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All Journal Gorga : Jurnal Seni Rupa MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts International Journal of Applied Sciences and Smart Technologies Melayu Arts and Performance Journal Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun Style : Journal of Fashion Design Abdi Widya: Jurnal Pengabdian Masyarakat Bhumidevi : Journal Of Fashion Design Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Serat Rupa: Journal of Design
Nyoman Dewi Pebryani
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Symmetry Analysis of Double-ikat Textile Patterns: Patan Patola and Geringsing Dewi Pebryani, Nyoman
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 1 No 2 (2018): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (10151.117 KB) | DOI: 10.31091/lekesan.v1i2.493

Abstract

Symmetry analysis of textile patterns, which appear in the Patan Patola and Geringsing textiles produced by the double ikat technique in India and Indonesia, can provide information about the cultural relationship between ethnic groups. Symmetry is categorized into classes according to the Symmetry Group Theory. This article is based on a study in which eight textile samples were used: four Patan Patola textiles and four Geringsing textiles collected from an exhibition catalog. Each sample was examined based on the Symmetry Group Theory and divided into three class categories: point symmetry, one-dimensional, and two-dimensional classes. The results indicate high similarities among the symmetry classes of samples from these two ethnic groups, thereby suggesting that the patterns possess a common connection. Patan Patola and Geringsing textile patterns admitted pmm2 and d4in all samples, indicating intense interactions.
PENDEKATAN BIOPHILIC DESIGN DALAM PERANCANGAN INTERIOR PUSAT REHABILITASI SERTA PEMBERDAYAAN ANJING DAN KUCING TERLANTAR Maria Yolanda Vincent; Nyoman Dewi Pebryani; I Kadek Dwi Noorwatha
Jurnal Vastukara Vol 2 No 1 (2022): Jurnal Vastukara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Anjing dan kucing menjadi salah satu hewan peliharaan favorit di Bali. Hal ini ditunjukkan dengan populasi anjing dan kucing di Bali terus meningkat setiap tahunnya. Meskipun begitu, tidak semua pemilik hewan sadar akan komitmen dan tanggungjawab dalam merawat dan mengontrol atau melatih anjing dan kucing peliharaannya, yang berujung pada peningkatan jumlah anjing dan kucing yang diterlantarkan atau dibuang. Jika dibiarkan begitu saja, hal ini dapat berdampak serius bagi manusia dan bagi terutama anjing dan kucing itu sendiri yaitu trauma fisik dan psikis. Oleh karena itu, diperlukan sebuah fasilitas tempat penampungan yang juga dapat merehabilitasi dan melatih disiplin anjing dan kucing terlantar di Bali agar siap diadopsi dan mampu berinteraksi dengan lingkungan sekitar. Perancangan interior pusat rehabilitasi dan pemberdayaan anjing dan kucing terlantar ini dilakukan untuk memfasilitasi anjing dan kucing yang terlantar dan masyarakat yang ingin mengadopsi dan belajar melatih hewan peliharaannya. Berdasarkan permasalahan yang dianalisis hingga solusi yang didapat berupa desain dengan konsep Karma Amlas Asih. Dalam perwujudan visualisasi konsep menggunakan pendekatan desain biofilik. Pendekatan desain biofilik yang digunakan dengan memaksimalkan unsur alam ke dalam tiap elemen interior bangunan berupa tanaman, warna, material, sirkulasi udara, cahaya, suara dan lainnya. Penggunaan desain biofilik dapat menjadi salah satu strategi desain untuk menunjang aktivitas civitas di dalam ruang yaitu manusia dan hewan (anjing dan kucing).
Weft Computation of Endek Weaving Nyoman Dewi Pebryani; Putu Manik Prihatini; Tjok Istri Ratna C.S
International Journal of Applied Sciences and Smart Technologies Volume 04, Issue 01, June 2022
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijasst.v4i1.4666

Abstract

Endek is a textile produces in Bali with a single ikat technique, specifically weft ikat. Weft ikat means that the pattern is created or drawn on the weft threads before ikat or tying process. The weft threads are transferred into a frame; a frame consists of tens to hundreds of bundles or called traditionally as bulih. Drawing a pattern on a frame requires special expertise as the pattern maker has to translate a two-dimensional pattern into a shape that is distorted on the wide side. Indirectly, this special requirement confines the pattern maker as they have to visualize a distortion shape to be able to draw in the frame. To provide easiness in design exploration, providing various templates and multiplier to automatically distort the template are substantial. Therefore, understanding the manual process on site is important before simulating the formula of weft computation including are templates and multiplier. With this computation, the pattern makers or anyone who has an enthusiast in designing Endek patterns may involve in the design process.
Transformasi Digital pada Budaya Tradisi Menenun Endek Nyoman Dewi Pebryani; Tjok Istri Ratna C.S; Anak Agung Rai Remawa; I Made Radiawan
Mudra Jurnal Seni Budaya Vol 37 No 1 (2022): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v37i1.1886

Abstract

Endekis traditional textile produce in Bali using a single ikat weaving technique. In single ikat, the resist is formed by binding individual yarns or bundles of yarns with a tight wrapping applied in the desired pattern on one side of threads, either the warpor the weft. Specifically, for Endek, the weft is the threads to form the pattern. Producing patterns in Endekinvolves creativity and intricate calculation; therefore, not many people are able to master this expertise. Transforming the design process of Endekto a digital application provides easiness, as the user only needs to focus on creating the pattern design, while the digital application will calculate the number of threads and visualize the result. To understand the process of creating Endek, the researcher conducted research in the weaving place by interviewing and observing the weavers and pattern makers. The algorithm received from the fieldwork then is translated into programming language to create a digital application. This application is created with a simple user interface so that the user who is not familiar with technology still can practice the apps easily. This application contributes to the efficiency in production process where previously in the production process needs one to two days, while with this application, it can be shortened to one to two hours.
Aplikasi Desain Motif Tenun Songket Bali Nyoman Dewi Pebryani; Tjok Istri Ratna, C.S.; Putu Manik Prihatini
Mudra Jurnal Seni Budaya Vol 37 No 3 (2022)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v37i3.2025

Abstract

Songket weaving is an Indonesian cultural heritage that has been passed down from generation to generation. Every region in Indonesia has its own Songket weaving, depending on the region’s characteristics. Bali island is one well-known region in Indonesia for Songket weaving. In the past, Songket weaving in Bali was only made for caste members and the royal family. At that time, only people in the royal family were able to make Songket weaving. The songket weaving process in Bali was mainly performed using a weaving tool called cagcag. The songket weaving pattern (motif) was made using a sungkit technique—interlace between threads to create a motif. The making of the songket motif begins with arranging the thread according to the desired motif before the weaving process. Information about the motif was spread in Guun. In general, songket weaving in Bali island has tens to hundreds of Guun. The skills to break the desired motif into the Guun is quite a complicated process. Therefore, not many weavers master the process of making songket motifs. Most of the motif makers continue or imitate existing motifs. Currently, a motif maker who can make a motif from scratch is rare. In order to help break motifs into Guun, an in-depth understanding of the calculation of making songket motifs is required. Then, this understanding is transformed into an application that can help motif makers to visualize motifs into Guum. The design application will provide multiple benefits for the motif makers and serve as an effort of culture preservation by introducing a design application to make songket motifs for younger generations. Therefore, they are expected to contribute to making songket weaving motifs.
Anggaru Klawu: Metafora Fauna Endemik Indonesia Owa Jawa Dalam Penciptaan Busana Dengan Art Of Beat Style Mitariani -; I Nyoman Artayasa; Nyoman Dewi Pebryani
Style : Journal of Fashion Design Vol 1, No 1 (2021): Style : Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (621.047 KB) | DOI: 10.26887/style.v1i1.2112

Abstract

Indonesia is a country which has a diversity of flora and fauna. One of the endemic faunas of Indonesia is the Javan Gibbon. The Javan Gibbon (Hylobates Moloch) is a species of small ape without a tail with long arms, gray hair, and a distinctive voice. The Javan gibbon is an animal that is startining become endangered animal and almost extinct so that the IUCN Redlist has categorized as an  "endangered" or threatened extinct. Javan Gibbons are the source of ideas for creating ready-to-wear, ready-to-wear deluxe and haute couture clothing which are implemented with metaphorical theory based on selected keywords, namely diurnal, arboreal, monogamous, territorial, sound, long sleeves, attracting attention and art of beat. The foundation of this fashion creation is using the method of. Tjok Istri Ratna Cora Sudharsana, namely Frangipani. “FRANGIPANI, The Secret Steps of Art Fashion” which consists of ten stages in the process of crafty fashion designs. The result of this creation is expected to be able to introduce to many people that Indonesia has the Javan Gibbon as an endemic animal of Indonesia that must be preserved in order that it does not become extinct. 
PENGUATAN DAN PEMAJUAN PEMBELAJARAN MOTIF TENUN ENDEK BALI Nyoman Dewi Pebryani; Putu Manik Prihatini; Tjok Istri Ratna C.S
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Proses menenun merupakan proses yang tidak mudah dan membutuhkan waktu yang lama, sehingga banyak generasi muda mulai meninggalkan budaya tersebut. Adanya Surat Edaran Gurbernur Provinsi Bali nomor 4 tahun 2021 mengatur tentang penggunaan kain tenun Endek pada hari selasa membawa dampak positif terhadap permintaan tenun Endek yang meningkat. Namun disisi lain, para penenun yang telah lama vakum, menemui kesulitan dalam proses produksi dan mencari inspirasi desain yang baru. Tuntutan proses yang serba cepat dalam menghasilkan desain-desain motif yang baru, dapat diantisipasi dengan mengintegrasikan teknologi berupa aplikasi digital berbasis web dalam proses desain motif tenun Endek. Untuk mengetahui bagaimana aplikasi digital ini mampu membantu kebutuhan pertenunan, maka dilakukan pelatihan pertenunan dan kemudian meminta masukan dan saran dari para peserta pelatihan, sebagai bahan untuk menyempurnakan aplikasi desain ini. Dengan demikian, aplikasi desain motif yang baru dapat disebarluaskan kepada pertenunan lainnya serta dapat dimanfaatkan untuk alat pembelajaran digital terkait dengan budaya.
Symmetry Analysis of Double-ikat Textile Patterns: Patan Patola and Geringsing Nyoman Dewi Pebryani
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 1 No. 2 (2018): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v1i2.493

Abstract

Symmetry analysis of textile patterns, which appear in the Patan Patola and Geringsing textiles produced by the double ikat technique in India and Indonesia, can provide information about the cultural relationship between ethnic groups. Symmetry is categorized into classes according to the Symmetry Group Theory. This article is based on a study in which eight textile samples were used: four Patan Patola textiles and four Geringsing textiles collected from an exhibition catalog. Each sample was examined based on the Symmetry Group Theory and divided into three class categories: point symmetry, one-dimensional, and two-dimensional classes. The results indicate high similarities among the symmetry classes of samples from these two ethnic groups, thereby suggesting that the patterns possess a common connection. Patan Patola and Geringsing textile patterns admitted pmm2 and d4in all samples, indicating intense interactions.
Fabric Slashing Bag: Solusi Kreatif UMKM Fashion Kota Denpasar Mengelola Limbah Tekstil Diantari, Ni Kadek Yuni; Pradnya Paramita, Ni Putu Darmara; Pradnyani Utami, Ni Luh Ayu; Pebryani, Nyoman Dewi; Muda Rahayu, Made Tiartini; Sudharsana, Tjokorda Istri Ratna Cora; Sukawati, Tjokorda Gde Abinanda; Sukmadewi, Ida Ayu Kade Sri; Konte Tenaya, Anak Agung Ngurah Anom Mayun; Priatmaka, I Gusti Bagus; Prayatna, I Wayan Dedy
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 3 No 1 (2024): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v3i1.3601

Abstract

Kegiatan pengabdian dilakukan untuk menangani limbah tekstil berupa kain perca yang dihasilkan dari proses produksi produk fashion UMKM bidang fashion di kota Denpasar melalui pembuatan tas dengan teknik fabric slashing. Selain mengurangi limbah tekstil, produk fabric slashing bag ini juga sebagai sarana dalam mengekplorasi pemanfaatan limbah tekstil sekaligus meningkatkan nilai ekonomis dari limbah tekstil sehingga layak untuk dipasarkan. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Teknik pengumpulan data dilakukan melalui observasi, wawancara, dan analisis data mengenai dampak limbah fashion. Data yang diperoleh dianalisis dengan menggunakan metode deskriptif kualitatif untuk memperoleh tahapan yang tepat dalam pelaksanaan pengabdian dan pengolahan limbah fashion dengan kreatif dan bernilai ekonomis bagi UMKM. Kegiatan pengabdian dilakukan melalui kegiatan pelatihan selama lima hari untuk memahami karakteristik limbah fashion, mengetahui langkah-langkah dalam teknik fabric slashing, menentukan desain  produk, hingga proses pengolahan kain perca menjadi produk fashion yang memiliki nilai ekonomis. UMKM Kota Denpasar di bidang fashion dalam proses produksi menghasilkan limbah tekstil berupa kain perca, jumlah perca yang dihasilkan kian meningkat seiring dengan proses produksi. Kain perca yang tidak diolah menimbulkan kekhawatiran bagi pemilik UMKM bidang fashion di Kota Denpasar jika menjadi sampah atau limbah tekstil yang dapat mencemari lingkungan. Maka dari itu diperlukan kemampuan untuk mengolah kain perca agar tidak mencemari lingkungan sekaligus memiliki nilai ekonomis melalui kegiatan pelatihan kepada UMKM bidang fashion di Kota Denpasar.
Peningkatan Keahlian Sumber Daya Manusia Bagi Pelaku UMKM Fashion Kota Denpasar Melalui Pelatihan Merajut Diantari, Ni Kadek Yuni; Sukmadewi, Ida Ayu Kade Sri; Sudharsana, Tjokorda Istri Ratna Cora; Rahayu, Made Tiartini Muda; Pebryani, Nyoman Dewi; Utami, Ni Luh Ayu Pradnyani; Udiyani, Ni Made Santi; Sukawati, Tjokoda Gde Abinanda; Paramita, Ni Putu Darmara Pradnya; Tenaya, Anak Agung Ngurah Anom Mayun Konte; Priatmaka, I Gusti Bagus; Prayatna, I Wayan Dedy; Mahadewi, Ida Ayu Ari
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 3 No 2 (2024): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v3i2.4500

Abstract

Pelatihan merajut ini dilakukan sebagai bentuk pengabdian kepada masyarakat khususnya bagi UMKM bidang fashion dikota Denpasar. Pelatihan merajut digagas untuk meningkatkan keahlian bagi UMKM dalam produksi produk fashion yang kreatif dan inovatif sekaligus menambah nilai dari produk fashion sehingga mampu memperluas jangkauan produk yang ditawarkan. Metode kualitatif dengan pendekatan studi kasus dilakukan untu menganalisa data terkait permasalahan yang dihadapi oleh UMKM fashion di kota Denpasar dan ketepatan metode pembelajaran teknik merajut sebagai langkah pelaksanaan pelatihan merajut untuk mewujudkan produk fashion yang kreatif, inovatif serta bernilai ekonomis bagi UMKM. Pelaksanaan pelatihan merajut ini diselenggarakan selama lima hari untuk memahami teknik merajut hingga tercipta produk tas rajutan dengan tiga tahapan yang terdiri dari 1) tahap persiapan yang meliputi identifikasi peserta, penyusunan materi, dan persiapan alat dan bahan; 2) tahap pelaksanaan yang meliputi kegiatan penyampaian materi, pendampingan; 3) tahapan akhir dengan mengadakan evaluasi. Kegiatan pelatihan merajut ini mampu meningkatkan kemampuan SDM pelaku UMKM kota Denpasar khususnya dalam keahlian merajut dasar yang bermanfaat bagi UMKM fashion kota Denpasar dalam mengembangkan produk fashion dengan sentuhan tangan yang unik dan menarik untuk dipasarkan.
Co-Authors A.A. Ngr. Anom Mayun K. Tenaya Aiununnisa, Amelia Al Attas, Syarifah Alawiyah Amelia Aiununnisa Apriliani, Luh Putu Monita Apriliyani, Christy Wahyu Ardhanariswari, I Gst. Ayu Agung Sista Aribaten, Ni Nengah Zinnia Ariyanti, Ni Kadek Yunik Artayasa, Ni Kadek Intan Cahyani Cahyani, Salsa Bilah Regita Chandra Fatmi, Dewa Ayu Gek Diah Dammayanti, Anak Agung Ketut Oka Marta Darmara Pradnya Paramita, Ni Putu Delia Fitriani Devi, A.A Istri Dewi, Ida Ayu Agung Pradnya Dewi, Ketut Dina Aprilianti Dewi, Ni Made Dhea Sasmitha Dewi, Ni Putu Chyntia Dewi, Ratih Kemala Dianawati, Ni Kadek Dwi Putri Diantari, Ni Kadek Yuni Fadiyanti, Elisa Grahantiyasari, Kadek Mirah Hadhira Rahma Hoar Nahak, Esperanza Ayu Viana I Made Radiawan I Nyoman Artayasa I Wayan Adnyana I Wayan Suardana I Wayan Sujana Ida Ayu Gede, Artayani Indartini, Ni Putu Melani K. Tenaya, A.A Ngurah Anom Mayun Karso, Kejora Pratiwi Karso, Olih Solihat Mahadewi, Ida Ayu Ari Maria Yolanda Vincent Maselia Andriani, Ni Putu Nanda Megy, Ni Made Lesiana Mitariani - Muda Rahayu, Made Tiartini Mudarahayu, Made Tiartini Ni Luh Ayu Pradnyani Utami Noorwatha, I Kadek Dwi Paramita, Ni Gusti Ayu Prastiti, Ni Made Prayatna, I Wayan Dedy Priatmaka, I Gusti Bagus Purwadani, Kadek Anjani Putri Puspayani, Ni Kadek Intan Putu Manik Prihatini Putu Manik Prihatini Rahayu, Made Tiartini Muda Rahma Sari, Ni Made Kartika Sari Rahma, Hadhira Ramadhan, Tara Firdaus Lailil Ratna Cora Sudharsana, Tjok Istri Remawa, Anak Agung Gede Rai S. Suharto Sari, Dewa Ayu Putu Leliana Savitri, Cokorda Istri Winda Suharto Suharto Sukawati, Tjokoda Gde Abinanda Sukawati, Tjokorda Gde Abinanda Sukmadewi, Ida Ayu Kade Sri Sumaningsih, Ni Kadek Dwi Sunatha, Ade Savitri Suprapti, Desak Ketut Devi Tiara Linggi, Randan Elrahel Udiyani, Ni Made Santi Utama, Gede Verdy Darma Utami, Ni Luh Sri Wardani, Putu Asri Yugeswari, Vinda Yulius, Yosef