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All Journal Acintya Capture : Jurnal Seni Media Rekam Sanggitarupa Framing: Journal of Art, Film, Television, Animation, Games and Technology
Adji, Titus Soepono
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Arts Humanities

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Journal : Acintya

 1 
PENULISAN SKENARIO BERGENRE FIKSI ILMIAH MENGANGKAT KEUNIKAN KARTOGRAFI KOTA DENGAN PENDEKATAN RISET SEJARAH ‘ATMODIRONO’ Adji, Titus Soepono
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (846.169 KB) | DOI: 10.33153/acy.v8i2.1945

Abstract

Atmodirono is experimentation screenwriting science fiction genre with the approach of historiography and science of cartography or mapping the city of Semarang. Historiography raised is related to the history of the city of Semarang from its inception to the present. In terms of cartography, this filmfocuses on the potential uniqueness map of Semarang who have axes secret that connects several points in the city of Semarang and other points in the world. Experimentation methods of mapping using the online application Google Earth Remote Sensing.Meanwhile, as the binder story, based onthe life story Atmodirono, an architect first Natives in the Dutch East Indies, where life is still rarely discussed and mysterious. Scriptwriting method used is the method of Richard Krevolin, who can work to work on the screenplay adaptation of the various processes that allow, in this case the historyof the city. Atmodirono figures and the map of Semarang. This story can end up being a critique of urban development is not organized at this time.Keywords: Science Fiction, Cartography, Atmodirono figures.
MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1334.23 KB) | DOI: 10.33153/acy.v9i1.2127

Abstract

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.
Jagad Jawa RM Kristiadi pada Proses Kreatif Program Televisi di TVRI Yogyakarta Adji, Titus Soepono
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3141

Abstract

ABSTRACT RM Kristiadi is a TV producer at TVRI who has been working since 1997. He is involved in programs that still exist at TVRI Yogyakarta, such as Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, etc. These programs stil exist until right now, among others, because they lift the atmosphere of Javanese Culture in accordance with the principle of the similarity of body memory, the framework of fantasy that is believed in the process of its creation. RM Kristiadi also conducted experiments in building new works through critical thinking on the achievements that have ever existed. This research is a qualitative descriptive study, which focuses on knowing the background of RM Kristiadi's creative process. Data was collected through a series of direct interview processes with the interviewees, with data reinforced from documents. Key Word: Java Athmosphere, TV Produser, TV Program.  ABSTRAK RM Kristiadi seorang produser televisi di TVRI yang berkarya sejak tahun 1997. Dia terlibat dalam program-program yang hingga saat ini masih eksis di TVRI Yogyakarta, seperti Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, dll. Program-program tersebut eksis antara lain karena mengangkat atmosfer Budaya Jawa sesuai dengan prinsip kesamaan Memori tubuh, Kerangka fantasi yang diyakini dalam proses penciptaannya. RM Kristiadi juga melakukan eksperimentasi dalam membangun kebaruan karya melalui daya kritis atas capaian-capaian yang pernah ada. Penelitian ini merupakan penelitian Deskriptif Kualitatif, yang berfokus untuk mengetahui latar belakang alur pemikiran proses kreatif RM Kristiadi. Data dikumpulkan melalui serangkaian proses wawancara langsung pada narasumber, dengan diperkuat data-data dari dokumen. Kata Kunci: Jagad Jawa, Produser Televisi, Program Acara Televisi.
PENULISAN SKENARIO BERGENRE FIKSI ILMIAH MENGANGKAT KEUNIKAN KARTOGRAFI KOTA DENGAN PENDEKATAN RISET SEJARAH ‘ATMODIRONO’ Adji, Titus Soepono
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1945

Abstract

Atmodirono is experimentation screenwriting science fiction genre with the approach of historiography and science of cartography or mapping the city of Semarang. Historiography raised is related to the history of the city of Semarang from its inception to the present. In terms of cartography, this filmfocuses on the potential uniqueness map of Semarang who have axes secret that connects several points in the city of Semarang and other points in the world. Experimentation methods of mapping using the online application Google Earth Remote Sensing.Meanwhile, as the binder story, based onthe life story Atmodirono, an architect first Natives in the Dutch East Indies, where life is still rarely discussed and mysterious. Scriptwriting method used is the method of Richard Krevolin, who can work to work on the screenplay adaptation of the various processes that allow, in this case the historyof the city. Atmodirono figures and the map of Semarang. This story can end up being a critique of urban development is not organized at this time.Keywords: Science Fiction, Cartography, Atmodirono figures.
MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v9i1.2127

Abstract

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.
Jagad Jawa RM Kristiadi pada Proses Kreatif Program Televisi di TVRI Yogyakarta Adji, Titus Soepono
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3141

Abstract

ABSTRACT RM Kristiadi is a TV producer at TVRI who has been working since 1997. He is involved in programs that still exist at TVRI Yogyakarta, such as Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, etc. These programs stil exist until right now, among others, because they lift the atmosphere of Javanese Culture in accordance with the principle of the similarity of body memory, the framework of fantasy that is believed in the process of its creation. RM Kristiadi also conducted experiments in building new works through critical thinking on the achievements that have ever existed. This research is a qualitative descriptive study, which focuses on knowing the background of RM Kristiadi's creative process. Data was collected through a series of direct interview processes with the interviewees, with data reinforced from documents. Key Word: Java Athmosphere, TV Produser, TV Program.  ABSTRAK RM Kristiadi seorang produser televisi di TVRI yang berkarya sejak tahun 1997. Dia terlibat dalam program-program yang hingga saat ini masih eksis di TVRI Yogyakarta, seperti Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, dll. Program-program tersebut eksis antara lain karena mengangkat atmosfer Budaya Jawa sesuai dengan prinsip kesamaan Memori tubuh, Kerangka fantasi yang diyakini dalam proses penciptaannya. RM Kristiadi juga melakukan eksperimentasi dalam membangun kebaruan karya melalui daya kritis atas capaian-capaian yang pernah ada. Penelitian ini merupakan penelitian Deskriptif Kualitatif, yang berfokus untuk mengetahui latar belakang alur pemikiran proses kreatif RM Kristiadi. Data dikumpulkan melalui serangkaian proses wawancara langsung pada narasumber, dengan diperkuat data-data dari dokumen. Kata Kunci: Jagad Jawa, Produser Televisi, Program Acara Televisi.
Co-Authors Agung, I Putu Suhada Ajie, Purwoko Fauzi, Abas nugroho, widhi Suciati, Dica Mustika Syam, Reskyana Wastiwi S, Sri