by visualizing the idea in the form of alternative sketches and selected sketches. The final process of this method is that the embodiment is carried out according to the selected sketch. The result is in the form of 4 functional ceramic products in the form of teapot products, shampoo holders, snack and fruit holders, and sleeping lamps, as well as 1 wall decoration work, by applying a brick motif arrangement decoration inspired by the Fourteen Roses Boutique Hotel concept, and applying glaze colors inspired by pink and maroon rose colors. The products that have been produced will later be used in the Intermediate Room of the Fourteen Roses Boutique Hotel aiming to provide comfort and harmony for each user.
Study of Natural Color Processing in The Creation of Ecoprint Products at UMKM Griya Anyar Dewata Nadwitya Pramesthi, I Gusti Ayu; Gede Artayani, Ida Ayu
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4282

Abstract

The development of production in textile industry continues to follow current trends, which is fast fashion. Fast fashion is a textile industry that provides the latest fashion that is classified as mass market orientation, namely textile production in large quantities and scales. The fast fashion production process has a negative impact on releasing liquid waste. The waste comes from synthetic colouring which can pollute rivers and domestic waters. People also tend to be consumptive towards inconsistent fashion trends with low fabric quality. This phenomenon is important to further examine for the sake of environmental sustainability. Therefore, this study can be an alternative solution in reducing the impact of synthetic dyes. This study focuses on the processing techniques of natural materials as natural dyes. The technique used in the processing natural materials is ecoprint technique. The result of the application is to create ecoprint products such as bags, scarves, and feysen clothing. The purpose of this study is to provide knowledge and an overview of the processing of natural materials into high-value fashion products that support the concept of sustainable fashion, have great potential of their uniqueness and expected to provide new innovations that produce quality and highly competitive products. The deepening learn of  ecoprint technique uses the active participation method. In line with the internship activities, the active participation method means that in the process of product creation, the author collaborates with partners and expert colleagues who will encourage and take benefit in product creation
Eksplorasi Tanah Terracotta dengan Iron Oksida dalam Pembuatan Produk Keramik Tana Ampo: Eksplorasi Tanah Terracotta dengan Iron Oksida dalam Pembuatan Produk Keramik Tana Ampo Kariada Pramana, I Komang; Arimbawa, I Made Gede; Artayani, Ida Ayu Gede
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5676

Abstract

Ceramics is a unique art medium due to its reliance on high-temperature firing at every stage of its formation. Generally, ceramics are objects made from clay and fired to achieve specific forms and characteristics. The development of ceramic art has progressed significantly in recent years, particularly in terms of technique, materials, and supporting tools. In Bali, especially in tourist areas, the ceramic industry has flourished. However, this growth contrasts with the situation in Singaraja, which is more recognized for its traditional glass painting, wood carving, and earthenware crafts. This disparity motivated the author to explore ceramic art through the at Tana Ampo Pottery Studio in Sukawati, Gianyar. The author focused on three main aspects during the internship: (a) the development of the ceramic business at Tana Ampo Pottery Studio, (b) the ceramic forming and creation process, and (c) collaborative approaches in artistic production. The internship involved a collaborative method that included direct observation, literature review, and experimentation with local soil materials combined with iron oxide. The aim was to create a new clay character distinct from commercial clay. The outcome resulted in five ceramic artworks: three wall installations and two three-dimensional pieces, with stone-like visual characteristics in both color and texture. These works integrated Northern Balinese ornament motifs and wayang (shadow puppet) character expressions to reflect and strengthen local identity through artistic expression.
LIMBAH SPREI HOTEL SEBAGAI PRODUK MERCHANDISE DENGAN TEKNIK UPCYCLING Andrianto, Naomi Eunike Erasti; Laba, I Nyoman; Artayani, Ida Ayu Gede
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5680

Abstract

The rapid growth of Bali’s tourism sector has increased hotel occupancy and the frequency of bedsheet replacement, shortening the lifespan of linens and generating large amounts of textile waste. This waste is usually sold without processing, although used hotel linens have high potential as an environmentally friendly and economically valuable upcycling material. This study identifies the potential of hotel linen waste as a recyclable material and describes the process of turning it into value-added merchandise products. The research used a descriptive–collaborative method with a qualitative approach through direct field observation and a review of relevant literature. PT TRI Cinta Bumi, a creative industry engaged in sustainability, was involved to demonstrate how hotel linen waste can be transformed into merchandise. Processing stages included sorting fabrics by quality and color, designing to meet market trends, re-dyeing to enhance visual appeal, and sewing into prototypes. The products were then assessed for aesthetics and functionality and tested with limited market responses to determine acceptance. Findings show that upcycling techniques applied to retired hotel bedsheets produce functional, aesthetically appealing products well received by the market, such as bandanas, small bags, and scrunchies. These results indicate that using textile waste as an alternative raw material offers significant potential to support sustainable practices, design innovation, creative economic empowerment, and market expansion. Furthermore, the process provides new insights for the creative industry on the use of textile waste not only for merchandise but also for decorative items, experimental textile media, and collectible artworks.
Co-Authors Andrianto, Naomi Eunike Erasti Arimbawa, I Gede Dewi, Ni Putu Chyntia Gede Arimbawa, I Made I Gusti Ngurah Diva Ismayana Tjahjadi I Ketut Muka I Made Mertanadi I Nyoman Suarka I Nyoman, suardina I Wayan Adnyana I Wayan Ardika I Wayan Suardana I Wayan Sudana I Wayan Suwena I Wayan Suwena Ismayana, Diva Kariada Pramana, I Komang Karuni, Ni Kadek Laba, I Nyoman Nadwitya Pramesthi, I Gusti Ayu Ni Kadek Karuni Ni Made Rai Sunarini, Ni Made Rai Nurlaeli Dwi Safitri Nyoman Dewi Pebryani Putu, Tari mey jessica Rai Gede Wahyudi Putra Suartana, Putu Erik